Take 6 Transcription Programme: The Butterworth Archive, MS 7d

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GB/7d/1 Painful Plough

File:GB-7d-1.mid

File:GB-7d-1.pdf

File:GB-7d-1.xml

abc notation

X:1 T:GB/7d/1 Painful Plough C:East Chiltington, XI. 08 P:F.W. J(ekyll) & G.S.K B(utterworth) L:1/4 M:4/4 I:linebreak $ K:Gmix d | G3/2 A/ B c |[M:3/4] d f e |[M:4/4] d3/2 c/ A A | G3 :| G | B c d g |$ f e d B | c c d d | G3/2 A/4G/4 F D | G3/2 A/ B c |[M:3/4] d f e |[M:4/4] d3/2 c/ A A | G3 |]


GB/7d/2 Now We've drunk Our Master's Health

File:GB-7d-2.mid

File:GB-7d-2.pdf

File:GB-7d-2.xml

abc notation

X:2 T:GB/7d/2 Now We've Drunk Our Master's Health C:Mr. George Knight, Horsham L:1/4 M:3/4 I:linebreak $ K:C C/ C/ F F | G E C | C A A | A2 c |$ G G G | G E C | C A A | A2 G |$ E G G | c G E | F G A | w: Now we've drunk our|mas- ter's health,|We'll drink our|dame's, And|we will be|mer- ry in|do- ing the|same: To|him we drank|one glass, To|her we'll drink| c2 A |$ G E C | F D D | E C C | C3 |] w: two, And|we will be|mer- ry be-|fore we do|go.|

Notes on GB/7d/2 The tune is identical to that of GB/6b/12.


GB/7d/3 We Poor Labouring Men

File:GB-7d-3.mid

File:GB-7d-3.pdf

File:GB-7d-3.xml

abc notation

X:3 T:GB/7d/3 We Poor Labouring Men C:East Meon P:F.W. J(ekyll) L:1/8 M:6/8 I:linebreak $ K:Bb F2 F B2 B | D3 F2 F | E3 F2 D | B,3- B,2 F |$ B2 A GAB | c2 A F>GA | B2 G C>D=E | F3- F2 F |$ d3 B2 B | e2 d c2 A | B2 c B2 _A | F3 D2 D |$ E2 E D2 C | D2 E F2 B | c2 A F>GA | B6 |]


GB/7d/4 Young Girl Cut Down In Her Prime

File:GB-7d-4.mid

File:GB-7d-4.pdf

File:GB-7d-4.xml

abc notation

X:3 T:GB/7d/3 We Poor Labouring Men C:East Meon P:F.W. J(ekyll) L:1/8 M:6/8 I:linebreak $ K:Bb F2 F B2 B | D3 F2 F | E3 F2 D | B,3- B,2 F |$ B2 A GAB | c2 A F>GA | B2 G C>D=E | F3- F2 F |$ d3 B2 B | e2 d c2 A | B2 c B2 _A | F3 D2 D |$ E2 E D2 C | D2 E F2 B | c2 A F>GA | B6 |]


GB/7d/5 Horn Fair

File:GB-7d-5.mid

File:GB-7d-5.pdf

File:GB-7d-5.xml

abc notation

X:5 T:GB/7d/5 Horn Fair P:F.W. J(ekyll) L:1/8 M:4/4 I:linebreak $ K:A E- |: E | ABcd e2 fd | c2 dB A3 :| e | fddf dBBd |$ e2 dc B3 E | ABcd eafd | c2 dB !fermata!A2 |]

Notes on GB/7d/5 In the MS the bar lengths are inconsistent. To resolve this the anacrucial crotchet has been split into two quavers and a forward repeat has been inserted between them.


