Charlie Bridger: Difference between revisions
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Born 9th July 1913, at Kenardington, into a musical family. His father, also Charles, was employed as mower on a farm at Kenardington, and played tenor horn in both Kenardington and Woodchurch Bands. Charlie's great-grandfather had played the flute, while his grandfather Tom played clarinet. There is a photograph of Woodchurch Band from around 1920, which shows Charlie's father and grandfather, and Charlie in the front row, holding a clarinet. Band practices often ended with a sing-song, and although Charlie was too young to go into the pub, he picked up a number of songs this way. | Born 9th July 1913, at Kenardington, into a musical family. His father, also Charles, was employed as mower on a farm at Kenardington, and played tenor horn in both Kenardington and Woodchurch Bands. Charlie's great-grandfather had played the flute, while his grandfather Tom played clarinet. There is a photograph of Woodchurch Band from around 1920, which shows Charlie's father and grandfather, and Charlie in the front row, holding a clarinet. Band practices often ended with a sing-song, and although Charlie was too young to go into the pub, he picked up a number of songs this way. | ||
Other songs he learned in adulthood from local men - typically older than him - sometimes buying a pint of beer in return for the words (e.g. [[Three Maidens a-Milking Did Go]] | Other songs he learned in adulthood from local men - typically older than him - sometimes buying a pint of beer in return for the words (e.g. [[Three Maidens a-Milking Did Go]] "I learnt that off an old man, old Billy King. I gave him a pint of beer. And you got it for nothing - 4d, that was a lot of money then.") He sang in the pub and at village hall events such as smoking concerts, and naturally his repertoire included songs learned from books such as the [[News Chronicle Song Book]], "nigger minstrel" songs, and standard items such as [[Village Pump, The|The Village Pump]] as well as traditional material. | ||
Between the wars Charlie played clarinet in bands for dances in local village halls. After the Second World War he took up playing the tenor horn with the Rye Town Band. When that band folded, he joined the Peasmarsh Band, and later the | Between the wars Charlie played clarinet in bands for dances in local village halls. After the Second World War he took up playing the tenor horn with the Rye Town Band. When that band folded, he joined the Peasmarsh Band, and later the Cranbrook Town band; he was an active bandsman practically for the rest of his life. | ||
When Charlie left school he worked on the same farm as his father, but found that he could earn more by stone-breaking and road-building. It was while working as a stone-breaker that he first met Lilian Gill (Lily), whom he married in October 1938. During the Second World War he worked on a market garden, as well as serving in the Home Guard. After the war he worked in a variety of agricultural jobs, ending his working life as an employee of the Southern Water Authority, maintaining the banks of the Royal Military Canal. | When Charlie left school he worked on the same farm as his father, but found that he could earn more by stone-breaking and road-building. It was while working as a stone-breaker that he first met Lilian Gill (Lily), whom he married in October 1938. During the Second World War he worked on a market garden, as well as serving in the Home Guard. After the war he worked in a variety of agricultural jobs, ending his working life as an employee of the Southern Water Authority, maintaining the banks of the Royal Military Canal. | ||
Charlie Bridger became known to the folk revival in 1983. Andy Turner was researching Kentish singers and was given Charlie's name by his contemporary Mr. Charles Beale, son of [[Albert Beale]] of Kenardington. Andy recorded a number of Charlie's songs, and organised occasional music and song sessions at Charlie's local, the Crown Inn, Stone-in-Oxney, at which it was obvious that he very much enjoyed being the centre of attention once again. [[Mike Yates]] recorded some half dozen songs from Charlie in April 1984, most of which have been released on [[Veteran]] or [[Musical Traditions]]. Charlie was invited to attend the [[National Folk Music Festival]] at Sutton Bonington, 1985, but was unable to travel owing to ill health. He did however make a brief appearance at the [[English Country Music Weekend]] at Frittenden, September 1988, a couple of months before his death. | Charlie Bridger became known to the folk revival in 1983. Andy Turner was researching Kentish singers and was given Charlie's name by his contemporary Mr. Charles Beale, son of [[Albert Beale]] of Kenardington. Andy recorded a number of Charlie's songs, and organised occasional music and song sessions at Charlie's local, the Crown Inn, Stone-in-Oxney, at which it was obvious that he very much enjoyed being the centre of attention once again. [[Mike Yates]] recorded some half dozen songs from Charlie in April 1984, most of which have been released on [[Veteran]] or [[Musical Traditions]]. Charlie was invited to attend the [[National Folk Music Festival]] at Sutton Bonington, 1985, but was unable to travel owing to ill health. He did however make a brief appearance at the [[English Country Music Weekends|English Country Music Weekend]] at Frittenden, September 1988, a couple of months before his death. | ||
:'I went to visit Charlie at his home in Kent because I had been told about his superb version of the song ''Three Maidens a-Milking Did Go'' | :'I went to visit Charlie at his home in Kent because I had been told about his superb version of the song ''Three Maidens a-Milking Did Go''... Charlie had worked for most of his life at a near-by stone quarry and I am sorry that I only managed to see him on one occasion.' | ||
:''Part of the booklet notes, written by Mike Yates, to the Musical Traditions Records CDs The Birds Upon the Tree (MTCD333)'' | :''Part of the booklet notes, written by Mike Yates, to the Musical Traditions Records CDs [[MTCD333_The_Birds_Upon_the_Tree|The Birds Upon the Tree (MTCD333)]]'' | ||
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*[[Brave Ploughboy, The|The Brave Ploughboy]] | *[[Brave Ploughboy, The|The Brave Ploughboy]] | ||
*[[Buttercup Joe]] | *[[Buttercup Joe]] | ||
*[[ | *[[Death of Nelson, The|The Death of Nelson]] | ||
*[[Farmer's Boy, The|The Farmer's Boy]] | *[[Farmer's Boy, The|The Farmer's Boy]] | ||
*[[Folkestone Murder, The|The Folkestone Murder]] ''(recorded Mike Yates, 1984)'' | *[[Folkestone Murder, The|The Folkestone Murder]] ''(recorded Mike Yates, 1984)'' | ||
Line 29: | Line 29: | ||
*[[Good Old Jeff]] | *[[Good Old Jeff]] | ||
*[[I'll take you home again, Kathleen]] | *[[I'll take you home again, Kathleen]] | ||
*[[In the Spring Time]] | |||
*[[Jenny Lind|Jenny Lind Polka]] | |||
*[[Jolly Waggoner, The|The Jolly Waggoner]] | *[[Jolly Waggoner, The|The Jolly Waggoner]] | ||
*[[Little by little, and bit by bit]] ''(recorded Mike Yates, 1984)'' | *[[Little by little, and bit by bit]] ''(recorded Mike Yates, 1984)'' | ||
Line 35: | Line 37: | ||
*[[Old Farmer Giles]] | *[[Old Farmer Giles]] | ||
*[[Old fashioned Mother of mine]] | *[[Old fashioned Mother of mine]] | ||
*[[ | *[[Faithful Sailor Boy, The|One bitter night in winter]] | ||
*[[Playing on the old banjo]] | *[[Playing on the old banjo]] | ||
*[[Ship that never returned, The|The Ship that never returned]] | *[[Ship that never returned, The|The Ship that never returned]] | ||
Line 48: | Line 50: | ||
*[[Won't you buy my pretty Flowers]] | *[[Won't you buy my pretty Flowers]] | ||
*[[Zulu War, The|The Zulu War]] ''(recorded Mike Yates, 1984)'' | *[[Zulu War, The|The Zulu War]] ''(recorded Mike Yates, 1984)'' | ||
All of these are on the Musical Traditions CD, Won't you Buy my Pretty Flowers? (MTCD377), with the exception of 'Buttercup Joe', 'The Farmer's Boy' and 'Silver Moon'. | |||
Copies of Mike Yates' recordings are held by the [http://www.bl.uk/collections/sound-archive/cat.html British Library Sound Archive]. | |||
== Discography == | |||
*Charlie Bridger [[MTCD377 Won't you Buy my Pretty Flowers?|Won't you Buy my Pretty Flowers?]], Musical Traditions, MTCD377. | |||
*Various Artists, [[MTCD333 The Birds Upon the Tree|The Birds Upon the Tree]], Musical Traditions, MTCD333. ([[Birds Upon the Tree, The|The Birds Upon the Tree]], [[Little by little, and bit by bit]]) | |||
*Various Artists, [[VT108 The Horkey Load Vol 1|The Horkey Load Vol 1]], Veteran, VT108. ([[Three Maidens a-Milking Did Go]]) | |||
*Various Artists, [[VT109 The Horkey Load Vol 2|The Horkey Load Vol 2]], Veteran, VT109. ([[Zulu War, The|The Zulu War]]) | |||
*Various Artists, [[VTC4CD Down in the Fields|Down in the Fields]], Veteran, VTC4CD. ([[Three Maidens a-Milking Did Go]]) | |||
*Various Artists, [[VTC6CD It was on a market day|It was on a market day - One]], Veteran, VTC6CD. ([[Folkestone Murder, The|The Folkestone Murder]]) | |||
*Various Artists, [[VTC7CD It was on a market day|It was on a market day - Two]], Veteran, VTC7CD. ([[Zulu War, The|The Zulu War]]) | |||
== Bibliography == | == Bibliography == | ||
George Frampton, ''Charlie Bridger musician and singer'', Bygone Kent, | George Frampton, ''Charlie Bridger musician and singer'', Bygone Kent, January 1994. | ||
Andy Turner & Rod Stradling, Booklet accompanying MTCD377 Won't you Buy my Pretty Flowers? https://mtrecords.co.uk/pdf/377.pdf | |||
[[Category:Singer]][[Category:Kent]] | [[Category:Singer]][[Category:Kent]] |
Latest revision as of 08:07, 16 March 2021
Charlie Bridger: singer and musician, Stone-in-Oxney, Kent, 1913-1988.
Born 9th July 1913, at Kenardington, into a musical family. His father, also Charles, was employed as mower on a farm at Kenardington, and played tenor horn in both Kenardington and Woodchurch Bands. Charlie's great-grandfather had played the flute, while his grandfather Tom played clarinet. There is a photograph of Woodchurch Band from around 1920, which shows Charlie's father and grandfather, and Charlie in the front row, holding a clarinet. Band practices often ended with a sing-song, and although Charlie was too young to go into the pub, he picked up a number of songs this way.
Other songs he learned in adulthood from local men - typically older than him - sometimes buying a pint of beer in return for the words (e.g. Three Maidens a-Milking Did Go "I learnt that off an old man, old Billy King. I gave him a pint of beer. And you got it for nothing - 4d, that was a lot of money then.") He sang in the pub and at village hall events such as smoking concerts, and naturally his repertoire included songs learned from books such as the News Chronicle Song Book, "nigger minstrel" songs, and standard items such as The Village Pump as well as traditional material.
Between the wars Charlie played clarinet in bands for dances in local village halls. After the Second World War he took up playing the tenor horn with the Rye Town Band. When that band folded, he joined the Peasmarsh Band, and later the Cranbrook Town band; he was an active bandsman practically for the rest of his life.
When Charlie left school he worked on the same farm as his father, but found that he could earn more by stone-breaking and road-building. It was while working as a stone-breaker that he first met Lilian Gill (Lily), whom he married in October 1938. During the Second World War he worked on a market garden, as well as serving in the Home Guard. After the war he worked in a variety of agricultural jobs, ending his working life as an employee of the Southern Water Authority, maintaining the banks of the Royal Military Canal.
Charlie Bridger became known to the folk revival in 1983. Andy Turner was researching Kentish singers and was given Charlie's name by his contemporary Mr. Charles Beale, son of Albert Beale of Kenardington. Andy recorded a number of Charlie's songs, and organised occasional music and song sessions at Charlie's local, the Crown Inn, Stone-in-Oxney, at which it was obvious that he very much enjoyed being the centre of attention once again. Mike Yates recorded some half dozen songs from Charlie in April 1984, most of which have been released on Veteran or Musical Traditions. Charlie was invited to attend the National Folk Music Festival at Sutton Bonington, 1985, but was unable to travel owing to ill health. He did however make a brief appearance at the English Country Music Weekend at Frittenden, September 1988, a couple of months before his death.
- 'I went to visit Charlie at his home in Kent because I had been told about his superb version of the song Three Maidens a-Milking Did Go... Charlie had worked for most of his life at a near-by stone quarry and I am sorry that I only managed to see him on one occasion.'
- Part of the booklet notes, written by Mike Yates, to the Musical Traditions Records CDs The Birds Upon the Tree (MTCD333)
Repertoire
- The Birds Upon the Tree (recorded Mike Yates, 1984)
- A Boy's best friend is his mother
- The Brave Ploughboy
- Buttercup Joe
- The Death of Nelson
- The Farmer's Boy
- The Folkestone Murder (recorded Mike Yates, 1984)
- The Gipsy's Warning
- Good Old Jeff
- I'll take you home again, Kathleen
- In the Spring Time
- Jenny Lind Polka
- The Jolly Waggoner
- Little by little, and bit by bit (recorded Mike Yates, 1984)
- The Mistletoe Bough
- O who will o'er the Downs so free?
- Old Farmer Giles
- Old fashioned Mother of mine
- One bitter night in winter
- Playing on the old banjo
- The Ship that never returned
- Silver Moon
- That's how you get served when you're old (recorded Mike Yates, 1984)
- Three cheers for the Red, White and Blue
- Three Maidens a-Milking Did Go (recorded Mike Yates, 1984)
- The Veteran
- Wait till the clouds roll by
- When you and I were young, Maggie
- Where is my wandering boy tonight?
- Won't you buy my pretty Flowers
- The Zulu War (recorded Mike Yates, 1984)
All of these are on the Musical Traditions CD, Won't you Buy my Pretty Flowers? (MTCD377), with the exception of 'Buttercup Joe', 'The Farmer's Boy' and 'Silver Moon'.
Copies of Mike Yates' recordings are held by the British Library Sound Archive.
Discography
- Charlie Bridger Won't you Buy my Pretty Flowers?, Musical Traditions, MTCD377.
- Various Artists, The Birds Upon the Tree, Musical Traditions, MTCD333. (The Birds Upon the Tree, Little by little, and bit by bit)
- Various Artists, The Horkey Load Vol 1, Veteran, VT108. (Three Maidens a-Milking Did Go)
- Various Artists, The Horkey Load Vol 2, Veteran, VT109. (The Zulu War)
- Various Artists, Down in the Fields, Veteran, VTC4CD. (Three Maidens a-Milking Did Go)
- Various Artists, It was on a market day - One, Veteran, VTC6CD. (The Folkestone Murder)
- Various Artists, It was on a market day - Two, Veteran, VTC7CD. (The Zulu War)
Bibliography
George Frampton, Charlie Bridger musician and singer, Bygone Kent, January 1994.
Andy Turner & Rod Stradling, Booklet accompanying MTCD377 Won't you Buy my Pretty Flowers? https://mtrecords.co.uk/pdf/377.pdf