Take 6 Transcription Programme: The Butterworth Archive, MS 7c: Difference between revisions
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'''abc notation''' | '''abc notation''' | ||
X:11 | |||
T:GB/7c/11 Young Collins | |||
C:Mr. Greenfield, Lurgashall, Sussex, X. 10 | |||
P:F.W. J(ekyll) & G.S.K. B(utterworth) | |||
Z:Transcribed by Simon Furey and Lewis Jones | |||
L:1/8 | |||
M:4/4 | |||
I:linebreak $ | |||
K:A | |||
AB | c2 cB F2 B2 | A2 G2 A3 B | c2 A2 F2 e2 | f2 e^d e3 e | !fermata!f3 e !fermata!d3 c |$ | |||
B2 ed c2 AG | F2 d2 dcBA |"^(a)" G2 e2 !fermata!e3 e |"^(b)" a3 e f3 d | c2 B2 A2 ||$ AB | | |||
c2 cB F2 B2 | A2 G2 A3 B | c2 A2 F2 e2 | f2 e^d e3 e | !fermata!f3 e !fermata!d3 c |$ | |||
B2 ed c2 AG | F2 d2 dcBA |"^(a) var." GB e2 !fermata!e3 e |"^(b) var." a3 e fdcd | c2 B2 A2 |] | |||
Line 546: | Line 560: | ||
'''abc notation''' | '''abc notation''' | ||
X:12 | |||
T:GB/7c/12 Jack Goes Up To London | |||
T:Version 1 of 2 | |||
C:Mr. Greenfield, Lurgashall, Sussex, X. 10 | |||
P:F.W. J(ekyll) & G.S.K. B(utterworth) | |||
Z:Transcribed by Simon Furey and Lewis Jones | |||
L:1/4 | |||
M:4/4 | |||
I:linebreak $ | |||
K:Dmix | |||
D | G G B d | A A/G/ F A | B B E G | A A/G/ F !fermata!D :| B | c d !fermata!e c |$ | |||
B A !fermata!d d | e d c B | A d G G/F/ | E E/E/ D D/D/ | A A/G/ F !fermata!D | A A/B/ c d/G/ | | |||
F E D |] | |||
Line 557: | Line 585: | ||
'''abc notation''' | '''abc notation''' | ||
X:12 | |||
T:GB/7c/12A Jack Goes Up To London | |||
T:Version 2 of 2 | |||
C:Mr. Heygate, Rusper, XI. 10 | |||
P:F.W. J(ekyll) | |||
Z:Transcribed by Simon Furey and Lewis Jones | |||
L:1/8 | |||
M:4/4 | |||
I:linebreak $ | |||
K:Dmix | |||
G2 G2 A2 d2 | c2 AG F2 A2 | B2 B2 E2 FG | ABAG F2 !fermata!D B | c2 d2 e3 c | B2 c2 d3 d |$ | |||
e2 d2 c2 B2 | A2"^(a)" dB G2 GF | E2 EE D2 GG | ABAG F2 D2 | A2 AA BcdG | F2 E2 D4 ||$ | |||
G2 G2 A2 d2 | c2 AG F2 A2 | B2 B2 E2 FG | ABAG F2 !fermata!D B | c2 d2 e3 c | B2 c2 d3 d |$ | |||
e2 d2 c2 B2 | A2"^(a) var." d2 G2 GF | E2 EE D2 GG | ABAG F2 D2 | A2 AA BcdG | F2 E2 D4 |] | |||
Line 568: | Line 611: | ||
'''abc notation''' | '''abc notation''' | ||
X:13 | |||
T:GB/7c/13 An Old Man He Courted Me | |||
C:Mrs. Powell, Minster, Sheppey, VIII. 10 | |||
P:F.W. J(ekyll) | |||
Z:Transcribed by Simon Furey and Lewis Jones | |||
L:1/4 | |||
M:3/4 | |||
I:linebreak $ | |||
K:Cmix | |||
C | C D E | F G A | G2 D | F/E/ C3/2 C/ | C D E | F G A | B G c | G2 G |$ c G G | B c !fermata!d | | |||
c A F | G E/D/ !fermata!C | G A B | A B A | G F D | C3 |] | |||
Line 579: | Line 634: | ||
'''abc notation''' | '''abc notation''' | ||
X:14 | |||
T:GB/7c/14 Bold General Wolfe | |||
C:Workhouse, Minster, Kent, IX. 10 | |||
Z:Transcribed by Simon Furey and Lewis Jones | |||
L:1/4 | |||
M:3/2 | |||
I:linebreak $ | |||
K:G | |||
D | G D G3/2 A/ B c | d e c3 d | B G c A B G | F E D3 A | c d e c B/A/ G |$ B c d3 d | | |||
c B A3/2 B/ c d | B G E2 D2 |[M:1/2] z D |[M:3/2] G3/2 E/ F G A B/A/ | G4- G |] | |||
Line 590: | Line 656: | ||
'''abc notation''' | '''abc notation''' | ||
X:15 | |||
T:GB/7c/15 Bold Princess Royal Version 1 of 2 | |||
C:Workhouse, Minster, Kent, IX. 10 | |||
Z:Transcribed by Simon Furey and Lewis Jones | |||
L:1/4 | |||
M:3/4 | |||
I:linebreak $ | |||
K:G | |||
D |"^(a)" G B A/G/ | F !fermata!G G/B/ |"^(b)" d c B | A2 B/A/ | G G G | G D E | =F G/F/ E | | |||
D2 B/c/ | d/B/ G d |$"^(c)" c/B/ !fermata!A B/c/ | B A G | D G G/F/ | E/D/ C A | | |||
"^(d)" A/F/ !fermata!D D | G B B/A/ | G2 ||$ D |"^(a) var." G G A/G/ | F !fermata!G G/B/ | | |||
"^(b) var." B G B | A2 B/A/ | G G G | G D E | =F G/F/ E | D2 B/c/ | d/B/ G d |$ | |||
"^(c) var." c/B/ !fermata!A d | c B A | D G G/F/ | E/D/ C A |"^(d) var." A/F/ !fermata!D A | | |||
B c/B/ A | G2 |] | |||
Line 601: | Line 682: | ||
'''abc notation''' | '''abc notation''' | ||
X:15 | |||
T:GB/7c/15A Bold Princess Royal Version 2 of 2 | |||
C:Mr. Robert Hurr (c. 50), Southwold, X. 10 | |||
P:R. V(aughan) W(illiams) & G.S.K. B(utterworth) | |||
Z:Transcribed by Simon Furey and Lewis Jones | |||
L:1/8 | |||
M:3/4 | |||
I:linebreak $ | |||
K:G | |||
G>A | Bc d2 g2 |"^(a)" e2 d2 G>B | c>B G2 G2 | G4 B>G | A2 A2 d2 |$"^(b)" c2 B2 A>G | d2 f2 e2 | | |||
d4 B>c | d2 A2 d2 | ef !fermata!g2 a>g | g2 d>B G2 |$ D2 G2 G>A |"^(c)" Bc d2 g>f | ed B2 (3GAB | | |||
A>B G2 G2 | G4 ||$ G>A | Bc d2 g2 |"^(a) var." e2 d>B G>B | c2 G2 G2 | G4 B>G | A2 A2 d2 |$ | |||
"^(b) var." B>A B2 A>G | d2 f>d e>f | d4 B>c | d2 A2 d2 | ef !fermata!g2 a>g | g2 d>B G2 |$ | |||
D2 G2 G>A |"^(c) var." Bc d2 f>g | e>d cB GB | A2 G2 G2 | G4 |] | |||
Line 616: | Line 712: | ||
T:GB/7c/16 Belt On, Brave Boys<br> | T:GB/7c/16 Belt On, Brave Boys<br> | ||
C:Mr. W. Smith (p. 1), Newport, Mon., IV. 08<br> | C:Mr. W. Smith (p. 1), Newport, Mon., IV. 08<br> | ||
Z:Transcribed by Simon Furey and Lewis Jones<br> | |||
M:4/4<br> | M:4/4<br> | ||
L:1/8<br> | L:1/8<br> | ||
Line 632: | Line 729: | ||
'''abc notation''' | '''abc notation''' | ||
X:17 | |||
T:GB/7c/17 Forty Miles | |||
C:Mr. Newby (c. 80), Almshouses, Southwold, X. 10 | |||
Z:Transcribed by Simon Furey and Lewis Jones | |||
L:1/4 | |||
M:6/4 | |||
I:linebreak $ | |||
K:C | |||
G | c2 c G2 E | F G F D2 E | F G F E D C | G2 G G3 |[M:3/4] z G G |$[M:6/4] A A A A2 G | | |||
(c2 e G3) |[M:3/4] z G G |[M:6/4] A f e d c B | c4- c |] | |||
Line 643: | Line 751: | ||
'''abc notation''' | '''abc notation''' | ||
X:18 | |||
T:GB/7c/18 Geordie Version 1 of 2 | |||
C:Mr. Newby | |||
P:R.V(aughan) W(illiams) & G.S.K. B(utterworth) | |||
Z:Transcribed by Simon Furey and Lewis Jones | |||
L:1/4 | |||
M:4/4 | |||
I:linebreak $ | |||
K:Ddor | |||
c/d/ | e e d e/>d/ | c A"^?" G c/>d/ | e e d c/>A/ | G A/c/ !fermata!d c/d/ |$ e e d e/>d/ | | |||
[M:6/4] c A G2 c3/2 B/ |[M:4/4]"^(a)" A G/F/ E D/E/ | F d/>c/ d ||$ c/d/ | e e d e/>d/ | | |||
c A"^?" G c/>d/ | e e d c/>A/ | G A/c/ !fermata!d c/d/ |$ e e d e/>d/ |[M:6/4] c A G2 c3/2 B/ | | |||
[M:4/4]"^(a) var." A G/F/ E C | G c d |] | |||
Line 654: | Line 776: | ||
'''abc notation''' | '''abc notation''' | ||
X:18 | |||
T:GB/7c/18A Geordie Version 2 of 2 | |||
C:Mr. Verrall | |||
P:G.S.K. B(utterworth) | |||
Z:Transcribed by Simon Furey and Lewis Jones | |||
W:* All verses except first | |||
L:1/8 | |||
M:4/4 | |||
I:linebreak $ | |||
K:C | |||
c3 d | e2 e2 d2"^(a)" e2 | c2"^(b)" A2 !fermata!G3 G | c3 d e2"^(c)" c2 | B2 d4 cd |$ | |||
e2 dc d2 ed |[M:3/2]"^(d)" c2 Ac G4 A3 G |[M:4/4] E2 G2 A2 GF | E2"^(e)" Gc c4 ||$ c3 d | | |||
e2 e2 d2"^(a) var." ed | c2"^(b) var." Ac !fermata!G3 G | c3 d e2"^(c) var." G2 | c2 d4 cd |$ | |||
e2 dc d2 ed |"^(d) var.*" c2 A2 G2 EE | G2 GG A2 GF | E2"^(e) var." c2 c4 |] | |||
Line 665: | Line 802: | ||
'''abc notation''' | '''abc notation''' | ||
X:19 | |||
T:GB/7c/19 Roger the Miller | |||
C:Mr. George Goble (c. 70), Filby, Norfolk, X. 10 | |||
P:R. V(aughan) W(illiams) & G.S.K. B(utterworth) | |||
Z:Transcribed by Simon Furey and Lewis Jones | |||
L:1/4 | |||
Q:1/4=200 | |||
M:9/4 | |||
I:linebreak $ | |||
K:G | |||
"^Fast" B | B A G F E D E F G | A F D D E F G2 B | B A G F E D E F G |$ F A G F E F G2 D | | |||
w: ||||| | |||
[M:6/4] G B B B A B | d"^(a)" D D D2 D | G B B B A G |$ A3- A G A |[M:9/4] B c B B A G F G A | | |||
w: ||||| | |||
B c B B A G F G A | B E E F E D E F G |$ A F D D E F G3 || B | B A G F E D E F G | | |||
w: * * * * * * * Sing- ing|Rip * * * * * * * *|||| | |||
A F D D E F G2 B |$ B A G F E D E F G | F A G F E F G2 D |[M:6/4] G B B B A B | | |||
w: |||| | |||
d"^(a) var." D2- D2 D |$ G B B B A G | A3- A G A |[M:9/4] B c B B A G F G A | B c B B A G F G A |$ | |||
w: ||||* * * * * * * Sing- ing| | |||
B E E F E D E F G | A F D D E F G3 |] | |||
w: Rip * * * * * * * *|| | |||
Line 676: | Line 836: | ||
'''abc notation''' | '''abc notation''' | ||
X:20 | |||
T:GB/7c/20 Jones' Ale | |||
C:Mr. Robert Hurr (c. 50), Southwold, X. 10 | |||
P:R. V(aughan) W(illiams) & G.S.K. B(utterworth) | |||
Z:Transcribed by Simon Furey and Lewis Jones | |||
T:Approximate | |||
L:1/4 | |||
Q:1/4=200 | |||
M:6/4 | |||
I:linebreak $ | |||
K:G | |||
"^Fast" D | G2 G G"^(a)" F G |[M:9/4] B3 G3 E F G |[M:6/4] A A A A"^(b)" B G | | |||
[M:9/4] F3 D3 D E F |$[M:6/4] G G G G F G | B3"^(c)" G2 G | A2 D D E F | G3- G2 c | B2 c d2 A |$ | |||
B2 c d2 d | e2 c A B c | d2 c B A G | G G G G F G | B3 G F G |$ A2 D D E F | G3 c3 | B A G A G F | | |||
G2 E D2 B, | C D E D E F | G3- G2 ||$ D | G2 G G"^(a) var." G G |[M:9/4] B3 G3 E F G | | |||
[M:6/4] A A A A"^(b) var." A G |[M:9/4] F3 D3 D E F |$[M:6/4] G G G G F G | B3"^(c) var." G F G | | |||
A2 D D E F | G3- G2 c | B2 c d2 A |$ B2 c d2 d | e2 c A B c | d2 c B A G | G G G G F G | | |||
B3 G F G |$ A2 D D E F | G3 c3 | B A G A G F | G2 E D2 B, | C D E D E F | G3- G2 |] | |||
Revision as of 08:18, 12 June 2014
Link to Take 6 Transcription Programme Home Page
GB/7c/1 Lord Carter Is My Name
abc notation
X:1 T:GB/7c/1 Lord Carter Is My Name C:Mr. Cranstone (c. 50), Billingshurst, VII. 09 Z:Transcribed by Simon Furey and Lewis Jones L:1/8 Q:1/4=100 M:4/4 I:linebreak $ K:Dmix D2 | G2 G2 GABc | A6 A2 | d2 dB G2 cB | A6 Bc |$ dBdB GBde | c2 B2 AFDD | ABcB AGEE | D6 |]
GB/7c/2 Mole-Catcher, The
abc notation
X:2 T:GB/7c/2 Mole-Catcher, The C:Mr. James Landamore (c. 70), Wroxham, Norfolk, IV. 10 P:F.W. J(ekyll) & G.S.K. B(utterworth) Z:Transcribed by Simon Furey and Lewis Jones L:1/4 Q:1/4=144 M:3/4 I:linebreak $ K:Ddor A | A B c | d2 d | c A A | d2 A | A B c | d d d | c A A |$"^(a)" c2 c | B G G | G3 | A F D | C D E | G E D | D2 ||$ A | A B c | d2 d | c A A | d2 A | A B c | d d d | c A A |$ "^(a) var." c A c | B G G | G3 | A F D | C D E | G E D | D2 |]
GB/7c/3 Botany Bay Version 1 of 2
abc notation
X:3 T:GB/7c/3 Botany Bay Version 1 of 2 C:Mrs. Cranstone (p.4), Billingshurst, VII. 07 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:4/4 I:linebreak $ K:Ddor D | F G A B | c B A3/2 A/ | d3/2 e/ f e | d3 c |$ d3/2 c/ A G/F/ | G A D E/F/ | G3/2 F/ D C | D3 |]
Notes on GB/7c/3 The tune is identical to that of GB/6/38.
GB/7c/3A Botany Bay Version 2 of 2
abc notation
X:3 T:GB/7c/3A, Botany Bay Version 2 of 2 C:Mr. Turner, Sheffield Park, Sussex, II. 09 P:F.W. J(ekyll) & G.S.K. B(utterworth) Z:Transcribed by Simon Furey and Lewis Jones L:1/4 Q:1/4=100 M:4/4 I:linebreak $ K:Dmix A/B/ | c c A/B/ c | d d D F/G/ | A A G/F/ E |$ D3 :| A | d3/2 e/ =f d | e e !fermata!A A | d3/2 e/ =f e |$ d3 d | c d B/A/ G | d d D F/G/ | A A G/F/ E | D3 |]
Notes on GB/7c/3A The key has been changed from C to G to eliminate most of the accidentals. The tune, which is similar to that of GB/6/39, is unaltered.
GB/7c/4 Fair Maid Walking Down in the Garden, A, Version 1 of 3
abc notation
X:4 T:GB/7c/4 A Fair Maid Walking Down in the Garden C:Mr. H. Hunt (p. 4), East Chiltington, Sussex VII. 08 P:F.W. J(ekyll) & G.S.K. B(utterworth) Z:Transcribed by Simon Furey and Lewis Jones T:Version 1 of 3 L:1/4 M:3/2 I:linebreak $ K:Ddor D | F G A2 G3/2 E/ | F D E D z D | G F G2 A3/2 B/ | c B A3 G |$ A B/c/ d2 c A | c A G F z D | A B c2 E/F/ G | F E D3 |]
Notes on GB/7c/4 The tune is similar to that of GB/6a/70.
GB/7c/5 Fair Maid Walking Down in the Garden, A, Version 2 of 3
abc notation
X:5 T:GB/7c/5 Fair Maid Walking Down in the Garden, A T:Version 2 of 3 C:Mr. Nappin (c. 50), Stanton St. John, Oxon., V. 07 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 Q:1/4=112 M:3/2 I:linebreak $ K:Bb F | D F e2 d c | d B G F z B | B A G F E D | C D/E/ F3 F |$ D F e2 d c | d B G F z E | D F e c d B | F/A/ c B3 |]
Notes on GB/7c/5 The tune is similar to that of GB/6a/68.
GB/7c/5A Fair Maid Walking Down in the Garden, A, Version 3 of 3
abc notation
X:5 T:GB/7c/5A, A Fair Maid Walking Down in the Garden T:Version 3 of 3 C:Mr. Lockley (c. 80), High Ercall, Salop., III. 08 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:3/2 I:linebreak $ K:Bb B | d c B2 A G | B G F B, z B/A/ | G F E D C B, | F F F3 F |$ B c/d/ e2 d c | d/c/ B A/G/ F- F E | D F e c d B | F/A/ c B3 |]
Notes on GB/7c/5A The tune is similar to that of GB/6a/69.
GB/7c/6 Highland Soldier Version 1 of 2
abc notation
X:6 T:GB/7c/6 Highland Soldier Version 1 of 2 C:Mr Dearling (c. 50), West Burton, Sussex, VII. 07 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:4/4 I:linebreak $ K:Fdor c | F c B"^(a)" G/A/ | F F e f | e c B G/A/ | B3/2 A/ F :|$ B | c c/d/ e d/e/ | c f f e/d/ | c c/d/ e d/c/ | B/c/ d !fermata!c c |$ F c c/B/A/G/ | F F e f | e c B G/A/ | B3/2 A/ F |:$ c | F c B"^(a) var." A/G/ | F F e f | e c B G/A/ | B3/2 A/ F :|$ B | c c/d/ e d/e/ | c f f e/d/ | c c/d/ e d/c/ | B/c/ d !fermata!c c |$ F c c/B/A/G/ | F F e f | e c B G/A/ | B3/2 A/ F |]
Notes on GB/7c/6 The tune is similar to that of GB/6a/96.
GB/7c/6A Highland Soldier Version 2 of 2
abc notation
X:6 T:GB/7c/6A Highland Soldier Version 2 of 2 C:Mr Smith (p. 1), Stoke Lacy, Herefordshire, IX. 07 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:4/4 I:linebreak $ K:Fmix c | F c B/A/G/F/ | F F e d/e/ | f e/c/ B G | F2 F :| B | c c f e/d/ | c/B/c/d/ !fermata!e c |$ e/d/ c B A/B/ | c f !fermata!c c | F c B/A/G/F/ | F c/d/ e (3c/d/e/ | f e/c/ B G | F2 F |]
Notes on GB/7c/6A The tune is similar to that of GB/6a/97.
GB/7c/7 Irish Girl, The, Version 1 of 2
abc notation
X:7 T:GB/7c/7 Irish Girl, The T:Version 1 of 2 C:Mr Nappin (c. 50), Stanton St John, Oxon. V. 07 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:4/4 I:linebreak $ K:G D | G G B D | E E G E/D/ | C C D E/F/ | G3 G | B B G B | d d c B | A G F G | A3 G |$ B B G B | d d c B | A G F/G/ B | D3/2 E/ F D | G3/2 A/ B D | E F G E/D/ | C C D E/F/ | G3 |]
Notes on GB/7c/7 The tune is similar to that of GB/6a/92.