GB/7d/6 Dido & Spandigo

File:GB-7d-6.mid

File:GB-7d-6.pdf

File:GB-7d-6.xml

abc notation

X:5 T:GB/7d/5 Horn Fair P:F.W. J(ekyll) L:1/8 M:4/4 I:linebreak $ K:A E- |: E | ABcd e2 fd | c2 dB A3 :| e | fddf dBBd |$ e2 dc B3 E | ABcd eafd | c2 dB !fermata!A2 |]


GB/7d/7 Madam I'll Present

File:GB-7d-7.mid

File:GB-7d-7.pdf

File:GB-7d-7.xml

abc notation

X:7 T:GB/7d/7 Madam, I'll Present C:Fernhurst P:F(rancis) W. J(ekyll) L:1/8 M:4/4 I:linebreak $ K:G G | DG GG G2 GG | A>B cA B2 B A | GGGF E2 FG | A>BAG GF Bd |$[M:3/4] d4 d2 | B4 AG | [M:4/4] G2 B2 D2 z D | EFGA B2 A2 | G6 |]

Notes on GB/7d/7 The tune is identical to that of GB/6b/25.


GB/7d/8 "Banks of Sweet Dundee"

File:GB-7d-8.mid

File:GB-7d-8.pdf

File:GB-7d-8.xml

abc notation

X:8 T:GB/7d/8 "Banks of Sweet Dundee" P:F.W. J(ekyll) L:1/8 M:6/8 I:linebreak $ K:G d | c2 B G2 G | B2 c d2 B | c2 B G2 G | G3- G2 d | g2 g d2 e |$ =f3 e2 c | _B2 A =f2 e | "^." d3- d2 d | g2 g d2 e | =f3 e2 c |$ _B2 A =f2 e | d3- d2 d | c2 B G2 G | B2 c d2 B | c2 B G2 G | G3- G2 |]


GB/7d/9 Planxty Conor

File:GB-7d-9.mid

File:GB-7d-9.pdf

File:GB-7d-9.xml

abc notation

X:9 T:GB/7d/9 Planxty Conor C:Tom O'Brien, fiddler & dancer, Foynes, Ireland, (19)06 T:F.W. J(ekyll) L:1/8 M:6/8 I:linebreak $ K:G d | B2 G AFD | E2 F G2 A | B>B B BcA | B>B B BcA | Bc d EFG |$ A>BA/G/ FED | EF G ABA | G3 F2 D | G2 B def | g2 a gfe |$ d>c B c2 d | e>gf/a/ g2 e | dc B{/B} c2 A |{/A} B2 G AFD | EF G ABA | G3 G2 |]


GB/7d/10 The Blackbird (Dance)

File:GB-7d-10.mid

File:GB-7d-10.pdf

File:GB-7d-10.xml

abc notation

X:10 T:GB/7d/10 The Blackbird (Dance) C:T. O'B(rien), Ireland, (19)06 P:F(rancis) W. J(ekyll) L:1/8 M:6/8 I:linebreak $ K:Cmix c2 B | A2 F A2 c | B3 A2 F | G2 A G2 F | E2 F G2 A | B2 A B2 d | e2 c =B2 G |$ F2 A G2 E | C3 C2 D | _E2 D =E2 F | G2 f e2 d | c2 =B c2 d | e2 c =B2 G |$ F2 A G2 E | C3 C3 | C3 c2 d | e3 c2 d | e3 f3 | g2 a g2 f | e2 f g2 e |$ f3 gfe | f3 g2 e | f2 g f2 e | c3 c2 d | e3 c2 d | e3 f3 | g2 a g2 f |$ e2 f g2 e | f2 g f2 d | c3 c3 | c2 d e2 f | g2 a g2 f | e2 f g2 e |$ f3 d2 f | e2 c d2 =B | c2 =B G2 A | _B2 A B2 c | d2 e f2 d | g3 g3 |$ G2 A G2 F | E2 F G2 A | B2 A B2 d | e2 c =B2 A | F2 A G2 E | C3 C3 | C3 |]


GB/7d/11 Bonny Light Horseman

File:GB-7d-11.mid

File:GB-7d-11.pdf

File:GB-7d-11.xml

abc notation

X:11 T:GB/7d/11 Bonny Light Horseman C:Jesse Robinson, Ilmington, XI. 10 P:F.W. J(ekyll) L:1/4 M:3/4 I:linebreak $ K:D D/>E/ | F F F/>E/ | E D D/F/ | A A A | (G F) D/>E/ | F F D/>E/ | F F F/>E/ | E D D/F/ | A A A |$ (G F) D/>F/ | A d c | B A (D/F/) | A d c | (B A) D/>F/ | A d c | B A F | E G B |$ B !fermata!A D/>E/ | F F F/>E/ | E D D/>F/ | A A A | G F D/>F/ | A d c | B A F/E/ | D B A | D2 |]


GB/7d/12 Week Before Easter

File:GB-7d-12.mid

File:GB-7d-12.pdf

File:GB-7d-12.xml

abc notation

X:12 T:GB/7d/12 Week Before Easter C:Mrs. Cranstone 1911 P:G.S.K. B(utterworth) L:1/4 M:3/4 I:linebreak $ K:G D | G G D | G2 D | G A/B/ c | d2 d/c/ | B A G | G D D/D/ | G c B |$ A2 B/c/ | d B d | c/B/ A c | B G A | D3/2 E/ F/D/ | G3/2 A/ B | c A3/2 G/ | F G |]


GB/7d/13 'Twas Down in Yonder Valley

File:GB-7d-13.mid

File:GB-7d-13.pdf

File:GB-7d-13.xml

abc notation

X:13 T:GB/7d/13 'Twas Down in Yonder Valley C:Mr. Searle, Wepham, XII. 11. P:G.S.K. B(utterworth) L:1/4 M:4/4 I:linebreak $ K:C G | A G F F | F2 E F | C2 B, C |"^(a)" D2 D/E/ G | G2 E/D/ C | D E F/E/ D | B, B, C A, | G,3 G, |$ C D E C | D E F/E/ D | E F G/A/ B | c2 B c |"^(b)" A G F E | F3/2 G/ A/G/F/E/ | D2 C B, | C3 ||$ G | A G F F | F2 E F | C2 B, C |"^(a) var." D2 E G | G2 E/D/ C | D E F/E/ D | B, B, C A, | G,3 G, | C D E C |$ D E F/E/ D | E F G/A/ B | c2 B c |"^(b) var." A2 G/F/ E | F3/2 G/ A/G/F/E/ | D2 C B, | C3 |]


GB/7d/14 The Servant Man

File:GB-7d-14.mid

File:GB-7d-14.pdf

File:GB-7d-14.xml

abc notation

X:14 T:GB/7d/14 The Servant Man C:Mr. Searle, Wepham, XII. 11. P:G.S.K. B(utterworth) L:1/4 M:4/4 I:linebreak $ K:G G | B c d G | A2 B3/2 A/ | G3 G | B c d G | B2 d2 | A3 B/A/ |$ G F G A | g2 f e | e d2 e | d3/2 c/ B G | c3/2 A/ B A | G3 |]


GB/7d/15 Merry Broomfield

File:GB-7d-15.mid

File:GB-7d-15.pdf

File:GB-7d-15.xml

abc notation

X:15 T:GB/7d/15 Merry Broomfield C:Ipswich, VI. 12 P:G.S.K. B(utterworth) L:1/8 M:4/4 I:linebreak $ K:C EF | G2 EF G2 EF |"^(a)" G2 DE !fermata!C2 CC | DEFA AGEC | D4- D3 C |$ CE (3GAB c2 Ac | GGAG C2 CE | EDFG BAFD | C6 ||$ EF | G2 EF G2 EF |"^(a) var." GC DE !fermata!C2 CC | DEFA AGEC | D4- D3 C |$ CE (3GAB c2 Ac | GGAG C2 CE | EDFG BAFD | C6 |]


GB/7d/16 Tree in the Wood

File:GB-7d-16.mid

File:GB-7d-16.pdf

File:GB-7d-16.xml

abc notation

X:16 T:GB/7d/16 Tree in the Wood C:Ipswich, VI. 12. P:G.S.K. B(utterworth) L:1/8 M:4/4 I:linebreak $ K:D "^1st verse " DDDD F2 G2 |[M:6/4] E2 EE D4 D3 E |$[M:4/4] F2 d2 A3 G |[M:6/4] F2 E2 D4 D3 E | w: Once there was a tree that|grew in the wood, And the|wood stood down the|vall- ies low, And the| [M:4/4] F2 d2 A3 G |$[M:6/4] F2 E2 D6 A,2 |[M:4/4] D2 D2 F2 F2 | E2 E2 A,2 A,2 |$ E2 E2 D2 C2 | w: wood stood down the|vall- ies low. 2.~And|on this tree there|was a branch, a|dan- dy cur- ious| A,6"^(a)" F2 | GGGG E2"^(b)" EE |$[M:6/4] FFFF D4 D3 E |[M:4/4] F2 d2 A3 G |[M:2/4] F2 E2 |$ w: branch. The|branch was on the tree, And the|tree was in the wood, And the|wood stood down the|vall- ies| [M:4/4] D4 D3 E | F2 d2 A3 G |[M:5/4] F2 E2 D6 |] w: low, And the|wood stood down the|vall- ies low|


GB/7d/17 Bucknell Morris Tunes 1 of 8: Bonny Green

File:GB-7d-17.mid

File:GB-7d-17.pdf

File:GB-7d-17.xml

abc notation

X:17
T:GB/7d/17 Bonny Green
T:Bucknell Morris Tunes 1 of 8
C:Will Rolfe, 1912
L:1/8
M:6/8
I:linebreak $
K:C
G | cB c ded | cB A GAB | cB c AGF | EFD C2 :: z | DE F EDC | DE F GAB |$ cB c AGF | EFD C2 :| z |
[M:3/8] C3 |[M:6/8] c2 B c3 | d2 e d3 | c2 B A3 | G2 A B3 | c2 B c3 | A2 G F3 |$ (2:3:2EF D3 |
C3 C3 | c2 B c3 | d2 e d3 | c2 B A3 | G2 A B3 | c2 B c3 | A2 G F3 | (2:3:2EF D3 |
C4- !fermata!C |]


Notes on GB/7d/17 The Bucknell Morris Tunes have been thoroughly researched and published by Lionel Bacon in his "A Handbook of Morris Dances" published by the Morris Ring.


GB/7d/18 Bucknell Morris Tunes 2 of 8: Queen's Delight

File:GB-7d-18.mid

File:GB-7d-18.pdf

File:GB-7d-18.xml

abc notation

X:18
T:GB/7d/18 Queen's Delight
T:Bucknell Morris Tunes 2 of 8
L:1/8
M:6/8
I:linebreak $
K:G
d2 G dcB | cBc ABc | d2 G d2 c | BcA G3 :| cBc cBc | ABc def | gfg eag |$ gfe def | g2 g gfe |
dec ABc | d2 G d2 c | BcA G3 ||"^Uprights" cBc cBc |[M:9/8] ABc d2 e f3 |$[M:6/8] g2 f g3 |
(2:3:2ea g3 |[M:9/8] g2 f e3 def |[M:6/8] g2 g gfe | dec ABc | d2 G d2 c | BcA G3 |]


Notes on GB/7d/18 The Bucknell Morris Tunes have been thoroughly researched and published by Lionel Bacon in his "A Handbook of Morris Dances" published by the Morris Ring.


GB/7d/19 Bucknell Morris Tunes 3 of 8: Bonnet So Blue

File:GB-7d-19.mid

File:GB-7d-19.pdf

File:GB-7d-19.xml

abc notation

X:19
T:GB/7d/19 Bonnet So Blue
T:Bucknell Morris Tunes 3 of 8
L:1/8
M:6/8
I:linebreak $
K:F
C | F>E F ABc | C>C C CDE | FA d cAF | GA G G2 A | F>F F FGA |$ C>C C C2 d | cB A GAG | F3 F2 :|
F | EF G GAG | C>C C C2 F | EF G GAB |$ c3 c2 B | A2 G F2 E | D2 E F2 G | AB A GFE | C3 D2 C |
F>F F FGA |$ C>C C C2 F | EF G GAB | c3 c2 B | A2 G FGA | Bc d c2 d | cB A GFE | F3 F2 ||$
[M:3/8]"^Capers" C3 |[M:6/8] F2 E F3 | A2 B c3 | C2 D C3 | C2 D E3 | F2 A d3 | c2 A F3 |$ G2 A G3 |
[M:3/8]"^? should be A music." G2 B |[M:6/8] A2 G FGA | Bcd c2 d | cBA GFE | F3 F3 |]


Notes on GB/7d/19 The Bucknell Morris Tunes have been thoroughly researched and published by Lionel Bacon in his "A Handbook of Morris Dances" published by the Morris Ring.


