Difference between revisions of "Full English Transcription Programme: The Lucy Broadwood Manuscript Collection, MS LEB/2/65"

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'''LEB/2/65/1 '''
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'''LEB/2/65/1 Maria Martin (Murder Of Maria Martin In The Red Barn)'''
  
 
[[File:LEB-2-65-1.mid]]
 
[[File:LEB-2-65-1.mid]]
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'''LEB/2/65/2 '''
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'''LEB/2/65/2 Bold William Taylor'''
  
 
[[File:LEB-2-65-2mid.mid]]
 
[[File:LEB-2-65-2mid.mid]]
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'''LEB/2/65/3 '''
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'''LEB/2/65/3 I Wish My Baby It Was Born'''
  
 
[[File:LEB-2-65-3.mid]]
 
[[File:LEB-2-65-3.mid]]
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[[File:LEB-2-65-3.xml]]
 
[[File:LEB-2-65-3.xml]]
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For an audio rendition of this song by Joseph Taylor go to:
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[http://www.hallamtrads.co.uk/songs.html]
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Further phonograph recordings of Joseph Taylor singing the song, taken by Percy Grainger, are available from the British Sound Archive at the British Library:
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[https://sounds.bl.uk/World-and-traditional-music/Percy-Grainger-Collection]
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Latest revision as of 00:20, 21 February 2018

Link to the Home Page of the Full English Transcription Programme (formerly known as the Take 6 Transcription Programme)


For playback of these transcriptions linked to their original MSS enter the filenames [LEB/2/1/1 or whatever] in the Vaughan Williams Memorial Library's Full English search box here. [[1]]


LEB/2/65/1 Maria Martin (Murder Of Maria Martin In The Red Barn)

File:LEB-2-65-1.mid

File:LEB-2-65-1.pdf

File:LEB-2-65-1.xml


LEB/2/65/2 Bold William Taylor

File:LEB-2-65-2mid.mid

File:LEB-2-65-2.pdf

File:LEB-2-65-2.xml


LEB/2/65/3 I Wish My Baby It Was Born

File:LEB-2-65-3.mid

File:LEB-2-65-3.pdf

File:LEB-2-65-3.xml

For an audio rendition of this song by Joseph Taylor go to: [2]

Further phonograph recordings of Joseph Taylor singing the song, taken by Percy Grainger, are available from the British Sound Archive at the British Library: [3]


LEB/2/65/4 Polly's Love or The Cruel Ship's Carpenter

File:LEB-2-65-4.mid

File:LEB-2-65-4.pdf

File:LEB-2-65-4.xml

Tune Analysis: This is a full heptatonic or 7 note scale. The key would be C major (C Ionian) except for the comment in the MS that the Fs were sometimes sharpened. If all of the Fs were sharpened the key would be C Lydian (an extremely rare mode in English folk song). As it stands, however, the tune presents as an Ionian/Lydian hybrid.