88 Bold Nelson's Praise
Back to Cecil J. Sharp (1916) ''One Hundred English Folk Songs''
Tune Analysis:
Sheet Music (1916) Media:88BolNel_1916_Sheet_Music.pdf
Cecil Sharp's Note (1916) Media:88BolNel_1916_Note.pdf
MIDI Sequence Media:88BolNel.mid
Music XML File:88BolNel.xml
ABC Code:
X:88 T:88 Bold Nelson's Praise P:Collected by Cecil J. Sharp C:From 'One Hundred English Folk Songs' (1916) Z:Transcribed by Lewis Jones %%scale 0.83 %%pagewidth 21.00cm %%leftmargin 1.00cm %%rightmargin 1.00cm Q:1/4=120 L:1/4 M:4/4 I:linebreak $ K:Em V: V:1
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w: Bold|Nel- son's praise I'm|go\- ing to sing,|(Not forg- gett\- ing our|glor- ious King), He|al- ways did good|tid- ings bring for *|he was a bold comm-|
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w: and- er. There was|Syd- ney Smith and|Dun can too, Lord|Howe and all the|glor- ious crew,|They were the men that|were true blue,|Full of care,|
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w: Yet I swear|None with Nel- son|could comp- are, Not *|ev- en * Al- ex-|and- er.| W: W: W:1 Bold Nelson's praise I'm going to sing, (not forgetting our glorious King), W:He always did good tidings bring, for he was a bold commander. W:There was Sydney Smith and Duncan too, Lord Howe and all the glorious crew; W:They were the men who were true blue, full of care, yet I swear W:None with Nelson could compare, not even Alexander. W: W:2 Bold Buonaparte he threaten'd war, a man who fear'd not wound nor scar, W:But still he lost at Trafalgar where Britain was victorious. W:Lord Nelson's actions made him quake, and all French pow'rs he made to shake; W:He said his king he'd ne'er forsake. these last words thus he spake: W:Stand true, my lads, like hearts of oak, and the battle shall be glorious. W: W:3 Lord Nelson bold, though threatened wide, and many a time he had been tried, W:He fought like a hero till he died amid the battle gory. W:But the day was won, their line was broke, while all around was lost in smoke, W:And Nelson he got his death stroke, that's the man for England! W:He faced his foe with his sword in hand and he lived and he died in his glory. W: W:NOTE W: W:This is the only version of this song that I know. The singer mixed his words in all W:the verses except the first one, necessitating a certain amount of rearrangement. W:The air is in the Dorian mode, and is a variant of "Princess Royal," a well-known W:Morris-Jig tune. Shield adapted the air to the words of "The Saucy Arethusa," one W:of the songs in the ballad-opera 'The Lock and Key' (1796). The composition of the W:air has sometimes been attributed to Carolan. The tune is also printed in Walsh's W:'Compleat Dancing Master' (circa 1730), under the title "Princess Royal: the new way." W: