Difference between revisions of "Take 6 Transcription Programme: The Butterworth Archive, MS 7d"
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| − | + | <br> Link to [[Take 6 Transcription Programme]] Home Page | |
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| + | '''For playback, abc files, and midi files, of these transcriptions that are linked to their original MSS enter the filenames [LEB/2/1/1 or whatever] in the search box here. [[http://www.vwml.org/]]''' | ||
| Line 12: | Line 16: | ||
'''abc notation''' | '''abc notation''' | ||
| − | X:1 | + | X:1<br> |
| − | T:GB/7d/1 Painful Plough | + | T:GB/7d/1 Painful Plough<br> |
| − | C:East Chiltington, XI. 08 | + | C:East Chiltington, XI. 08<br> |
| − | P:F.W. J(ekyll) & G.S.K B(utterworth) | + | P:F.W. J(ekyll) & G.S.K B(utterworth)<br> |
| − | L:1/4 | + | Z:Transcribed by Simon Furey and Lewis Jones<br> |
| − | M:4/4 | + | L:1/4<br> |
| − | I:linebreak $ | + | M:4/4<br> |
| − | K:Gmix | + | I:linebreak $<br> |
| − | d | G3/2 A/ B c |[M:3/4] d f e |[M:4/4] d3/2 c/ A A | G3 :| G | B c d g |$ f e d B | c c d d | | + | K:Gmix<br> |
| − | G3/2 A/4G/4 F D | G3/2 A/ B c |[M:3/4] d f e |[M:4/4] d3/2 c/ A A | G3 |] | + | d | G3/2 A/ B c |[M:3/4] d f e |[M:4/4] d3/2 c/ A A | G3 :| G | B c d g |$ f e d B | c c d d |<br> |
| + | G3/2 A/4G/4 F D | G3/2 A/ B c |[M:3/4] d f e |[M:4/4] d3/2 c/ A A | G3 |]<br> | ||
| Line 34: | Line 39: | ||
'''abc notation''' | '''abc notation''' | ||
| − | X:2 | + | X:2<br> |
| − | T:GB/7d/2 Now We've Drunk Our Master's Health | + | T:GB/7d/2 Now We've Drunk Our Master's Health<br> |
| − | C:Mr. George Knight, Horsham | + | C:Mr. George Knight, Horsham<br> |
| − | L:1/4 | + | Z:Transcribed by Simon Furey and Lewis Jones<br> |
| − | M:3/4 | + | L:1/4<br> |
| − | I:linebreak $ | + | M:3/4<br> |
| − | K:C | + | I:linebreak $<br> |
| − | C/ C/ F F | G E C | C A A | A2 c |$ G G G | G E C | C A A | A2 G |$ E G G | c G E | F G A | | + | K:C<br> |
| − | w: Now we've drunk our|mas- ter's health,|We'll drink our|dame's, And|we will be|mer- ry in|do- ing the|same: To|him we drank|one glass, To|her we'll drink| | + | C/ C/ F F | G E C | C A A | A2 c |$ G G G | G E C | C A A | A2 G |$ E G G | c G E | F G A |<br> |
| − | c2 A |$ G E C | F D D | E C C | C3 |] | + | w: Now we've drunk our|mas- ter's health,|We'll drink our|dame's, And|we will be|mer- ry in|do- ing the|same: To|him we drank|one glass, To|her we'll drink|<br> |
| − | w: two, And|we will be|mer- ry be-|fore we do|go.| | + | c2 A |$ G E C | F D D | E C C | C3 |]<br> |
| + | w: two, And|we will be|mer- ry be-|fore we do|go.|<br> | ||
''Notes on GB/7d/2'' The tune is identical to that of GB/6b/12. | ''Notes on GB/7d/2'' The tune is identical to that of GB/6b/12. | ||
| Line 59: | Line 65: | ||
'''abc notation''' | '''abc notation''' | ||
| − | X:3 | + | X:3<br> |
| − | T:GB/7d/3 We Poor Labouring Men | + | T:GB/7d/3 We Poor Labouring Men<br> |
| − | C:East Meon | + | C:East Meon<br> |
| − | P:F.W. J(ekyll) | + | P:F.W. J(ekyll)<br> |
| − | L:1/8 | + | Z:Transcribed by Simon Furey and Lewis Jones<br> |
| − | M:6/8 | + | L:1/8<br> |
| − | I:linebreak $ | + | M:6/8<br> |
| − | K:Bb | + | I:linebreak $<br> |
| − | F2 F B2 B | D3 F2 F | E3 F2 D | B,3- B,2 F |$ B2 A GAB | c2 A F>GA | B2 G C>D=E | F3- F2 F |$ | + | K:Bb<br> |
| − | d3 B2 B | e2 d c2 A | B2 c B2 _A | F3 D2 D |$ E2 E D2 C | D2 E F2 B | c2 A F>GA | B6 |] | + | F2 F B2 B | D3 F2 F | E3 F2 D | B,3- B,2 F |$ B2 A GAB | c2 A F>GA | B2 G C>D=E | F3- F2 F |$<br> |
| + | d3 B2 B | e2 d c2 A | B2 c B2 _A | F3 D2 D |$ E2 E D2 C | D2 E F2 B | c2 A F>GA | B6 |]<br> | ||
| Line 81: | Line 88: | ||
'''abc notation''' | '''abc notation''' | ||
| − | X: | + | X:4 |
| − | T:GB/7d/ | + | T:GB/7d/4 Young Girl Cut Down In Her Prime |
C:East Meon | C:East Meon | ||
P:F.W. J(ekyll) | P:F.W. J(ekyll) | ||
| − | L:1/ | + | Z:Transcribed by Simon Furey and Lewis Jones<br> |
| − | M: | + | W: The key has been changed from D (2 sharps) to D Mixolydian |
| + | W: (one sharp) to eliminate the accidental naturals on the Cs. | ||
| + | W: The tune is unaltered. | ||
| + | L:1/4 | ||
| + | M:3/4 | ||
I:linebreak $ | I:linebreak $ | ||
| − | K: | + | K:Dmix |
| − | + | D | D F A | A B A | G A F | E !fermata!D B/c/ | d B A |$ G B d | c/B/ A G | A2 A | d B A | | |
| − | + | G B d |$ c B G | A !fermata!D D/E/ | =F E D | A B c | E G F | D2 |] | |
| Line 103: | Line 114: | ||
'''abc notation''' | '''abc notation''' | ||
| − | X:5 | + | X:5<br> |
| − | T:GB/7d/5 Horn Fair | + | T:GB/7d/5 Horn Fair<br> |
| − | P:F.W. J(ekyll) | + | P:F.W. J(ekyll)<br> |
| − | L:1/8 | + | Z:Transcribed by Simon Furey and Lewis Jones<br> |
| + | L:1/8<br> | ||
M:4/4 | M:4/4 | ||
| − | I:linebreak $ | + | I:linebreak $<br> |
| − | K:A | + | K:A<br> |
| − | E- |: E | ABcd e2 fd | c2 dB A3 :| e | fddf dBBd |$ e2 dc B3 E | ABcd eafd | c2 dB !fermata!A2 |] | + | E- |: E | ABcd e2 fd | c2 dB A3 :| e | fddf dBBd |$ e2 dc B3 E | ABcd eafd | c2 dB !fermata!A2 |]<br> |
''Notes on GB/7d/5'' In the MS the bar lengths are inconsistent. To resolve this the anacrucial crotchet has been split into | ''Notes on GB/7d/5'' In the MS the bar lengths are inconsistent. To resolve this the anacrucial crotchet has been split into | ||
| Line 126: | Line 138: | ||
'''abc notation''' | '''abc notation''' | ||
| − | X:5 | + | X:5<br> |
| − | T:GB/7d/5 Horn Fair | + | T:GB/7d/5 Horn Fair<br> |
| − | P:F.W. J(ekyll) | + | P:F.W. J(ekyll)<br> |
| − | L:1/8 | + | Z:Transcribed by Simon Furey and Lewis Jones<br> |
| − | M:4/4 | + | L:1/8<br> |
| − | I:linebreak $ | + | M:4/4<br> |
| − | K:A | + | I:linebreak $<br> |
| − | E- |: E | ABcd e2 fd | c2 dB A3 :| e | fddf dBBd |$ e2 dc B3 E | ABcd eafd | c2 dB !fermata!A2 |] | + | K:A<br> |
| + | E- |: E | ABcd e2 fd | c2 dB A3 :| e | fddf dBBd |$ e2 dc B3 E | ABcd eafd | c2 dB !fermata!A2 |]<br> | ||
| Line 146: | Line 159: | ||
'''abc notation''' | '''abc notation''' | ||
| − | X:7 | + | X:7<br> |
| − | T:GB/7d/7 Madam, I'll Present | + | T:GB/7d/7 Madam, I'll Present<br> |
| − | C:Fernhurst | + | C:Fernhurst<br> |
| − | P:F(rancis) W. J(ekyll) | + | P:F(rancis) W. J(ekyll)<br> |
| − | L:1/8 | + | Z:Transcribed by Simon Furey and Lewis Jones<br> |
| − | M:4/4 | + | L:1/8<br> |
| − | I:linebreak $ | + | M:4/4<br> |
| − | K:G | + | I:linebreak $<br> |
| − | G | DG GG G2 GG | A>B cA B2 B A | GGGF E2 FG | A>BAG GF Bd |$[M:3/4] d4 d2 | B4 AG | | + | K:G<br> |
| − | [M:4/4] G2 B2 D2 z D | EFGA B2 A2 | G6 |] | + | G | DG GG G2 GG | A>B cA B2 B A | GGGF E2 FG | A>BAG GF Bd |$[M:3/4] d4 d2 | B4 AG |<br> |
| + | [M:4/4] G2 B2 D2 z D | EFGA B2 A2 | G6 |]<br> | ||
''Notes on GB/7d/7'' The tune is identical to that of GB/6b/25. | ''Notes on GB/7d/7'' The tune is identical to that of GB/6b/25. | ||
| Line 170: | Line 184: | ||
'''abc notation''' | '''abc notation''' | ||
| − | X:8 | + | X:8<br> |
| − | T:GB/7d/8 "Banks of Sweet Dundee" | + | T:GB/7d/8 "Banks of Sweet Dundee"<br> |
| − | P:F.W. J(ekyll) | + | P:F.W. J(ekyll)<br> |
| − | L:1/8 | + | Z:Transcribed by Simon Furey and Lewis Jones<br> |
| − | M:6/8 | + | L:1/8<br> |
| − | I:linebreak $ | + | M:6/8<br> |
| − | K:G | + | I:linebreak $<br> |
| − | d | c2 B G2 G | B2 c d2 B | c2 B G2 G | G3- G2 d | g2 g d2 e |$ =f3 e2 c | _B2 A =f2 e | | + | K:G<br> |
| − | "^." d3- d2 d | g2 g d2 e | =f3 e2 c |$ _B2 A =f2 e | d3- d2 d | c2 B G2 G | B2 c d2 B | | + | d | c2 B G2 G | B2 c d2 B | c2 B G2 G | G3- G2 d | g2 g d2 e |$ =f3 e2 c | _B2 A =f2 e |<br> |
| − | c2 B G2 G | G3- G2 |] | + | "^." d3- d2 d | g2 g d2 e | =f3 e2 c |$ _B2 A =f2 e | d3- d2 d | c2 B G2 G | B2 c d2 B |<br> |
| + | c2 B G2 G | G3- G2 |]<br> | ||
| Line 192: | Line 207: | ||
'''abc notation''' | '''abc notation''' | ||
| − | X:9 | + | X:9<br> |
| − | T:GB/7d/9 Planxty Conor | + | T:GB/7d/9 Planxty Conor<br> |
| − | C:Tom O'Brien, fiddler & dancer, Foynes, Ireland, (19)06 | + | C:Tom O'Brien, fiddler & dancer, Foynes, Ireland, (19)06<br> |
| − | T:F.W. J(ekyll) | + | T:F.W. J(ekyll)<br> |
| − | L:1/8 | + | Z:Transcribed by Simon Furey and Lewis Jones<br> |
| − | M:6/8 | + | L:1/8<br> |
| − | I:linebreak $ | + | M:6/8<br> |
| − | K:G | + | I:linebreak $<br> |
| − | d | B2 G AFD | E2 F G2 A | B>B B BcA | B>B B BcA | Bc d EFG |$ A>BA/G/ FED | EF G ABA | G3 F2 D | | + | K:G<br> |
| − | G2 B def | g2 a gfe |$ d>c B c2 d | e>gf/a/ g2 e | dc B{/B} c2 A |{/A} B2 G AFD | EF G ABA | | + | d | B2 G AFD | E2 F G2 A | B>B B BcA | B>B B BcA | Bc d EFG |$ A>BA/G/ FED | EF G ABA | G3 F2 D |<br> |
| − | G3 G2 |] | + | G2 B def | g2 a gfe |$ d>c B c2 d | e>gf/a/ g2 e | dc B{/B} c2 A |{/A} B2 G AFD | EF G ABA |<br> |
| + | G3 G2 |]<br> | ||
| Line 215: | Line 231: | ||
'''abc notation''' | '''abc notation''' | ||
| − | X:10 | + | X:10<br> |
| − | T:GB/7d/10 The Blackbird (Dance) | + | T:GB/7d/10 The Blackbird (Dance)<br> |
| − | C:T. O'B(rien), Ireland, (19)06 | + | C:T. O'B(rien), Ireland, (19)06<br> |
| − | P:F(rancis) W. J(ekyll) | + | P:F(rancis) W. J(ekyll)<br> |
| − | L:1/8 | + | Z:Transcribed by Simon Furey and Lewis Jones<br> |
| − | M:6/8 | + | L:1/8<br> |
| − | I:linebreak $ | + | M:6/8<br> |
| − | K:Cmix | + | I:linebreak $<br> |
| − | c2 B | A2 F A2 c | B3 A2 F | G2 A G2 F | E2 F G2 A | B2 A B2 d | e2 c =B2 G |$ F2 A G2 E | | + | K:Cmix<br> |
| − | C3 C2 D | _E2 D =E2 F | G2 f e2 d | c2 =B c2 d | e2 c =B2 G |$ F2 A G2 E | C3 C3 | C3 c2 d | | + | c2 B | A2 F A2 c | B3 A2 F | G2 A G2 F | E2 F G2 A | B2 A B2 d | e2 c =B2 G |$ F2 A G2 E |<br> |
| − | e3 c2 d | e3 f3 | g2 a g2 f | e2 f g2 e |$ f3 gfe | f3 g2 e | f2 g f2 e | c3 c2 d | e3 c2 d | | + | C3 C2 D | _E2 D =E2 F | G2 f e2 d | c2 =B c2 d | e2 c =B2 G |$ F2 A G2 E | C3 C3 | C3 c2 d |<br> |
| − | e3 f3 | g2 a g2 f |$ e2 f g2 e | f2 g f2 d | c3 c3 | c2 d e2 f | g2 a g2 f | e2 f g2 e |$ | + | e3 c2 d | e3 f3 | g2 a g2 f | e2 f g2 e |$ f3 gfe | f3 g2 e | f2 g f2 e | c3 c2 d | e3 c2 d |<br> |
| − | f3 d2 f | e2 c d2 =B | c2 =B G2 A | _B2 A B2 c | d2 e f2 d | g3 g3 |$ G2 A G2 F | E2 F G2 A | | + | e3 f3 | g2 a g2 f |$ e2 f g2 e | f2 g f2 d | c3 c3 | c2 d e2 f | g2 a g2 f | e2 f g2 e |$<br> |
| − | B2 A B2 d | e2 c =B2 A | F2 A G2 E | C3 C3 | C3 |] | + | f3 d2 f | e2 c d2 =B | c2 =B G2 A | _B2 A B2 c | d2 e f2 d | g3 g3 |$ G2 A G2 F | E2 F G2 A |<br> |
| + | B2 A B2 d | e2 c =B2 A | F2 A G2 E | C3 C3 | C3 |]<br> | ||
| Line 241: | Line 258: | ||
'''abc notation''' | '''abc notation''' | ||
| − | X:11 | + | X:11<br> |
| − | T:GB/7d/11 Bonny Light Horseman | + | T:GB/7d/11 Bonny Light Horseman<br> |
C:Jesse Robinson, Ilmington, XI. 10 | C:Jesse Robinson, Ilmington, XI. 10 | ||
| − | P:F.W. J(ekyll) | + | P:F.W. J(ekyll)<br> |
| − | L:1/4 | + | Z:Transcribed by Simon Furey and Lewis Jones<br> |
| − | M:3/4 | + | L:1/4<br> |
| − | I:linebreak $ | + | M:3/4<br> |
| − | K:D | + | I:linebreak $<br> |
| − | D/>E/ | F F F/>E/ | E D D/F/ | A A A | (G F) D/>E/ | F F D/>E/ | F F F/>E/ | E D D/F/ | A A A |$ | + | K:D<br> |
| − | (G F) D/>F/ | A d c | B A (D/F/) | A d c | (B A) D/>F/ | A d c | B A F | E G B |$ | + | D/>E/ | F F F/>E/ | E D D/F/ | A A A | (G F) D/>E/ | F F D/>E/ | F F F/>E/ | E D D/F/ | A A A |$<br> |
| − | B !fermata!A D/>E/ | F F F/>E/ | E D D/>F/ | A A A | G F D/>F/ | A d c | B A F/E/ | D B A | D2 |] | + | (G F) D/>F/ | A d c | B A (D/F/) | A d c | (B A) D/>F/ | A d c | B A F | E G B |$<br> |
| + | B !fermata!A D/>E/ | F F F/>E/ | E D D/>F/ | A A A | G F D/>F/ | A d c | B A F/E/ | D B A | D2 |]<br> | ||
| Line 264: | Line 282: | ||
'''abc notation''' | '''abc notation''' | ||
| − | X:12 | + | X:12<br> |
| − | T:GB/7d/12 Week Before Easter | + | T:GB/7d/12 Week Before Easter<br> |
| − | C:Mrs. Cranstone 1911 | + | C:Mrs. Cranstone 1911<br> |
| − | P:G.S.K. B(utterworth) | + | P:G.S.K. B(utterworth)<br> |
| − | L:1/4 | + | Z:Transcribed by Simon Furey and Lewis Jones<br> |
| − | M:3/4 | + | L:1/4<br> |
| − | I:linebreak $ | + | M:3/4<br> |
| − | K:G | + | I:linebreak $<br> |
| − | D | G G D | G2 D | G A/B/ c | d2 d/c/ | B A G | G D D/D/ | G c B |$ A2 B/c/ | d B d | c/B/ A c | | + | K:G<br> |
| − | B G A | D3/2 E/ F/D/ | G3/2 A/ B | c A3/2 G/ | F G |] | + | D | G G D | G2 D | G A/B/ c | d2 d/c/ | B A G | G D D/D/ | G c B |$ A2 B/c/ | d B d | c/B/ A c |<br> |
| + | B G A | D3/2 E/ F/D/ | G3/2 A/ B | c A3/2 G/ | F G |]<br> | ||
| Line 286: | Line 305: | ||
'''abc notation''' | '''abc notation''' | ||
| − | X:13 | + | X:13<br> |
| − | T:GB/7d/13 'Twas Down in Yonder Valley | + | T:GB/7d/13 'Twas Down in Yonder Valley<br> |
| − | C:Mr. Searle, Wepham, XII. 11. | + | C:Mr. Searle, Wepham, XII. 11.<br> |
| − | P:G.S.K. B(utterworth) | + | P:G.S.K. B(utterworth)<br> |
| − | L:1/4 | + | Z:Transcribed by Simon Furey and Lewis Jones<br> |
| − | M:4/4 | + | L:1/4<br> |
| − | I:linebreak $ | + | M:4/4<br> |
| − | K:C | + | I:linebreak $<br> |
| − | G | A G F F | F2 E F | C2 B, C |"^(a)" D2 D/E/ G | G2 E/D/ C | D E F/E/ D | B, B, C A, | G,3 G, |$ | + | K:C<br> |
| − | C D E C | D E F/E/ D | E F G/A/ B | c2 B c |"^(b)" A G F E | F3/2 G/ A/G/F/E/ | D2 C B, | C3 ||$ | + | G | A G F F | F2 E F | C2 B, C |"^(a)" D2 D/E/ G | G2 E/D/ C | D E F/E/ D | B, B, C A, | G,3 G, |$<br> |
| − | G | A G F F | F2 E F | C2 B, C |"^(a) var." D2 E G | G2 E/D/ C | D E F/E/ D | B, B, C A, | | + | C D E C | D E F/E/ D | E F G/A/ B | c2 B c |"^(b)" A G F E | F3/2 G/ A/G/F/E/ | D2 C B, | C3 ||$<br> |
| − | G,3 G, | C D E C |$ D E F/E/ D | E F G/A/ B | c2 B c |"^(b) var." A2 G/F/ E | F3/2 G/ A/G/F/E/ | | + | G | A G F F | F2 E F | C2 B, C |"^(a) var." D2 E G | G2 E/D/ C | D E F/E/ D | B, B, C A, |<br> |
| − | D2 C B, | C3 |] | + | G,3 G, | C D E C |$ D E F/E/ D | E F G/A/ B | c2 B c |"^(b) var." A2 G/F/ E | F3/2 G/ A/G/F/E/ |<br> |
| + | D2 C B, | C3 |]<br> | ||
| Line 311: | Line 331: | ||
'''abc notation''' | '''abc notation''' | ||
| − | X:14 | + | X:14<br> |
| − | T:GB/7d/14 The Servant Man | + | T:GB/7d/14 The Servant Man<br> |
| − | C:Mr. Searle, Wepham, XII. 11. | + | C:Mr. Searle, Wepham, XII. 11.<br> |
| − | P:G.S.K. B(utterworth) | + | P:G.S.K. B(utterworth)<br> |
| − | L:1/4 | + | Z:Transcribed by Simon Furey and Lewis Jones<br> |
| − | M:4/4 | + | L:1/4<br> |
| − | I:linebreak $ | + | M:4/4<br> |
| − | K:G | + | I:linebreak $<br> |
| − | G | B c d G | A2 B3/2 A/ | G3 G | B c d G | B2 d2 | A3 B/A/ |$ G F G A | g2 f e | e d2 e | | + | K:G<br> |
| − | d3/2 c/ B G | c3/2 A/ B A | G3 |] | + | G | B c d G | A2 B3/2 A/ | G3 G | B c d G | B2 d2 | A3 B/A/ |$ G F G A | g2 f e | e d2 e |<br> |
| + | d3/2 c/ B G | c3/2 A/ B A | G3 |]<br> | ||
| Line 333: | Line 354: | ||
'''abc notation''' | '''abc notation''' | ||
| − | X:15 | + | X:15<br> |
| − | T:GB/7d/15 Merry Broomfield | + | T:GB/7d/15 Merry Broomfield<br> |
| − | C:Ipswich, VI. 12 | + | C:Ipswich, VI. 12<br> |
| − | P:G.S.K. B(utterworth) | + | P:G.S.K. B(utterworth)<br> |
| − | L:1/8 | + | Z:Transcribed by Simon Furey and Lewis Jones<br> |
| − | M:4/4 | + | L:1/8<br> |
| − | I:linebreak $ | + | M:4/4<br> |
| − | K:C | + | I:linebreak $<br> |
| − | EF | G2 EF G2 EF |"^(a)" G2 DE !fermata!C2 CC | DEFA AGEC | D4- D3 C |$ CE (3GAB c2 Ac | | + | K:C<br> |
| − | GGAG C2 CE | EDFG BAFD | C6 ||$ EF | G2 EF G2 EF |"^(a) var." GC DE !fermata!C2 CC | DEFA AGEC | | + | EF | G2 EF G2 EF |"^(a)" G2 DE !fermata!C2 CC | DEFA AGEC | D4- D3 C |$ CE (3GAB c2 Ac |<br> |
| − | D4- D3 C |$ CE (3GAB c2 Ac | GGAG C2 CE | EDFG BAFD | C6 |] | + | GGAG C2 CE | EDFG BAFD | C6 ||$ EF | G2 EF G2 EF |"^(a) var." GC DE !fermata!C2 CC | DEFA AGEC |<br> |
| + | D4- D3 C |$ CE (3GAB c2 Ac | GGAG C2 CE | EDFG BAFD | C6 |]<br> | ||
| Line 356: | Line 378: | ||
'''abc notation''' | '''abc notation''' | ||
| − | X:16 | + | X:16<br> |
| − | T:GB/7d/16 Tree in the Wood | + | T:GB/7d/16 Tree in the Wood<br> |
| − | C:Ipswich, VI. 12. | + | C:Ipswich, VI. 12.<br> |
| − | P:G.S.K. B(utterworth) | + | P:G.S.K. B(utterworth)<br> |
| − | L:1/8 | + | Z:Transcribed by Simon Furey and Lewis Jones<br> |
| − | M:4/4 | + | L:1/8<br> |
| − | I:linebreak $ | + | M:4/4<br> |
| − | K:D | + | I:linebreak $<br> |
| − | "^1st verse " DDDD F2 G2 |[M:6/4] E2 EE D4 D3 E |$[M:4/4] F2 d2 A3 G |[M:6/4] F2 E2 D4 D3 E | | + | K:D<br> |
| − | w: Once there was a tree that|grew in the wood, And the|wood stood down the|vall- ies low, And the| | + | "^1st verse " DDDD F2 G2 |[M:6/4] E2 EE D4 D3 E |$[M:4/4] F2 d2 A3 G |[M:6/4] F2 E2 D4 D3 E |<br> |
| − | [M:4/4] F2 d2 A3 G |$[M:6/4] F2 E2 D6 A,2 |[M:4/4] D2 D2 F2 F2 | E2 E2 A,2 A,2 |$ E2 E2 D2 C2 | | + | w: Once there was a tree that|grew in the wood, And the|wood stood down the|vall- ies low, And the|<br> |
| − | w: wood stood down the|vall- ies low. 2.~And|on this tree there|was a branch, a|dan- dy cur- ious| | + | [M:4/4] F2 d2 A3 G |$[M:6/4] F2 E2 D6 A,2 |[M:4/4] D2 D2 F2 F2 | E2 E2 A,2 A,2 |$ E2 E2 D2 C2 |<br> |
| − | A,6"^(a)" F2 | GGGG E2"^(b)" EE |$[M:6/4] FFFF D4 D3 E |[M:4/4] F2 d2 A3 G |[M:2/4] F2 E2 |$ | + | w: wood stood down the|vall- ies low. 2.~And|on this tree there|was a branch, a|dan- dy cur- ious|<br> |
| − | w: branch. The|branch was on the tree, And the|tree was in the wood, And the|wood stood down the|vall- ies| | + | A,6"^(a)" F2 | GGGG E2"^(b)" EE |$[M:6/4] FFFF D4 D3 E |[M:4/4] F2 d2 A3 G |[M:2/4] F2 E2 |$<br> |
| − | [M:4/4] D4 D3 E | F2 d2 A3 G |[M:5/4] F2 E2 D6 |] | + | w: branch. The|branch was on the tree, And the|tree was in the wood, And the|wood stood down the|vall- ies|<br> |
| − | w: low, And the|wood stood down the|vall- ies low| | + | [M:4/4] D4 D3 E | F2 d2 A3 G |[M:5/4] F2 E2 D6 |]<br> |
| + | w: low, And the|wood stood down the|vall- ies low|<br> | ||
| Line 388: | Line 411: | ||
T:Bucknell Morris Tunes 1 of 8<br> | T:Bucknell Morris Tunes 1 of 8<br> | ||
C:Will Rolfe, 1912<br> | C:Will Rolfe, 1912<br> | ||
| + | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||
L:1/8<br> | L:1/8<br> | ||
M:6/8<br> | M:6/8<br> | ||
| Line 395: | Line 419: | ||
[M:3/8] C3 |[M:6/8] c2 B c3 | d2 e d3 | c2 B A3 | G2 A B3 | c2 B c3 | A2 G F3 |$ (2:3:2EF D3 |<br> | [M:3/8] C3 |[M:6/8] c2 B c3 | d2 e d3 | c2 B A3 | G2 A B3 | c2 B c3 | A2 G F3 |$ (2:3:2EF D3 |<br> | ||
C3 C3 | c2 B c3 | d2 e d3 | c2 B A3 | G2 A B3 | c2 B c3 | A2 G F3 | (2:3:2EF D3 |<br> | C3 C3 | c2 B c3 | d2 e d3 | c2 B A3 | G2 A B3 | c2 B c3 | A2 G F3 | (2:3:2EF D3 |<br> | ||
| − | C4- !fermata!C |] | + | C4- !fermata!C |]<br> |
| Line 415: | Line 439: | ||
T:GB/7d/18 Queen's Delight<br> | T:GB/7d/18 Queen's Delight<br> | ||
T:Bucknell Morris Tunes 2 of 8<br> | T:Bucknell Morris Tunes 2 of 8<br> | ||
| + | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||
L:1/8<br> | L:1/8<br> | ||
M:6/8<br> | M:6/8<br> | ||
| Line 421: | Line 446: | ||
d2 G dcB | cBc ABc | d2 G d2 c | BcA G3 :| cBc cBc | ABc def | gfg eag |$ gfe def | g2 g gfe |<br> | d2 G dcB | cBc ABc | d2 G d2 c | BcA G3 :| cBc cBc | ABc def | gfg eag |$ gfe def | g2 g gfe |<br> | ||
dec ABc | d2 G d2 c | BcA G3 ||"^Uprights" cBc cBc |[M:9/8] ABc d2 e f3 |$[M:6/8] g2 f g3 |<br> | dec ABc | d2 G d2 c | BcA G3 ||"^Uprights" cBc cBc |[M:9/8] ABc d2 e f3 |$[M:6/8] g2 f g3 |<br> | ||
| − | (2:3:2ea g3 |[M:9/8] g2 f e3 def |[M:6/8] g2 g gfe | dec ABc | d2 G d2 c | BcA G3 |] | + | (2:3:2ea g3 |[M:9/8] g2 f e3 def |[M:6/8] g2 g gfe | dec ABc | d2 G d2 c | BcA G3 |]<br> |
| Line 441: | Line 466: | ||
T:GB/7d/19 Bonnet So Blue<br> | T:GB/7d/19 Bonnet So Blue<br> | ||
T:Bucknell Morris Tunes 3 of 8<br> | T:Bucknell Morris Tunes 3 of 8<br> | ||
| + | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||
L:1/8<br> | L:1/8<br> | ||
M:6/8<br> | M:6/8<br> | ||
| Line 449: | Line 475: | ||
F>F F FGA |$ C>C C C2 F | EF G GAB | c3 c2 B | A2 G FGA | Bc d c2 d | cB A GFE | F3 F2 ||$<br> | F>F F FGA |$ C>C C C2 F | EF G GAB | c3 c2 B | A2 G FGA | Bc d c2 d | cB A GFE | F3 F2 ||$<br> | ||
[M:3/8]"^Capers" C3 |[M:6/8] F2 E F3 | A2 B c3 | C2 D C3 | C2 D E3 | F2 A d3 | c2 A F3 |$ G2 A G3 |<br> | [M:3/8]"^Capers" C3 |[M:6/8] F2 E F3 | A2 B c3 | C2 D C3 | C2 D E3 | F2 A d3 | c2 A F3 |$ G2 A G3 |<br> | ||
| − | [M:3/8]"^? should be A music." G2 B |[M:6/8] A2 G FGA | Bcd c2 d | cBA GFE | F3 F3 |] | + | [M:3/8]"^? should be A music." G2 B |[M:6/8] A2 G FGA | Bcd c2 d | cBA GFE | F3 F3 |]<br> |
| Line 469: | Line 495: | ||
T:GB/7d/20 Saturday Night<br> | T:GB/7d/20 Saturday Night<br> | ||
T:Bucknell Morris Tunes 4 of 8<br> | T:Bucknell Morris Tunes 4 of 8<br> | ||
| + | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||
L:1/8<br> | L:1/8<br> | ||
M:6/8<br> | M:6/8<br> | ||
| Line 474: | Line 501: | ||
K:G<br> | K:G<br> | ||
BAG Gdd | dAA A3 | BAG EEE | AGF G3 :| ADD D3 | AAB c3 | BAG Bcd |$ DGF G3 | ADD D3 |<br> | BAG Gdd | dAA A3 | BAG EEE | AGF G3 :| ADD D3 | AAB c3 | BAG Bcd |$ DGF G3 | ADD D3 |<br> | ||
| − | [M:9/8] AAB c2 B c3 |[M:6/8] B2 A G3 | B2 c d3 | (2:3:2DG F3 |[M:3/8] G3 |] | + | [M:9/8] AAB c2 B c3 |[M:6/8] B2 A G3 | B2 c d3 | (2:3:2DG F3 |[M:3/8] G3 |]<br> |
| Line 494: | Line 521: | ||
T:GB/7d/21 Room for Cuckolds<br> | T:GB/7d/21 Room for Cuckolds<br> | ||
T:Bucknell Morris Tunes 5 of 8<br> | T:Bucknell Morris Tunes 5 of 8<br> | ||
| + | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||
L:1/8<br> | L:1/8<br> | ||
M:6/8<br> | M:6/8<br> | ||
| Line 500: | Line 528: | ||
F>FF C2 C |"^(a)" D>Fd cBA | F>FF C2 C | D2 G F3 ::$"^(b)" A2 F A2 F | AFA G3 | A2 F D2 D |<br> | F>FF C2 C |"^(a)" D>Fd cBA | F>FF C2 C | D2 G F3 ::$"^(b)" A2 F A2 F | AFA G3 | A2 F D2 D |<br> | ||
GFE F3 ::$ F>FF C2 C |"^(a) var." D>Fd cAF | F>FF C2 C | D2 G F3 ::$"^(b) var." AGF A2 F |<br> | GFE F3 ::$ F>FF C2 C |"^(a) var." D>Fd cAF | F>FF C2 C | D2 G F3 ::$"^(b) var." AGF A2 F |<br> | ||
| − | ABA G3 | A2 F D2 D | GFE F3 :| | + | ABA G3 | A2 F D2 D | GFE F3 :|<br> |
| Line 520: | Line 548: | ||
T:GB/7d/22 Old Woman<br> | T:GB/7d/22 Old Woman<br> | ||
T:Bucknell Morris Tunes 6 of 8<br> | T:Bucknell Morris Tunes 6 of 8<br> | ||
| + | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||
L:1/8<br> | L:1/8<br> | ||
M:6/8<br> | M:6/8<br> | ||
| Line 525: | Line 554: | ||
K:C<br> | K:C<br> | ||
C2 C C>AA | AGF EGC | FEF G3 | A>CC C3 :: ccc Gcc | Gcc cBA |$ GGG G2 G | GAF EFG | C2 C CAA |<br> | C2 C C>AA | AGF EGC | FEF G3 | A>CC C3 :: ccc Gcc | Gcc cBA |$ GGG G2 G | GAF EFG | C2 C CAA |<br> | ||
| − | AGF EGC | FEF G3 | A>CC C3 :| | + | AGF EGC | FEF G3 | A>CC C3 :|<br> |
| Line 545: | Line 574: | ||
T:GB/7d/23 Old Black Joe<br> | T:GB/7d/23 Old Black Joe<br> | ||
T:Bucknell Morris Tunes 7 of 8<br> | T:Bucknell Morris Tunes 7 of 8<br> | ||
| + | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||
L:1/8<br> | L:1/8<br> | ||
M:6/8<br> | M:6/8<br> | ||
| Line 550: | Line 580: | ||
K:F<br> | K:F<br> | ||
CFF FEF | GAG G2 G | Fcc cBA | GAG BAG | F3 D3 | GFE F3 :|$ BAB c2 c | dBd c3 | BAB c2 c |<br> | CFF FEF | GAG G2 G | Fcc cBA | GAG BAG | F3 D3 | GFE F3 :|$ BAB c2 c | dBd c3 | BAB c2 c |<br> | ||
| − | dBd c3 | cBA AGF |$ GAG G2 G | Fcc cBA | GAG BAG | F3 D3 | GFE F3 |] | + | dBd c3 | cBA AGF |$ GAG G2 G | Fcc cBA | GAG BAG | F3 D3 | GFE F3 |]<br> |
| Line 570: | Line 600: | ||
T:GB/7d/24 Trunkles<br> | T:GB/7d/24 Trunkles<br> | ||
T:Bucknell Morris Tunes 8 of 8<br> | T:Bucknell Morris Tunes 8 of 8<br> | ||
| + | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||
L:1/8<br> | L:1/8<br> | ||
M:4/4<br> | M:4/4<br> | ||
| Line 575: | Line 606: | ||
K:F<br> | K:F<br> | ||
c3 A B2 d2 | cABG A2 F2 | c3 A B2 d2 | cBAG F4 :| c3 =B c2 f2 |$ ddd=B c2 f2 | dd (3dc=B A2 B2 |<br> | c3 A B2 d2 | cABG A2 F2 | c3 A B2 d2 | cBAG F4 :| c3 =B c2 f2 |$ ddd=B c2 f2 | dd (3dc=B A2 B2 |<br> | ||
| − | c4 c2 fe | d2 _B2 BABd |$ c2 A2 AFAc | B2 G2 GFGB | A2 F2 F2 c2 | B2 AG F2 G2 | F4 F4 |] | + | c4 c2 fe | d2 _B2 BABd |$ c2 A2 AFAc | B2 G2 GFGB | A2 F2 F2 c2 | B2 AG F2 G2 | F4 F4 |]<br> |
| Line 595: | Line 626: | ||
T:GB/7d/30a Fisher Laddy<br> | T:GB/7d/30a Fisher Laddy<br> | ||
T:Escrick Sword Dance Tunes 1 of 2<br> | T:Escrick Sword Dance Tunes 1 of 2<br> | ||
| + | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||
L:1/8<br> | L:1/8<br> | ||
M:4/4<br> | M:4/4<br> | ||
| Line 616: | Line 648: | ||
T:GB/7d/30b Oyster Girl<br> | T:GB/7d/30b Oyster Girl<br> | ||
T:Escrick Sword Dance Tunes 2 of 2<br> | T:Escrick Sword Dance Tunes 2 of 2<br> | ||
| + | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||
L:1/8<br> | L:1/8<br> | ||
Q:1/4=144<br> | Q:1/4=144<br> | ||
| Line 638: | Line 671: | ||
T:GB/7d/31a Song<br> | T:GB/7d/31a Song<br> | ||
T:Winlaton Sword Dance Tunes 1 of 2<br> | T:Winlaton Sword Dance Tunes 1 of 2<br> | ||
| + | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||
L:1/8<br> | L:1/8<br> | ||
M:6/8<br> | M:6/8<br> | ||
| Line 660: | Line 694: | ||
T:GB/7d/31b Jig Tune<br> | T:GB/7d/31b Jig Tune<br> | ||
T:Winlaton Sword Dance Tunes 2 of 2<br> | T:Winlaton Sword Dance Tunes 2 of 2<br> | ||
| + | Z:Transcribed by Simon Furey and Lewis Jones<br> | ||
L:1/8<br> | L:1/8<br> | ||
M:6/8<br> | M:6/8<br> | ||
| Line 679: | Line 714: | ||
'''abc notation''' | '''abc notation''' | ||
| − | X:34 | + | X:34<br> |
| − | T:GB/7d/34 A Story, A Story | + | T:GB/7d/34 A Story, A Story<br> |
| − | C:Mr. John Woodhouse, aged 81, California, Ormesby, Norfolk, III. 13. | + | C:Mr. John Woodhouse, aged 81, California, Ormesby, Norfolk, III. 13.<br> |
| − | L:1/4 | + | Z:Transcribed by Simon Furey and Lewis Jones<br> |
| − | M:4/4 | + | L:1/4<br> |
| − | I:linebreak $ | + | M:4/4<br> |
| − | K:Cmix | + | I:linebreak $<br> |
| − | G | C2 D/E/ F | G B A G | F2 D"^(a)" F/D/ | C3 G |"^(b)" B2 G/A/ B |"^(c)" G2 A G |$ F/E/ D E F | | + | K:Cmix<br> |
| − | G3 G | B2 A c | G B A G | F/E/ D B c | G2 F D |"^(d)" C2 D E/F/ |$ G B A G | F2"^(e)" D B, | C3 || | + | G | C2 D/E/ F | G B A G | F2 D"^(a)" F/D/ | C3 G |"^(b)" B2 G/A/ B |"^(c)" G2 A G |$ F/E/ D E F |<br> |
| − | G | C2 D/E/ F | G B A G | F2 D"^(a) var." D |$ C3 G |"^(b) var." B G A B |"^(c) var." G B A G | | + | G3 G | B2 A c | G B A G | F/E/ D B c | G2 F D |"^(d)" C2 D E/F/ |$ G B A G | F2"^(e)" D B, | C3 ||<br> |
| − | F/E/ D E F | G3 G | B2 A c | G B A G |$ F/E/ D B c | G2 F D |"^(d) var." C3/2 D/ E F | G B A G | | + | G | C2 D/E/ F | G B A G | F2 D"^(a) var." D |$ C3 G |"^(b) var." B G A B |"^(c) var." G B A G |<br> |
| − | F2"^(e) var." D/C/ B, | C3 |] | + | F/E/ D E F | G3 G | B2 A c | G B A G |$ F/E/ D B c | G2 F D |"^(d) var." C3/2 D/ E F | G B A G |<br> |
| + | F2"^(e) var." D/C/ B, | C3 |]<br> | ||
''Notes on GB/7d/34'' An F has been inserted into the key signature and the flats have been removed from all of the Bs; this fine Mixolydian tune is simplified but unaltered by this. | ''Notes on GB/7d/34'' An F has been inserted into the key signature and the flats have been removed from all of the Bs; this fine Mixolydian tune is simplified but unaltered by this. | ||
| Line 705: | Line 741: | ||
'''abc notation''' | '''abc notation''' | ||
| − | X:35 | + | X:35<br> |
| − | T:GB/7d/35 On the First of November Last | + | T:GB/7d/35 On the First of November Last<br> |
| − | C:Mr. John Woodhouse, aged 81, California, Ormesby, Norfolk, III. 13. | + | C:Mr. John Woodhouse, aged 81, California, Ormesby, Norfolk, III. 13.<br> |
| − | L:1/8 | + | Z:Transcribed by Simon Furey and Lewis Jones<br> |
| − | M:3/4 | + | L:1/8<br> |
| − | I:linebreak $ | + | M:3/4<br> |
| − | K:Gdor | + | I:linebreak $<br> |
| − | B>c | d>e d3 B | c>"^(a)"d !fermata!c2 B>A |"^(b) (c)" G>A B2 A2 | G>F !fermata!D2 B>c |$ | + | K:Gdor<br> |
| − | w: ||||| | + | B>c | d>e d3 B | c>"^(a)"d !fermata!c2 B>A |"^(b) (c)" G>A B2 A2 | G>F !fermata!D2 B>c |$<br> |
| − | d2 c2 B>G | A>G D2 G>F |[M:4/4] G>B d3 c B>G | F2 !fermata!G4 ||$ B>c |[M:3/4] d>e d3 B | | + | w: |||||<br> |
| − | w: |||||| | + | d2 c2 B>G | A>G D2 G>F |[M:4/4] G>B d3 c B>G | F2 !fermata!G4 ||$ B>c |[M:3/4] d>e d3 B |<br> |
| − | c>"^(a) var."B !fermata!c2 B>A |"^(b) var." G2 B2 A2 | G>F !fermata!D2 B>c |$ d2 c2 B>G | | + | w: ||||||<br> |
| − | w: |||| | + | c>"^(a) var."B !fermata!c2 B>A |"^(b) var." G2 B2 A2 | G>F !fermata!D2 B>c |$ d2 c2 B>G |<br> |
| − | A>G D2 G>F |[M:4/4] G>B d3 c B>F | F2 !fermata!G4 ||$ B>c |[M:3/4] d>e d3 B | | + | w: ||||<br> |
| − | w: ||||| | + | A>G D2 G>F |[M:4/4] G>B d3 c B>F | F2 !fermata!G4 ||$ B>c |[M:3/4] d>e d3 B |<br> |
| − | c>d !fermata!c2 B>A |"^(c) var." G>B A2 G2 | D4 B>c |$ d2 c2 B>G | A>G D2 G>F | | + | w: |||||<br> |
| − | w: |came a can- non|ball * *||| | + | c>d !fermata!c2 B>A |"^(c) var." G>B A2 G2 | D4 B>c |$ d2 c2 B>G | A>G D2 G>F |<br> |
| − | [M:4/4] G>B d3 c B>G | F2 !fermata!G4 || | + | w: |came a can- non|ball * *|||<br> |
| − | w: || | + | [M:4/4] G>B d3 c B>G | F2 !fermata!G4 ||<br> |
| + | w: ||<br> | ||
''Notes on GB/7d/35'' A redundant flat has been removed from the key signature, which is F and in the Dorian mode; the tune is unaltered by this. Fermatas have been added on the final minim in each of the three verses (at the ends of the second, fouth and sixth lines) to bring out the unusual and beautiful shape of the tune. The "cannon ball" interpolation clearly relates to a variation in the tune specific to that particular verse. | ''Notes on GB/7d/35'' A redundant flat has been removed from the key signature, which is F and in the Dorian mode; the tune is unaltered by this. Fermatas have been added on the final minim in each of the three verses (at the ends of the second, fouth and sixth lines) to bring out the unusual and beautiful shape of the tune. The "cannon ball" interpolation clearly relates to a variation in the tune specific to that particular verse. | ||
| Line 738: | Line 775: | ||
'''abc notation''' | '''abc notation''' | ||
| − | X:36 | + | X:36<br> |
| − | T:GB/7d/36 Scarbro' Town | + | T:GB/7d/36 Scarbro' Town<br> |
| − | C:Attributed by Butterworth to "??" | + | C:Attributed by Butterworth to "??"<br> |
| − | L:1/4 | + | Z:Transcribed by Simon Furey and Lewis Jones<br> |
| − | M:4/4 | + | L:1/4<br> |
| − | I:linebreak $ | + | M:4/4<br> |
| − | K:C | + | I:linebreak $<br> |
| − | G | c B c A | G2 C F | G2 D F/E/ | C3 G | c d e c |$ d2 G d | B G A A | G3 G | G c c d | | + | K:C<br> |
| − | e c !fermata!A G | A d c/B/ c |$ F2 !fermata!E E/D/ | C A A B | c c F A | G3/2 F/ D F/E/ | C3 || | + | G | c B c A | G2 C F | G2 D F/E/ | C3 G | c d e c |$ d2 G d | B G A A | G3 G | G c c d |<br> |
| + | e c !fermata!A G | A d c/B/ c |$ F2 !fermata!E E/D/ | C A A B | c c F A | G3/2 F/ D F/E/ | C3 ||<br> | ||
| Line 759: | Line 797: | ||
'''abc notation''' | '''abc notation''' | ||
| − | X:37 | + | X:37<br> |
| − | T:GB/7d/37 O Father, Dear Father | + | T:GB/7d/37 O Father, Dear Father<br> |
| − | T:(Fragment) | + | T:(Fragment)<br> |
| − | C:Mr. Woodhouse | + | C:Mr. Woodhouse<br> |
| − | L:1/4 | + | Z:Transcribed by Simon Furey and Lewis Jones<br> |
| − | M:4/4 | + | L:1/4<br> |
| − | I:linebreak $ | + | M:4/4<br> |
| − | K:Ddor | + | I:linebreak $<br> |
| − | E/F/ | G2 E F | G2 E F | G G F D | C3 D/E/ | F2 D E | F2 D/E/ F | G G F D | C3 D/E/ |$ | + | K:Ddor<br> |
| − | "^(a)" F2 E C | D2 A d | c3/2 A/ =B"^(b)" A/G/ | A3 G | F2 E D | C D E/F/ G | F3/2 D/ E/D/ C | | + | E/F/ | G2 E F | G2 E F | G G F D | C3 D/E/ | F2 D E | F2 D/E/ F | G G F D | C3 D/E/ |$<br> |
| − | D3 ||$ D/E/ | F F D E | F2 D/E/ F | G2 F D | C3 D | F2 D E | F2 D E/F/ | G3/2 E/ F D | C3 D/E/ |$ | + | "^(a)" F2 E C | D2 A d | c3/2 A/ =B"^(b)" A/G/ | A3 G | F2 E D | C D E/F/ G | F3/2 D/ E/D/ C |<br> |
| − | "^(a) var." F D E C | D2 A d | c3/2 A/ =B"^(b) var." G | A3 G | F2 E D | C D E/F/ G | | + | D3 ||$ D/E/ | F F D E | F2 D/E/ F | G2 F D | C3 D | F2 D E | F2 D E/F/ | G3/2 E/ F D | C3 D/E/ |$<br> |
| − | F3/2 D/ E/D/ C | D3 |] | + | "^(a) var." F D E C | D2 A d | c3/2 A/ =B"^(b) var." G | A3 G | F2 E D | C D E/F/ G |<br> |
