Mixolydian/Dorian Gapped Scales and Hybrids: Difference between revisions
Jump to navigation
Jump to search
Lewis Jones (talk | contribs) No edit summary |
Lewis Jones (talk | contribs) No edit summary |
||
Line 2: | Line 2: | ||
The Dorian scale is the same as the Mixolydian scale except that the third note is flattened by a semitone. To convert a Mixolydian to a Dorian key signature, add a flat to, or remove a sharp from, it. Likewise, to convert a Dorian to a Mixolydian key signature, remove a flat from, or add a sharp to, it. The Mixolydian and Dorian scales are thus quite similar to each other, and there are quite a few Mixolydian/Dorian gapped scales | The Dorian scale is the same as the Mixolydian scale except that the third note is flattened by a semitone. To convert a Mixolydian to a Dorian key signature, add a flat to, or remove a sharp from, it. Likewise, to convert a Dorian to a Mixolydian key signature, remove a flat from, or add a sharp to, it. The Mixolydian and Dorian scales are thus quite similar to each other, and there are quite a few Mixolydian/Dorian gapped scales and quite a few Mixolydian/Dorian hybrids. Here are some examples. |
Revision as of 23:33, 23 February 2019
Link to Ionian, Mixolydian, Dorian and Aeolian: Samples and Examples of the 4 Main Musical Scales in Celtic, Anglo-American and English Folk Songs [[1]]
The Dorian scale is the same as the Mixolydian scale except that the third note is flattened by a semitone. To convert a Mixolydian to a Dorian key signature, add a flat to, or remove a sharp from, it. Likewise, to convert a Dorian to a Mixolydian key signature, remove a flat from, or add a sharp to, it. The Mixolydian and Dorian scales are thus quite similar to each other, and there are quite a few Mixolydian/Dorian gapped scales and quite a few Mixolydian/Dorian hybrids. Here are some examples.