Difference between revisions of "12 The Coasts of High Barbary"

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Tune Analysis:
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Tune Analysis: E Aeolian key signature but no C (6th). Hexatonic E Dorian/E Aeolian gapped scale. Mainly Authentic but the pick up notes (anacrusis) and some Ds dip below the keynote.
  
 
Sheet Music (1916) [[Media:12 High Barbary.pdf]]
 
Sheet Music (1916) [[Media:12 High Barbary.pdf]]
  
Cecil Sharp's Note (1916) [[Media:_1916_Note.pdf]]
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[[Cecil Sharp's Note 12 (1916)]]
  
 
MIDI Sequence [[Media:12 The Coasts of High Barbary First Verse.mid]]
 
MIDI Sequence [[Media:12 The Coasts of High Barbary First Verse.mid]]

Latest revision as of 22:44, 5 March 2019

Back to Cecil J. Sharp (1916) ''One Hundred English Folk Songs''


Tune Analysis: E Aeolian key signature but no C (6th). Hexatonic E Dorian/E Aeolian gapped scale. Mainly Authentic but the pick up notes (anacrusis) and some Ds dip below the keynote.

Sheet Music (1916) Media:12 High Barbary.pdf

Cecil Sharp's Note 12 (1916)

MIDI Sequence Media:12 The Coasts of High Barbary First Verse.mid

PDF Media:12 The Coasts of High Barbary First Verse.pdf

Music XML File:12 The Coasts of High Barbary First Verse.xml

ABC Code: