Hornpipes: Difference between revisions
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A probably definitive article on the hornpipe was written by [[George Emmerson]] in the Folk Music Journal [http://fmj.efdss.org/contents/fmj/volumes_1to6/contents.htm#fmj2:1 Vol.2 No.1] | A probably definitive article on the hornpipe was written by [[George Emmerson]] in the Folk Music Journal [http://fmj.efdss.org/contents/fmj/volumes_1to6/contents.htm#fmj2:1 Vol.2 No.1] | ||
Many of the 4/4 hornpipes in the English tradition originated in the theatre, the most famous being the [http://www.sadlerswells.com/ | Many of the 4/4 hornpipes in the English tradition originated in the theatre, the most famous being the [http://www.sadlerswells.com/page/history Sadler's Wells], in London. | ||
Many of the tunes we play now were named for the actor/dancers who performed them - Fisher, Durang, Ball..... The tunes travelled and many of them crossed the North Sea where they settled into a new Scandinavian home as [[Engelska]]s. | Many of the tunes we play now were named for the actor/dancers who performed them - Fisher, Durang, Ball..... The tunes travelled and many of them crossed the North Sea where they settled into a new Scandinavian home as [[Engelska]]s. | ||
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The early tunes were mostly written down and presumably played 'straight', ie. without dotted notes. As the 4/4 hornpipe moved into the end of the 19th century, it acquired a more dotted characteristic and many of these tunes shared a common feel with the [[Schottische]] and many Schottische dances today are done to dotted hornpipes - eg. [[Nottingham Swing]]. | The early tunes were mostly written down and presumably played 'straight', ie. without dotted notes. As the 4/4 hornpipe moved into the end of the 19th century, it acquired a more dotted characteristic and many of these tunes shared a common feel with the [[Schottische]] and many Schottische dances today are done to dotted hornpipes - eg. [[Nottingham Swing]]. | ||
Please refer to the help page on [[Referencing | Please refer to the help page on [[Referencing Tunes]] before adding tunes. | ||
* [[Albert Farmer's Bonfire Tune]] | * [[Albert Farmer's Bonfire Tune]] | ||
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* [[Bath Hornpipe]] | * [[Bath Hornpipe]] | ||
* [[Brown Paper Hornpipe]] | * [[Brown Paper Hornpipe]] | ||
* [[Brown's Hornpipe]] | |||
* [[Butcher's Hornpipe]] | * [[Butcher's Hornpipe]] | ||
* [[The Cage]] | * [[The Cage]] | ||
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* [[George Craske's Hornpipe]] | * [[George Craske's Hornpipe]] | ||
* [[Gloucester Hornpipe]] | * [[Gloucester Hornpipe]] | ||
* [[Gooseberry Hornpipe]] | |||
* [[Grand Hornpipe]] | * [[Grand Hornpipe]] | ||
* [[Gypsey Hornpipe]] | * [[Gypsey Hornpipe]] | ||
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* [[Kershaw's Hornpipe]] | * [[Kershaw's Hornpipe]] | ||
* [[Kirkgate Hornpipe]] | * [[Kirkgate Hornpipe]] | ||
* [[Lincoln Hornpipe]] | |||
* [[London Hornpipe]] | * [[London Hornpipe]] | ||
* [[Lord Nelson's Hornpipe]] | * [[Lord Nelson's Hornpipe]] | ||
* [[Nelson's Hornpipe | * [[Nelson's Hornpipe]] | ||
* [[Manchester Hornpipe]] | * [[Manchester Hornpipe]] | ||
* [[Miss Baker's Hornpipe]] | * [[Miss Baker's Hornpipe]] | ||
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* [[Sportsman's Hornpipe]] | * [[Sportsman's Hornpipe]] | ||
* [[Staffordshire Hornpipe]] | * [[Staffordshire Hornpipe]] | ||
* [[Steampacket Hornpipe]] | |||
* [[Tom Tolley's Hornpipe]] | * [[Tom Tolley's Hornpipe]] | ||
* [[True Blue Hornpipe]] | * [[True Blue Hornpipe]] |
Latest revision as of 18:12, 21 March 2011
This is the place for hornpipes in 4/4 time as opposed to the earlier versions that can be found in the 3/2 and 6/4 tunes section.
A probably definitive article on the hornpipe was written by George Emmerson in the Folk Music Journal Vol.2 No.1
Many of the 4/4 hornpipes in the English tradition originated in the theatre, the most famous being the Sadler's Wells, in London.
Many of the tunes we play now were named for the actor/dancers who performed them - Fisher, Durang, Ball..... The tunes travelled and many of them crossed the North Sea where they settled into a new Scandinavian home as Engelskas.
The early tunes were mostly written down and presumably played 'straight', ie. without dotted notes. As the 4/4 hornpipe moved into the end of the 19th century, it acquired a more dotted characteristic and many of these tunes shared a common feel with the Schottische and many Schottische dances today are done to dotted hornpipes - eg. Nottingham Swing.
Please refer to the help page on Referencing Tunes before adding tunes.
- Albert Farmer's Bonfire Tune
- Astley's Hornpipe
- Ball's Hornpipe
- Bath Hornpipe
- Brown Paper Hornpipe
- Brown's Hornpipe
- Butcher's Hornpipe
- The Cage
- Chatham Hornpipe
- Cliffe Hornpipe
- Cokey Hornpipe
- Cook Hornpipe
- Come Ashore Jolly Tar With Your Trousers On
- Cuckoo's Nest
- Elterwater Hornpipe
- Fisher's Hornpipe
- George Craske's Hornpipe
- Gloucester Hornpipe
- Gooseberry Hornpipe
- Grand Hornpipe
- Gypsey Hornpipe
- Gypsy Hornpipe
- New Gypsey Hornpipe
- Howsen's New
- Kershaw's Hornpipe
- Kirkgate Hornpipe
- Lincoln Hornpipe
- London Hornpipe
- Lord Nelson's Hornpipe
- Nelson's Hornpipe
- Manchester Hornpipe
- Miss Baker's Hornpipe
- Miss Gayton's Hornpipe
- Miss Menager's Hornpipe
- Miss Richards' Hornpipe
- Mittel's Hornpipe
- Pigeon on the Gate
- Portobello Hornpipe
- Prince of Cabourg's Hornpipe
- The Prussian Hornpipe
- Red Pettycoat Hornpipe
- Sadlers Wells Hornpipe
- Savage Hornpipe
- Sheffield Hornpipe
- Shipdham Hornpipe
- Shuter's Hornpipe
- Sportsman's Hornpipe
- Staffordshire Hornpipe
- Steampacket Hornpipe
- Tom Tolley's Hornpipe
- True Blue Hornpipe
- Tumbler's Hornpipe
- Miss Sackville's Fancy
- Sweeps' Hornpipe
- Worcestershire Hornpipe
- Worsborough Hornpipe
- Yarmouth Hornpipe