Music: Difference between revisions
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===Session | ===Online Session Tunebooks=== | ||
Here are some online collections of tunes that are current in various sessions around the world. The descriptions may be taken from the compiler's own website. | Here are some online collections of tunes that are current in various sessions around the world. The descriptions may be taken from the compiler's own website. | ||
* '''Paul Hardy's''' [http://www.pghardy.net/concertina/tunebooks/#session session tunebook]. Mainly traditional Celtic and English from the British Isles. | * '''Paul Hardy's''' [http://www.pghardy.net/concertina/tunebooks/#session session tunebook]. Mainly traditional Celtic and English from the British Isles. |
Revision as of 09:26, 12 April 2015
Category Editor Paul Burgess
Music is an integral part of singing and dancing and often an accompaniment to other activities like processions and ceremonials.
Singers and Dancers are just as much musicians as people who play instruments.
Folk tunes are very often divorced from their original setting and played for another purpose or just for the joy of it. Thus a song tune can become a dance tune or a concert piece.
Sometimes a good tune inspires the addition of words to make it a song.
All of these things happen.
Here we can pool information about where tunes came from, when, what they were used for, possibly who published them, how they travelled and where they are to be found now.
Traditional Players
The definition of a musician's nationality can be loosely applied. Some players were born in one country and lived in that country all their lives playing whatever music came their way in a style that could be described as belonging to that country. Other players were born in England but their parents were Irish or Welsh, etc.
Other players were born elsewhere but learned and played in the midst of the culture into which they were born.
Yet others were born in a country and played music from another tradition or style in a venue of their country.
It doesn't really matter that much. This section is just to narrow the search.
English Traditional Players
Scottish Traditional Players
Irish Traditional Players
Welsh Traditional Players
American Traditional Players
Australian Traditional Players
The major part of the work in documenting Australia's traditional players was done by the late John Meredith in association with a number of other researchers.
Here is a list of the known performers.
See also the National Library of Australia pictures catalogue for John Meredith's collection of pictures of traditional players. (Search on John Meredith and Creator).
French Canadian Traditional Players
Instruments
Resources
Recordings
Manuscripts
Many musicians over the centuries have written down their repertoire in music books and some of the old ones have survived into the 21st century. The oldest one so far identified was written down by Henry Atkinson of Morpeth Northumberland and is dated on one page - 1694.
Some good work has been done in transcribing these books and making them available as paper published tunebooks or as abc notation collections on the internet.
Books
Historical Publications
The most useful list of historical dancetune books on the web is the 'Early American Secular Music and its European Sources' website. This was researched in the later 20th century and is a very good overview of the field, with only a few omissions of books that have come to light more recently. http://www.colonialdancing.org/Easmes/index.html
Another huge resource based on years of research is the late Bruce Olson's website . Some of the material on the site has become redundant since his death in 2003, yet it remains a valuable tool for serious scholars. http://www.fresnostate.edu/folklore/Olson/index.html
Tunes and dances are bound together and when Walsh and Simpson, et al published the tunes the dances often came attached. Mostly, modern musicians raid the tunes and skip over the dances.
Tunes
Tunes
Such a small word - such a big subject! This is not the place for storing tunes, those places exist in the links below, but to give a flavour of the commoner sort here are some examples Tune Index
If you feel the need to add tunes read this first Policy for tune pages
- James Stewart's Index of Tunes is an online PDF database of 70K tunetitles (only) and which books they can be found in.
Online Tunes
- The Village Music Project
A study of English social musicians from the 17th Century onwards from their manuscripts.
Contains information about fiddle manuscripts, plus many of their contents transcribed into ABC notation.
http://www.village-music-project.org.uk/
- The Farne Project
A selection of texts, pictures and recordings of Northumbrian Traditional Music, including a number of traditional tune resources. There are scans of one of the oldest tune manuscripts in England written down by Henry Atkinson in 1694. There are recordings by a variety of musicians including Willy Taylor, Joe Hutton and Will Atkinson.
The Farne Project
- Morris Tunes on the Morris Ring website
ABCs, dots and mp3s of Lionel Bacon's Black Book, plus links to other sites.
[http://www.themorrisring.org/music ]
- John Chamber's Tune Finder
This excellent resource trawls the web for tunes in abc format and allows the user to retrieve the results in a variety of ways. You just need to know something about your target tune to narrow the search.
- Chris Walshaw's Search Engine on the ABC Notation Homepage
Type in a title and see the tunes pop up, in notation, midi and ABC notation.
- The Traditional Tune Archive
A major source of tunes and a place to contribute them is The Traditional Tune Archive - The Semantic Index of North American, British and Irish traditional instrumental music with annotation, formerly known as The Fiddler's Companion. [1]
Online Session Tunebooks
Here are some online collections of tunes that are current in various sessions around the world. The descriptions may be taken from the compiler's own website.
- Paul Hardy's session tunebook. Mainly traditional Celtic and English from the British Isles.