GB/7d/20 Bucknell Morris Tunes 4 of 8: Saturday Night

File:GB-7d-20.mid

File:GB-7d-20.pdf

File:GB-7d-20.xml

abc notation

X:20
T:GB/7d/20 Saturday Night
T:Bucknell Morris Tunes 4 of 8
L:1/8
M:6/8
I:linebreak $
K:G
BAG Gdd | dAA A3 | BAG EEE | AGF G3 :| ADD D3 | AAB c3 | BAG Bcd |$ DGF G3 | ADD D3 |
[M:9/8] AAB c2 B c3 |[M:6/8] B2 A G3 | B2 c d3 | (2:3:2DG F3 |[M:3/8] G3 |]


Notes on GB/7d/20 The Bucknell Morris Tunes have been thoroughly researched and published by Lionel Bacon in his "A Handbook of Morris Dances" published by the Morris Ring.


GB/7d/21 Bucknell Morris Tunes 5 of 8: Room for Cuckolds

File:GB-7d-21.mid

File:GB-7d-21.pdf

File:GB-7d-21.xml

abc notation

X:21
T:GB/7d/21 Room for Cuckolds
T:Bucknell Morris Tunes 5 of 8
L:1/8
M:6/8
I:linebreak $
K:F
F>FF C2 C |"^(a)" D>Fd cBA | F>FF C2 C | D2 G F3 ::$"^(b)" A2 F A2 F | AFA G3 | A2 F D2 D |
GFE F3 ::$ F>FF C2 C |"^(a) var." D>Fd cAF | F>FF C2 C | D2 G F3 ::$"^(b) var." AGF A2 F |
ABA G3 | A2 F D2 D | GFE F3 :|


Notes on GB/7d/21 The Bucknell Morris Tunes have been thoroughly researched and published by Lionel Bacon in his "A Handbook of Morris Dances" published by the Morris Ring.


GB/7d/22 Bucknell Morris Tunes 6 of 8: Old Woman

File:GB-7d-22.mid

File:GB-7d-22.pdf

File:GB-7d-22.xml

abc notation

X:22
T:GB/7d/22 Old Woman
T:Bucknell Morris Tunes 6 of 8
L:1/8
M:6/8
I:linebreak $
K:C
C2 C C>AA | AGF EGC | FEF G3 | A>CC C3 :: ccc Gcc | Gcc cBA |$ GGG G2 G | GAF EFG | C2 C CAA |
AGF EGC | FEF G3 | A>CC C3 :|


Notes on GB/7d/22 The Bucknell Morris Tunes have been thoroughly researched and published by Lionel Bacon in his "A Handbook of Morris Dances" published by the Morris Ring.


GB/7d/23 Bucknell Morris Tunes 7 of 8: Old Black Joe

File:GB-7d-23.mid

File:GB-7d-23.pdf

File:GB-7d-23.xml

abc notation

X:23
T:GB/7d/23 Old Black Joe
T:Bucknell Morris Tunes 7 of 8
L:1/8
M:6/8
I:linebreak $
K:F
CFF FEF | GAG G2 G | Fcc cBA | GAG BAG | F3 D3 | GFE F3 :|$ BAB c2 c | dBd c3 | BAB c2 c |
dBd c3 | cBA AGF |$ GAG G2 G | Fcc cBA | GAG BAG | F3 D3 | GFE F3 |]


Notes on GB/7d/23 The Bucknell Morris Tunes have been thoroughly researched and published by Lionel Bacon in his "A Handbook of Morris Dances" published by the Morris Ring.


GB/7d/24 Bucknell Morris Tunes 8 of 8: Trunkles

File:GB-7d-24.mid

File:GB-7d-24.pdf

File:GB-7d-24.xml

abc notation

X:24
T:GB/7d/24 Trunkles
T:Bucknell Morris Tunes 8 of 8
L:1/8
M:4/4
I:linebreak $
K:F
c3 A B2 d2 | cABG A2 F2 | c3 A B2 d2 | cBAG F4 :| c3 =B c2 f2 |$ ddd=B c2 f2 | dd (3dc=B A2 B2 |
c4 c2 fe | d2 _B2 BABd |$ c2 A2 AFAc | B2 G2 GFGB | A2 F2 F2 c2 | B2 AG F2 G2 | F4 F4 |]


Notes on GB/7d/24 The Bucknell Morris Tunes have been thoroughly researched and published by Lionel Bacon in his "A Handbook of Morris Dances" published by the Morris Ring.


GB/7d/30a Escrick Sword Dance Tunes 1 of 2: Fisher Laddy

File:GB-7d-30a.mid

File:GB-7d-30a.pdf

File:GB-7d-30a.xml

abc notation

X:30
T:GB/7d/30a Fisher Laddy
T:Escrick Sword Dance Tunes 1 of 2
L:1/8
M:4/4
I:linebreak $
K:F
A2 AF A2 AF | A2 AG FEFG | A2 A2 BAGF | EFGE F4 ::$ c2 cA d2 d2 | BGAB c4 | A2 A2 BAGF |
EFGE F4 :|


GB/7d/30b Escrick Sword Dance Tunes 2 of 2: Oyster Girl

File:GB-7d-30b.mid

File:GB-7d-30b.pdf

File:GB-7d-30b.xml

abc notation

X:31
T:GB/7d/30b Oyster Girl
T:Escrick Sword Dance Tunes 2 of 2
L:1/8
Q:1/4=144
M:6/8
I:linebreak $
K:G
d | ded B2 G | A2 F D3 | GFG BAG | d2 B A2 d | ded B2 d |$ g2 e c2 e | edc dcA | G3- G3 ||
BBB B2 A | B2 c d3 |$ AAA A2 G | A2 B c3 | BBB B2 A | B2 c d2 g | fed cBA | G3 g3 |]


GB/7d/31a Winlaton Sword Dance Tunes 1 of 2: Song

File:GB-7d-31a.mid

File:GB-7d-31a.pdf

File:GB-7d-31a.xml

abc notation

X:32
T:GB/7d/31a Song
T:Winlaton Sword Dance Tunes 1 of 2
L:1/8
M:6/8
I:linebreak $
K:Am
g/^f/ | eA A cBA | E A2- A2 d | de d dBc | d3- d2 d | eA A cBA |$ E A2- A2 B | cd e dcB |
A3- A2 || A | A^c e ggg | ^f e2- e2 d |$ de d eBG | d3- dg^f | eA A cBA | E A2- A2 B | cd e dcB |
A3- A2 |]


GB/7d/31b Winlaton Sword Dance Tune 2 of 2: Jig Tune

File:GB-7d-31b.mid

File:GB-7d-31b.pdf

File:GB-7d-31b.xml

abc notation

X:33
T:GB/7d/31b Jig Tune
T:Winlaton Sword Dance Tunes 2 of 2
L:1/8
M:6/8
I:linebreak $
K:Am
e | eA A eAA | BA B GBd | eA A eAA | g^f g2 ed |$ eA A eAA | BA B GAB | cd e g2 B | cAA A2 |]

Notes on GB/7d/31b This is a rapper dance. See [1] for a performance of this dance in 1920; the musician and the dancers were probably the same individuals that Butterworth witnessed. This footage illustrates just how hard rapper tunes are to notate without recording equipment.


GB/7d/34 A Story, A Story

File:GB-7d-34.mid

File:GB-7d-34.pdf

File:GB-7d-34.xml

abc notation

X:34 T:GB/7d/34 A Story, A Story C:Mr. John Woodhouse, aged 81, California, Ormesby, Norfolk, III. 13. L:1/4 M:4/4 I:linebreak $ K:Cmix G | C2 D/E/ F | G B A G | F2 D"^(a)" F/D/ | C3 G |"^(b)" B2 G/A/ B |"^(c)" G2 A G |$ F/E/ D E F | G3 G | B2 A c | G B A G | F/E/ D B c | G2 F D |"^(d)" C2 D E/F/ |$ G B A G | F2"^(e)" D B, | C3 || G | C2 D/E/ F | G B A G | F2 D"^(a) var." D |$ C3 G |"^(b) var." B G A B |"^(c) var." G B A G | F/E/ D E F | G3 G | B2 A c | G B A G |$ F/E/ D B c | G2 F D |"^(d) var." C3/2 D/ E F | G B A G | F2"^(e) var." D/C/ B, | C3 |]

Notes on GB/7d/34 An F has been inserted into the key signature and the flats have been removed from all of the Bs; this fine Mixolydian tune is simplified but unaltered by this.


GB/7d/35 On the First of November Last

File:GB-7d-35.mid

File:GB-7d-35.pdf

File:GB-7d-35.xml

abc notation

X:35 T:GB/7d/35 On the First of November Last C:Mr. John Woodhouse, aged 81, California, Ormesby, Norfolk, III. 13. L:1/8 M:3/4 I:linebreak $ K:Gdor B>c | d>e d3 B | c>"^(a)"d !fermata!c2 B>A |"^(b) (c)" G>A B2 A2 | G>F !fermata!D2 B>c |$ w: ||||| d2 c2 B>G | A>G D2 G>F |[M:4/4] G>B d3 c B>G | F2 !fermata!G4 ||$ B>c |[M:3/4] d>e d3 B | w: |||||| c>"^(a) var."B !fermata!c2 B>A |"^(b) var." G2 B2 A2 | G>F !fermata!D2 B>c |$ d2 c2 B>G | w: |||| A>G D2 G>F |[M:4/4] G>B d3 c B>F | F2 !fermata!G4 ||$ B>c |[M:3/4] d>e d3 B | w: ||||| c>d !fermata!c2 B>A |"^(c) var." G>B A2 G2 | D4 B>c |$ d2 c2 B>G | A>G D2 G>F | w: |came a can- non|ball * *||| [M:4/4] G>B d3 c B>G | F2 !fermata!G4 || w: ||

Notes on GB/7d/35 A redundant flat has been removed from the key signature, which is F and in the Dorian mode; the tune is unaltered by this. Fermatas have been added on the final minim in each of the three verses (at the ends of the second, fouth and sixth lines) to bring out the unusual and beautiful shape of the tune. The "cannon ball" interpolation clearly relates to a variation in the tune specific to that particular verse.


GB/7d/36 Scarbro' Town

File:GB-7d-36.mid

File:GB-7d-36.pdf

File:GB-7d-36.xml

abc notation

X:36 T:GB/7d/36 Scarbro' Town C:Attributed by Butterworth to "??" L:1/4 M:4/4 I:linebreak $ K:C G | c B c A | G2 C F | G2 D F/E/ | C3 G | c d e c |$ d2 G d | B G A A | G3 G | G c c d | e c !fermata!A G | A d c/B/ c |$ F2 !fermata!E E/D/ | C A A B | c c F A | G3/2 F/ D F/E/ | C3 ||


GB/7d/37 Oh Father, Dear Father (Fragment)

File:GB-7d-37.mid

File:GB-7d-37.pdf

File:GB-7d-37.xml

abc notation

X:37 T:GB/7d/37 O Father, Dear Father T:(Fragment) C:Mr. Woodhouse L:1/4 M:4/4 I:linebreak $ K:Ddor E/F/ | G2 E F | G2 E F | G G F D | C3 D/E/ | F2 D E | F2 D/E/ F | G G F D | C3 D/E/ |$ "^(a)" F2 E C | D2 A d | c3/2 A/ =B"^(b)" A/G/ | A3 G | F2 E D | C D E/F/ G | F3/2 D/ E/D/ C | D3 ||$ D/E/ | F F D E | F2 D/E/ F | G2 F D | C3 D | F2 D E | F2 D E/F/ | G3/2 E/ F D | C3 D/E/ |$ "^(a) var." F D E C | D2 A d | c3/2 A/ =B"^(b) var." G | A3 G | F2 E D | C D E/F/ G | F3/2 D/ E/D/ C | D3 |]


GB/7d/38 On the 1st of November

File:GB-7d-38.mid

File:GB-7d-38.pdf

File:GB-7d-38.xml

abc notation

X:38 T:GB/7d/38 On the 1st of November C:Mr. 'Skinny' Crow, Filby, Norfolk, 3.13. L:1/8 M:3/4 I:linebreak $ K:Gaeo "^1st verse" B>c | d2 c2 B>G | A>G D2 G>F |[M:4/4] G>B d3 c (3BAG | F2 G4 B>c |$ w: ||||| [M:3/4] d2 c2 (3BAG | A>G D2 G>F |[M:4/4] G>B d4 (3BAG | F2 G4 ||$[M:3/4]"^Rest" G>A | w: ||||| B>c d3 c/B/ | c>B !fermata!c2 B>A |"^(a)" GB AG F/=E/D- | D4 B>c |$ d2 c2 (3BAG | (3AGF D2 G>F | w: |||||| [M:4/4]"^(b)" G>B d4 (3BAG | F2 G4 ||$ G>A | B>c d3 c/B/ | c>B !fermata!c2 B>A | w: ||||| "^(a) var." GBAG D2- | D4 B>c |$ d2 c2 (3BAG | (3AGF D2 G>F |"^(b) var." G>B d3 A (3BAG | FG G4 |] w: came a can- non ball||||||


GB/7d/39 Saucy Ward

File:GB-7d-39.mid

File:GB-7d-39.pdf

File:GB-7d-39.xml

abc notation

X:39 T:GB/7d/39 Saucy Ward C:'Skinny' Crow, Filby, III.13. L:1/4 M:4/4 I:linebreak $ K:Fmix c | B A F F | A B c c | B A F F | F3 F | A B c/d/ e | d c B c | d f e d | c3 F |$ A B c/d/ e | d c B c | d f e d | c3 c | B A F F | A B"^(a)" c/d/ c | B A F F | F3 || c |$ B A F F | A B c c | B A F F | F3 F | A B c/d/ e | d c B c | d f e d | c3 F | A B c/d/ e |$ d c B c | d f e d | c3 c | B A F F | A B"^(a) var." c c | B A F F | F3 |]


GB/7d/40 Crystal Stream

File:GB-7d-40.mid

File:GB-7d-40.pdf

File:GB-7d-40.xml

abc notation

X:40 T:GB/7d/40 Crystal Stream C:'Skinny' Crow L:1/8 M:3/4 I:linebreak $ K:F cA | F2 FAcd | c4 d2 | G2 G2 c2 | B2 !fermata!A2 (3cde | f2 e2 d2 | c2 AG F2 | d2 cA F2 | G4 AG |$ FGAB ce | f3 e gf | d2 cA BG | EG !fermata!c2 (3CDE | F2 A2 GE | G2 F2 c2 | ed cA BG | F4 |]


GB/7d/41 Gipsy Laddy

File:GB-7d-41.mid

File:GB-7d-41.pdf

File:GB-7d-41.xml

abc notation

X:41 T:GB/7d/41 Gipsy Laddy C:Skinny Crow L:1/8 M:4/4 I:linebreak $ K:Cmix C2 | G2 GA B2 A2 | G2 E2 !fermata!F2 EF | G2 c2 c2 dc | B2 G2 !fermata!c2 |$ (3GAB | "^(a)" c3 d B3 c | G2 GE F2 EF | GA BG A2 GF | E2 C2 C2 ||$ C2 | G2 GA B2 A2 | G2 E2 !fermata!F2 EF | G2 c2 c2 dc | B2 G2 !fermata!c2 |$ (3GAB |"^(a) var." c2 dc B2 c2 | G2 GE F2 EF | GA BG A2 GF | E2 C2 C2 |]