Take 6 Transcription Programme: The Butterworth Archive, MS 7b
Link to Take 6 Transcription Programme Home Page
For playback, abc files, and midi files, of these transcriptions that are linked to their original MSS enter the filenames [LEB/2/1/1 or whatever] in the search box here. [[1]]
GB/7b/1 Oxford City
abc notation
X:1
T:GB/7b/1 Oxford City
C:Mr H. Webb (c. 70), Stanton St. John, Oxon., V. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:3/2
I:linebreak $
K:Dmix
D | G A G2 D3/2 E/ | =F G E D z D | G F G2 A B | c d A2 z G |$ A B/c/ d2 c B | A D E/F/ G z A |
B c A2 G2 | D D D3 |]
Notes on GB/7b/1 The tune is similar to that of GB/6a/132.
GB/7b/2 The Seeds of Love Version 1 of 2
abc notation
X:2
T:GB/7b/2 Seeds of Love Version 1 of 2
C:Sung by Mrs Cranstone (p. 4), Billingshurst, VI. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:4/4
I:linebreak $
K:F
EF | G2 EF G2 A2 | F6 c2 | d2 cB A2 FA | c6 c2 |$ d2 cB A2 FA | c2 AF D2 EF | GBAG C2 G2 | F6 |]
GB/7b/2A The Seeds of Love Version 2 of 2
abc notation
X:2
T:GB/7b/2A The Seeds of Love Version 2 of 2
C:Mrs Golds (c. 60), Washington, Sussex, XII. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:4/4
I:linebreak $
K:F
C2 | F2 EF G2 FG | F6 c2 | d2 cB A2 FA | c6 c2 |$ d2 cB A2 FA | c2 AF D2 EF | GBAG C2 EG | F6 |]
Notes on GB/7b/2A The tune is identical to that of GB/6a/149.
GB/7b/3 The Dark-Eyed Sailor Version 1 of 3
abc notation
X:3
T:GB/7b/3 The Dark-Eyed Sailor Version 1 of 3
C:Mr. Knight (c. 60), Horsham, IV. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:3/2
I:linebreak $
K:F
F | A A A2 G A | F G D3 C | F A c2 d3/2 c/ | B c A3 A | c c F2 E D |$[M:4/4] G A B2 |
A3/2 G/ A F | D C2 z | F3/2 G/ A/B/ c | d c d B | A G F E | F3 |]
GB/7b/3A The Dark-Eyed Sailor Version 2 of 3
abc notation
X:3
T:GB/7b/3A The Dark-Eyed Sailor Version 2 of 3
C:"Chummy," Filby, Norfolk, IV. 10
P:F.W. J(ekyll) & G.S.K. B(utterworth)
Z:Transcribed by Simon Furey and Lewis Jones
M:3/2
L:1/8
K:FLyd
C2 | A2 A2 A4 G2 F2 | G2 A2 D6 DE | FGAB c4 d3 c | B2 cB A4 d4 | c2 AG F4 E2 D2 | [M:4/4]G2 A2 _B4 |
A3 G A2 D2 | [M:3/4]D2 C4 | [M:4/4]F3 G AB c2 | d2 c2 d2 AB | c2 A2 G2 G2 | F6 |]
Notes on GB/7b/3A This tune is in the rare Lydian, or to be precise Hypolydian, mode except for one note: the single instance of a B flat in the sixth full bar when all of the other Bs are natural.
GB/7b/3B The Dark-Eyed Sailor Version 3 of 3
abc notation
X:3
T:GB/7b/3B The Dark-Eyed Sailor Version 3 of 3
C:Mr. Locke (c. 70), Rollerby, Norfolk, IV 10
P:F.W. J(ekyll) & G.S. K. B(utterworth)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:3/2
I:linebreak $
K:F
C2 | A2 A2 (3ABA G2 F2 G2 | AGFE D6 C2 | FGAB c4 d3 c | B2 cB A6 d2 |$ cBAG F2 E2 D2 C2 |
[M:4/4] G2 A2 B4 | c3 B AGFE | D2 C6 |$ F3 G AB c2 | d2 c2 dc B2 | cB G2 F2 E2 | F6 |]
GB/7b/4 The Bonny Bunch of Roses, O Version 1 of 5
abc notation
X:4
T:GB/7b/4 The Bonny Bunch of Roses,O
T:Version 1 of 5
T:Mr. Nappin (c. 50), Stanton St. John. Oxon. V. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:C
E | F E F G/A/ | _B A !fermata!G G | c d e d/c/ | d c/B/ !fermata!c G |$ c3/2 d/ e d/c/ | c2 G E |
F G/A/ _B/A/G/F/ | G C C |]
GB/7b/4A The Bonny Bunch of Roses, O Version 2 of 5
abc notation
X:4
T:GB/7b/4A The Bonny Bunch of Roses,O
T:Version 2 of 5
C:Mr. Hoare (c. 80), Houghton, Sussex, VI. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:4/4
I:linebreak $
K:C
C2 | E2 D2 EFGA | BA G4 G2 | c3 d e2 dc | _B2 d2 !fermata!c2 G2 |$ c3 d e2 d2 | c2 cB G2 E2 |
F2 GA BAGF | FE C2 C2 |]
Notes on GB/7b/4A The tune is identical to that of GB/6a/35. In the library catalogue record for GB/6a/35 Mr. Hoare's name is unclear and/or incorrectly recorded.
