Difference between revisions of "Dorian/Aeolian Gapped Scales and Hybrids"
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Lewis Jones (talk | contribs) (Created page with "Link to '''Ionian, Mixolydian, Dorian and Aeolian: Samples and Examples of the 4 Main Musical Scales in Celtic, Anglo-American and English Folk Songs''' http://folkopedia.ef...") |
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| − | The Aeolian scale is the same as the Dorian scale except that the sixth note is flattened by a semitone. To convert a Dorian to an Aeolian key signature, add a flat to, or remove a sharp from, it. Likewise, to convert an Aeolian to a Dorian key signature, remove a flat from, or add a sharp to, it. | + | The Aeolian scale is the same as the Dorian scale except that the sixth note is flattened by a semitone. To convert a Dorian to an Aeolian key signature, add a flat to, or remove a sharp from, it. Likewise, to convert an Aeolian to a Dorian key signature, remove a flat from, or add a sharp to, it. The Dorian and Aeolian scales are thus quite similar to each other, and there are quite a few Dorian/Aeolian gapped scales and quite a few Dorian/Aeolian hybrids. Here are some examples. |
Revision as of 23:32, 23 February 2019
Link to Ionian, Mixolydian, Dorian and Aeolian: Samples and Examples of the 4 Main Musical Scales in Celtic, Anglo-American and English Folk Songs [[1]]
The Aeolian scale is the same as the Dorian scale except that the sixth note is flattened by a semitone. To convert a Dorian to an Aeolian key signature, add a flat to, or remove a sharp from, it. Likewise, to convert an Aeolian to a Dorian key signature, remove a flat from, or add a sharp to, it. The Dorian and Aeolian scales are thus quite similar to each other, and there are quite a few Dorian/Aeolian gapped scales and quite a few Dorian/Aeolian hybrids. Here are some examples.