GB/7c/7A Irish Girl, The, Version 2 of 2
abc notation
X:7 T:GB/7c/7A The Irish Girl Version 2 of 2 C:Mr Jim Jillson (c. 60), Askham Bryan, Yorks., VII. 07 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:4/4 I:linebreak $ K:G D | G3/2 F/ G B | D3/2 E/ =F G | E C D/E/ F | G3 d | B3/2 G/ G B | d3/2 B/ c B | A G F E | D3 c |$ B G G B/c/ | d d c d | B A/G/ F E | D3 D | G3/2 A/ B c | D3/2 E/ =F G | E C D/E/ F | G3 |]
Notes on GB/7c/7A The tune is identical to that of GB/6a/95.
GB/7c/8 Lord Bateman Version 1 of 2
abc notation
X:8 T:GB/7c/8 Lord Bateman Version 1 of 2 C:Mrs Cranstone (p. 4), Billingshurst, VI. 07 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:3/2 I:linebreak $ K:Edor E | A G A3 B/A/ | G F E3 E | A G A3 B/c/ | d e B3 A |$ B c/d/ e2 d d | c B A E z F | "^(a)" G A F E D D | E/F/ G A3 ||$ E | A G A3 B/A/ | G F E3 E | A G A3 B/c/ | d e B3 A |$ B c/d/ e2 d d | c B A E z F |"^(a) var." G A B2 A F | G F E3 |]
Notes on GB/7c/8 The tune is similar to that of GB/6a/121.
GB/7c/8A Lord Bateman Version 2 of 2
abc notation
X:8 T:GB/7c/8A Lord Bateman Version 2 of 2 C:Verrall Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:3/2 I:linebreak $ K:Gmix G | B c d2 c A |[M:5/4] G F G2 c |[M:3/2] d e f2 e d |[M:5/4] c e d2 G |$[M:3/2] d d g2 f d | c A F2 G A | B c d2 c B | G F G2 |]
Notes on GB/7c/8A
GB/7c/9 Come All You Jolly Ploughboys Version 1 of 4
abc notation
X:9 T:GB/7c/9 Come All You Jolly Ploughboys T:Version 1 of 4 C:Mr. Knight (c. 60), Horsham, IV. 07 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:3/4 I:linebreak $ K:Bb F | F B F |"^(a)" B B F | G B G | F2 F | B c d | f e d | c3- | c2 d |$ f c d | e e f | d B c | F2 F | B d f | e c A | B2 ||$ F | F B F |"^(a) var." B2 F | G B G | F2 F | B c d | f e d | c3- | c2 d |$ f c d | e e f | d B c | F2 F | B d f | e c A | B2 |]
Notes on GB/7c/9 See Notes on GB/7c/9C below.
GB/7c/9A Come All You Jolly Ploughboys Version 2 of 4
abc notation
X:9 T:GB/7c/9A Come All You Jolly Ploughboys T:Version 2 of 4 C:Mr. Pocock, Flowers Green, Sussex, IV. 07 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:3/4 I:linebreak $ K:Bb F | B B F |"^(a)" B B F | G B G | F2 B | c3/2 d/ e | f3/2 e/ d | c3- | c2 B |$ c3/2 d/ e/c/ | f d B/c/ | d B G | G !fermata!F F | B d f | e"^(b)" d c | B2 |$ F | B B F |"^(a) var." B2 F | G B G | F2 B | c3/2 d/ e | f3/2 e/ d | c3- | c2 B |$ c3/2 d/ e/c/ | f d B/c/ | d B G | G !fermata!F F | B d f | e"^(b) var." c A | B2 |]
Notes on GB/7c/9A See Notes on GB/7c/9C below.
GB/7c/9B Come All You Jolly Ploughboys Version 3 of 4
abc notation
X:9 T:GB/7c/9B Come All You Jolly Ploughboys T:Version 3 of 4 C:Mr. Harwood (c. 50) Watersfield, Pulborough, VII. 07 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:3/4 I:linebreak $ K:Bb B | B B F | B2 F | G/A/B/A/ G | F2 B | c d e | f e d/B/ | c2 B |$ c3/2 d/ e/c/ | f c/d/ e | d B c | (3G/A/G/ !fermata!F F | B d f | e d/B/ (3c/d/c/ | B2 |]
Notes on GB/7c/9B See Notes on GB/7c/9C below.
GB/7c/9C Come All You Jolly Ploughboys Version 4 of 4
abc notation
X:9 T:GB/7c/9C Come All You Jolly Ploughboys T:Version 4 of 4 C:Mr. Dearling (c. 50), West Burton, Sussex, XII. 07 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:3/4 I:linebreak $ K:Bb F | B B F | B2 F | B A G | F2 A/B/ | c c/d/ e | f e d | c2 A/B/ |$ c c/d/"^(a)" e/g/ | f c/d/ e | d/c/"^(b)" B c/B/ | A/G/ !fermata!F F | B d f | e"^(c)" c A | B2 ||$ F | B B F | B2 F | B A G | F2 A/B/ | c c/d/ e | f e d | c2 A/B/ |$ c c/d/"^(a) var." e | f c/d/ e | d/c/"^(b) var." B/A/ G | G !fermata!F F | B d f | e"^(c) var." c/B/ A | B2 |]
GB/7c/10 Weddingmore Version 1 of 4
abc notation
X:10 T:GB/7c/10 Weddingmore Version 1 of 4 C:Mr Thomas Gibbs, Brill, Bucks., V. 07 Z:Transcribed by Simon Furey and Lewis Jones L:1/8 M:4/4 I:linebreak $ K:Edor E2 | G2 A2 B2 c2 | B4 GF E2 | FG A2 F2 GF | E6 :| E2 | G2 A2 Bc d2 |$ c2 B4 Bc | d2 e2 A3 G | F6 B2 | B3 A B2 c2 | B4 GF E2 | FG A2 F2 GF | E6 |]
Notes on GB/7c/10 The tune is identical to that of GB/6a/103 but in a different key.
GB/7c/10A Weddingmore Version 2 of 4
abc notation
X:10 T:GB/7c/10A Weddingmore Version 2 of 4 C:Mr Nixie, Oakley, Oxon., V. 07 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:4/4 I:linebreak $ K:Edor E | G A B c | B A G E | F/G/ A F G | E3 :| E | G A B/c/ d |$ c B2 B/c/ | d d A3/2 G/ | F3 B | B3/2 A/ B/c/ d | B A F D | F/G/ A F G | E3 |]
Notes on GB/7c/10A The tune is identical to that of GB/6a/104 but in a different key.
GB/7c/10B Weddingmore Version 3 of 4
abc notation
X:10 T:GB/7c/10B Weddingmore Version 3 of 4 C:Brill, Bucks., VII. 08 Z:Transcribed by Simon Furey and Lewis Jones L:1/8 M:4/4 I:linebreak $ K:Edor EF | G2 A2 B2 c2 | B3 A GF E2 | FG A2 F2 D2 | E6 :| EF | G2 A2 Bc d2 |$ c2 B4 Bc | d2 e2 A3 G | F8 | B3 B A2 c2 | B3 A GF E2 | FG A2 F2 D2 | E6 |]
Notes on GB/7c/10B The tune is identical to that of GB/6a/106 but in a different key.
GB/7c/10C Weddingmore Version 4 of 4
abc notation
X:10 T:GB/7c/10C Weddingmore Version 4 of 4 T:Another Tune C:Mr. Cranstone (c. 50), Billingshurst, VII. 09 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:3/2 I:linebreak $ K:Eaeo G A | B2"^(a)" G A B d | A2 G2 F G | E2 B2 A G | E4 :| G A | B2 G A B d |$ A2 !fermata!G2 F G | A e- !fermata!e2 !fermata!A G | A4 G A | B2 G A B d | A2 G2 F G | E2 B2 A G | E4 |:$ G A | B2"^(a) var." G2 B d | A2 G2 F G | E2 B2 A G | E4 :| G A | B2 G A B d |$ A2 !fermata!G2 F G | A e- !fermata!e2 !fermata!A G | A4 G A | B2 G A B d | A2 G2 F G | E2 B2 A G | E4 |]
GB/7c/11 Young Collins
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X:11 T:GB/7c/11 Young Collins C:Mr. Greenfield, Lurgashall, Sussex, X. 10 P:F.W. J(ekyll) & G.S.K. B(utterworth) Z:Transcribed by Simon Furey and Lewis Jones L:1/8 M:4/4 I:linebreak $ K:A AB | c2 cB F2 B2 | A2 G2 A3 B | c2 A2 F2 e2 | f2 e^d e3 e | !fermata!f3 e !fermata!d3 c |$ B2 ed c2 AG | F2 d2 dcBA |"^(a)" G2 e2 !fermata!e3 e |"^(b)" a3 e f3 d | c2 B2 A2 ||$ AB | c2 cB F2 B2 | A2 G2 A3 B | c2 A2 F2 e2 | f2 e^d e3 e | !fermata!f3 e !fermata!d3 c |$ B2 ed c2 AG | F2 d2 dcBA |"^(a) var." GB e2 !fermata!e3 e |"^(b) var." a3 e fdcd | c2 B2 A2 |]
GB/7c/12 Jack Goes Up to London Version 1 of 2
abc notation
X:12 T:GB/7c/12 Jack Goes Up To London T:Version 1 of 2 C:Mr. Greenfield, Lurgashall, Sussex, X. 10 P:F.W. J(ekyll) & G.S.K. B(utterworth) Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:4/4 I:linebreak $ K:Dmix D | G G B d | A A/G/ F A | B B E G | A A/G/ F !fermata!D :| B | c d !fermata!e c |$ B A !fermata!d d | e d c B | A d G G/F/ | E E/E/ D D/D/ | A A/G/ F !fermata!D | A A/B/ c d/G/ | F E D |]
GB/7c/12A Jack Goes Up to London Version 2 of 2
abc notation
X:12 T:GB/7c/12A Jack Goes Up To London T:Version 2 of 2 C:Mr. Heygate, Rusper, XI. 10 P:F.W. J(ekyll) Z:Transcribed by Simon Furey and Lewis Jones L:1/8 M:4/4 I:linebreak $ K:Dmix G2 G2 A2 d2 | c2 AG F2 A2 | B2 B2 E2 FG | ABAG F2 !fermata!D B | c2 d2 e3 c | B2 c2 d3 d |$ e2 d2 c2 B2 | A2"^(a)" dB G2 GF | E2 EE D2 GG | ABAG F2 D2 | A2 AA BcdG | F2 E2 D4 ||$ G2 G2 A2 d2 | c2 AG F2 A2 | B2 B2 E2 FG | ABAG F2 !fermata!D B | c2 d2 e3 c | B2 c2 d3 d |$ e2 d2 c2 B2 | A2"^(a) var." d2 G2 GF | E2 EE D2 GG | ABAG F2 D2 | A2 AA BcdG | F2 E2 D4 |]
GB/7c/13 An Old Man He Courted Me
abc notation
X:13 T:GB/7c/13 An Old Man He Courted Me C:Mrs. Powell, Minster, Sheppey, VIII. 10 P:F.W. J(ekyll) Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:3/4 I:linebreak $ K:Cmix C | C D E | F G A | G2 D | F/E/ C3/2 C/ | C D E | F G A | B G c | G2 G |$ c G G | B c !fermata!d | c A F | G E/D/ !fermata!C | G A B | A B A | G F D | C3 |]
GB/7c/14 Bold General Wolfe
abc notation
