Take 6 Transcription Programme: The Butterworth Archive, MS 7a
Go to Take 6 Transcription Programme Home Page
Sheet Music Tune Book of Melodies from Butterworth MS 7a
File:Butterworth MS 7a Tune Book.pdf
Book of Incipits of Melodies from Butterworth MS 7a
File:Butterworth MS 7a incipits.pdf
GB/7a/1 Isle of France Version 1 of 3
abc notation
X:1
T:GB/7a/1 Isle of France Version 1 of 3
C:Dick Antony (c. 40), Stanford Bishop, Herefordshire, IX. 07
L:1/8
M:3/2
I:linebreak $
K:D
DE | F2 A2 F4 B,3 C | D2 D2 D6 A2 | B2 c2 d4 c3 B | ABcA B6 A2 |$ B2 c2 d4 c3 A | ABcA B4 D3 E |
F2 dc B3 A B,3 C | D2 D2 D6 |]
GB/7a/1A Isle of France Version 2 of 3
abc notation
X:1A
T:GB/7a/1A Isle of France Version 2 of 3
C:William Smith (c.40), Stoke Lacey, Herefordshire, IX. 07
L:1/8
M:3/2
I:linebreak $
K:D
DE | F2 B2 F4 B,3 C | D2 D2 D6 A2 | B2 c2 d4 c3 B | AB c2 B6 A2 |$ B2 e2 d4 c3 B | A2 c2 B6 DE |
F2 B2 F4 B,3 C | D2 D2 D6 |]
GB/7a/1B Isle of France Version 3 of 3
abc notation
X:1
T:GB/7a/1B Isle of France Version 3 of 3
C:Mr "Skinner" Crow, Filby, Norfolk, IV. 10
P:FW J(ekyll) & GSK B(utterworth)
L:1/8
M:3/2
I:linebreak $
K:Dmix
D3 E | F2 A2 G2 ED CD E2 | D2 D2 D6 D2 |"^(a)" FGAB c4 AB c2 | d2 dc A6 D2 |$ FGAB c2 A2 B2 c2 |
"^(b)" d2 dc A6 D2 | FG A2 G2 ED CD E2 | D2 D2 D4 |]$"^(a) var. 1" F2 AB c2 A2 B2 c2 ||
"^(a) var. 2" FGAB c2 A2 B2 c2 | d2 d2 A6 D2 ||"^(b) var. 1" dcBc A6 D2 ||
"^(b) var. 2" d2 dc A6 DE ||
GB/7a/2 Jolly Fellows that Follow the Plough Version 1 of 2
abc notation
X:2
T:GB/7a/2 Jolly Fellows that Follow the Plough
T:Version 1 of 2
C:Mr. Ede (c. 40), Bosham, Sussex IV. 07
L:1/4
Q:1/4=132
M:3/4
I:linebreak $
K:F
c | F G A | B d d | c F F | F2 F | F G A | B A B | G c d | c2 c |$ d d c | d f d | c A c | f e f |
d c A | G c B | A F F | F2 |]
GB/7a/2A Jolly Fellows that Follow the Plough Version 2 of 2
abc notation
X:2
T:GB/7a/2A Jolly Fellows that Follow the Plough
T:Version 2 of 2
C:Mr. Richard Newton
P:Noted by FW J(ekyll)
L:1/4
M:3/4
I:linebreak $
K:F
F | A A A | c B G | G F F | F2 A | B A B | c f f | _e c d | c2 c |$ c A c | d/e/ f d | c B c |
F G A | B A B | c B G | A F F | F2 |]
GB/7a/3 American King, The
abc notation
X:3
T:GB/7a/3 American King, The
C:Mrs. Cranstone (c.50), Wood Dale, Billingshurst, VII. 07.
L:1/8
M:3/4
I:linebreak $
K:G
GA | B2 B2 cB | A2 A2 BA | G2 E2 F2 | G4 :| GB | d2 d2 ed |$ dB G2 GB | d2 B2 d2 | A4 GA |
B3 d cB | AG E2 GE | D2 G2 A2 | G6 |]
GB/7a/4 Green Mossy Banks of the Lea Version 1 of 4
abc notation
X:4
T:GB/7a/4 Green Mossy Banks of the Lea Version 1 of 4
C:Mr Nappin (c. 50), Stanton St. John, Oxon. V. 07
L:1/4
M:3/4
I:linebreak $
K:Daeo
D | F A A | F G E | C D E | F G A | F G E | D2 :| D | F G A | B G B | c F2- | F2 F |$ B A B |
c B c | d3- | d2 d | c B A | G A G/F/ | D E F | G A A | F G E | D2 |]
GB/7a/4A Green Mossy Banks of the Lea Version 2 of 4
abc notation
X:4
T:GB/7a/4A Green Mossy Banks of the Lea Version 2 of 4
C:Sung by Mr Lockly (c. 80); sexton at High Ercall, Salop. III. 08
L:1/4
M:3/4
I:linebreak $
K:Ddor
A, | D D E | F G/F/ D | C !fermata!D F/G/ | A c A | G E/D/ C | D2 :| A | c B A | A/G/ E ^F |
G !fermata!A A/G/ |$ F E D | D A, B, | C2 (3A,/B,/C/ | D D E | F G/F/ D | C !fermata!D F/G/ |
A c A | G E/D/ C | D2 |]
GB7a/4B Green Mossy Banks of the Lea Version 3 of 4
abc notation
X:4
T:GB/7a/4B Green Mossy Banks of the Lea
T:Version 3 of 4
C:Mr James Landamore (c. 70) Wroxham, Norfolk IV. 10
P:FW J(ekyll) & GSK B(utterworth)
L:1/4
M:3/4
I:linebreak $
K:Ddor
D | F A A | G F D | C !fermata!D D | F A A |$ G F E | D2 :| D | F G A | c A A |$ d !fermata!d D |
F G A | c A c | d2 d | c A A |$ G F D | C !fermata!D D/E/ | F D E | A, D3/2 C/ | D2 |]
GB/7a/4C Green Mossy Banks of the Lea Version 4 of 4
abc notation
X:4
T:GB/7a/4C Green Mossy Banks of the Lea
T:Version 4 of 4
C:Mr George Locke (c. 70) Rollesby, Norfolk X. 10
P:R V(aughan) W(illiams) & GSK B(utterworth)
L:1/4
M:3/4
I:linebreak $
K:Ddor
D/E/ |"^(a)" F G A | c A c | d D2- | D2 D/E/ | F G A/>B/ |"^(b)" c/B/ A/B/ c |$ d2 d |
"^(c)" c B A | F G A | C D D/>E/ | A A/B/ c | F G/F/ E | D2 |]$"^(a) var. 1" F E D | c/B/ A/B/ c ||
"^(a) var. 2" F/E/ D A/B/ ||"^(b) var." c/B/ A c | d2 d/>B/ ||$"^(c) var. 1" d B A/G/ | G A G/E/ ||
"^(c) var. 2" d B A | G A G/E/ ||"^(c) var. 3" c B A/G/ | F A G/E/ ||
GB/7a/5 'Twas of a Brisk and Lively Lad Version 1 of 3
abc notation
X:5
T:GB/7a/5 'Twas of a Brisk and Lively Lad Version 1 of 3
C:Mr Ned Harding (c. 50), Lower Beeding, Sussex VI. 07
L:1/4
M:4/4
I:linebreak $
K:A
E | E A G A | B c/d/ e e | B/c/ d B B | A3 :| c/d/ | e f e3/2 A/ |$ A F E (3c/d/e/ | f e d/c/ B |
