Take 6 Transcription Programme: The Butterworth Archive, MS 7c: Difference between revisions
Lewis Jones (talk | contribs) No edit summary |
Lewis Jones (talk | contribs) No edit summary |
||
Line 11: | Line 11: | ||
'''abc notation''' | '''abc notation''' | ||
X:1 | |||
T:GB/7c/1 Lord Carter Is My Name | |||
C:Mr. Cranstone (c. 50), Billingshurst, VII. 09 | |||
Z:Transcribed by Simon Furey and Lewis Jones | |||
L:1/8 | |||
Q:1/4=100 | |||
M:4/4 | |||
I:linebreak $ | |||
K:Dmix | |||
D2 | G2 G2 GABc | A6 A2 | d2 dB G2 cB | A6 Bc |$ dBdB GBde | c2 B2 AFDD | ABcB AGEE | D6 |] | |||
Line 22: | Line 33: | ||
'''abc notation''' | '''abc notation''' | ||
X:2 | |||
T:GB/7c/2 Mole-Catcher, The | |||
C:Mr. James Landamore (c. 70), Wroxham, Norfolk, IV. 10 | |||
P:F.W. J(ekyll) & G.S.K. B(utterworth) | |||
Z:Transcribed by Simon Furey and Lewis Jones | |||
L:1/4 | |||
Q:1/4=144 | |||
M:3/4 | |||
I:linebreak $ | |||
K:Ddor | |||
A | A B c | d2 d | c A A | d2 A | A B c | d d d | c A A |$"^(a)" c2 c | B G G | G3 | A F D | | |||
C D E | G E D | D2 ||$ A | A B c | d2 d | c A A | d2 A | A B c | d d d | c A A |$ | |||
"^(a) var." c A c | B G G | G3 | A F D | C D E | G E D | D2 |] | |||
Line 33: | Line 58: | ||
'''abc notation''' | '''abc notation''' | ||
X:3 | |||
T:GB/7c/3 Botany Bay Version 1 of 2 | |||
C:Mrs. Cranstone (p.4), Billingshurst, VII. 07 | |||
Z:Transcribed by Simon Furey and Lewis Jones | |||
L:1/4 | |||
M:4/4 | |||
I:linebreak $ | |||
K:Ddor | |||
D | F G A B | c B A3/2 A/ | d3/2 e/ f e | d3 c |$ d3/2 c/ A G/F/ | G A D E/F/ | G3/2 F/ D C | | |||
D3 |] | |||
''Notes on GB/7c/3'' The tune is identical to that of GB/6/38. | ''Notes on GB/7c/3'' The tune is identical to that of GB/6/38. | ||
Line 46: | Line 82: | ||
'''abc notation''' | '''abc notation''' | ||
X:3 | |||
T:GB/7c/3A, Botany Bay Version 2 of 2 | |||
C:Mr. Turner, Sheffield Park, Sussex, II. 09 | |||
P:F.W. J(ekyll) & G.S.K. B(utterworth) | |||
Z:Transcribed by Simon Furey and Lewis Jones | |||
L:1/4 | |||
Q:1/4=100 | |||
M:4/4 | |||
I:linebreak $ | |||
K:Dmix | |||
A/B/ | c c A/B/ c | d d D F/G/ | A A G/F/ E |$ D3 :| A | d3/2 e/ =f d | e e !fermata!A A | | |||
d3/2 e/ =f e |$ d3 d | c d B/A/ G | d d D F/G/ | A A G/F/ E | D3 |] | |||
''Notes on GB/7c/3A'' The key has been changed from C to G to eliminate most of the accidentals. The tune, which is similar to that of GB/6/39, is unaltered. | ''Notes on GB/7c/3A'' The key has been changed from C to G to eliminate most of the accidentals. The tune, which is similar to that of GB/6/39, is unaltered. | ||
Line 59: | Line 108: | ||
'''abc notation''' | '''abc notation''' | ||
X:4 | |||
T:GB/7c/4 A Fair Maid Walking Down in the Garden | |||
C:Mr. H. Hunt (p. 4), East Chiltington, Sussex VII. 08 | |||
P:F.W. J(ekyll) & G.S.K. B(utterworth) | |||
Z:Transcribed by Simon Furey and Lewis Jones | |||
T:Version 1 of 3 | |||
L:1/4 | |||
M:3/2 | |||
I:linebreak $ | |||
K:Ddor | |||
D | F G A2 G3/2 E/ | F D E D z D | G F G2 A3/2 B/ | c B A3 G |$ A B/c/ d2 c A | c A G F z D | | |||
A B c2 E/F/ G | F E D3 |] | |||
''Notes on GB/7c/4'' The tune is similar to that of GB/6a/70. | ''Notes on GB/7c/4'' The tune is similar to that of GB/6a/70. | ||
Line 72: | Line 134: | ||
'''abc notation''' | '''abc notation''' | ||
X:5 | |||
T:GB/7c/5 Fair Maid Walking Down in the Garden, A | |||
T:Version 2 of 3 | |||
C:Mr. Nappin (c. 50), Stanton St. John, Oxon., V. 07 | |||
Z:Transcribed by Simon Furey and Lewis Jones | |||
L:1/4 | |||
Q:1/4=112 | |||
M:3/2 | |||
I:linebreak $ | |||
K:Bb | |||
F | D F e2 d c | d B G F z B | B A G F E D | C D/E/ F3 F |$ D F e2 d c | d B G F z E | | |||
D F e c d B | F/A/ c B3 |] | |||
''Notes on GB/7c/5'' The tune is similar to that of GB/6a/68. | ''Notes on GB/7c/5'' The tune is similar to that of GB/6a/68. | ||
Line 85: | Line 160: | ||
'''abc notation''' | '''abc notation''' | ||
X:5 | |||
T:GB/7c/5A, A Fair Maid Walking Down in the Garden | |||
T:Version 3 of 3 | |||
C:Mr. Lockley (c. 80), High Ercall, Salop., III. 08 | |||
Z:Transcribed by Simon Furey and Lewis Jones | |||
L:1/4 | |||
M:3/2 | |||
I:linebreak $ | |||
K:Bb | |||
B | d c B2 A G | B G F B, z B/A/ | G F E D C B, | F F F3 F |$ B c/d/ e2 d c | d/c/ B A/G/ F- F E | | |||
D F e c d B | F/A/ c B3 |] | |||
''Notes on GB/7c/5A'' The tune is similar to that of GB/6a/69. | ''Notes on GB/7c/5A'' The tune is similar to that of GB/6a/69. | ||
Line 98: | Line 185: | ||
'''abc notation''' | '''abc notation''' | ||
X:6 | |||
T:GB/7c/6 Highland Soldier Version 1 of 2 | |||
C:Mr Dearling (c. 50), West Burton, Sussex, VII. 07 | |||
Z:Transcribed by Simon Furey and Lewis Jones | |||
L:1/4 | |||
M:4/4 | |||
I:linebreak $ | |||
K:Fdor | |||
c | F c B"^(a)" G/A/ | F F e f | e c B G/A/ | B3/2 A/ F :|$ B | c c/d/ e d/e/ | c f f e/d/ | | |||
c c/d/ e d/c/ | B/c/ d !fermata!c c |$ F c c/B/A/G/ | F F e f | e c B G/A/ | B3/2 A/ F |:$ c | | |||
F c B"^(a) var." A/G/ | F F e f | e c B G/A/ | B3/2 A/ F :|$ B | c c/d/ e d/e/ | c f f e/d/ | | |||
c c/d/ e d/c/ | B/c/ d !fermata!c c |$ F c c/B/A/G/ | F F e f | e c B G/A/ | B3/2 A/ F |] | |||
''Notes on GB/7c/6'' The tune is similar to that of GB/6a/96. | ''Notes on GB/7c/6'' The tune is similar to that of GB/6a/96. | ||
Line 111: | Line 211: | ||
'''abc notation''' | '''abc notation''' | ||
X:6 | |||
T:GB/7c/6A Highland Soldier Version 2 of 2 | |||
C:Mr Smith (p. 1), Stoke Lacy, Herefordshire, IX. 07 | |||
Z:Transcribed by Simon Furey and Lewis Jones | |||
L:1/4 | |||
M:4/4 | |||
I:linebreak $ | |||
K:Fmix | |||
c | F c B/A/G/F/ | F F e d/e/ | f e/c/ B G | F2 F :| B | c c f e/d/ | c/B/c/d/ !fermata!e c |$ | |||
e/d/ c B A/B/ | c f !fermata!c c | F c B/A/G/F/ | F c/d/ e (3c/d/e/ | f e/c/ B G | F2 F |] | |||
''Notes on GB/7c/6A'' The tune is similar to that of GB/6a/97. | ''Notes on GB/7c/6A'' The tune is similar to that of GB/6a/97. | ||
Line 124: | Line 235: | ||
'''abc notation''' | '''abc notation''' | ||
X:7 | |||
T:GB/7c/7 Irish Girl, The | |||
T:Version 1 of 2 | |||
C:Mr Nappin (c. 50), Stanton St John, Oxon. V. 07 | |||
Z:Transcribed by Simon Furey and Lewis Jones | |||
L:1/4 | |||
M:4/4 | |||
I:linebreak $ | |||
K:G | |||
D | G G B D | E E G E/D/ | C C D E/F/ | G3 G | B B G B | d d c B | A G F G | A3 G |$ B B G B | | |||
d d c B | A G F/G/ B | D3/2 E/ F D | G3/2 A/ B D | E F G E/D/ | C C D E/F/ | G3 |] | |||
''Notes on GB/7c/7'' The tune is similar to that of GB/6a/92. | ''Notes on GB/7c/7'' The tune is similar to that of GB/6a/92. | ||
Line 138: | Line 261: | ||
'''abc notation''' | '''abc notation''' | ||
X:7 | |||
T:GB/7c/7A The Irish Girl Version 2 of 2 | |||
C:Mr Jim Jillson (c. 60), Askham Bryan, Yorks., VII. 07 | |||
Z:Transcribed by Simon Furey and Lewis Jones | |||
L:1/4 | |||
M:4/4 | |||
I:linebreak $ | |||
K:G | |||
D | G3/2 F/ G B | D3/2 E/ =F G | E C D/E/ F | G3 d | B3/2 G/ G B | d3/2 B/ c B | A G F E | | |||
D3 c |$ B G G B/c/ | d d c d | B A/G/ F E | D3 D | G3/2 A/ B c | D3/2 E/ =F G | E C D/E/ F | | |||
G3 |] | |||
''Notes on GB/7c/7A'' The tune is identical to that of GB/6a/95. | ''Notes on GB/7c/7A'' The tune is identical to that of GB/6a/95. | ||
Line 152: | Line 286: | ||
'''abc notation''' | '''abc notation''' | ||
X:8 | |||
T:GB/7c/8 Lord Bateman Version 1 of 2 | |||
C:Mrs Cranstone (p. 4), Billingshurst, VI. 07 | |||
Z:Transcribed by Simon Furey and Lewis Jones | |||
L:1/4 | |||
M:3/2 | |||
I:linebreak $ | |||
K:Edor | |||
E | A G A3 B/A/ | G F E3 E | A G A3 B/c/ | d e B3 A |$ B c/d/ e2 d d | c B A E z F | | |||
"^(a)" G A F E D D | E/F/ G A3 ||$ E | A G A3 B/A/ | G F E3 E | A G A3 B/c/ | d e B3 A |$ | |||
B c/d/ e2 d d | c B A E z F |"^(a) var." G A B2 A F | G F E3 |] | |||
''Notes on GB/7c/8'' The tune is similar to that of GB/6a/121. | ''Notes on GB/7c/8'' The tune is similar to that of GB/6a/121. | ||
Line 166: | Line 311: | ||
'''abc notation''' | '''abc notation''' | ||
X:8 | |||
T:GB/7c/8A Lord Bateman Version 2 of 2 | |||
C:Verrall | |||
Z:Transcribed by Simon Furey and Lewis Jones | |||
L:1/4 | |||
M:3/2 | |||
I:linebreak $ | |||
K:Gmix | |||
G | B c d2 c A |[M:5/4] G F G2 c |[M:3/2] d e f2 e d |[M:5/4] c e d2 G |$[M:3/2] d d g2 f d | | |||
c A F2 G A | B c d2 c B | G F G2 |] | |||
''Notes on GB/7c/8A'' | ''Notes on GB/7c/8A'' | ||
Line 179: | Line 335: | ||
'''abc notation''' | '''abc notation''' | ||
X:9 | |||
T:GB/7c/9 Come All You Jolly Ploughboys | |||
T:Version 1 of 4 | |||
C:Mr. Knight (c. 60), Horsham, IV. 07 | |||
Z:Transcribed by Simon Furey and Lewis Jones | |||
L:1/4 | |||
M:3/4 | |||
I:linebreak $ | |||
K:Bb | |||
F | F B F |"^(a)" B B F | G B G | F2 F | B c d | f e d | c3- | c2 d |$ f c d | e e f | d B c | | |||
F2 F | B d f | e c A | B2 ||$ F | F B F |"^(a) var." B2 F | G B G | F2 F | B c d | f e d | c3- | | |||
c2 d |$ f c d | e e f | d B c | F2 F | B d f | e c A | B2 |] | |||
''Notes on GB/7c/9'' See Notes on GB/7c/9C below. | ''Notes on GB/7c/9'' See Notes on GB/7c/9C below. | ||
Line 192: | Line 361: | ||
'''abc notation''' | '''abc notation''' | ||
X:9 | |||
T:GB/7c/9A Come All You Jolly Ploughboys | |||
T:Version 2 of 4 | |||
C:Mr. Pocock, Flowers Green, Sussex, IV. 07 | |||
Z:Transcribed by Simon Furey and Lewis Jones | |||
L:1/4 | |||
M:3/4 | |||
I:linebreak $ | |||
K:Bb | |||
F | B B F |"^(a)" B B F | G B G | F2 B | c3/2 d/ e | f3/2 e/ d | c3- | c2 B |$ c3/2 d/ e/c/ | | |||
f d B/c/ | d B G | G !fermata!F F | B d f | e"^(b)" d c | B2 |$ F | B B F |"^(a) var." B2 F | | |||
G B G | F2 B | c3/2 d/ e | f3/2 e/ d | c3- | c2 B |$ c3/2 d/ e/c/ | f d B/c/ | d B G | | |||
G !fermata!F F | B d f | e"^(b) var." c A | B2 |] | |||
''Notes on GB/7c/9A'' See Notes on GB/7c/9C below. | ''Notes on GB/7c/9A'' See Notes on GB/7c/9C below. | ||
Line 205: | Line 388: | ||
'''abc notation''' | '''abc notation''' | ||
X:9 | |||
T:GB/7c/9B Come All You Jolly Ploughboys | |||
T:Version 3 of 4 | |||
C:Mr. Harwood (c. 50) Watersfield, Pulborough, VII. 07 | |||
Z:Transcribed by Simon Furey and Lewis Jones | |||
L:1/4 | |||
M:3/4 | |||
I:linebreak $ | |||
K:Bb | |||
B | B B F | B2 F | G/A/B/A/ G | F2 B | c d e | f e d/B/ | c2 B |$ c3/2 d/ e/c/ | f c/d/ e | | |||
d B c | (3G/A/G/ !fermata!F F | B d f | e d/B/ (3c/d/c/ | B2 |] | |||
''Notes on GB/7c/9B'' See Notes on GB/7c/9C below. | ''Notes on GB/7c/9B'' See Notes on GB/7c/9C below. | ||
Line 219: | Line 413: | ||
'''abc notation''' | '''abc notation''' | ||
X:9 | |||
T:GB/7c/9C Come All You Jolly Ploughboys | |||
T:Version 4 of 4 | |||
C:Mr. Dearling (c. 50), West Burton, Sussex, XII. 07 | |||
Z:Transcribed by Simon Furey and Lewis Jones | |||
L:1/4 | |||
M:3/4 | |||
I:linebreak $ | |||
K:Bb | |||
F | B B F | B2 F | B A G | F2 A/B/ | c c/d/ e | f e d | c2 A/B/ |$ c c/d/"^(a)" e/g/ | f c/d/ e | | |||
d/c/"^(b)" B c/B/ | A/G/ !fermata!F F | B d f | e"^(c)" c A | B2 ||$ F | B B F | B2 F | B A G | | |||
F2 A/B/ | c c/d/ e | f e d | c2 A/B/ |$ c c/d/"^(a) var." e | f c/d/ e | d/c/"^(b) var." B/A/ G | | |||
G !fermata!F F | B d f | e"^(c) var." c/B/ A | B2 |] | |||
Line 230: | Line 438: | ||
'''abc notation''' | '''abc notation''' | ||
X:10 | |||
T:GB/7c/10 Weddingmore Version 1 of 4 | |||
C:Mr Thomas Gibbs, Brill, Bucks., V. 07 | |||
Z:Transcribed by Simon Furey and Lewis Jones | |||
L:1/8 | |||
M:4/4 | |||
I:linebreak $ | |||
K:Edor | |||
E2 | G2 A2 B2 c2 | B4 GF E2 | FG A2 F2 GF | E6 :| E2 | G2 A2 Bc d2 |$ c2 B4 Bc | d2 e2 A3 G | | |||
F6 B2 | B3 A B2 c2 | B4 GF E2 | FG A2 F2 GF | E6 |] | |||
''Notes on GB/7c/10'' The tune is identical to that of GB/6a/103 but in a different key. | ''Notes on GB/7c/10'' The tune is identical to that of GB/6a/103 but in a different key. | ||
Line 243: | Line 462: | ||
'''abc notation''' | '''abc notation''' | ||
X:10 | |||
T:GB/7c/10A Weddingmore Version 2 of 4 | |||
C:Mr Nixie, Oakley, Oxon., V. 07 | |||
Z:Transcribed by Simon Furey and Lewis Jones | |||
L:1/4 | |||
M:4/4 | |||
I:linebreak $ | |||
K:Edor | |||
E | G A B c | B A G E | F/G/ A F G | E3 :| E | G A B/c/ d |$ c B2 B/c/ | d d A3/2 G/ | F3 B | | |||
B3/2 A/ B/c/ d | B A F D | F/G/ A F G | E3 |] | |||
''Notes on GB/7c/10A'' The tune is identical to that of GB/6a/104 but in a different key. | ''Notes on GB/7c/10A'' The tune is identical to that of GB/6a/104 but in a different key. | ||
Line 256: | Line 486: | ||
'''abc notation''' | '''abc notation''' | ||
X:10 | |||
T:GB/7c/10B Weddingmore Version 3 of 4 | |||
C:Brill, Bucks., VII. 08 | |||
Z:Transcribed by Simon Furey and Lewis Jones | |||
L:1/8 | |||
M:4/4 | |||
I:linebreak $ | |||
K:Edor | |||
EF | G2 A2 B2 c2 | B3 A GF E2 | FG A2 F2 D2 | E6 :| EF | G2 A2 Bc d2 |$ c2 B4 Bc | d2 e2 A3 G | | |||
F8 | B3 B A2 c2 | B3 A GF E2 | FG A2 F2 D2 | E6 |] | |||
''Notes on GB/7c/10B'' The tune is identical to that of GB/6a/106 but in a different key. | ''Notes on GB/7c/10B'' The tune is identical to that of GB/6a/106 but in a different key. | ||
Line 269: | Line 510: | ||
'''abc notation''' | '''abc notation''' | ||
X:10 | |||
T:GB/7c/10C Weddingmore Version 4 of 4 | |||
T:Another Tune | |||
C:Mr. Cranstone (c. 50), Billingshurst, VII. 09 | |||
Z:Transcribed by Simon Furey and Lewis Jones | |||
L:1/4 | |||
M:3/2 | |||
I:linebreak $ | |||
K:Eaeo | |||
G A | B2"^(a)" G A B d | A2 G2 F G | E2 B2 A G | E4 :| G A | B2 G A B d |$ A2 !fermata!G2 F G | | |||
A e- !fermata!e2 !fermata!A G | A4 G A | B2 G A B d | A2 G2 F G | E2 B2 A G | E4 |:$ G A | | |||
B2"^(a) var." G2 B d | A2 G2 F G | E2 B2 A G | E4 :| G A | B2 G A B d |$ A2 !fermata!G2 F G | | |||
A e- !fermata!e2 !fermata!A G | A4 G A | B2 G A B d | A2 G2 F G | E2 B2 A G | E4 |] | |||
Revision as of 08:09, 12 June 2014
Link to Take 6 Transcription Programme Home Page
GB/7c/1 Lord Carter Is My Name
abc notation
X:1 T:GB/7c/1 Lord Carter Is My Name C:Mr. Cranstone (c. 50), Billingshurst, VII. 09 Z:Transcribed by Simon Furey and Lewis Jones L:1/8 Q:1/4=100 M:4/4 I:linebreak $ K:Dmix D2 | G2 G2 GABc | A6 A2 | d2 dB G2 cB | A6 Bc |$ dBdB GBde | c2 B2 AFDD | ABcB AGEE | D6 |]
GB/7c/2 Mole-Catcher, The
abc notation
X:2 T:GB/7c/2 Mole-Catcher, The C:Mr. James Landamore (c. 70), Wroxham, Norfolk, IV. 10 P:F.W. J(ekyll) & G.S.K. B(utterworth) Z:Transcribed by Simon Furey and Lewis Jones L:1/4 Q:1/4=144 M:3/4 I:linebreak $ K:Ddor A | A B c | d2 d | c A A | d2 A | A B c | d d d | c A A |$"^(a)" c2 c | B G G | G3 | A F D | C D E | G E D | D2 ||$ A | A B c | d2 d | c A A | d2 A | A B c | d d d | c A A |$ "^(a) var." c A c | B G G | G3 | A F D | C D E | G E D | D2 |]
GB/7c/3 Botany Bay Version 1 of 2
abc notation
X:3 T:GB/7c/3 Botany Bay Version 1 of 2 C:Mrs. Cranstone (p.4), Billingshurst, VII. 07 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:4/4 I:linebreak $ K:Ddor D | F G A B | c B A3/2 A/ | d3/2 e/ f e | d3 c |$ d3/2 c/ A G/F/ | G A D E/F/ | G3/2 F/ D C | D3 |]
Notes on GB/7c/3 The tune is identical to that of GB/6/38.
GB/7c/3A Botany Bay Version 2 of 2
abc notation
X:3 T:GB/7c/3A, Botany Bay Version 2 of 2 C:Mr. Turner, Sheffield Park, Sussex, II. 09 P:F.W. J(ekyll) & G.S.K. B(utterworth) Z:Transcribed by Simon Furey and Lewis Jones L:1/4 Q:1/4=100 M:4/4 I:linebreak $ K:Dmix A/B/ | c c A/B/ c | d d D F/G/ | A A G/F/ E |$ D3 :| A | d3/2 e/ =f d | e e !fermata!A A | d3/2 e/ =f e |$ d3 d | c d B/A/ G | d d D F/G/ | A A G/F/ E | D3 |]
Notes on GB/7c/3A The key has been changed from C to G to eliminate most of the accidentals. The tune, which is similar to that of GB/6/39, is unaltered.
GB/7c/4 Fair Maid Walking Down in the Garden, A, Version 1 of 3
abc notation
X:4 T:GB/7c/4 A Fair Maid Walking Down in the Garden C:Mr. H. Hunt (p. 4), East Chiltington, Sussex VII. 08 P:F.W. J(ekyll) & G.S.K. B(utterworth) Z:Transcribed by Simon Furey and Lewis Jones T:Version 1 of 3 L:1/4 M:3/2 I:linebreak $ K:Ddor D | F G A2 G3/2 E/ | F D E D z D | G F G2 A3/2 B/ | c B A3 G |$ A B/c/ d2 c A | c A G F z D | A B c2 E/F/ G | F E D3 |]
Notes on GB/7c/4 The tune is similar to that of GB/6a/70.
GB/7c/5 Fair Maid Walking Down in the Garden, A, Version 2 of 3
abc notation
X:5 T:GB/7c/5 Fair Maid Walking Down in the Garden, A T:Version 2 of 3 C:Mr. Nappin (c. 50), Stanton St. John, Oxon., V. 07 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 Q:1/4=112 M:3/2 I:linebreak $ K:Bb F | D F e2 d c | d B G F z B | B A G F E D | C D/E/ F3 F |$ D F e2 d c | d B G F z E | D F e c d B | F/A/ c B3 |]
Notes on GB/7c/5 The tune is similar to that of GB/6a/68.
GB/7c/5A Fair Maid Walking Down in the Garden, A, Version 3 of 3
abc notation
X:5 T:GB/7c/5A, A Fair Maid Walking Down in the Garden T:Version 3 of 3 C:Mr. Lockley (c. 80), High Ercall, Salop., III. 08 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:3/2 I:linebreak $ K:Bb B | d c B2 A G | B G F B, z B/A/ | G F E D C B, | F F F3 F |$ B c/d/ e2 d c | d/c/ B A/G/ F- F E | D F e c d B | F/A/ c B3 |]
Notes on GB/7c/5A The tune is similar to that of GB/6a/69.
GB/7c/6 Highland Soldier Version 1 of 2
abc notation
X:6 T:GB/7c/6 Highland Soldier Version 1 of 2 C:Mr Dearling (c. 50), West Burton, Sussex, VII. 07 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:4/4 I:linebreak $ K:Fdor c | F c B"^(a)" G/A/ | F F e f | e c B G/A/ | B3/2 A/ F :|$ B | c c/d/ e d/e/ | c f f e/d/ | c c/d/ e d/c/ | B/c/ d !fermata!c c |$ F c c/B/A/G/ | F F e f | e c B G/A/ | B3/2 A/ F |:$ c | F c B"^(a) var." A/G/ | F F e f | e c B G/A/ | B3/2 A/ F :|$ B | c c/d/ e d/e/ | c f f e/d/ | c c/d/ e d/c/ | B/c/ d !fermata!c c |$ F c c/B/A/G/ | F F e f | e c B G/A/ | B3/2 A/ F |]
Notes on GB/7c/6 The tune is similar to that of GB/6a/96.
GB/7c/6A Highland Soldier Version 2 of 2
abc notation
X:6 T:GB/7c/6A Highland Soldier Version 2 of 2 C:Mr Smith (p. 1), Stoke Lacy, Herefordshire, IX. 07 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:4/4 I:linebreak $ K:Fmix c | F c B/A/G/F/ | F F e d/e/ | f e/c/ B G | F2 F :| B | c c f e/d/ | c/B/c/d/ !fermata!e c |$ e/d/ c B A/B/ | c f !fermata!c c | F c B/A/G/F/ | F c/d/ e (3c/d/e/ | f e/c/ B G | F2 F |]
Notes on GB/7c/6A The tune is similar to that of GB/6a/97.
GB/7c/7 Irish Girl, The, Version 1 of 2
abc notation
X:7 T:GB/7c/7 Irish Girl, The T:Version 1 of 2 C:Mr Nappin (c. 50), Stanton St John, Oxon. V. 07 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:4/4 I:linebreak $ K:G D | G G B D | E E G E/D/ | C C D E/F/ | G3 G | B B G B | d d c B | A G F G | A3 G |$ B B G B | d d c B | A G F/G/ B | D3/2 E/ F D | G3/2 A/ B D | E F G E/D/ | C C D E/F/ | G3 |]
Notes on GB/7c/7 The tune is similar to that of GB/6a/92.
GB/7c/7A Irish Girl, The, Version 2 of 2
abc notation
X:7 T:GB/7c/7A The Irish Girl Version 2 of 2 C:Mr Jim Jillson (c. 60), Askham Bryan, Yorks., VII. 07 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:4/4 I:linebreak $ K:G D | G3/2 F/ G B | D3/2 E/ =F G | E C D/E/ F | G3 d | B3/2 G/ G B | d3/2 B/ c B | A G F E | D3 c |$ B G G B/c/ | d d c d | B A/G/ F E | D3 D | G3/2 A/ B c | D3/2 E/ =F G | E C D/E/ F | G3 |]
Notes on GB/7c/7A The tune is identical to that of GB/6a/95.
GB/7c/8 Lord Bateman Version 1 of 2
abc notation
X:8 T:GB/7c/8 Lord Bateman Version 1 of 2 C:Mrs Cranstone (p. 4), Billingshurst, VI. 07 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:3/2 I:linebreak $ K:Edor E | A G A3 B/A/ | G F E3 E | A G A3 B/c/ | d e B3 A |$ B c/d/ e2 d d | c B A E z F | "^(a)" G A F E D D | E/F/ G A3 ||$ E | A G A3 B/A/ | G F E3 E | A G A3 B/c/ | d e B3 A |$ B c/d/ e2 d d | c B A E z F |"^(a) var." G A B2 A F | G F E3 |]
Notes on GB/7c/8 The tune is similar to that of GB/6a/121.