X:14 T:GB/7c/14 Bold General Wolfe C:Workhouse, Minster, Kent, IX. 10 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:3/2 I:linebreak $ K:G D | G D G3/2 A/ B c | d e c3 d | B G c A B G | F E D3 A | c d e c B/A/ G |$ B c d3 d | c B A3/2 B/ c d | B G E2 D2 |[M:1/2] z D |[M:3/2] G3/2 E/ F G A B/A/ | G4- G |]
GB/7c/15 Bold Princess Royal Version 1 of 2
abc notation
X:15 T:GB/7c/15 Bold Princess Royal Version 1 of 2 C:Workhouse, Minster, Kent, IX. 10 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:3/4 I:linebreak $ K:G D |"^(a)" G B A/G/ | F !fermata!G G/B/ |"^(b)" d c B | A2 B/A/ | G G G | G D E | =F G/F/ E | D2 B/c/ | d/B/ G d |$"^(c)" c/B/ !fermata!A B/c/ | B A G | D G G/F/ | E/D/ C A | "^(d)" A/F/ !fermata!D D | G B B/A/ | G2 ||$ D |"^(a) var." G G A/G/ | F !fermata!G G/B/ | "^(b) var." B G B | A2 B/A/ | G G G | G D E | =F G/F/ E | D2 B/c/ | d/B/ G d |$ "^(c) var." c/B/ !fermata!A d | c B A | D G G/F/ | E/D/ C A |"^(d) var." A/F/ !fermata!D A | B c/B/ A | G2 |]
GB/7c/15A Bold Princess Royal Version 2 of 2
abc notation
X:15 T:GB/7c/15A Bold Princess Royal Version 2 of 2 C:Mr. Robert Hurr (c. 50), Southwold, X. 10 P:R. V(aughan) W(illiams) & G.S.K. B(utterworth) Z:Transcribed by Simon Furey and Lewis Jones L:1/8 M:3/4 I:linebreak $ K:G G>A | Bc d2 g2 |"^(a)" e2 d2 G>B | c>B G2 G2 | G4 B>G | A2 A2 d2 |$"^(b)" c2 B2 A>G | d2 f2 e2 | d4 B>c | d2 A2 d2 | ef !fermata!g2 a>g | g2 d>B G2 |$ D2 G2 G>A |"^(c)" Bc d2 g>f | ed B2 (3GAB | A>B G2 G2 | G4 ||$ G>A | Bc d2 g2 |"^(a) var." e2 d>B G>B | c2 G2 G2 | G4 B>G | A2 A2 d2 |$ "^(b) var." B>A B2 A>G | d2 f>d e>f | d4 B>c | d2 A2 d2 | ef !fermata!g2 a>g | g2 d>B G2 |$ D2 G2 G>A |"^(c) var." Bc d2 f>g | e>d cB GB | A2 G2 G2 | G4 |]
GB/7c/16 Belt On, Brave Boys
abc notation
X:16
T:GB/7c/16 Belt On, Brave Boys
C:Mr. W. Smith (p. 1), Newport, Mon., IV. 08
Z:Transcribed by Simon Furey and Lewis Jones
M:4/4
L:1/8
K:EAeo
D | G2 GA GFED | G>ABG AG!fermata!ED | G3 A GFED | G2 AB A2 z D |
GABd e2 e e | ABAG FA !fermata!d2 | G3 F/E/ B3 G | AG ED E3 |]
GB/7c/17 Forty Miles
abc notation
X:17 T:GB/7c/17 Forty Miles C:Mr. Newby (c. 80), Almshouses, Southwold, X. 10 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:6/4 I:linebreak $ K:C G | c2 c G2 E | F G F D2 E | F G F E D C | G2 G G3 |[M:3/4] z G G |$[M:6/4] A A A A2 G | (c2 e G3) |[M:3/4] z G G |[M:6/4] A f e d c B | c4- c |]
GB/7c/18 Geordie Version 1 of 2
abc notation
X:18 T:GB/7c/18 Geordie Version 1 of 2 C:Mr. Newby P:R.V(aughan) W(illiams) & G.S.K. B(utterworth) Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:4/4 I:linebreak $ K:Ddor c/d/ | e e d e/>d/ | c A"^?" G c/>d/ | e e d c/>A/ | G A/c/ !fermata!d c/d/ |$ e e d e/>d/ | [M:6/4] c A G2 c3/2 B/ |[M:4/4]"^(a)" A G/F/ E D/E/ | F d/>c/ d ||$ c/d/ | e e d e/>d/ | c A"^?" G c/>d/ | e e d c/>A/ | G A/c/ !fermata!d c/d/ |$ e e d e/>d/ |[M:6/4] c A G2 c3/2 B/ | [M:4/4]"^(a) var." A G/F/ E C | G c d |]
GB/7c/18A Geordie Version 2 of 2
abc notation
X:18 T:GB/7c/18A Geordie Version 2 of 2 C:Mr. Verrall P:G.S.K. B(utterworth) Z:Transcribed by Simon Furey and Lewis Jones W:* All verses except first L:1/8 M:4/4 I:linebreak $ K:C c3 d | e2 e2 d2"^(a)" e2 | c2"^(b)" A2 !fermata!G3 G | c3 d e2"^(c)" c2 | B2 d4 cd |$ e2 dc d2 ed |[M:3/2]"^(d)" c2 Ac G4 A3 G |[M:4/4] E2 G2 A2 GF | E2"^(e)" Gc c4 ||$ c3 d | e2 e2 d2"^(a) var." ed | c2"^(b) var." Ac !fermata!G3 G | c3 d e2"^(c) var." G2 | c2 d4 cd |$ e2 dc d2 ed |"^(d) var.*" c2 A2 G2 EE | G2 GG A2 GF | E2"^(e) var." c2 c4 |]
GB/7c/19 Roger the Miller
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X:19 T:GB/7c/19 Roger the Miller C:Mr. George Goble (c. 70), Filby, Norfolk, X. 10 P:R. V(aughan) W(illiams) & G.S.K. B(utterworth) Z:Transcribed by Simon Furey and Lewis Jones L:1/4 Q:1/4=200 M:9/4 I:linebreak $ K:G "^Fast" B | B A G F E D E F G | A F D D E F G2 B | B A G F E D E F G |$ F A G F E F G2 D | w: ||||| [M:6/4] G B B B A B | d"^(a)" D D D2 D | G B B B A G |$ A3- A G A |[M:9/4] B c B B A G F G A | w: ||||| B c B B A G F G A | B E E F E D E F G |$ A F D D E F G3 || B | B A G F E D E F G | w: * * * * * * * Sing- ing|Rip * * * * * * * *|||| A F D D E F G2 B |$ B A G F E D E F G | F A G F E F G2 D |[M:6/4] G B B B A B | w: |||| d"^(a) var." D2- D2 D |$ G B B B A G | A3- A G A |[M:9/4] B c B B A G F G A | B c B B A G F G A |$ w: ||||* * * * * * * Sing- ing| B E E F E D E F G | A F D D E F G3 |] w: Rip * * * * * * * *||
GB/7c/20 Jones' Ale
abc notation
X:20 T:GB/7c/20 Jones' Ale C:Mr. Robert Hurr (c. 50), Southwold, X. 10 P:R. V(aughan) W(illiams) & G.S.K. B(utterworth) Z:Transcribed by Simon Furey and Lewis Jones T:Approximate L:1/4 Q:1/4=200 M:6/4 I:linebreak $ K:G "^Fast" D | G2 G G"^(a)" F G |[M:9/4] B3 G3 E F G |[M:6/4] A A A A"^(b)" B G | [M:9/4] F3 D3 D E F |$[M:6/4] G G G G F G | B3"^(c)" G2 G | A2 D D E F | G3- G2 c | B2 c d2 A |$ B2 c d2 d | e2 c A B c | d2 c B A G | G G G G F G | B3 G F G |$ A2 D D E F | G3 c3 | B A G A G F | G2 E D2 B, | C D E D E F | G3- G2 ||$ D | G2 G G"^(a) var." G G |[M:9/4] B3 G3 E F G | [M:6/4] A A A A"^(b) var." A G |[M:9/4] F3 D3 D E F |$[M:6/4] G G G G F G | B3"^(c) var." G F G | A2 D D E F | G3- G2 c | B2 c d2 A |$ B2 c d2 d | e2 c A B c | d2 c B A G | G G G G F G | B3 G F G |$ A2 D D E F | G3 c3 | B A G A G F | G2 E D2 B, | C D E D E F | G3- G2 |]
GB/7c/21 On Monday Morning I Married a Wife
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GB/7c/22 Royal George, The, Version 1 of 2
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GB/7c/22A Royal George, The, Version 2 of 2
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GB/7c/23 Liverpool Hornpipe
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GB/7c/24 Birmingham Town
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GB/7c/25 Liverpool Play
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GB/7c/26 Basket of Eggs
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GB/7c/27 Loss of the London, The
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X:27
T:GB/7c/27 Loss of the London, The
C:Mr. William Hurr (c. 60), Southwold, X. 10
P:R.V(aughan) W(illiams) & G.S.K. B(utterworth)
M:2/4
L:1/8
K:Edor
E>F | G>A G>A | GE F>G | "^(a)"A>G F>G | E2 (3Bcd | e>d e>f | eA d>c | B4 |
z2 B>c | d>c d>e | dB cA | "^(b)"(3ABG F>E | D2 E>F | G>G F>E | FB G>F | E2 ||
E>F | G>A G>A | GE F>G | "^(a) var."A>A G>F | E2 (3Bcd | e>d e>f | eA d>c | B4 |
z2 B>c | d>c d>e | dB cA | "^(b) var."AB (3GFE | D2 E>F | G>G F>E | FB G>F | E2 |]
GB/7c/28 When I Was Bound Apprentice in Fair London City
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GB/7c/29 Captain's Apprentice
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GB/7c/30 Lovely Joan
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GB/7c/31 Claudy Banks
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Notes on GB/7c/31 The meaning and significance of the crosses above full bars 4 and 8 in the MS are unclear.
GB/7c/32 You Gentlemen of England (Fox-Hunting Song)
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GB/7c/33 Seven Jolly Gipsies
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GB/7c/34 Black Velvet Band
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GB/7c/35 Tag Dum Torum (It's of an Old Couple)
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Notes on GB/7c/35 The VWML catalogue has "Woman" for "Couple" in the alternative title.