Difference between revisions of "12 The Coasts of High Barbary"
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Lewis Jones (talk | contribs) (Created page with "Back to Cecil J. Sharp (1916) ''One Hundred English Folk Songs'' Tune Analysis: Sheet Music (1916) Media:_1916_Sheet_Music.pdf Cecil Sharp's Note (1916) Media:_1...") |
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| − | Tune Analysis: | + | Tune Analysis: E Aeolian key signature but no C (6th). Hexatonic E Dorian/E Aeolian gapped scale. Mainly Authentic but the pick up notes (anacrusis) and some Ds dip below the keynote. |
| − | Sheet Music (1916) [[Media: | + | Sheet Music (1916) [[Media:12 High Barbary.pdf]] |
| − | Cecil Sharp's Note (1916) | + | [[Cecil Sharp's Note 12 (1916)]] |
| − | MIDI Sequence [[Media:]] | + | MIDI Sequence [[Media:12 The Coasts of High Barbary First Verse.mid]] |
| − | PDF [[Media:]] | + | PDF [[Media:12 The Coasts of High Barbary First Verse.pdf]] |
| − | Music XML [[File:]] | + | Music XML [[File:12 The Coasts of High Barbary First Verse.xml]] |
ABC Code: | ABC Code: | ||
Latest revision as of 22:44, 5 March 2019
Back to Cecil J. Sharp (1916) ''One Hundred English Folk Songs''
Tune Analysis: E Aeolian key signature but no C (6th). Hexatonic E Dorian/E Aeolian gapped scale. Mainly Authentic but the pick up notes (anacrusis) and some Ds dip below the keynote.
Sheet Music (1916) Media:12 High Barbary.pdf
MIDI Sequence Media:12 The Coasts of High Barbary First Verse.mid
PDF Media:12 The Coasts of High Barbary First Verse.pdf
Music XML File:12 The Coasts of High Barbary First Verse.xml
ABC Code: