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==Tune Analysis: How To Dissect, Interpret and Categorize Anglo-American, Celtic and English Folk Melodies== | ==Tune Analysis: How To Dissect, Interpret and Categorize Anglo-American, Celtic and English Folk Melodies== | ||
To learn how to analyse folk melodies click on this link[[http://folkopedia.efdss.org/wiki/Tune Analysis: | To learn how to analyse folk melodies click on this link[[http://folkopedia.efdss.org/wiki/Tune Analysis:How_To_Dissect,_Interpret_and_Categorize_Anglo-American,_Celtic_and English_Folk_Melodies]]. | ||
==Resources== | ==Resources== |
Revision as of 16:10, 9 February 2018
Category Editor: Dr Vic Gammon
There are many thousands of songs. There are many song collections and many versions of the same song. Where to start looking? That's the problem.
All songs currently in Folkopedia are listed on the Song Category Page
Note. Our intention is not to restrict this initiative to English Song, but to use the present headings as a starting point to view whatever develops from wherever it comes.
The Take 6 Transcription Programme
Take 6 (also more recently, and in an augmented form, known as The Full English) is a major initiative from the English Folk Dance and Song Society to put online some of the major manuscript collections of folk songs and folk music. Check it out here [1]
The Take 6 Transcription Programme is an initiative hosted by Folkopedia to make the content of these manuscripts available as PDF sheet music, MIDIs, MusicXMLs and abc files. Check it out here [[2]]
Traditional Songs by Theme
It's often difficult to categorise a song. Is the song of a Thames Bargeman a sea song or an industrial one? Likewise a Fishing song. Many industrial or rural songs had a political dimension. It doesn't do to worry too much about it - the categories are really just a rough guide to get to something that fits the browser's interest and in the spirit of the Wiki might lead to somewhere altogether unexpected! Some Song Books are arranged by theme. Here are some of the common themes in folk song:
Songs of Love and Marriage romantic, unrequited, happy and unhappy wedlock, spinsters and batchelors, broken tokens
Songs of Seduction brief, bawdy, passionate and tragic
Songs of Country Life millers, blacksmiths, cobblers
Songs of Good Company drinking, carousing, conviviality
Hunting and Poaching Songs the fox, the hare, transportation
Sea Songs press gangs, men o' war, fishing & whaling, jack on shore
Soldiers' Songs the king's shilling, bloody battles
Songs of Comedy and Diversion comical tales, legendary animals, marvels
Ritual Songs folk ceremonies, mummer's plays
Songs of the Road travellers, gypsies and journeymen
Political and Historical Songs rebellion, reform, great events
Children's Songs rhymes, game songs
Songs of Heroes and Villains Highwaymen, scoundrels, and adventurers, real and fictitious
Industrial Songs pits and mills
Traditional Singers
English Source Singers
Scottish Source Singers
Irish Source Singers
North American Source Singers
Australian Source Singers
Performance
section editor Chris Coe
This is a tricky section to think of including. One doesn't always associate folk song and 'performance' but some of the techniques applied by the traditional singers can bear scrutiny, especially by those who want to sing the same sort of songs.
The intimate fireside delivery of Walter Pardon.......
Lizzie Higgins taking a deep breath, expanding to be a 'giant' and setting forth..........
Johnny Doughty turning his cap sideways and singing the Herring's Head.....
And any one who has seen Jock Duncan perform the Two Sisters will have a vivid understanding of song delivery with gestures....
Watch this space.
--JohnnyAdams 22:46, 14 March 2007 (UTC)
Scales and Musical Modes in Celtic, Anglo-American and English Folk Songs
The great folk song collectors, such as Cecil Sharp and Lucy Broadwood, were interested in the musical scales and modes (such as Ionian, Mixolydian, Aeolian and Dorian) in which Celtic, Anglo-American and English folk songs have come down to us. To read more about scales and modes click on this link[[3]].
Tune Analysis: How To Dissect, Interpret and Categorize Anglo-American, Celtic and English Folk Melodies
To learn how to analyse folk melodies click on this link[Analysis:How_To_Dissect,_Interpret_and_Categorize_Anglo-American,_Celtic_and English_Folk_Melodies].
Resources
Recordings
Record labels produce recordings of both song and instrumental music, and a list of these can be found here
Books & Bibliographies
Books of and about folk songs abound and seem to increase at an exponential rate. It is ironic that computerisation and digitalisation, which make this site possible, also make it much easier and cheaper to publish new books. In addition, many rare and inaccessible books from the past have been scanned and placed on the web in recent years, which has helped more and more people to find songs and contribute to scholarship and discussion. Probably the most complete and recent listing of books is the one given immediately below. After that, there follows a short selection of some important books.
Bibliographies
- Margaret Dean-Smith, A guide to English Folk Song Collections 1822 - 1952, Liverpool: University Press of Liverpool, in Association with EFDSS (1954) - An earlier attempt at a bibliography but with substantial descriptions and publishing details of the books as well as an alphabetical index of the songs included in these collections. Still a valuable reference - particularly when used in conjunction with the Roud index.
Books
Probably the most important thing to know is what is available and in print now. The most up to date list is probably to be found at the Traditional Song Forum web site in the form of a list by publisher Dave Herron. Look on the library pages for Dave Herron's Chapbook.
Below is the place to put detail of ALL the folksong books that ever there were.
Indexes
- The Vaughan Williams Memorial Library online index including
The site also gives you access to the Roud Index, compiled by Steve Roud.
The Roud Folk Song Index is a database of 143,000+ references to songs that have been collected from oral tradition in the English language from all over the world.
It is the most important finding aid for traditional song ever compiled, and not even the most casual researcher can afford to do without it.