30 Farewell, Nancy: Difference between revisions

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Tune Analysis:
Tune Analysis: E Aeolian, Heptatonic, Authentic. There is only one C (6th) which is natural. If it were sharpened the key would be E Dorian. If it were omitted we would have a Dorian/Aeolian Hexatonic scale.


Sheet Music (1916) [[Media:30 Farewell Nancy.pdf]]
Sheet Music (1916) [[Media:30 Farewell Nancy.pdf]]


Cecil Sharp's Note (1916) [[Media:_1916_Note.pdf]]
[[Cecil Sharp's Note 30 (1916)]]


MIDI Sequence [[Media:]]
MIDI Sequence [[Media:30 Farewell, Nancy.mid]]


PDF [[Media:]]
PDF [[Media:30 Farewell, Nancy.pdf]]


Music XML [[File:]]
Music XML [[File:30 Farewell, Nancy.xml]]


ABC Code:
ABC Code:
X:30
T:30 Farewell Nancy
C:Collected and arranged by Cecil J. Sharp
L:1/8
M:3/4
I:linebreak $
K:G
(E>F) | G3 A BA | G2 A2 (dc) | B2 E2 (FE) | D2 E2 (EF) | G3 A (BA) |$ G2 (AG) (FE) | D2 G2 A2 |
w: Fare- *|well my dear- est|Nan- cy, since *|I must now *|leave you Un- *|to the salt *|seas I * am *|bound for to|
B4 B2 | e2 d2 e2 | (BA) G2 (Ad) | B2 (EG) (FE) |$ D2 E2 (EF) | G2 A2 B2 | e2 d2 e2 |
w: go; But|let my long|ab- * sence be *|no trou- * ble *|to you For *|I shall re-|turn in the|
(BA) G2 (FE) | E4 |]
w: spring * a you *|know.|

Latest revision as of 19:19, 1 March 2019

Back to Cecil J. Sharp (1916) ''One Hundred English Folk Songs''


Tune Analysis: E Aeolian, Heptatonic, Authentic. There is only one C (6th) which is natural. If it were sharpened the key would be E Dorian. If it were omitted we would have a Dorian/Aeolian Hexatonic scale.

Sheet Music (1916) Media:30 Farewell Nancy.pdf

Cecil Sharp's Note 30 (1916)

MIDI Sequence Media:30 Farewell, Nancy.mid

PDF Media:30 Farewell, Nancy.pdf

Music XML File:30 Farewell, Nancy.xml

ABC Code:

X:30 T:30 Farewell Nancy C:Collected and arranged by Cecil J. Sharp L:1/8 M:3/4 I:linebreak $ K:G (E>F) | G3 A BA | G2 A2 (dc) | B2 E2 (FE) | D2 E2 (EF) | G3 A (BA) |$ G2 (AG) (FE) | D2 G2 A2 | w: Fare- *|well my dear- est|Nan- cy, since *|I must now *|leave you Un- *|to the salt *|seas I * am *|bound for to| B4 B2 | e2 d2 e2 | (BA) G2 (Ad) | B2 (EG) (FE) |$ D2 E2 (EF) | G2 A2 B2 | e2 d2 e2 | w: go; But|let my long|ab- * sence be *|no trou- * ble *|to you For *|I shall re-|turn in the| (BA) G2 (FE) | E4 |] w: spring * a you *|know.|