GB/7b/4B The Bonny Bunch of Roses, O Version 3 of 5
abc notation
X:4
T:GB/7b/4B The Bonny Bunch of Roses,O
T:Version 3 of 5
C:Mr. and Mrs. Cranstone (p. 4), Billingshurst, VI. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:4/4
I:linebreak $
K:Cdor
G2 | c3 d e2 d2 | c3 B G4 | c2 cd e2 d2 | c2 BA G2 G2 |$ c3 B G2 FE | F2 G2 C2 DE | F2 GA BAGF |
G2 C2 C2 |]
Notes on GB/7b/4B The key signature is different but the tune is identical to, and at the same pitch as, that of GB/6a/36.
GB/7b/4C The Bonny Bunch of Roses, O Version 1 of 5
abc notation
X:4
T:GB/7b/4C The Bonny Bunch of Roses,O
T:Version 4 of 5
C:Mr. Whitehead (c. 50), Heslington, Yorks., VII. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:4/4
I:linebreak $
K:C
G2 | c2 f2 e2 d2 | cB G4 E2 | F2 GA BAGF | FE C2 C2 :| C2 | F3 E F2 GA | _B2 A2 G3 F |$
G2 f2 e2 d2 | c6 G2 | c2 f2 e2 d2 | cB G4 E2 | F2 GA BAGF | FE C2 C2 |]
Notes on GB/7b/4C The tune is identical to that of GB/6a/37.
GB/7b/4D The Bonny Bunch of Roses, O Version 5 of 5
abc notation
X:4
T:GB/7b/4D The Bonny Bunch of Roses,O
T:Version 5 of 5
C:Mr.James Landamore (c. 70), Wroxham, Norfolk, IV. 10
P:F.W. J(ekyll) & G.S. K. B(utterworth)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:Cdor
G | c3/2 d/ e d | c3/2 B/ G C | F G B A | G C C :| C |$"^(a)" E F G A | B A !fermata!G G |
c3/2 d/ e d | c G !fermata!c G | c3/2 d/ e d | c3/2 B/ G C |$ F G/>A/ B/>G/ A/>F/ | G C C |: G |
c3/2 d/ e d | c3/2 B/ G C | F G B A |$ G C C :| C |"^(a) var." E D E F | B A !fermata!G G |
c3/2 d/ e d | c G !fermata!c G |$ c3/2 d/ e d | c3/2 B/ G C | F G/>A/ B/>G/ A/>F/ | G C C |]
GB/7b/5 Seventeen Come Sunday Version 1 of 5
abc notation
X:5
T:GB/7b/5 Seventeen Come Sunday Version 1 of 5
C:Mr. Webb (c. 70), Stanton St. John, Oxon., VI. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:Edor
"^Variation 1" B3/2 A/ | G E F D | E E E F/G/ | A F D F | A2 !fermata!B A | B e d e | B A G F |$
E F G B | A F D E/F/ | G E E2 | F/G/A/F/ D2 | E3/2 F/ G/A/ B/>B/ | A2 E2 |]$
"^Variation 2" B3/2 A/ | G E F D | E E E F/G/ | A F D F | A2 !fermata!B A |[M:3/2] B e d2 e2 |
[M:4/4] d B d ^c/d/ |$ e B A G | A F D E/F/ | G E E2 | F/G/A/F/ D2 | E3/2 F/ G/A/ B/>B/ | A2 E2 |]
GB/7b/5A Seventeen Come Sunday Version 2 of 5
abc notation
X:5
T:GB/7b/5A Seventeen Come Sunday Version 2 of 5
C:Mr. Hoare (c. 80), Houghton, Sussex, VI. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:Edor
B3/2 A/ | G E F D | E E E F/G/ | A G F G | A2 B B/c/ |[M:3/2] d B d2 e2 |[M:4/4] d c B A |$
B G F E | B c d F | G E E2 | E/F/G/F/ E2 | E F G A/G/ | E D E2 |]
GB/7b/5B Seventeen Come Sunday Version 3 of 5
abc notation
X:5
T:GB/7b/5B Seventeen Come Sunday Version 3 of 5
C:Mr. Leatham (c. 70), Askam Bryan, Yorks., VII. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:Edor
B3/2 A/ | G E F D | E E E F/G/ | A F D F | A2 B3/2 A/ | G A F E/D/ |$ E E E F/G/ | A F D F |
[M:3/2] A2 B2 B3/2 c/ | d B d2 e2 | d B/c/ d3 c |[M:4/4] B G F E |$ B B B B | A F/D/ E2 |
A F/E/ D2 | E B/ B/ A F | E2 E2 |]
GB/7b/5C Seventeen Come Sunday Version 4 of 5
abc notation
X:5
T:GB/7b/5C Seventeen Come Sunday Version 4 of 5
C:Mrs Verral (Journal), Horsham, XII. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:Edor
B3/2 A/ | G E F D | E E E F/G/ | A F D F/G/ |[M:3/2] A2 B2 B3/2 c/ | d B d2 e2 |$ d B d2 c B |
[M:4/4] B A F E | B c d F | F E E2 | F/G/A/F/ D2 | E B B/A/G/F/ | E3/2 D/ E2 |]
GB/7b/5D Seventeen Come Sunday Version 5 of 5
abc notation
X:5
T:GB/7b/5D Seventeen Come Sunday Version 5 of 5
T:Another Tune
C:Mrs. Cranstone
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:2/2
I:linebreak $
K:Bbmix
B | B G E G | B B F F | B B c e |[M:3/2] d3/2 c/ B2 d3/2 e/ |[M:2/2] f f e e |$
[M:3/2] f f B2 F3/2 G/ |[M:2/2] A A B G/F/ | E2 F2 | B G E2 | B B/G/ F2 | B B c (3d/e/c/ |
d3/2 c/ B |]
GB/7b/6 A Brisk Young Sailor Courted Me Version 1 of 2
abc notation
X:6
T:GB/7b/6 A Brisk Young Sailor Courted Me
T:Version 1 of 2
C:Mr. Ford, Scaynes Hill, Sussex, 08
P:F.W. J(ekyll)
Z:Transcribed by Simon Furey and Lewis Jones
W:For a version of this song in 6/8 time see GB/6a/44A.
L:1/4
M:6/4
I:linebreak $
K:E
G | B2 B F G A | G2 F E2 B | e2 e B c e | d2 c B2 B |$ B c d e d e | c B c G F E | F2 G B c B |
G2 F E2 |]
GB/7b/6A A Brisk Young Sailor Courted Me Version 2 of 2
abc notation
X:6
T:GB/7b/6A A Brisk Young Sailor Courted Me
T:Version 2 of 2
C:Mrs. Cranstone (p. 4), Billingshurst, VII. 09
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:6/4
I:linebreak $
K:E
E | F2 E F G A | D2 F E2 B | e2 e d c B | d2 c B2 B |$ c2 c e d c | B2 G c2 c | B2 G G F E |
G2 F E2 |]
GB/7b/7 William the Waterboy Version 1 of 2
abc notation
X:7
T:GB/7b/7 William the Waterboy Version 1 of 2
C:Mr Smith (p. 1), Stoke Lacy, Herefordshire, IX.07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
Q:1/4=66
M:3/2
I:linebreak $
K:Cdor
"^Slow" C | C C/D/ E E z C |[M:4/4] B B2 D | F/D/ C2 F |[M:3/2] G G c3 d/c/ | c/B/ G c3 B/c/ |$
d/c/B/G/ c3 B/G/ | F D/E/ F G z c |[M:4/4] c2 B c | G F C3/2 D/ | C C C2 |]
GB/7b/7A William the Waterboy Version 2 of 2
abc notation
X:7
T:GB/7b/7A William the Waterboy Version 2 of 2
C:Mrs Whiting (p.1), Newport, Mon., IV. 08
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
Q:1/4=120
M:3/2
I:linebreak $
K:Cdor
"^Faster (i.e. than GB/7b/7)" FD | C2 DE F2 D D B B !fermata!D2 |[M:4/4] FD C4 F2 |
[M:3/2] G2 c2 d2 c2 B2 G2 | cB G2 c6 Bc |$ dcBG c6 BG | FEDE F2 G2 z4 |[M:4/4] c3 =A B2 cB |
G3 F DC D2 | ED CD C4 |]
GB/7b/8 The Undaunted Female
abc notation
X:8
T:GB/7b/8 The Undaunted Female
C:Abingdon, X. 06
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:D
"^Variant 1" A | D D E F | G2 A A | G F D D | D3 A | A d B B | c B A A | E E F G | A3 A |$
A d B B | c A B G | E E d B | A3 A | D D E F | G2 A A | G F D D | D3 |]$"^Vaiant 2" A | D D E F |
G2 A A | E F D D | D3 A | A d B B | c B A A | E E F G | A3 A |$ A d B B | c A B G | E E d B |
A3 A | D D E F | G2 A A | G F D D | D3 |]
Notes on GB/7b/8 The tune is identical to that of GB/6a/171.
GB/7b/9 William Taylor Version 1 of 3
abc notation
X:9
T:GB/7b/9 William Taylor Version 1 of 3
C:Mr Whitehead (c. 50), Heslington, Yorks., VII. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:Dmix
D | F F/E/ F G/A/ | B3/2 A/ F D | A3/2 F/ G A | d d A3/2 A/ |$ d d F B | A A F/E/D/E/ | F F G A |
B A D |]
Notes on GB/7b/9 The tune is identical to that of GB/6a/178.
GB/7b/9A William Taylor Version 2 of 3
abc notation
X:9
T:GB/7b/9A William Taylor Version 2 of 3
C:Mr. Jim Bull (c. 50), Bishop's Frome, Herefordshire IX. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:none
I:linebreak $
K:Dmix
D | G F E F/G/ | B A F !fermata!D | G F G A/B/ | c B !fermata!A (3A/B/c/ | d d G"^(a)" B/d/ |$
c A F D/D/ | G3/2 F/ E/F/G/A/ | B A !fermata!D || D | G F E F/G/ | B A F !fermata!D |
G F G A/B/ |$ c B !fermata!A (3A/B/c/ | d d G"^(a) var." A/B/ | c A F D/D/ | G3/2 F/ E/F/G/A/ |
B A !fermata!D |]
GB/7b/9B William Taylor Version 3 of 3
abc notation
X:9
T:GB/7b/9B William Taylor Version 3 of 3
C:Ipswich VI. 12
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:C
C | E E F G | A G"^(a)" E !fermata!C | G3/2 E/ G3/2 A/ | B G !fermata!c G | c c F G/A/ |$
_B A G/E/ !fermata!C | E3/2 E/ D F | A G !fermata!C || C | E E F G |
A G"^(a) var." E/D/ !fermata!C | G3/2 E/ G3/2 A/ |$ B G !fermata!c G | c c F G/A/ |
_B A G/E/ !fermata!C | E3/2 E/ D F | A G !fermata!C |]
GB/7b/10 Cupid the Ploughboy Version 1 of 2
abc notation
X:10
T:GB/7b/10 Cupid the Ploughboy Version 1 of 2
C:Mr. Jim Jillson (c. 60), Askham Bryan, Yorks, VII. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:6/4
I:linebreak $
K:Gdor
D | G2 G G2 A | B2 A B2 D | G2 G G2 A | B3 A2 D | G2 G A B c | d2 d d2 G | A B c A G F |
G3 G2 f |$ f2 d d c B | c3 d2 c | B2 G G2 A | B3- B2 D | G2 G A B c | d3 d2 G | A B c A G F |
G3- G2 |]
Notes on GB/7b/10 The tune is similar to that of GB/6a/59.
GB/7b/10A Cupid the Ploughboy Version 2 of 2
abc notation
X:10
T:GB/7b/10A Cupid the Ploughboy Version 2 of 2
C:Mr. Young (c. 70), Bilborough, Yorks, III. 08
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:6/4
I:linebreak $
K:Gaeo
D | G2 G G2 A | B2 B A2 D | G2 G G2 A | B2 c/B/ A2 A | G2 F G A B |$ d2 d d2 c | B2 G c B A |
G3- G2 d | f2 d d c B | c2 e d2 c | d2 G G2 A |$ B2 c/B/ A2 D | G2 G A B c | d2 e d2 c |
B2 G c B A | G3- G2 |]
Notes on GB/7b/10A The tune is identical to that of GB/6a/61.
GB/7b/11 Our Captain Calls Version 1 of 2
abc notation
X:11
T:GB/7b/11 Our Captain Calls Version 1 of 2
C:Mrs Cranstone (p.4), Billingshurst, VII. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:D
D | F D F G |[M:3/4] A2 F |[M:6/4] G E F/G/ A z A |[M:4/4] d d e d | B A2 F |$
[M:6/4] G E F/G/ A z A |[M:4/4] d d e d | B A2 F |[M:6/4] G E F/G/ A z A |$[M:4/4] d A B/A/G/F/ |
[M:3/4] E F G/B/ |[M:4/4] A D C !fermata!D |]
Notes on GB/7b/11 The tune is similar to that of GB/6a/130.
GB/7b/11A Our Captain Calls Version 2 of 2
abc notation
X:11
T:GB/7b/11A Our Captain Calls Version 2 of 2
C:Mrs Golds (c. 60), Washington, Sussex, XII. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:D
D | F D F/G/ A |[M:6/4] B2 B A2 D |[M:4/4] C D z A | d B c d/c/ |$ B2 A2 |
[M:6/4] F/E/ D F/G/ A z A |[M:4/4] d B c d/c/ | B2 A2 |$[M:6/4] F/E/ D F/G/ A z A |
[M:4/4] !fermata!d A B/A/G/F/ |[M:3/4] E F G/B/ | A2 D | C D2 |]
Notes on GB/7b/11A The tune is similar to that of GB/6a/131.
GB/7b/12 The Basket of Eggs Version 1 of 2
abc notation
X:12
T:GB/7b/12 The Basket of Eggs, Version 1 of 2
C:Mr. Spooner (c. 70), Midhurst Workhouse, XII.08
P:FW J(ekyll) & GSK B(utterworth)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:3/2
I:linebreak $
K:Edor
B | e e d B z A | B e d B z B/c/ |[M:5/4] d d G F E | A c B2 B |$ E E/F/ G F E | A A/G/ F G A |
[M:3/2] B e d2 B3/2 A/ | G F E3 |]
Notes on GB/7b/12 The tune is similar to that of GB/6a/18.
GB/7b/12A The Basket of Eggs Version 2 of 2
abc notation
X:12
T:GB/7b/12A The Basket of Eggs Version 2 of 2
C:Heygate, Rusper, 11.10.
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:5/4
I:linebreak $
K:Gmix
G |:"^(a)" G E D G G | A G A B c | d g d2 c/B/ | A A G2 G :|$ c | d e f e d |
[M:6/4] d g f d2 e/f/ |[M:5/4] f f A G F | c c d2 d |$ G E D G G | A G A B c | d g d2 c/B/ |
A A G2 ||$ G |:"^(a) var." G E D G A | B c A B c | d g d2 c/B/ | A A G2 G :|$ c | d e f e d |
[M:6/4] d g f d2 e/f/ |[M:5/4] f f A G F | c c d2 d |$ G E D G G | A G A B c | d g d2 c/B/ |
A A G2 |]
GB/7b/13 New Garden Fields Version 1 of 2
abc notation
X:13
T:GB/7b/13 New Garden Fields Version 1 of 2
C:Mr. Locke (c. 70), Rollesby, Norfolk, IV. 10.
P:F.W. J(ekyll) & G.S.K. B(utterworth)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:3/4
I:linebreak $
K:Ddor
A2 | GF E2 D2 | C2 D2 FE | A2 D2 E2 | D4 FG | ABcB A2 |$"^(a)" dc d2 ed |"^(b)" c2 B2 A2 | G4 AB |
"^(c)" c2 cB G2 | d2 d2 ed | cBAG D2 |$ G4 FG |"^(d)" AB c2 d2 | GF D2 cB |"^(e)" A2 DF E2 | D4 ||$
A2 | GF E2 D2 | C2 D2 FE | A2 D2 E2 | D4 FG | ABcB A2 |$"^(a) var." d2 d2 ed |
"^(b) var." cBAG A2 | G4 AB |"^(c) var." cB A2 G2 | d2 d2 ed | cBAG D2 |$ G4 FG |
"^(d) var." AB cA d2 | GF D2 cB |"^(e) var." A2 DF EC | D4 |]
GB/7b/13A New Garden Fields Version 2 of 2
abc notation
X:13
T:GB/7b/13A New Garden Fields Version 2 of 2
T:The same (i.e. New Garden Fields Version 1 of 2), from phonograph record (x. 10)
P:R. V(aughan) W(illiams) & G.S.K.B(utterworth)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:3/4
I:linebreak $
K:Ddor
A2 | G2 D2 E>D | C2 D2 G>B | A2 D>F E>"^?"^C | D4 ^FG | ABcB A2 | d2 d2 e>d | c2 B2 A2 |$
G4"^G" ^FG | AB c2 G>G | d2 !fermata!d2 d>"^C"B | c2 A>"^or G?"^F D2 | G4 ^FG | ABcA d2 |
G>F D2"^(a)" c>B |$ A2 D>F E>"^?"^C | !fermata!D4 A>A | G2 D2 ED | C2 D2 G>E | A2 D2 D^C |
D4 ^FG | ABcB A2 |$ d>^c d2 ed | c2 A2 ^F2 | G4"^G" ^FG | AB cB G2 | d2 !fermata!d2"^(b)" e>d |
c>B A>^F D2 | G4 ^FG |$ AB cA d2 | GF D2 c>B | A>"^G"^F D>F E^C | !fermata!D4 A2 | GF D2 ED |
C2 D2 GE | A2 D2 E^C |$ D4 ^FG | AB cB G2 | d2 d2 ed | c2 B2 A2 | G4 ^FG | ABcB G2 |
d2 !fermata!d2 e>d | c>B A>^F D2 |$ G4 ^FG | AB cA d2 | G^F D2 c>B |"^(c)" A2 D^F E>^C | D4 ||
A2 | G2 D2 E>D | C2 D2 G>B |$ A2 D>F E>"^?"^C | D4 ^FG | ABcB A2 | d2 d2 e>d | c2 B2 A2 |
G4"^G" ^FG | AB c2 G>G | d2 !fermata!d2 d>"^C"B |$ c2 A>"^or G?"^F D2 | G4 ^FG | ABcA d2 |
"^(a) var." G>F D2 cB | A2 D>F E>"^?"^C | !fermata!D4 A>A | G2 D2 ED |$ C2 D2 G>E | A2 D2 D^C |
D4 ^FG | ABcB A2 | d>^c d2 ed | c2 A2 ^F2 | G4"^G" ^FG | AB cB G2 |$
"^(b) var." d2 !fermata!d2 ed | c>B A>^F D2 | G4 ^FG | AB cA d2 | GF D2 c>B | A>"^G"^F D>F E^C |
!fermata!D4 A2 |$ GF D2 ED | C2 D2 GE | A2 D2 E^C | D4 ^FG | AB cB G2 | d2 d2 ed | c2 B2 A2 |
G4 ^FG |$ ABcB G2 | d2 !fermata!d2 e>d | c>B A>^F D2 | G4 ^FG | AB cA d2 | G^F D2 c>B |
"^(c) var." A2 D>F E2 | D4 |]
Notes on GB/7b/13A For anyone trying to learn/perform this piece it is important to note the exact words of George Butterworth as transcribed onto the PDF file (GB-7b-13A.pdf posted above). In particular his words "the same, from phonograph record" are important because the MS gives wonderful evidence of (a) the difficulty of notating source singers and (b) the differences between a field notation (GB/7b/13 above) and a field recording of what is allegedly the same thing (this tune, GB/7b/13A). The comment immediately below the sheet music that "most of the F's lie between sharp and natural--& the same often with the C's" is also very illuminating. The piece is longer than average because Butterworth and Vaughan Williams transcribed many (but not all) of the variants in full. This transcribed version also includes the rest of the variants; it needs to be checked against the original MS, which is unclear in places.
GB/7b/14 A Sailor in the North Countree
abc notation
X:14
T:GB/7b/14 A Sailor in the North Countree
C:Mr. "Skinner" Crow (c. 60), Filby, Norfolk, IV. 10
P:F.W. J(ekyll) & G.S.K. B(utterworth)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:Fmix
F | B2 c d | B3/2 A/ G G | F3 F | B A B c | f2 e d | c3 c |$ c B A c | f2 c/d/ e | d c B G |
F E F/G/ A | B3/2 G/ e f | c3/2 B/ G G | F3 |]
Notes on GB/7b/14 This possibly belongs to the same tune family as "The Curragh of Kildare."
GB/7b/15 Admiral Benbow
abc notation
X:15
T:GB/7b/15 Admiral Benbow
C:Mr. "Skinner" Crow (c. 60), Filby, Norfolk, IV. 10
P:F.W. J(ekyll) & G.S.K. B(utterworth)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:G
D/E/"^(a)" =F/D/ | G B A A | G2 A/B/ c | d2 c B | A c B A | G B A G | F D G/F/ E | D2 B B/c/ |$
d B/A/ G G | G B d d | c B A"^(b)" A/F/ | D F A A | G3/2"^(c)" A/ G F | E D B, C | D c B A |
G2 ||$ D/E/"^(a) correction III. 13" ^F | G B A A | G2 A/B/ c | d2 c B | A c B A | G B A G |
F D G/F/ E | D2 B B/c/ |$ d B/A/ G G | G B d d | c B A"^(b) var." A | D F A A |
G3/2"^(c) correction III. 13" G/ G G | E D B, C | D c B A | G2 |]
GB/7b/16 The Blacksmith
abc notation
X:16
T:GB/7b/16 The Blacksmith
C:Mrs. Verrall (Journal) Horsham, VI. 09
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:Gdor
"^(a)" d3/2 c/ | B G c c | F2 G3/2 A/ | d d/c/ A G |[M:2/4] z d/c/ |[M:4/4] B G c c | F2 G3/2 A/ |
d d/c/ A G |$[M:2/4] z F |[M:4/4]"^(b)" G G f g | d3 G/A/ | B c f d/c/ | B c2"^(c)" f/=e/ |
d3/2 c/ d G | F2 G3/2 A/ |"^(d)" d3/2 c/ A !fermata!G ||$"^(a) var." z d/c/ | B G c c |
F2 G3/2 A/ | d d/c/ A G |[M:2/4] z d/c/ |[M:4/4] B G c c | F2 G3/2 A/ | d d/c/ A G |$[M:2/4] z F |
[M:4/4]"^(b) var." G/F/ G f g | d3 G/A/ | B c f d/c/ | B c2"^(c) var." f | d3/2 c/ d G |
F2 G3/2 A/ |"^(d) var." d d/c/ A !fermata!G |]
Notes on GB/7b/16 The version of the "Blacksmith" in the Penguin Book of English Folk Songs is from Mrs. Powell in Herefordshire and has a melody closely related to that used by Mrs. Verrall for the "Valiant Sailor"; this latter was collected by Ralph Vaughan Williams and used as the hymn tune "Monks Gate"/"To be a Pilgrim." This version of the "Blacksmith" from Mrs. Verrall clearly belongs to the same tune family but is quite distinguishable from her "Valiant Sailor."
GB/7b/17 Flora and Henry
abc notation
X:17
T:GB/7b/17 Flora and Henry
C:Mrs. Verrall (Journal), Horsham, 08
P:F.W. J(ekyll)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:3/4
I:linebreak $
K:G
D | G B d | g f g | e c A | G F G | A A B | c d e | A B c | d2 f/g/ |$ a f e | e !fermata!A g/f/ |
e c A | G !fermata!F G/B/ | d B/c/ d | e/f/ g d | e/c/ B A | G2 |]
GB/7b/18i Fourteen Years of Age Version 1 of 2
abc notation
X:18
T:GB/7b/18i Fourteen Years of Age Version 1 of 2
C:Mr. Verrall (Journal) Horsham, VI. 09
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:4/4
I:linebreak $
K:Gmix
D2 |"^(a)" G2 G3/2 G/ G2 d2 | (cB) AA G2 z G |$ c2 d e f2 g2 | d4 z2 c c | d2 g g f2"^(b)" (df) |$
w: Good|morn- ing to you my|fair * prett- y maid Come|sing me an- oth- er|song For it|is my int- ent- tion *|
e d cB (cd) e f | d2 B d (cB) A G | G6 ||$ D2 |"^(a) var." GABc d2 e2 | dc A2 G2 z G |
w: for to marr- y you * and her|ans- wer it was * I'm too|young.||||
c2 dg"^(a-i)" fd fe | d6 cc |$ d2 gg f2"^(b) var." (3def | edcB cdef | d2 Bd cB AG | G6 ||$ D2 |
w: |||||||
GABc d2 e2 | dc A2 G2 z G | c2 dg"^(a-i) var." f2 g2 | d6 cc |$ d2 gg f2 (3def | edcB cdef |
w: ||||||
d2 Bd cB AG | G6 |]
w: ||
Notes on GB/7b/18i In the Take 6 Catalogue this is the first of two tunes listed as GB/7b/18.
GB/7b/18ii Fourteen Years of Age Version 2 of 2
abc notation
X:18
T:GB/7b/18ii Fourteen Years of Age Version 2 of 2
C:Verrall
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:4/4
I:linebreak $
K:Eaeo
BG | EFGA B2 d^c | B2 AF E3 A | B2 ^c2"^(a)" e2 dc | B6 B2 |$ B2 e2 d2 Bd | ^cBA^G ABcd |
B2 GB AGFD | E6 ||$ BG | EFGA B2 d^c | B2 AF E3 A | B2 ^c2"^(a) var." Bede | B6 B2 |$
B2 e2 d2 Bd | ^cBA^G ABcd | B2 GB AGFD | E6 |]
Notes on GB/7b/18ii In the Take 6 Catalogue this is the second of two tunes listed as GB/7b/18.
GB/7b/19 It's of a Farmer All In This Town
abc notation
X:19
T:GB/7b/19 It's of a Farmer All in this Town
C:Mr. Smith (p. 1), Stoke Lacy, Herefordshire, IX. 07
P:F.W. J(ekyll) & G.S.K. B(utterworth)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:3/2
I:linebreak $
K:Ddor
p
D/E/ | F G F2 A, A, | C D C3 G | G E C2 F3/2 G/ | A G A3 C |$ F E F3 G | A G A d z d |
A/G/ A F2 D3/2 E/ | D D D3 |]
GB/7b/20 Jack and the Game Version 1 of 3
abc notation
X:20
T:GB/7b/20 Jack and the Game Version 1 of 3
C:Stanton St. John, Oxon., V. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:6/8
I:linebreak $
K:D
d | dcB AFE | DA>G F!fermata!D D | DEF GFE | DA>A A2 A |$ FED d2 f | f>ed e!fermata!d d |
AGF B>AG | A2 A D2 |]
GB/7b/20A Jack and the Game Version 2 of 3
abc notation
X:20
T:GB/7b/20A Jack and the Game Version 2 of 3
C:Mr. Lockly (c. 80), High Ercall, Salop., IV. 08
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:6/8
I:linebreak $
K:Ddor
d | dcB AGE | GGF E!fermata!D D | DDE FGA | BAG A2 D |$ FGA cBA | d>ed c!fermata!d A | FED FGA |
GFD D2 |]
GB/7b/20B Jack and the Game Version 3 of 3
abc notation
X:20
T:GB/7b/20B Jack and the Game Version 3 of 3
C:Mr. Golds (c. 80), Washington, Sussex, XII. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:6/8
I:linebreak $
K:Dmix
A | dBA FED | BAG F!fermata!D D | GFG A2 B | cdB A2 D |$ DFA d2 e |
[M:9/8] fed e!fermata!d z d2 F |[M:6/8] GFE B2 B | A>AA D2 |]
GB/7b/21 Constant Billy (Dance)
abc notation
X:21
T:GB/7b/21 Constant Billy (Dance)
C:Played on the violin by Mr. Sims (c. 50), Oxford, V. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
Q:1/4=120
M:6/8
I:linebreak $
K:F
F | A2 A A>GA | B2 G E>DC | A>GF D2 D | C>DE F2 :|$ z | A>Bc def | G>AB AGF | A>Bc def |
c>cd c2 B |$ A2 A A>GA | B2 G E>DC | A>GF D2 D | C>DE F2 |]
Notes on GB/7b/21 This violin tune differs from Constant Billy (Filkins Morris Dance) (GB/2/4).