A G E F/G/ | A3/2 F/ G A | B c/d/ e e | B/c/ d B B | A3 |]
GB/7a/6 'Twas of a Brisk and Lively Lad Version 2 of 3
abc notation
X:6
T:GB/7a/6 'Twas of a Brisk and Lively Lad
T:Version 2 of 3
C:Mr. Cranstone (c. 50) and Mrs. Cranstone (see GB/7a/3), Billingshurst VI. 07
L:1/8
M:4/4
I:linebreak $
K:A
A2 | d3 d c2 B2 | c2 AG F2 z c | d2 BG A2 BG | E4 EFGE |$ A3 F G2 A2 |"^(a)" B4 c2 e2 |
d2 c2 B2 B2 | A6 |]"^(a) var." B2 cB A2 ce |
GB/7a/7 'Twas of a Brisk and Lively Lad Version 3 of 3
abc notation
X:7
T:GB/7a/7 'Twas of a Brisk and Lively Lad Version 3 of 3
C:Mr Edwin Spooner (c. 70), Midhurst Union, XI. 08
P:GSK B(utterworth) & FW J(ekyll)
L:1/4
M:4/4
I:linebreak $
K:A
E | A3/2 F/ G A | B3/2 c/ A !fermata!e | d c B B | A3 :| A | e3/2 d/ !fermata!c B |$
"^(a)" c A/G/ !fermata!F c/e/ | d c B/A/ B | E2 E F/G/ | A2 F G/A/ | B2 c e | d c B/A/ B | A3 |]
"^(a) var." c A/G/ !fermata!F c |
GB/7a/8 Just as the Tide Was Flowing Version 1 of 3
abc notation
X:8
T:GB/7a/8 Just As the Tide Was Flowing
T:Version 1 of 3
C:Mr Weekes (c. 80) Ticehurst, Kent IV, 07
L:1/8
M:4/4
I:linebreak $
K:F
AG | F2 D2 D2 C2 | F2 F2 G2 FG | A2 c2 BAGF | D3 E F2 :| AB | c3 A d3 A |$ B2 G2 c3 B |
A2 A2 G2 FG | A2 C2 !fermata!C2 AG | F2 D2 D2 C2 | F2 F2 G2 F2 | A2 c2 BAGF | D3 E F2 |]
GB/7a/9 Just as the Tide Was Flowing Version 2 of 3
abc notation
X:9
T:GB/7a/9 Just as the Tide was Flowing Version 2 of 3
C:Mr Standing (c. 70), Washington, Sussex XII. 07
L:1/8
M:4/4
I:linebreak $
K:F
AG | GF D2 C2 DE |"^(a)" F2 F2 G2 F2 | d2 dc A2 GF | D3 E F2 :| c2 | c2 c2 dcAG |
FA c2 !fermata!d2 dc |$ A2 A2 G2 AG | GF D2 !fermata!C2 AG | GF D2 C2 DE | F2 F2 G2 FG |
d2 dc A2 GF | D3 E F2 |]"^(a) var." F2 F2 G2 FG |
GB/7a/10 Just as the Tide Was Flowing Version 3 of 3
abc notation
X:10
T:GB/7a/10 Just As the Tide Was Flowing
T:Version 3 of 3
C:Mr George Locke (c. 70) Rollerby, Norfolk, X. 10
P:R V(aughan) W(illiams) & GSK B(utterworth)
L:1/8
M:2/4
I:linebreak $
K:F
"^(a)" A3 G |[M:4/4] F2 E2 D2 C2 |"^(b)" F2 F2 GA B2 |"^(c)" c3 B AGFE |"^(d)" D3 E F2 A2 |
G2 F2 D2 C2 |$ FE F2 G2 AB | c3 B AGFE | D3 E F2"^(e)" z F | F2 A2 cA F2 | d2 c2 !fermata!c2 c2 |
d2 c2 AG F2 |$ AG"^(f)" A2 D4 |[M:2/4] A3 G |[M:4/4] F2 E2 D2 C2 | F2 F2 GA B2 | c3 B AGFc |
"^(g)" c2 c2 cA !fermata!F2 |]$[M:2/8]"^(a) var." AG ||[M:4/4]"^(b) var." G2 AB GA B2 ||
"^(c) var." c2 c2 A2 F2 ||"^(d) var." DE F2 F2 A2 ||$"^(e) var." D3 E F2 c2 | c2 c2 cA F2 ||
"^(f) var." AGAF D4 ||"^(g) var." c3 c cA !fermata!F2 ||
Notes on GB/7a/10 There is some uncertainty over this transcription, which was derived from the scanned image on the Take 6 website. Further reference to the original MS is needed, since part of the scan is illegible and/or unclear.
GB/7a/11 God Rest You Merry Version 1 of 2
abc notation
X:11
T: GB/7a/11 God Rest You Merry
T: Version 1 of 2
C: Mr. Lockly (c.80), High Ercall, Salop, III. 08
P: GSK B(utterworth)
W: There are slight variations in the notation and the headers, but the melody is identical to that of GB/6a/74.
W: There, however, the informant's surname is spelt "Lockley."
L:1/4
M:4/4
I:linebreak $
K:Edor
D | E B B A | G F E D | A A A/B/ ^c | B3 :| d | c/B/ A A B/c/ | d c A B/A/ | F E E/F/ G |$
A2 G A | e2 d e | B A G F | E2 E/F/ G | A2 F/G/ A | e2 d e | B A G F | E3 |]
GB/7a/12 God Rest You Merry Version 2 of 2
abc notation:
X:12
T:GB/7a/12 God Rest You Merry Version 2 of 2
C:Mrs Cranstone, August, 1911
Q:1/4=120
M:C
L:1/8
K:Edor
E2 |E2 B2 B2 A2 |G2 F2 E2 D2 |E2 F2 G2 A2 |B6 :|Bc |
d3 F F2 G2 |A2 A2 G2 A2 |d2 d2 F2 G2 |A4 G2 A2 |B2 d2 cB A2 |B2 A2 G2 F2 |
E2 F2 G2 E2 |A4 G2 A2 |B2 d2 cB A2 |B2 A2 G2 F2 |E6 |]
GB/7a/13 The Bold Thresherman Version 1 of 3
abc notation
X:13
T:GB/7a/13 The Bold Thresherman Version 1 of 3
C:Mr. Ned Harding, (c.50) Lower Beeding Sussex, VI. 07
L:1/4
M:4/4
I:linebreak $
K:Fdor
F | F c B G | E2 F G | B2 A G | F3 F | B2 c d |$ e2 c c | c f e d | c3 F | B2 c d | e2 c c |
c f e d |$ c B G F | B2 A F | E2 F G | B2 A G | F4 |]
GB/7a/14 The Bold Thresherman Version 2 of 3
abc notation
X:14
T:GB/7a/14 The Bold Thresherman Version 2 of 3
C:Mr. Netley (c.60) Nutbourne, Sussex, VI. 07
L:1/4
M:4/4
I:linebreak $
K:Fmix
c | c2 B G | E2 F G | B2 G A/G/ | F3 F | B A B c/d/ |$ e2 c c | f f e d | c3 F | B A B c/d/ |
e2 c c |$ f f e f | c B A F | c2 B G | E2 F G/A/ | B2 G A/G/ | F3 |]
GB/7a/15 The Bold Thresherman Version 3 of 3
abc notation
X:15
T:GB/7a/15 The Bold Thresherman Version 3 of 3
C:Mrs Verrall, to 'Polly Oliver' X. 10
L:1/4
M:4/4
I:linebreak $
K:Gmix
G | d2 c A | F2 G B | c2 A B | G3 G | G2 B c |$ d2 e f |"^(a)" g2 f g | d3 G | A2 B c | d2 e f |
g2 f g |$ d c B c | d2 c A | F2 G A | c c B A | G3 |$"^(a) var." g2 e f |]
GB/7a/16 Come All You Little Irish Girls Version 1 of 2
abc notation
X:16
T:GB/7a/16 Come All You Little Irish Girls
T:Version 1 of 2
C:Mr Knight (c. 60) Horsham, IV. 07
L:1/8
M:3/4
I:linebreak $
K:G
D2 | G2 B2 dd | cc B2 AG | FD G2 AB | G4 :| AB |[M:4/4] c>B c4 BG | B>B B4 GB |$
[M:3/4] d2 dd c>B | A>B c2 BA |[M:4/4] GG D4 dd |[M:3/4] cc BB AG | FD G2 AB | G4 |]
GB/7a/17 Come All You Little Irish Girls Version 2 of 2
abc notation
X:17
T:GB/7a/17 Come All You Little Irish Girls
T:Version 2 of 2
C:Mr Tom Anstey, Beckley, Oxon., V. 07
L:1/8
M:3/4
I:linebreak $
K:G
D2 | G2 D2 Bd | dd c2 BB | A>G E2 F2 | G4 :| (3GAB |[M:4/4] c>B c4 D2 | B>A B4 G>B |$
[M:3/4] d2 c2 B2 | A>B c2 B>A |[M:4/4] GG D4 B>d |[M:3/4] de c2 BA | AG E2 F2 | G4 |]
GB/7a/18 Murder of Maria Martin Version 1 of 2
abc notation
X:18
T:GB/7a/18 Murder of Maria Marten
T:Version 1 of 2
C:Mr Jim Wharton (c. 60) Stanton St. John, Oxon. V. 07
L:1/8
M:4/4
I:linebreak $
K:Faeo
cd | e2 c2 cB A2 | B2 B2 c2 Bd | c2 B2 BA F2 | E6 AG |$ F2 F2 FEFG | A2 A2 B2 AB | c3 A BA FE |
F6 |]
GB/7a/19 Murder of Maria Martin Version 2 of 2
abc notation
X:19
T:GB/7a/19 Murder of Maria Marten
T:Version 2 of 2
C:Mrs Keble (84) Shadingfield, Suffolk. X. 10
L:1/4
M:4/4
I:linebreak $
K:Faeo
c/d/ | e c c/B/ A | B B c B | c F F/E/ C/D/ | E3 C |$ F F F E | A A B A/B/ | c3/2 A/ B/A/ F |
F3 |]
GB/7a/20 Green Bushes Version 1 of 3
abc notation
X:20
T:GB/7a/20 Green Bushes Version 1 of 3
C:Mr Puttock (c. 80), Sutton, Pulborough, VII. 07
L:1/4
M:3/4
I:linebreak $
K:Fdor
A/G/ | F F G/F/ | E F G | c c/B/ G | E F G | F F G/F/ | E F G | c e d | c2 B |$ c c f | c e d/c/ |
B F G | E F G | F3/2 A/ G | E F (3G/A/B/ | c c/B/ G | F2 |]
Notes on GB/7a/20 The key signature has changed, but the tune is identical to that of GB/6a/79.
GB/7a/21 Green Bushes Version 2 of 3
abc notation
X:21 T:GB/7a/21 Green Bushes Version 2 of 3 C:Mr Cranstone (c. 50), Wood Dale, Billingshurst, VII. 07 L:1/4 M:3/4 I:linebreak $ K:Fdor C | F F G/F/ | E F c | c c/B/ G | F2 C | F F G/F/ | E F c | c d/c/ B | c2 B |$ c c f | c d e | G B G | E F G | F3/2 G/ A | E F G | c c/B/ G | F2 |]
Notes on GB/7a/21 The key signature has changed, but the tune is identical to that of GB/6a/80.
GB/7a/22 Green Bushes Version 3 of 3
abc notation
X:22 T:GB/7a/22 Green Bushes Version 3 of 3 C:Mr Spooner (c.70) Midhurst Union, XI. 08 L:1/4 M:3/4 I:linebreak $ K:Fmix C | F F G | E F A/B/ | c c/B/ G | E F G/E/ | F F G/F/ | E F A/B/ | c e d | c2 A/B/ |$ c c f | c d e | G B G/F/ | E F G/E/ | F3/2 F/ G/F/ | E F A/B/ | c c/B/ G | F2 |]
Notes on GB/7a/22 The key signature has changed, but the tune is identical to that of GB/6a/82.
GB/7a/23 Spanish Ladies Version 1 of 3
abc notation
X:23 T:GB/7a/23 Spanish Ladies Version 1 of 3 C:Mr Cooper (c.40), Washington, Sussex, XII. 07 P:F.W. J(ekyll) & G.S.K. B(utterworth) L:1/4 M:3/4 I:linebreak $ K:Aaeo E | A A E | A2 A/B/ | c B A |"^(a)" A !fermata!E E | A A E | A2 A/B/ | c d B | A2 A |$ c B c | d c d | e c A | A !fermata!E !fermata!e/ d/ | c B A | A/G/ E D | E c B | A2"^(a) var." |] G !fermata!E E |
GB/7a/24 Spanish Ladies Version 2 of 3
abc notation
X:24 T:GB/7a/24 Spanish Ladies Version 2 of 3 C:Mr. Verral (Journal 8) Horsham,l VI. 09 L:1/4 M:3/4 I:linebreak $ K:G A |: E A3/2 G/ | A2 A/B/ |1 c B A || A/G/ E A :|2 c d B || A2 A/B/ | c B A |$ d c d | e A3/2 B/ | A/G/ E2 | z !fermata!e3/2 d/ | c B A | G F D | E c B | A2 |]
Notes on GB/7a/24 The key signature has changed, but the tune is identical to that of GB/6a/159.
GB/7a/25 Spanish Ladies Version 3 of 3
abc notation
X:25 T:GB/7a/25 Spanish Ladies Version 3 of 3 C:At Winterton, Norfolk, 3.13, by a young sailor L:1/4 M:3/4 I:linebreak $ K:Aaeo (3E/F/G/ | A A B | A ^G A/>B/ | c d B | A/>=G/ !fermata!E (3E/F/G/ | A A B |$ A2 A/>B/ | c d c/A/ | B2 A/B/ | c B A | d ^c d/>"^?"^f/ | e A B |$ A/>G/ !fermata!E !fermata!e/>d/ | c B A | B E D | E c B | A2 |]
GB/7a/26 As I Roamed Out One Midsummer's Morning Version 1 of 2
abc notation
X:26 T:GB/7a/26 As I Roamed Out One Midsummer's Morning T:Version 1 of 2 C:Mrs. Whiting (see p. 1 Newport, Mon. IV. 08) L:1/4 M:4/4 I:linebreak $ K:Dm "^Rather fast" A, | D3/2 C/ D E |"^(a)" F G E D | G F G/A/ B | A2 D A, | D C D E |$ F2 E D | G3/2 F/ G B | A3 A | d2 c A | G2 F/G/A/=B/ | c =B c/B/A/G/ |$ F D C A, |"^(b)" D3/2 F/ D E | F A c d/c/ | A3/2 G/ F/D/ E | D3 |]$"^variants (a)" F2 F A | c =B c/B/A/G/ | F D C"^Etc" A, || "^(b)" D3/2 F/ E D | c c d/c/A/G/ | F D E F/E/ | D3 |]
Notes on GB/7a/26 The key signature has changed, and there are minor notational differences, but the tune is identical to that of GB/6a/5.
