Difference between revisions of "Full English Transcription Programme: The Lucy Broadwood Manuscript Collection, MS LEB/2/60"
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+ | Tune analysis: The tune has a full 7 note or heptatonic scale. Note that all of the Bs above the keynote of C are flattened <br> | ||
+ | whereas the Bs immediately below the keynote are natural. If all the Bs were flattened the key would be C Mixolydian. If all <br> | ||
+ | the Bs were natural the key would be C major (C Ionian). As it stands, however, the tune is a Mixolydian/Ionian hybrid.<br> | ||
Latest revision as of 22:57, 16 January 2018
Link to the Home Page of the Full English Transcription Programme (formerly known as the Take 6 Transcription Programme)
For playback of these transcriptions linked to their original MSS enter the filenames [LEB/2/1/1 or whatever] in the Vaughan Williams Memorial Library's Full English search box here. [[1]]
LEB/2/60/1 The Farmer's Daughter
LEB/2/60/2 The Farmer's Boy
LEB/2/60/3 In Thorneywoods
LEB/2/60/4 The Sailor Boy
LEB/2/60/5 The Miser And His Daughter
LEB/2/60/6 Botany Bay
LEB/2/60/7 Little Soldier Boy
LEB/2/60/8 Dark-Eyed Sailor
LEB/2/60/9 Bonnie Labouring Boy [Bonny Labouring Boy]
Tune analysis: The tune has a full 7 note or heptatonic scale. Note that all of the Bs above the keynote of C are flattened
whereas the Bs immediately below the keynote are natural. If all the Bs were flattened the key would be C Mixolydian. If all
the Bs were natural the key would be C major (C Ionian). As it stands, however, the tune is a Mixolydian/Ionian hybrid.
LEB/2/60/10 Bailiffs Daughter [Bailiff's Daughter]
LEB/2/60/11 Caroline And Her Young Sailor So Bold