GB/7b/21B (No Title Given)
abc notation
X:21
T:GB/7b/21B (No title given)
C:Played on the violin by Mr. Sims (c. 50), Oxford, V. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
Q:1/4=120
M:6/8
I:linebreak $
K:F
C | F2 G A2 B | cAf e2 d | c2 A F2 F | GBA G2 G | c>=Bc def |$ ege c2 f | e>dc GA=B | c3 c2 || e |
g2 e gec | B>cB A2 c | f2 c f2 c |$ B>cB A2 c | d2 e f2 e | dcB ABc | d2 d d2 G | AGF D2 E |
F2 F FAc |$ d2 e f2 d | c>AF GAG | D2 E F2 G | A2 f A>BG | F3 F3 |]
Notes on GB/7b/21B This violin tune is a version of Jockey to the Fair.
GB/7b/21C (No Title Given)
abc notation
X:21
T:GB/7b/21C (No title given)
P:Played on the violin by Mr. Sims (c. 50), Oxford, V. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
Q:1/4=120
M:4/4
I:linebreak $
K:F
A>B c>A B2 B2 | A>B c>A G2 G2 | A>B c>A B2 A>B | c2 C2 F4 ||$ A2 F2 B4 | A2 F2 G4 |
A>B c>A B2 A>B | c2 C2 F4 |]
Notes on GB/7b/21C This violin tune is a version of Trunkles.
GB/7b/22 The Rambling Sailor
abc notation
X:22
T:GB/7b/22 The Rambling Sailor
C:Mr. Verrall (Journal), Horsham, VII. 09
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:Fmix
c | F c B/A/ G | F F e f | B e/d/ c/B/ G | B3/2 A/ F :| B | c d/e/ f3/2 B/ |$ c/d/e/c/ f3/2 f/ |
e d c B | e f !fermata!c c | F c B/A/ G | F F e f | B e/d/ c/B/ G | B3/2 A/ F |]
GB/7b/23
abc notation
X:23
T:GB/7b/23 Shule Agra
C:Mr. Smith (p.1), Stoke Lacy, Herefordshire, IX. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
Q:1/4=120
M:4/4
I:linebreak $
K:Ador
AB | c4 A4 | AGEF G4 | G3 E G2 B2 | AG A2 !fermata!E2 CD |$ E2 ED CDEF | G2 AG E4 | c3 A B2 e2 |
A4 A2 |]
GB/7b/24 Jack Williams
abc notation
X:24
T:GB/7b/24 Jack Williams
C:Mr. Hoare (c. 80), Houghton, Sussex, VII. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:Cmix
G | c d/c/ c E | F F G c/B/ | G G/F/ D/C/ D | C3 :| G/A/ | B G F F |$ G c/B/ G G | c c/d/ e/c/ d |
c3 G | c d/c/ c E | F F G c/B/ | G G/F/ D/C/ D | C3 |]
GB/7b/25 A Lawyer He Rode Out Version 1 of 2
abc notation
X:25
T:GB/7b/25 A Lawyer He Rode Out
T:Version 1 of 2
C:Mrs. Cranstone (p. 4), Billingshurst, VII. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:6/8
I:linebreak $
K:C
G | c2 c cBA | GE G C2 C | c2 c edc | A2 B c3 | c2 d edc |$ d3 c3 | AG A E2 D | C2 G GEG |
GE G A2 B | c3- c2 |]
Notes on GB/7b/25 The sixth full bar, crossed out and marked as "wrongly barred" in the MS, has been omitted from the transcription.