GB/7a/27 As I Roamed Out One Midsummer's Morning Version 2 of 2
abc notation
X:27 T:GB/7a/27 As I Roamed Out One Midsummer's Morning T:Version 2 of 2 C:Mr. Smith (see p. 1) Newport, Mon. IV. 08. L:1/4 M:4/4 I:linebreak $ K:Daeo "^Slower (i.e. than GB/7a/26) Free rhythm" D | D3/2 C/ D E | F G E D | G3/2 F/ G B | A2 !fermata!D D | D3/2 C/ D E |$ F G E D | G3/2 F/ G B | A3 A | d2 c A | G2 F A | c e d/c/A/G/ |$ F A !fermata!C C | D3/2 C/ D E | F A c d | A G F E | D3 |]
Notes on GB/7a/27 The tune is described here as in "free rhythm" but is otherwise identical to that of GB/6a/6.
GB/7a/28 The Banks of Sweet Primroses Version 1 of 2
abc notation
X:28 T:GB/7a/28 Banks of Sweet Primroses, The T:Version 1 of 2 C:Battle Workhouse, Sussex, IV. 07 L:1/8 M:3/2 I:linebreak $ K:G D2 | G2 D2 G6 AB | cBAG G4 D2 B2 | d2 e2 d4 G3 E | F2 G2 A4 z2 AB |$"^(a)" cded d4 G3 A | B2 A2 G4 D2 A2 | GFED G2 B2 d2 c2 | B2 A2 G6 |]$"^(a) var." c2 e2 d4 G3 A |
GB/7a/29 The Banks of Sweet Primroses Version 2 of 2
abc notation
X:29 T:GB/7a/29 Banks of Sweet Primroses, The T:Version 2 of 2 C:Shoreham Workhouse, Sussex, I. 09 L:1/4 M:3/2 I:linebreak $ K:G D | G F G3 A/B/ | c A F D z B | c c B3/2 A/ G E | F G A2 z B |$ c e d2 G A | B A G2 D A/G/ | [M:5/4] F D G d c |[M:3/4] B/G/ A A | G2 |]
GB/7a/30 Henry Martin Version 1 of 3
abc notation
X:30 T:GB/7a/30 Henry Martin Version 1 of 3 C:Mr Jack Feast (c. 50), Lower Beeding, Sussex, VI. 07 L:1/4 M:3/4 I:linebreak $ K:Dmix G | A2 B | G2 A | G E F | D2 G |"^(a)" A B c | d c d | A2 G |$ A d d | c2 B | c B A | G3/2 E/ D | c d B | A G E/F/ | D2 |]$"^(a) var." G | A c B | c d B | A2 |
Notes on GB/7a/30 The key signature has changed, but the tune is identical to that of GB/6a/87.
GB/7a/31 Henry Martin Version 2 of 3
abc notation
X:31 T:GB/7a/31 Henry Martin Version 2 of 3 C:Mr Henry Akhurst (c. 70), Lower Beeding, Sussex, VI. 07 L:1/4 M:3/4 I:linebreak $ K:D A | D2 B | A2 B | A E F/E/ | D2 D | F G A | d c B | A2 A | d A B |$ =c B A | A D E | F3/2 E/ D | G3/2 A/ B | A2 F/G/ | A d A/B/ | A F E | D2 |]
Notes on GB/7a/31 The tune is identical to that of GB/6a/88.
GB/7a/32 Henry Martin Version 3 of 3
abc notation
X:32 T:GB/7a/32 Henry Martin Version 3 of 3 C:Mr G. Hillman, Shoreham Workhouse, Sussex, I. 09 L:1/4 M:3/4 I:linebreak $ K:Ddor A | F E D | A3/2 B/ A | G E C | D2 G |"^(a)" A2 A | c B G | A3- | A2 G |$ A A d | c B A | A D E | F2 F | G3- | G2 F/G/ |"^(b)" A3/2 c/ A | G F E | D2 |]$"^(a) var.i" A B c | d c B | A3 || "^(a) var.ii" A B c | d B c | A3 ||"^(b) var." A3/2 B/ A | G E F | D2 ||
Notes on GB/7a/32 The key signature has changed, but the tune is identical to that of GB/6a/90.
GB/7a/33 Tarry Trowsers Version 1 of 2
abc notation
X:33 T:GB/7a/33 Tarry Trowsers Version 1 of 2 C:Mrs Verrall (Journal 8) Horsham XI. 08 P:F.W. J(ekyll). L:1/4 M:2/2 I:linebreak $ K:Edor E E B B | G E F D | E E/F/ G G | A A B2 | B B/c/ d e |"^(a)" A/A/A/A/ c d | G E d B | A B E2 |]$ "^(a) var." A A c d |
GB/7a/33B Salisbury Plain Version 3 of 3 (Out of Sequence in EFDSS Catalogue)
abc notation
X:33 T:GB/7a/33B Salisbury Plain Version 3 of 3 C:Mr Ruff (c. 60), Sutton, Petworth, VII. 09 L:1/4 M:4/4 I:linebreak $ K:Ddor F/G/ | A F E D | A2 G/F/ E | D2 A3/2 B/ | c A F A/B/ | c2 d c | A2 A B |$ c A F A |"^(a)" c2 d E | F E D C | c c d c | A2 G F | D3 |]$"^(a) var." c2 d D |
Notes on GB/7a/33B The key signature has changed, but the tune is identical to that of GB/6a/147. For Versions 1 and 2 of Salisbury Plain see GB/7a/72 and GB/7a/73 below.
GB/7a/34 Tarry Trowsers Version 2 of 2
abc notation
X:34 T:GB/7a/34 Tarry Trowsers C:Mrs Powell, Minster, Sheppey, VIII.10 L:1/8 Q:1/4=90 M:4/4 I:linebreak $ K:Em E | E2 B>B B>AG>A | B2 (3BAG A>GE>E | A3 B AG EF | G2 A2 B4 |"^(a)" E>F G>A Be !fermata!e>d |$ A2 A>G FA !fermata!d2 | G2 FE (3B2 B2 A2 | G2 F2 E4 || E | E2 B>B B>AG>A | B2 (3BAG A>GE>E |$ A3 B AG EF | G2 A2 B4 |"^(a) var." E>F G>A Be !fermata!e/d/^c | A2 A>G FA !fermata!d2 | G2 FE (3B2 B2 A2 | G2 F2 E4 |]
GB/7a/35 Banks of Green Willow Version 1 of 2
abc notation
X:35 T:GB/7a/35 Banks of Green Willow Version 1 of 2 C:Mr. and Mrs. Cranstone (p. 4), Billingshurst, VI. 07 L:1/8 M:3/4 I:linebreak $ K:A AB | c3 d B>c | A>B E2 AG | F2 D2 B2 |"^(a)" BG !fermata!E2 EA |$ A2 E2 C>B, | A,>C E2 E2 | F2 d2 B2 | cB A2 |]$"^(a) var." BG !fermata!E2 FG |
GB/7a/36 Banks of Green Willow Version 2 of 2
abc notation
X:36 T:GB/7a/36 Banks of Green Willow Version 2 of 2 T:Mr. Cornford, East Chiltington, Sussex, VII. 08 L:1/8 M:3/4 I:linebreak $ K:A A>B | c2 A2 B2 | A>G E>F =G>A | F>E D>F A2 | A2 E2 (3EF=G |$ A3 =G E>D | B,>C D2 D>D | E2 B3 E | FG A2 |]
Notes on GB/7a/36 The tune is identical to that of GB/6a/10.
GB/7a/37 Barbara Allen Version 1 of 3
abc notation
X:37 T:GB/7a/37 Barbara Allen Version 1 of 3 C:Mr. Morley, Wartling, Sussex, IV. 07 L:1/4 M:5/4 I:linebreak $ K:G D | B B B2 A | G A E2 D | G B d2 B | c d z z d | e e d2 B |$ c d/c/ G2"^For the love of Barbara Allen Allen for love" A/ A/ | B c A2 D |[M:3/2] G A B d z c |[M:5/4] B c A2 D | G G- G2 |]
GB/7a/38 Barbara Allen Version 2 of 3
abc notation
X:38 T:GB/7a/38 Barbara Allen Version 2 of 3 C:Mr. Henry Webb (c. 70), Stanton St. John, Oxon. V. 07. L:1/4 M:5/4 I:linebreak $ K:G G | G B d2 B | B A G2 d | e a g2 e | f d z z d |$ g f e2 d | e d B c d | e d B2 G | A G- G2 |]
GB/7a/39 Barbara Allen Version 3 of 3
abc notation
X:39 T:GB/7a/39 Barbara Allen Version 3 of 3 C:Mr. Dearling (c. 50), West Burton, Sussex, XII. 07 L:1/4 M:5/4 I:linebreak $ K:G D | G B A2 D | G B A2 G/A/ | B B B A G | B/c/ d z z d |$ e d B A G/A/ | B G/F/ E2 F/G/ | A A F E D | E/F/ G- G2 |]
GB/7a/40 Bold Fisherman Version 1 of 3
abc notation
X:40 T:GB/7a/40 The Bold Fisherman Version 1 of 3 T:Mr. Spooner c. 70), Midhurst Workhouse XII. 08 T:F.W. J(ekyll) & G.S.K. B(utterworth) L:1/4 M:5/4 I:linebreak $ K:G D | G G E F G | A A D2 D | G G A G A |[M:3/4] B2 B/c/ |$[M:5/4] d B A G A | B B E F G | A A D F A | G2- G2 D | G G A G A |$[M:3/4] B2 B/c/ |[M:5/4] d B A G A | B B E F G | A A D F A | G2- G2 |]
Notes on GB/7a/40 The tune is identical to that of GB/6a/23.
GB/7a/41 Bold Fisherman Version 2 of 3
abc notation
X:41 T:GB/7a/41 The Bold Fisherman Version 2 of 3 C:Mr. Locke (c. 70) Rollesby, Norfolk, IV. 10 P:F.W. (Jekyll) & G.S.K. B(utterworth) L:1/8 M:5/4 I:linebreak $ K:G D2 | B2 B2 (3BcB A2 G2 | E2 E2 E4 D2 |[M:4/4]"^(a)" G3 A BABc |[M:3/4] d4 d2 |$ [M:5/4] e2 d2 (3BcB A2 G2 | d2 c2 E3 F G2 | c2 B2 D3 E F2 | G4- G4 |]$"^(a) var." G3 A BG Bd |
GB/7a/42 Bold Fisherman Version 3 of 3
abc notation
X:42 T:GB/7a/42 The Bold Fisherman Version 3 of 3 C:Workhouse, Minster, Kent, IX. 10 L:1/4 M:5/4 I:linebreak $ K:G D |"^(a)" G G E F G | A A D2 D | G G A G A |[M:3/4] B2 B/c/ |[M:5/4] d B A G A |$ B/A/ G E !fermata!D G | A/B/ c D F A |[M:3/4] G2 D |[M:5/4] G G A G A |[M:3/4] B2 B/c/ |$ [M:5/4] d B A G A | B/A/G/F/ E !fermata!D G | A/B/ c D F A | G2- G2 |]$"^(a) var." G G/F/ E F G |]
GB/7a/43 You Seamen Bold that Plough the Ocean Version 1 of 4
abc notation
X:43 T:GB/7a/43 You Seamen Bold that Plough the Ocean T:Version 1 of 4 C:Mr H. Akhurst (c. 70), Lower Beeding, Sussex VI. 07 L:1/4 M:5/4 I:linebreak $ K:G d | G F G A B | c B A B c | d e =f d3/2 c/ | B A G2 d | G F G A B |$ c B A B c | d g d3/2 c/ B | A A G2 G | d e =f2 d |[M:6/4] =f g f/e/ d z g |[M:5/4] =f e d3/2 c/ B |$ c d A2 d | G F G A B | c B A B c | d g d3/2 c/ B | A A G2 |]
GB/7a/44 You Seamen Bold that Plough the Ocean Version 2 of 4
abc notation
X:44 T:GB/7a/44 You Seamen Bold that Plough the Ocean T:Version 2 of 4 C:Mr. Harwood, Watersfield, Pulborough, VII. 07 L:1/4 M:5/4 I:linebreak $ K:Gdor d | G F G2 A |[M:6/4] B G !breath!A B- B c | d g f2 d3/2 c/ | A B G2 :| G/A/ |$[M:5/4] B f f2 d | [M:6/4] g g !breath!f d- d d |[M:5/4] g g f e d | d/c/B/c/ d2 d |$ G F G2 A | [M:6/4] B G !breath!A B- B c | d g f2 d3/2 c/ | B A G2 |]
GB/7a/45 You Seamen Bold that Plough the Ocean Version 3 of 4
abc notation
X:45 T:GB/7a/45 You Seamen Bold that Plough the Ocean T:Version 3 of 4 C:Mr Dearling (c. 50), West Burton, Sussex, VII. 07 L:1/4 M:5/4 I:linebreak $ K:Gdor d | G F G2 G/A/ | B G A B c | d g f d c/B/ | A B G2 :| G/A/ |$ B/c/d/e/ f2 d | [M:6/4] g g f/e/ d- d g |[M:5/4] g g f e d |[M:4/4] d B/c/ d d |$[M:5/4] G F G2 G/A/ | [M:4/4] B A/G/ A/B/ c | d g f d/c/ | A B G2 |]
GB/7a/46 You Seamen Bold that Plough the Ocean Version 4 of 4
abc notation
X:46 T:GB/7a/46 You Seamen Bold Who Plough the Ocean T:Version 4 of 4 L:1/4 M:5/4 I:linebreak $ K:G D | G F G2 G/A/ |"^? " B c/B/ A B c | d g d2 c/B/ | A B G2 :| c |$ d e =f e d | [M:6/4] g g !breath!f (d3/2 e/) =f |[M:5/4] g g =f e d | c/d/ e d2 D |$ G F G2 G/A/ | B c/B/ A B c | d g d2 c/B/ | A B G2 |]
GB/7a/47 The Trees They Do Grow High Version 1 of 3
abc notation
X:47 T:GB/7a/47 The Trees They Do Grow High T:Version 1 of 3 C:Mr Cranstone (c.50) Billingshurst, VI.07 L:1/8 Q:1/4=60 M:2/4 I:linebreak $ K:A "^Slow" D2 | A2 AB | c2 B>G | A>G ED | E3 F | =GF GA | B2 A>F | D2 E>D | E3 E | c2 BA |$ c/d/e- ed |[M:3/4] ce A3 B | AG E3 F |[M:2/4] =GA GE | D2 DD | E A3- | A4- | A2 |]
GB/7a/48 The Trees They Do Grow High Version 2 of 3
abc notation
X:48 T:GB/7a/48 The Trees They Do Grow High T:Version 2 of 3 C:Mr William Smith, Stoke Lacey, Herefordshire, IX.07 L:1/8 Q:1/4=80 M:4/4 I:linebreak $ K:Ador "^Slow, freely" E2 | E3 A A2 B2 | c2 d4 G2 | A3 B AG E2 | G6 E2 | G2 E2 G3 E | GA B4 G2 |$ A3 B AG F2 | E6 DD |"^(a)" E4 e2 d2 | GB d4 e2 | AB c2 BA G2 | E6 EF |$ G3 A GF E2 | [M:3/4] DD D3 D |[M:4/4] E A3- A4- | A2 z2 z2 || E2 | E3 A A2 B2 | c2 d4 G2 |$ A3 B AG E2 | G6 E2 | G2 E2 G3 E | GA B4 G2 | A3 B AG F2 | E6 DD |$"^(a) var. 1" E2 e2 d3 B | GB d4 e2 | AB c2 BA G2 | E6 EF | G3 A GF E2 |[M:3/4] DD D3 D |$[M:4/4] E A3- A4- | A2 z2 z2 || E2 | E3 A A2 B2 | c2 d4 G2 | A3 B AG E2 | G6 E2 |$ G2 E2 G3 E | GA B4 G2 | A3 B AG F2 | E6 DD |[M:3/4]"^(a) var. 2" D4 DD | [M:4/4] GB d4 e2 |$ AB c2 BA G2 | E6 EF | G3 A GF E2 |[M:3/4] DD D3 D |[M:4/4] E A3- A4- | A2 z2 z2 |]
Notes on GB/7a/48 The MIDI file GB-7a-48.mid plays out all the variants in full; the PDF file GB-7a-48-var.pdf displays all the variants in full; and the MusicXML file GB-7a-48-var.xml contains the full musical notation for all the variants.
GB/7a/49 The Trees They Do Grow High Version 3 of 3
abc notation
X:49 T:GB/7a/49 The Trees They Do Grow High T:Version 3 of 3 C:Mrs Whiting (p1) Newport, Mon. IV.08 L:1/8 Q:1/4=150 M:6/8 I:linebreak $ K:Ador "^Rather fast" A2 G | E2 A A2 B |"^(a)" c3 B2 B | A2 B AGE | G3- G2 E | G2 E G2 E | G2 A B2 B |$ "^(b)" A2 G AGE | E3- E2 D | E3 e2 d | G2 B d2 e | AB c BAB |"^(c)" E3- E2 F | G2 A AGE |$ D3 C2 D | E A2- A3- | A3 || A2 G | E2 A A2 B |"^(a) var." c3 BAG | AB A AGE | G3- G2 E |$ G2 E G2 E | G2 A B2 B |"^(b) var." A2 G E2 D | E3- E2 D | E3 e2 d | G2 B d2 e | AB c BAB |$ "^(c) var." BA B E2 F | G2 A AGE | D3 C2 D | E A2- A3- | A3 |]
Notes on GB/7a/49 The MIDI file GB-7a-49.mid plays out all the variants in full; the PDF file GB-7a-49-var.pdf displays all the variants in full; and the MusicXML file GB-7a-49-var.xml contains the full musical notation for all the variants.
GB/7a/50 The True Lover's Farewell
abc notation
X:50 T:GB/7a/50 The True Lover's Farewell C:Mrs Cranstone (p.4) Billingshurst, VII.07 L:1/8 Q:1/4=174 M:12/8 I:linebreak $ K:Ador "^Rather fast" A2 B | c3 B2 c A2 B c2 E | E2 F G2 E D3 A2 B | c3 B2 A G2 A B3 | A6- A3 A2 B | "^(a)" c3 B2 c A2 B c2 E |$ E2 F G2 E D3 C2 C | D3 c3 B2 A G2 B | A3 A3 C2 B, C2 D | E3 c3 B2 A G2 B | A6- A3 || A2 B |$ c3 B2 c A2 B c2 E | E2 F G2 E D3 A2 B | c3 B2 A G2 A B3 | A6- A3 A2 B |"^(a) var." c3 B2 c e2 B c2 E |$ E2 F G2 E D3 C2 C | D3 c3 B2 A G2 B | A3 A3 C2 B, C2 D | E3 c3 B2 A G2 B | A6- A3 |]
Notes on GB/7a/50 The MIDI file GB-7a-50.mid plays out all the variants in full; the PDF file GB-7a-50-var.pdf displays all the variants in full; and the MusicXML file GB-7a-50-var.xml contains the full musical notation for all the variants.
GB/7a/51 Erin's Lovely Home Version 1 of 3
abc notation
X:51 T:GB/7a/51 Erin's Lovely Home Version 1 of 3 C:Mr. Dick Anthony (c. 40), Stanford Bishop, Herefordshire, IX. 07 L:1/4 M:4/4 I:linebreak $ K:Eaeo G/A/ | B B A B/A/ | G E A E | D F E E | E3 |: E/F/ | G E G A | B e d e/d/ |$ B B/A/ G A | B3 :| G/A/ | B B A B/A/ | G E A E | D F E E | E3 |]
GB/7a/52 Erin's Lovely Home Version 2 of 3
abc notation
X:52 T:GB/7a/52 Erin's Lovely Home Version 2 of 3 C:Mr. Spooner (c. 70), Midhurst Workhouse, XI. 08 L:1/4 M:4/4 I:linebreak $ K:Edor G | B B A B | G B A/G/ E | D G E D | E3 |: E | G G F E | e2 !fermata!d e |$"^(a)" B/c/ d B A | B3 :| G | B B A B | G B A/G/ E | D G E D | E3 || G |$ B B A B | G B A/G/ E | D G E D | E3 |: E | G G F E | e2 !fermata!d e |"^(a) var." B d B A |$ B3 :| G | B B A B | G B A/G/ E | D G E D | E3 |]
Notes on GB/7a/52 The MIDI file GB-7a-52.mid plays out all the variants in full; the PDF file GB-7a-52var.pdf displays all the variants in full; and the MusicXML file GB-7a-52var.xml contains the full musical notation for all the variants.
GB/7a/53 Erin's Lovely Home Version 3 of 3
abc notation
X:53 T:GB/7a/53 Erin's Lovely Home Version 3 of 3 C:Mr. Fletcher, Credenhill, 1906 P:F.W. J(ekyll) & G.S.K. B(utterworth) L:1/4 M:4/4 I:linebreak $ K:Eaeo G/A/ | B B A B | G G A/G/ E | D D E E | E3 |: E | G E G B | e2 d B |$ G G A A | B3 :| G/A/ | B B A B | G G A/G/ E | D D E E | E3 |]
GB/7a/54 Down In Our Village Version 1 of 2
abc notation
X:54 T:GB/7a/54 Down In Our Village Version 1 of 2 C:Mrs. Verrall (Journal 8), Horsham, XII. 07 L:1/4 M:5/4 I:linebreak $ K:G D | G A B2 G | A B c A d | G A B2 G | B A z z D |$ G B d2 B | c d e2 B | c c D F A | B G- G2 |]
GB/7a/55 Down in Our Village Version 2 of 2
abc notation
X:55 T:GB/7a/55 Down In Our Village Version 2 of 2 C:Mr. Standing (c. 70), Washington, Sussex, XII. 07 P:F.W. J(ekyll) & G.S.K. B(utterworth) L:1/4 M:5/4 I:linebreak $ K:G D | G G B2 G | F A c2 A | G G B2 G | F A z z D | G B d2 d |$ c c E3/2 F/ G | A A D2 F | A G z z"^Chorus" D | G G G B G | F A c B A |$ G G G B G | F A z z D | G B d2 d | c c E3/2 F/ G | A A D F A | A G- G2 |]
GB/7a/56 On Christmas Night All Christians Sing Version 1 of 2
abc notation
X:56 T:GB/7a/56 On Christmas Night All Christians Sing T:Version 1 of 2 P:Mr Knight (c. 60), Horsham, IV. 07 L:1/4 M:6/4 I:linebreak $ K:C E | G2 G F2 F | E2 E D C B, | C2 C D E F | E2 D C3 | E3 D2 C | D E F G F E |$ D6 | G3 A3 | w: ||||||||news of| (G2 E) F3 | G3 C2 C | D E F E2 D | C4- C |] w: news * of|news of our|mer- ci- ful sav- iour's|birth *|
Notes on GB/7a/56 The tune is identical to that of GB/6a/125.
GB/7a/57 On Christmas Night All Christians Sing Version 2 of 2
abc notation
Notes on GB/7a/57 The tune is identical to that of GB/6a/126.
X:57 T:GB/7a/57 On Christmas Night All Christians Sing T:Version 2 of 2 C:Mrs Cranstone (p. 4), Billingshurst, VI. 07 L:1/4 M:6/4 I:linebreak $ K:Cmix C | D2 C D E F | G2 G D2 C | D2 C D E F | G2 G D3 |$ G2 B A3 | G3 F E D | G2 G C2 C | D E F E2 D | C4- C |]
GB/7a/58 Bonny Blooming Highland Jane
abc notation
X:58 T:GB/7a/58 Bonny Blooming Highland Jane C:Mrs. Whiting (p. 1) Newport, Mon., IV. 08 L:1/8 M:5/4 I:linebreak $ K:Fdor cB | BA F2 F2 E2 FG | A2 A2 B4 AB | c2 !fermata!c2 B2 c3 B | BA F2 E4 !fermata!cB |$ BAFG F2 E2 FG | AG A2 B4 AB | c f2 e ce c3 B | BA FG F4 cd |$ e2 e2 f2 e2 cB | ABcd e4 c2 | fecd c2 B2 AB | cBAF E4 !fermata!cB |$ BAFG F2 E2 FG | A2 A2 B4 AB | c f2 g fe c3 B | BAFG F4 |]
Notes on GB/7a/58 The tune is similar to that of GB/6a/30.
GB/7a/59 Dabbling in the Dew Version 1 of 3
abc notation
X:59 T:GB/7a/59 Dabbling in the Dew Version 1 of 3 C:Mrs. Cranstone (p. 4), Billingshurst, VI. 07 L:1/8 M:4/4 I:linebreak $ K:Fmix F2 F>G A>G F2 | B2 c>B A>G F2 | B2 B>B c2 c2 | f2 f2 c4 |$ c2 c>d e2 e2 | f2 c>B A>G F>F | G>A B>B c2 c>B | A2 G2 F4 |]
Notes on GB/7a/59 The tune is similar to that of GB/6a/62 but in a different key and at a different pitch.
GB/7a/60 Dabbling in the Dew Version 2 of 3
abc notation
X:60 T:GB/7a/60 Dabbling in the Dew Version 2 of 3 C:Mrs. Verrall (Journal), Horsham, XII. 07 L:1/8 M:4/4 I:linebreak $ K:F c2 | F2 A>B c2 f2 |[M:5/4] c2 c>B BG F2 c>c |[M:4/4] F>G A>B c2 f>f | e2 c2 c3 c |$ f2 f>g f>e c2 | B2 B>d c>A B>G | F>G A>B c2"^(a)" _e>d | cB G2 F2 |]$"^(a) var." d>c | c2 F2 F2 |]
Notes on GB/7a/60 The tune is similar to that of GB/6a/63 but in a different key and at a different pitch. The MIDI file GB-7a-60.mid plays out the variant in full.
GB/7a/61 Dabbling in the Dew Version 3 of 3
abc notation
X:61 T:GB/7a/61 Dabbling in the Dew Version 3 of 3 C:(Mrs. Verrall), Ticehurst, Kent, 1906 P:F.W. J(ekyll) L:1/4 M:4/4 I:linebreak $ K:Fmix F F{/G} E{/D} C | F G{/B} A F | B{/c} A{/B} c f |"^(a)"{/d} e c c z |$ f f{/g} e{/d} c | {/d} F{/F} A{/B} c c |{/B} E{/E} G{/_A} B e |{/d} c{/B} G F2 |]$"^(a) var."{/e} c c c z |
Notes on GB/7a/61 The tune is similar to that of GB/6a/64 but in a different key and at a different pitch.
GB/7a/62 Yonder Stands a Lovey Creature Version 1 of 2
abc notation
X:62 T:GB/7a/62 Yonder Stands a Lovely Creature T:Version 1 of 2 C:Mr Martin (c. 60), Fletching, Sussex, II. 09 P:F.W. J(ekyll) L:1/4 M:4/4 I:linebreak $ K:Dmix G G A B | d d c/B/ A | d A A F | G A E2 |$ E F/G/ A B | A D B, D | E F/G/ A B | "^(a)" A/G/ E D2 |]$"^(a) var." A E D2 |
Notes on GB/7a/62 In the Take 6 Catalogue the title is recorded as "Younder ...etc." The tune is similar to that of GB/6a/180 but in a different key and at a different pitch. This version also adds a variant in the last bar. The MIDI file GB-7a-62.mid plays out the variant in full
GB/7a/63 Yonder Stands a Lovely Creature Version 2 of 2
abc notation
X:63 T:GB/7a/63 Yonder Stands a Lovely Creature T:Version 2 of 2 C:Heygate, Rusper, II. 10 L:1/8 M:4/4 I:linebreak $ K:G G2 G2 GA Bc | d2 d2 cB G2 | g3 e a3 g | f2 e2 d4 |$ d3 d d2 B2 | g2 e2 d2 GA | B3 c d2 A2 | c2 BA G4 |]
GB/7a/64 Pretty Ploughboy
abc notation
X:64 T:GB/7a/64 Pretty Ploughboy C:Mr G. Hillman (c. 70), Shoreham Workhouse, III.09 L:1/4 M:4/4 I:linebreak $ K:Ddor D | G G F G | A2 D E/F/ | G2 F E | D3 D | G ^F G A/B/ | c c d c/B/ | A3 G |$ A G A/B/ c | d2 c d/c/ | A A G/F/E/D/ | C2 D E | F G A A | G F E F/E/ | D3 |]
Notes on GB/7a/64 The tune is identical to that of GB/6a/142.
GB/7a/65 Come All You Little Streamers
abc notation
X:65 T:GB/7a/65 Come All You Little Streamers C:Mr.Spooner (c.70), Midhurst Workhouse, XI. 08 P:F.W. J(ekyll) L:1/8 M:6/8 I:linebreak $ K:C B2 d | d2 c AGF | A2 G E2 F | G2 G A2 B | c3- c2 |: c | G2 G !fermata!e2 c | d3 ede |$ c2 c E2 F |1 G3- G2 :|2 G3 B2 d || d2 c AGF | A2 G E2 F | G2 G A2 B | !fermata!c3 |]
Notes on GB/7a/65 The tune is similar to that of GB/6a/48 but there is a minor variation in the fifth full bar.
GB/7a/66 Come My Own One Version 1 of 4
abc notation
X:66 T:GB/7a/66 Come My Own One Version 1 of 4 C:Mr. H. Webb (c. 70), Stanton St. John, Oxon. V. 07 L:1/8 Q:1/4=112 M:3/4 I:linebreak $ K:F E>F | G>E C2 G>G | A2 F2 c>f | d2 c2 A>F | G4 c>c |$ d2 c2 B2 | c>A F2 A>c | B>B C2 E>G | F4 |]
Notes on GB/7a/66 The tune is identical to that of GB/6a/51.
GB/7a/67 Come My Own One Version 2 of 4
abc notation
X:67 T:GB/7a/67 Come My Own One Version 2 of 4 C:Young children of Mr. Walter Searle, Amberley, Sussex, VI. 07 L:1/8 M:3/4 I:linebreak $ K:F A>A | B2 C2 G>F | A2 C2 C>B, | A,>C F>A c>c | G4 c>c |$ d2 c2 A>F | c>A F2 c>c | B2 C>E G2 | F4 |]
Notes on GB/7a/67 The tune is identical to that of GB/6a/52.
GB/7a/68 Come My Own One Version 3 of 4
abc notation
X:68 T:GB/7a/68 Come My Own One Version 3 of 4 C:"Worcester Peg" (c.70), Stoke Lacy, Herefordshire, IX. 07 L:1/8 M:3/4 I:linebreak $ K:F F>F | GE C2 B>B | AG F2 FA | d2 c2 (3AGF | G4 FA |$ d2 c2 (3AGF | Ac F2 Ac | B>B C2 DE | F4 |]
Notes on GB/7a/68 The tune is similar to that of GB/6a/53.
GB/7a/69 Come My Own One Version 4 of 4
abc notation
X:69 T:GB/7a/69 Come My Own One Version 4 of 4 C:Mr. Chalcraft (c. 80), Petworth, XII. 07 L:1/8 M:3/4 I:linebreak $ K:F F>G | A2 C2 F>G | A2 F2 F>A | c3 d cA | G4 Ac |$ d2 c2 A>F | c>A F2 A>c | B>B C>E G>G | F4 |]
Notes on GB/7a/69 The tune is similar to that of GB/6a/54.
GB/7a/70 All Round My Hat Version 1 of 2
abc notation
X:70 T:GB/7a/70 All Round My Hat Version 1 of 2 C:Mr. Edmund Knight (c. 70), Washington, Sussex. XII. 07 L:1/8 M:6/8 I:linebreak $ K:Gmix D | G3 AGF | G3 ABc | d2 d edc | d2 c A2 A | G3 AGF |$ G3 ABc | d3 edc | d3- d2 d | de c c2 e | d2 c A2 B | c2 A d2 G |$ G2 F !fermata!D2 D | G3 AGF | G3 ABc | d2 d c2 B | G3- G2 |]
Notes on GB/7a/70 The tune is identical to that of GB/6a/1.
GB/7a/71 All Round My Hat Version 2 of 2
abc notation
X:71 T:GB/7a/71 All Around My Hat Version 2 of 2 C:Collected from Mr. Verrall, Horsham, Sussex, July, 1909 L:1/8 Q:1/4=120 M:6/8 I:linebreak $ K:G D | G3 A2 F | G3 B2 c | d3 c2 B | G2 F D3 | G3 A2 F |$ G3 B2 c | d2 d =f2 e | d3- d2 d | e2 c c2 e | d2 c A2 B | c2 A d2 G |$ G2 F D2 D | G3 A2 F | G3 B2 c | d3 c2 B | G3- G2 |]
GB/7a/72 Salisbury Plain Version 1 of 3
abc notation
X:72 T:GB/7a/72 Salisbury Plain Version 1 of 3 C:Mr H. Akhurst (c. 70), Lower Beeding, Sussex VI. 07 L:1/4 M:4/4 I:linebreak $ K:Ddor A | A F E D | A2 G/F/ E | D2 A3/2 B/ | c A G A/B/ | c2 d/c/ B | A2 A3/2 B/ |$ c A G A/B/ | c2 d E | F E D D | A/B/ c d/c/ B | A2 G/F/ E | D3 |]
Notes on GB/7a/72 The tune is identical to that of GB/6a/145.
GB/7a/73 Salisbury Plain Version 2 of 3
abc notation
X:73 T:GB/67a/73 Salisbury Plain Version 2 of 3 C:Mr Harwood (c. 60), Watersfield, Pulborough VII. 07 L:1/4 M:4/4 I:linebreak $ K:Ddor A2 | D A G A | G2 A E | D2 A3/2 B/ | c A F A | c2 d c | A3 A/B/ |$ c A F A | c2 d D | F E D C | c c d c | A2 G3/2 F/ | D2 |]
Notes on GB/7a/73 The tune is identical to that of GB/6a/146. For Version 3 of Salisbury Plain see GB/7a/33B above.
GB/7a/74 Sovay Version 1 of 2
abc notation
X:74 T:GB/7a/74 Sovay Version 1 of 2 C:Mrs Cranstone (p. 4), Billingshurst, XII. 07 L:1/4 M:3/2 I:linebreak $ K:G D | G F G2 A2 | G E D3 D | G F G3 A/B/ | c d A2 G3/2 G/ |$ A/B/ c d2 c c | B A G3/2 F/ D E | =F G F3/2 E/ !fermata!D C | D D d3/2 e/ d c | B A G3 |]
Notes on GB/7a/74 The tune is similar to that of GB/6a/154.
GB/7a/75 Sovay Version 2 of 2
abc notation
X:75 T:GB/7a/75 Sovay Version 2 of 2 C:Mr Welfare (c.60), East Chiltington, Sussex, VII. 08 L:1/4 Q:1/4=120 M:3/2 I:linebreak $ K:G D |"^(a)" G F G2 A2 | G E D3 G | G F G2 G/A/ B | c B A2 B3/2 c/ |$ d d/B/ c2 d G | A F/E/ D3 D | G3/2 A/ B3/2 A/ !fermata!G G |[M:5/4] G d c B A |$[M:3/2] B B/A/ G3 || D | "^(a) var." G F G2 A3/2 G/ | F E D3 G | G F G2 G/A/ B |$ c B A2 B3/2 c/ | d d/B/ c2 d G | A F/E/ D3 D |$ G3/2 A/ B3/2 A/ !fermata!G G |[M:5/4] G d c B A |[M:3/2] B B/A/ G3 |]
Notes on GB/7a/75 The tune is similar to that of GB/6a/155.
GB/7a/76 The Cruel Father and Affectionate Lovers Version 1 of 3
abc notation
X:76 T:GB/7a/76 The Cruel Father and Affectionate Lovers T:Version 1 of 3 C:Mr. George Knight (c. 60), Horsham, IV. 07 L:1/4 M:5/4 I:linebreak $ K:G D | G E D G G | A A A B B/c/ |[M:6/4] d d c2 B3/2 G/ |[M:5/4] A A G2 :|$ B | c d e c A | [M:6/4] B c d B z d |[M:5/4] c B A G E | F G D2 D |$ G E D G G | A A A B B/c/ | [M:6/4] d d c2 B3/2 G/ |[M:5/4] A A G2 |]
Notes on GB/7a/76 The tune is similar to that of GB/6a/56.
GB/7a/76A The Cruel Father and Affectionate Lovers Version 2 of 3
abc notation
X:76 T:GB/7a/76A The Cruel Father & Affectionate Lovers T:Version 2 of 3 C:Mr. Walter Searle (c. 40), Amberley, Sussex, VI. 07 W:Note: This tune is crossed out in the original MS. The reason why is unknown. L:1/4 M:5/4 I:linebreak $ K:G D | G E D G G | A A A B B/c/ | d e c/B/ A d | G F G2 :| B |$[M:6/4] c d e2 c3/2 A/ | [M:4/4] B/c/ d2 d | c2 B A |[M:5/4] G G B/c/ d G | A A D2 D |$ G E D G G | A A A B B/c/ | d e c/B/ A d |[M:4/4] A G2 |]
Notes on GB/7a/76A The tune is similar to that of GB/6a/57. For unknown reasons this tune is crossed out in the original MS; it is also unrecorded in the catalogue and the number "76A" has been added by the transcribers.
GB/7a/77 The Cruel Father and Affectionate Lovers Version 3 of 3
abc notation
X:77 T:GB/7a/77 The Cruel Father and Affectionate Lovers T:Version 3 of 3 C:Mrs. Cranstone (p. 4), Billingshurst, VII. 07 L:1/4 M:5/4 I:linebreak $ K:G D | G G D F A | d d G B d |[M:6/4] c B B3/2 A/ G3/2 E/ |[M:5/4] A A D2 D |$ G G D F A | d d G B d |[M:6/4] c B B3/2 G/ A A | G4 |]
Notes on GB/7a/77 The tune is identical to that of GB/6a/58.