GB/7c/8A Lord Bateman Version 2 of 2
abc notation
X:8 T:GB/7c/8A Lord Bateman Version 2 of 2 C:Verrall Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:3/2 I:linebreak $ K:Gmix G | B c d2 c A |[M:5/4] G F G2 c |[M:3/2] d e f2 e d |[M:5/4] c e d2 G |$[M:3/2] d d g2 f d | c A F2 G A | B c d2 c B | G F G2 |]
Notes on GB/7c/8A
GB/7c/9 Come All You Jolly Ploughboys Version 1 of 4
abc notation
X:9 T:GB/7c/9 Come All You Jolly Ploughboys T:Version 1 of 4 C:Mr. Knight (c. 60), Horsham, IV. 07 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:3/4 I:linebreak $ K:Bb F | F B F |"^(a)" B B F | G B G | F2 F | B c d | f e d | c3- | c2 d |$ f c d | e e f | d B c | F2 F | B d f | e c A | B2 ||$ F | F B F |"^(a) var." B2 F | G B G | F2 F | B c d | f e d | c3- | c2 d |$ f c d | e e f | d B c | F2 F | B d f | e c A | B2 |]
Notes on GB/7c/9 See Notes on GB/7c/9C below.
GB/7c/9A Come All You Jolly Ploughboys Version 2 of 4
abc notation
X:9 T:GB/7c/9A Come All You Jolly Ploughboys T:Version 2 of 4 C:Mr. Pocock, Flowers Green, Sussex, IV. 07 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:3/4 I:linebreak $ K:Bb F | B B F |"^(a)" B B F | G B G | F2 B | c3/2 d/ e | f3/2 e/ d | c3- | c2 B |$ c3/2 d/ e/c/ | f d B/c/ | d B G | G !fermata!F F | B d f | e"^(b)" d c | B2 |$ F | B B F |"^(a) var." B2 F | G B G | F2 B | c3/2 d/ e | f3/2 e/ d | c3- | c2 B |$ c3/2 d/ e/c/ | f d B/c/ | d B G | G !fermata!F F | B d f | e"^(b) var." c A | B2 |]
Notes on GB/7c/9A See Notes on GB/7c/9C below.
GB/7c/9B Come All You Jolly Ploughboys Version 3 of 4
abc notation
X:9 T:GB/7c/9B Come All You Jolly Ploughboys T:Version 3 of 4 C:Mr. Harwood (c. 50) Watersfield, Pulborough, VII. 07 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:3/4 I:linebreak $ K:Bb B | B B F | B2 F | G/A/B/A/ G | F2 B | c d e | f e d/B/ | c2 B |$ c3/2 d/ e/c/ | f c/d/ e | d B c | (3G/A/G/ !fermata!F F | B d f | e d/B/ (3c/d/c/ | B2 |]
Notes on GB/7c/9B See Notes on GB/7c/9C below.
GB/7c/9C Come All You Jolly Ploughboys Version 4 of 4
abc notation
X:9 T:GB/7c/9C Come All You Jolly Ploughboys T:Version 4 of 4 C:Mr. Dearling (c. 50), West Burton, Sussex, XII. 07 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:3/4 I:linebreak $ K:Bb F | B B F | B2 F | B A G | F2 A/B/ | c c/d/ e | f e d | c2 A/B/ |$ c c/d/"^(a)" e/g/ | f c/d/ e | d/c/"^(b)" B c/B/ | A/G/ !fermata!F F | B d f | e"^(c)" c A | B2 ||$ F | B B F | B2 F | B A G | F2 A/B/ | c c/d/ e | f e d | c2 A/B/ |$ c c/d/"^(a) var." e | f c/d/ e | d/c/"^(b) var." B/A/ G | G !fermata!F F | B d f | e"^(c) var." c/B/ A | B2 |]
GB/7c/10 Weddingmore Version 1 of 4
abc notation
X:10 T:GB/7c/10 Weddingmore Version 1 of 4 C:Mr Thomas Gibbs, Brill, Bucks., V. 07 Z:Transcribed by Simon Furey and Lewis Jones L:1/8 M:4/4 I:linebreak $ K:Edor E2 | G2 A2 B2 c2 | B4 GF E2 | FG A2 F2 GF | E6 :| E2 | G2 A2 Bc d2 |$ c2 B4 Bc | d2 e2 A3 G | F6 B2 | B3 A B2 c2 | B4 GF E2 | FG A2 F2 GF | E6 |]
Notes on GB/7c/10 The tune is identical to that of GB/6a/103 but in a different key.
GB/7c/10A Weddingmore Version 2 of 4
abc notation
X:10 T:GB/7c/10A Weddingmore Version 2 of 4 C:Mr Nixie, Oakley, Oxon., V. 07 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:4/4 I:linebreak $ K:Edor E | G A B c | B A G E | F/G/ A F G | E3 :| E | G A B/c/ d |$ c B2 B/c/ | d d A3/2 G/ | F3 B | B3/2 A/ B/c/ d | B A F D | F/G/ A F G | E3 |]
Notes on GB/7c/10A The tune is identical to that of GB/6a/104 but in a different key.
GB/7c/10B Weddingmore Version 3 of 4
abc notation
X:10 T:GB/7c/10B Weddingmore Version 3 of 4 C:Brill, Bucks., VII. 08 Z:Transcribed by Simon Furey and Lewis Jones L:1/8 M:4/4 I:linebreak $ K:Edor EF | G2 A2 B2 c2 | B3 A GF E2 | FG A2 F2 D2 | E6 :| EF | G2 A2 Bc d2 |$ c2 B4 Bc | d2 e2 A3 G | F8 | B3 B A2 c2 | B3 A GF E2 | FG A2 F2 D2 | E6 |]
Notes on GB/7c/10B The tune is identical to that of GB/6a/106 but in a different key.
GB/7c/10C Weddingmore Version 4 of 4
abc notation
X:10 T:GB/7c/10C Weddingmore Version 4 of 4 T:Another Tune C:Mr. Cranstone (c. 50), Billingshurst, VII. 09 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:3/2 I:linebreak $ K:Eaeo G A | B2"^(a)" G A B d | A2 G2 F G | E2 B2 A G | E4 :| G A | B2 G A B d |$ A2 !fermata!G2 F G | A e- !fermata!e2 !fermata!A G | A4 G A | B2 G A B d | A2 G2 F G | E2 B2 A G | E4 |:$ G A | B2"^(a) var." G2 B d | A2 G2 F G | E2 B2 A G | E4 :| G A | B2 G A B d |$ A2 !fermata!G2 F G | A e- !fermata!e2 !fermata!A G | A4 G A | B2 G A B d | A2 G2 F G | E2 B2 A G | E4 |]
GB/7c/11 Young Collins
abc notation
GB/7c/12 Jack Goes Up to London Version 1 of 2
abc notation
GB/7c/12A Jack Goes Up to London Version 2 of 2
abc notation
GB/7c/13 An Old Man He Courted Me
abc notation
GB/7c/14 Bold General Wolfe
abc notation
GB/7c/15 Bold Princess Royal Version 1 of 2
abc notation
GB/7c/15A Bold Princess Royal Version 2 of 2
abc notation
GB/7c/16 Belt On, Brave Boys
abc notation
X:16
T:GB/7c/16 Belt On, Brave Boys
C:Mr. W. Smith (p. 1), Newport, Mon., IV. 08
M:4/4
L:1/8
K:EAeo
D | G2 GA GFED | G>ABG AG!fermata!ED | G3 A GFED | G2 AB A2 z D |
GABd e2 e e | ABAG FA !fermata!d2 | G3 F/E/ B3 G | AG ED E3 |]
GB/7c/17 Forty Miles
abc notation
GB/7c/18 Geordie Version 1 of 2
abc notation
GB/7c/18A Geordie Version 2 of 2
abc notation
GB/7c/19 Roger the Miller
abc notation
GB/7c/20 Jones' Ale
abc notation
GB/7c/21 On Monday Morning I Married a Wife
abc notation
GB/7c/22 Royal George, The, Version 1 of 2
abc notation
GB/7c/22A Royal George, The, Version 2 of 2
abc notation
GB/7c/23 Liverpool Hornpipe
abc notation
GB/7c/24 Birmingham Town
abc notation
GB/7c/25 Liverpool Play
abc notation
GB/7c/26 Basket of Eggs
abc notation
GB/7c/27 Loss of the London, The
abc notation
X:27
T:GB/7c/27 Loss of the London, The
C:Mr. William Hurr (c. 60), Southwold, X. 10
P:R.V(aughan) W(illiams) & G.S.K. B(utterworth)
M:2/4
L:1/8
K:Edor
E>F | G>A G>A | GE F>G | "^(a)"A>G F>G | E2 (3Bcd | e>d e>f | eA d>c | B4 |
z2 B>c | d>c d>e | dB cA | "^(b)"(3ABG F>E | D2 E>F | G>G F>E | FB G>F | E2 ||
E>F | G>A G>A | GE F>G | "^(a) var."A>A G>F | E2 (3Bcd | e>d e>f | eA d>c | B4 |
z2 B>c | d>c d>e | dB cA | "^(b) var."AB (3GFE | D2 E>F | G>G F>E | FB G>F | E2 |]
GB/7c/28 When I Was Bound Apprentice in Fair London City
abc notation
GB/7c/29 Captain's Apprentice
abc notation
GB/7c/30 Lovely Joan
abc notation
GB/7c/31 Claudy Banks
abc notation
Notes on GB/7c/31 The meaning and significance of the crosses above full bars 4 and 8 in the MS are unclear.
GB/7c/32 You Gentlemen of England (Fox-Hunting Song)
abc notation
GB/7c/33 Seven Jolly Gipsies
abc notation
GB/7c/34 Black Velvet Band
abc notation
GB/7c/35 Tag Dum Torum (It's of an Old Couple)
abc notation
Notes on GB/7c/35 The VWML catalogue has "Woman" for "Couple" in the alternative title.