Ionian, Mixolydian, Dorian and Aeolian: Samples and Examples of the 4 Main Musical Scales in Celtic, Anglo-American and English Folk Songs: Difference between revisions
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[[Tune Analysis: How To Dissect, Interpret and Categorize Anglo-American, Celtic and English Folk Melodies]] | [[Tune Analysis: How To Dissect, Interpret and Categorize Anglo-American, Celtic and English Folk Melodies]] | ||
For samples and examples of the 4 main musical scales follow these links: | For samples and examples of the 4 main musical scales, and of the most common gapped and hybrid scales, follow these links: | ||
[[Ionian]] | [[Ionian]] | ||
[[Ionian/Mixolydian Gapped Scales and Hybrids]] | [[Ionian/Mixolydian Gapped Scales and Hybrids]] | ||
[[Ionian/Lydian Gapped Scales and Hybrids]] | |||
[[Mixolydian]] | [[Mixolydian]] | ||
| Line 19: | Line 21: | ||
[[Dorian]] | [[Dorian]] | ||
[[Dorian/Aeolian | [[Dorian/Aeolian Gapped Scales and Hybrids]] | ||
[[Aeolian]] | [[Aeolian]] | ||
Latest revision as of 21:50, 4 March 2019
For discussion and explanation of the 4 main musical scales in Celtic, Anglo-American and English folk songs follow these two links:
Scales and Musical Modes in Celtic, Anglo-American and English Folk Songs
and
For samples and examples of the 4 main musical scales, and of the most common gapped and hybrid scales, follow these links:
Ionian/Mixolydian Gapped Scales and Hybrids
Ionian/Lydian Gapped Scales and Hybrids
Mixolydian/Dorian Gapped Scales and Hybrids