GB/7b/25A A Lawyer He Rode Out Version 2 of 2
abc notation
X:25
T:GB/7b/25A A Lawyer He Rode Out
T:Version 2 of 2
C:Mrs. Verrall (Journal) Horsham 08
P:F.W. J(ekyll)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:6/8
I:linebreak $
K:Aaeo
E | A2 B c2 A | G2 E C2 G | c2"^(a)" d e2 c |[M:9/8] B2 c d3 c2 d | e2 c d3 c2 B |$
ABc E2 D C2 D |[M:6/8] E E E E2 D | A2 G A2 || E | A2 B c2 A | G2 E C2 G | c2"^(a) var." c e2 c |$
[M:9/8] B2 c d3 c2 d | e2 c d3 c2 B | ABc E2 D C2 D |[M:6/8] E E E E2 D | A2 G A2 |]
GB/7b/26 Little Brown Jug
abc notation
X:26
T:GB/7b/26 Little Brown Jug
C:Mr. Smith (p. 1), Stoke Lacy, Herefordshire, IX. 07
P:F.W. J(ekyll) & G.S.K. B(utterworth)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:Eaeo
B3/2 A/ | G E E B,/C/ | D D D2 | E E G A | B A"^(a)" A3/2 G/ |$ B"^(b)" B d B | A A A G/A/ |
B"^(c)" B B/A/ G | A A"^(d)" B3/2 A/ | G E E B,/C/ |$ D D D3/2 D/ | G/A/B/c/ d B/A/ | G E E2 ||
B3/2 A/ | G E E B,/C/ | D D D2 |$ E E G A | B A"^(a) var." A G/A/ | B"^(b) var." B/c/ d/c/ B |
A A A G/A/ | B"^(c) var." B/c/ B/A/ G |$ A A"^(d) var." B B/A/ | G E E B,/C/ | D D D3/2 D/ |
G/A/B/c/ d B/A/ | G E E2 |]
GB/7b/27 Whilst Old Engeland's A-Going Down the Hill
abc notation
X:27
T:GB/7b/27 Whilst Old Engeland's A-Going Down the Hill
C:Mr. Verrall (Journal), Horsham, VII. 09
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:6/8
I:linebreak $
K:Gdor
d2 d | G2 A B2 c | d2 e f2 e | d2 c A2 B | G3- G2 G | c3 def | g3 f2 e |$ d3 c3 | d2 e f2 d |
g3 f2 g | d2 c B2 G | F3"^(a)" G2 A | B2 G g2 g | d2 c A2 A | !fermata!G3 ||$ d2 d | G2 A B2 c |
d2 e f2 e | d2 c A2 B | G3- G2 G | c3 def | g3 f2 e |$ d3 c3 | d2 e f2 d | g3 f2 g | d2 c B2 G |
F3"^(a) var." D2 D | G2 A B2 c | d2 d G2 F | !fermata!G3 |]
Notes on GB/7b/27 'The Orphan Boy'/'Little Town’s Boy' sometimes has the last line of some verses ‘Whilst old England...’ The Roud Index (No. 5695) has a number of versions. See also Cecil J. Sharp and Maud Karpeles (1974) Cecil Sharp's Collection of English Folk Songs, Volume 2, pp. 564-7.
GB/7b/28 Thomas Hegan and Sally Blair
abc notation
X:28
T:GB/7b/28 Thomas Hegan and Sally Blair
C:Mr. Verrall (Journal), Horsham, VII. 09
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:3/4
I:linebreak $
K:Gmix
"^(a)" D | G G D | B c d | c/B/ G G | G2 :| B/c/ | d d g |$ d/e/ f A | c"^(b)" c A/G/ |
F2"^(c)" B/A/ | G G D | B c d | c/B/ G G | G2 ||$"^(a) var." B/A/ | G G D | B c d | c/B/ G G |
G2 :| B/c/ | d d g |$ d/e/ f A | c"^(b) var." c/B/ A/G/ | F2"^(c) var." D | G G D | B c d |
c/B/ G G | G2 |]
GB/7b/29 Johnny Harte
abc notation
X:29
T:GB/7b/29 Johnny Harte
C:Mr. Smith (p. 1) Stoke Lacy, Herefordshire, IX. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:6/8
I:linebreak $
K:Ddor
C | D2 D G2 G | A2 B c2 E | G2 E E2 D | C2 z2 z C | D D D G2 G |$ A2 B c2 E | FDE D2 D |
D3- D2 G | A2 G ABc | d3 c2 A |$ G2 E E2 D | C2 z2 z C | D2 D G2 G | A2 B c2 E | FDE D2 D |
D3- D2 z |]
GB/7b/30 The Tinker
abc notation
X:30
T:GB/7b/30 The Tinker
C:Mr. James Landamore, Wroxham, Norfolk, IV. 10
P:F.W. J(ekyll) & G.S.K. B(utterworth)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:6/8
I:linebreak $
K:Fmix
C2 D | E2 E C2"^(a)" C | ED E C2 z | F=E F GAB | A2 G !fermata!F2 G | c2 B"^(b)" c2 A |
BA G c2 B |$ c2 F F2 G | F2 E C2 D | ED E C2 D | ED E C2 z | F=E F GAB |"^(c)" A2 G !fermata!F3 ||
C2 D |$ E2 E C2"^(a) var." D | ED E C2 z | F=E F GAB | A2 G !fermata!F2 G | c2 B"^(b) var." cBA |
B2 G c2 B | c2 F F2 G |$ F2 E C2 D | ED E C2 D | ED E C2 z | F=E F GAB |
"^(c) var." AG A !fermata!F3 |]
GB/7b/31 Twankydillo
abc notation
X:31
T:GB/7b/31 Twankydillo
C:Mr. Cranstone (c. 50), Billingshurst, VII. 09
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:3/4
I:linebreak $
K:G
d>c | B2 B2 A>A | G2 G2 D2 | E2 F2 G2 | !fermata!A4 G>A | B2 B2 G>B | c2 c2 d>c | B2 A2 G2 |
d4 d>c |$ B2 B2 A>A | G2 G2 DD | EE FF GG | A2 !fermata!A2 G>A | B2 B2 G>B | c2 c2 d>c | B3 c d2 |
G4 |]
GB/7b/32 The Lads of Kilkenny
abc notation
X:32
T:GB/7b/32 The Lads of Kilkenny
C:Mr. Bill Wix, Billingshurst, VII. 09
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:3/4
I:linebreak $
K:Dmix
A | A A G/F/ | E/F/ G A | D =F E | D2 :| A/B/ | c c/B/ A |$ c c/B/ A/ A/ | d A D | G2 F/G/ |
A A G/F/ | E/F/ G A | D =F E | D2 |]