31 Sweet Kitty: Difference between revisions

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Tune Analysis: Heptatonic. C Dorian. Note how all the A flats are naturalised. If they were not the tune would be C Aeolian.
Back to [[Cecil J. Sharp (1916) ''One Hundred English Folk Songs'']]
 
 
Tune Analysis: Mainly Authentic, two sub-keynote Bs. Heptatonic. C Dorian. In Sharp's notation the key is C minor and all the A flats are naturalised. If they were not the tune would be C Aeolian. In the abc code below the key has been changed to C Dorian to demonstrate more clearly the modal nature of the melody.


Sheet Music (1916) [[Media:31SweKit_1916_Sheet_Music-pdf.pdf]]
Sheet Music (1916) [[Media:31SweKit_1916_Sheet_Music-pdf.pdf]]


Cecil Sharp's Note (1916) [[Media:31SweKit_1916_Note.pdf]]
[[Cecil Sharp's Note 31 (1916)]]


MIDI Sequence [[File:31SweKit.mid]]
MIDI Sequence [[Media:31SweKit.mid]]


PDF [[Media:31SweKit.pdf]]
PDF [[Media:31SweKit.pdf]]
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M:3/4<br>
M:3/4<br>
I:linebreak $<br>
I:linebreak $<br>
K:Cm<br>
K:Cdor<br>
Q: 1/4=120<br>
Q: 1/4=120<br>
V:<br>
V:<br>
V:1<br>
V:1<br>
G | G F G | (=A/B/) c B/ A/ | G F G | B2 B |$ =A c c | G B G | F (B/=A/) D | D2 (C/B,/) | %9<br>
G | G F G | (A/B/) c B/ A/ | G F G | B2 B |$ A c c | G B G | F (B/A/) D | D2 (C/B,/) | %9<br>
w: As|he was a-|rid\- * ing and a|ri- ding one|day, He|met prett- y|Kitt- y all|on the * high-|way. Sing *|<br>
w: As|he was a-|rid\- * ing and a|ri- ding one|day, He|met prett- y|Kitt- y all|on the * high-|way. Sing *|<br>
C3/2 D/ E/C/ |$ D B, z | G3/2 =A/ B/A/ | G F G | E (F/E/) D | C2 |] %15<br>
C3/2 D/ E/C/ |$ D B, z | G3/2 A/ B/A/ | G F G | E (F/E/) D | C2 |] %15<br>
w: Fol the didd- le|de- ro,|Fol the didd- le|de ro, Sing|le- ro\- * i-|day.|<br>
w: Fol the didd- le|de- ro,|Fol the didd- le|de ro, Sing|le- ro\- * i-|day.|<br>
W:<br>
W:<br>

Latest revision as of 22:05, 19 October 2018

Back to Cecil J. Sharp (1916) ''One Hundred English Folk Songs''


Tune Analysis: Mainly Authentic, two sub-keynote Bs. Heptatonic. C Dorian. In Sharp's notation the key is C minor and all the A flats are naturalised. If they were not the tune would be C Aeolian. In the abc code below the key has been changed to C Dorian to demonstrate more clearly the modal nature of the melody.

Sheet Music (1916) Media:31SweKit_1916_Sheet_Music-pdf.pdf

Cecil Sharp's Note 31 (1916)

MIDI Sequence Media:31SweKit.mid

PDF Media:31SweKit.pdf

Music XML File:31SweKit.xml

ABC Code

X:31
T:31 Sweet Kitty
C::From 'One Hundred English Folk Songs' (1916)
P:Collected by Cecil J. Sharp
%%scale 0.83
%%pagewidth 21.00cm
%%leftmargin 1.00cm
%%rightmargin 1.00cm
L:1/4
Z:Transcribed by Lewis Jones
M:3/4
I:linebreak $
K:Cdor
Q: 1/4=120
V:
V:1
G | G F G | (A/B/) c B/ A/ | G F G | B2 B |$ A c c | G B G | F (B/A/) D | D2 (C/B,/) | %9
w: As|he was a-|rid\- * ing and a|ri- ding one|day, He|met prett- y|Kitt- y all|on the * high-|way. Sing *|
C3/2 D/ E/C/ |$ D B, z | G3/2 A/ B/A/ | G F G | E (F/E/) D | C2 |] %15
w: Fol the didd- le|de- ro,|Fol the didd- le|de ro, Sing|le- ro\- * i-|day.|
W:
W:
W:1 As he was a-riding, and a-riding one day,
W:He met with sweet Kitty all on the highway;
W:
W:Chorus Sing fol the diddle dero,
W:Fol the diddle dero,
W:Sing le-ro-i-day.
W:
W:2 I gave her a wink and she roll'd her black eye;
W:Thinks I to myself I'll be there by and by.
W:
W:3 Come saddle my horse and away I will ride
W:To meet with sweet Kitty down by the seaside.
W:
W:4 Six times he rode round her, but he did not know;
W:She smiled in his face and said: There goes my beau.
W:
W:5 I said: Pretty maiden don't smile in my face,
W:I do not intend to stay long in this place.
W:
W:6 If you'd know my name, you must go and enquire;
W:I was born in old England, brought up in Yorkshire.
W:
W:7 Come, all pretty maidens, whoever you be,
W:With roving young fellows don't make yourself free.
W: