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...ad, primarily to check the notation and see if it is indeed the same piece of music. ...in London the same year and after that the tune was known by the title of the play. ([[Hugh Rippon]]).

No. 95. The Sheep-Shearing ...kerstaff’s words “travelled down into Cornwall in some such collection as ‘The Syren,’ and were there set to music by some local genius.”

T:Trees, The<br> ...was a mar-ried man, At the|age of fif-teen he was the fa-ther of a son, At the<br>

...lk Song: Some Conclusions, p. 22''). The words that he sang were virtually the same as those printed on broadsides by Pitts, Jackson, and others. ...Folk Songs for Schools'' (No. 11); and George Cruikshank’s ''Loving Ballad of Lord Bateman''.

...he father of the collector [[Harry Hurlbutt Albino]] and the source of two of his songs. ...ilson and settled down as a jeweller in the Cotswold village of Bourton-on-the-Water. <BR><BR>

No. 4. Robin Hood and the Tanner ...cteristic. Except for one or two minor alterations, the words are given in the text precisely as they were sung to me.

...h pedigree Guernsey cattle.&nbsp; Here he was to work for virtually all of the next 31 years until retiring in 1971. George had a vast store of songs ranging from music hall tearjerkers to classic traditional ballads.&n

...o. Henry Allen died just over a year after Sharp’s visit, towards the end of 1910. ...isingly, they did not. However, one of the other musicians who played for the Ruardean Morris dancers was [[Tite Smith]], from whom [[Stephen Baldwin]] l

In the private collection of Lynn Wood, of Yorkshire. This introduction is in two parts, firstly a very brief history and notes on the tunes by Chris Partington, then a fuller biographical account by Bob Ellis.

...ped with the business until his death in February 1927 at the ripe old age of 97 years.<BR><BR> ...and Gardner gave him several morris dance tunes - presumably those used by the North Leigh Set:

...pted by four years in the army (again as a carpenter, at Aldershot) during the Second World War. ...ween the last of the family singing sessions and his being ‘discovered’ by the 1970s’ folk scene.

Presented to the Cecil Sharp (Vaughan Williams Memorial) Library by Mrs W.R.Kettlewell Apr 1 Transcribed into abc and edited for The Village Music Project by P.J.Headford, in 2009

...r of folk songs, and as such was a key figure in the folk music revival of the 1950s and 1960s. ...loyd was sent as an assisted migrant to Australia in a scheme organised by the British Legion.(Edited) There, he worked on various sheep stations in New S

Village Music Project notes on the AGG transcripts:- ''Filed with the Anne Geddes Gilchrist Manuscript Collection, AGG/2/137,''

...e Home Page of the Full English Transcription Programme (formerly known as the [[Take 6 Transcription Programme]]) ...inked to their original MSS enter the filenames [LEB/2/1/1 or whatever] in the search box here. [[http://www.vwml.org/]]'''

...est England. It is thought that his daughter Alice may have contributed to the book. ...on.rtf]] - Follow this link for biographical notes and an introduction to the manuscript, by Barry Callaghan and Chris Partington.

...e Home Page of the Full English Transcription Programme (formerly known as the [[Take 6 Transcription Programme]]) ...inked to their original MSS enter the filenames [LEB/2/1/1 or whatever] in the search box here. [[http://www.vwml.org/]]'''

...rural pastimes, which sometimes appear more novel, even desirably savage, the further from London they claim (not always justly) as their origin. ...lf with the effect of this on English popular dance music, which even from the earliest times can be seen to reflect reality by including influential musi

T:Wedding Night. (p)1651.PLFD1.004, The T:Symphony. (p)1651.PLFD1.005, The