| + | F3/2 D/ E/D/ C | D3 |]<br> | ||
| Line 784: | Line 823: | ||
'''abc notation''' | '''abc notation''' | ||
| − | X:38 | + | X:38<br> |
| − | T:GB/7d/38 On the 1st of November | + | T:GB/7d/38 On the 1st of November<br> |
| − | C:Mr. 'Skinny' Crow, Filby, Norfolk, 3.13. | + | C:Mr. 'Skinny' Crow, Filby, Norfolk, 3.13.<br> |
| − | L:1/8 | + | Z:Transcribed by Simon Furey and Lewis Jones<br> |
| − | M:3/4 | + | L:1/8<br><br> |
| − | I:linebreak $ | + | M:3/4<br> |
| − | K:Gaeo | + | I:linebreak $<br> |
| − | "^1st verse" B>c | d2 c2 B>G | A>G D2 G>F |[M:4/4] G>B d3 c (3BAG | F2 G4 B>c |$ | + | K:Gaeo<br> |
| − | w: ||||| | + | "^1st verse" B>c | d2 c2 B>G | A>G D2 G>F |[M:4/4] G>B d3 c (3BAG | F2 G4 B>c |$<br> |
| − | [M:3/4] d2 c2 (3BAG | A>G D2 G>F |[M:4/4] G>B d4 (3BAG | F2 G4 ||$[M:3/4]"^Rest" G>A | | + | w: |||||<br> |
| − | w: ||||| | + | [M:3/4] d2 c2 (3BAG | A>G D2 G>F |[M:4/4] G>B d4 (3BAG | F2 G4 ||$[M:3/4]"^Rest" G>A |<br> |
| − | B>c d3 c/B/ | c>B !fermata!c2 B>A |"^(a)" GB AG F/=E/D- | D4 B>c |$ d2 c2 (3BAG | (3AGF D2 G>F | | + | w: |||||<br> |
| − | w: |||||| | + | B>c d3 c/B/ | c>B !fermata!c2 B>A |"^(a)" GB AG F/=E/D- | D4 B>c |$ d2 c2 (3BAG | (3AGF D2 G>F |<br> |
| − | [M:4/4]"^(b)" G>B d4 (3BAG | F2 G4 ||$ G>A | B>c d3 c/B/ | c>B !fermata!c2 B>A | | + | w: ||||||<br> |
| − | w: ||||| | + | [M:4/4]"^(b)" G>B d4 (3BAG | F2 G4 ||$ G>A | B>c d3 c/B/ | c>B !fermata!c2 B>A |<br> |
| − | "^(a) var." GBAG D2- | D4 B>c |$ d2 c2 (3BAG | (3AGF D2 G>F |"^(b) var." G>B d3 A (3BAG | FG G4 |] | + | w: |||||<br> |
| − | w: came a can- non ball|||||| | + | "^(a) var." GBAG D2- | D4 B>c |$ d2 c2 (3BAG | (3AGF D2 G>F |"^(b) var." G>B d3 A (3BAG | FG G4 |]<br> |
| + | w: came a can- non ball||||||<br> | ||
| Line 813: | Line 853: | ||
'''abc notation''' | '''abc notation''' | ||
| − | X:39 | + | X:39<br> |
| − | T:GB/7d/39 Saucy Ward | + | T:GB/7d/39 Saucy Ward<br> |
| − | C:'Skinny' Crow, Filby, III.13. | + | C:'Skinny' Crow, Filby, III.13.<br> |
| − | L:1/4 | + | Z:Transcribed by Simon Furey and Lewis Jones<br> |
| − | M:4/4 | + | L:1/4<br> |
| − | I:linebreak $ | + | M:4/4<br> |
| − | K:Fmix | + | I:linebreak $<br> |
| − | c | B A F F | A B c c | B A F F | F3 F | A B c/d/ e | d c B c | d f e d | c3 F |$ A B c/d/ e | | + | K:Fmix<br> |
| − | d c B c | d f e d | c3 c | B A F F | A B"^(a)" c/d/ c | B A F F | F3 || c |$ B A F F | A B c c | | + | c | B A F F | A B c c | B A F F | F3 F | A B c/d/ e | d c B c | d f e d | c3 F |$ A B c/d/ e |<br> |
| − | B A F F | F3 F | A B c/d/ e | d c B c | d f e d | c3 F | A B c/d/ e |$ d c B c | d f e d | c3 c | | + | d c B c | d f e d | c3 c | B A F F | A B"^(a)" c/d/ c | B A F F | F3 || c |$ B A F F | A B c c |<br> |
| − | B A F F | A B"^(a) var." c c | B A F F | F3 |] | + | B A F F | F3 F | A B c/d/ e | d c B c | d f e d | c3 F | A B c/d/ e |$ d c B c | d f e d | c3 c |<br> |
| + | B A F F | A B"^(a) var." c c | B A F F | F3 |]<br> | ||
| Line 836: | Line 877: | ||
'''abc notation''' | '''abc notation''' | ||
| − | X:40 | + | X:40<br> |
| − | T:GB/7d/40 Crystal Stream | + | T:GB/7d/40 Crystal Stream<br> |
| − | C:'Skinny' Crow | + | C:'Skinny' Crow<br> |
| − | L:1/8 | + | Z:Transcribed by Simon Furey and Lewis Jones<br> |
| − | M:3/4 | + | L:1/8<br> |
| − | I:linebreak $ | + | M:3/4<br> |
| − | K:F | + | I:linebreak $<br> |
| − | cA | F2 FAcd | c4 d2 | G2 G2 c2 | B2 !fermata!A2 (3cde | f2 e2 d2 | c2 AG F2 | d2 cA F2 | G4 AG |$ | + | K:F<br> |
| − | FGAB ce | f3 e gf | d2 cA BG | EG !fermata!c2 (3CDE | F2 A2 GE | G2 F2 c2 | ed cA BG | F4 |] | + | cA | F2 FAcd | c4 d2 | G2 G2 c2 | B2 !fermata!A2 (3cde | f2 e2 d2 | c2 AG F2 | d2 cA F2 | G4 AG |$<br> |
| + | FGAB ce | f3 e gf | d2 cA BG | EG !fermata!c2 (3CDE | F2 A2 GE | G2 F2 c2 | ed cA BG | F4 |]<br> | ||
| Line 857: | Line 899: | ||
'''abc notation''' | '''abc notation''' | ||
| − | X:41 | + | X:41<br> |
| − | T:GB/7d/41 Gipsy Laddy | + | T:GB/7d/41 Gipsy Laddy<br> |
| − | C:Skinny Crow | + | C:Skinny Crow<br> |
| − | L:1/8 | + | Z:Transcribed by Simon Furey and Lewis Jones<br> |
| − | M:4/4 | + | L:1/8<br> |
| − | I:linebreak $ | + | M:4/4<br> |
| − | K:Cmix | + | I:linebreak $<br> |
| − | C2 | G2 GA B2 A2 | G2 E2 !fermata!F2 EF | G2 c2 c2 dc | B2 G2 !fermata!c2 |$ (3GAB | | + | K:Cmix<br> |
| − | "^(a)" c3 d B3 c | G2 GE F2 EF | GA BG A2 GF | E2 C2 C2 ||$ C2 | G2 GA B2 A2 | | + | C2 | G2 GA B2 A2 | G2 E2 !fermata!F2 EF | G2 c2 c2 dc | B2 G2 !fermata!c2 |$ (3GAB |<br> |
| − | G2 E2 !fermata!F2 EF | G2 c2 c2 dc | B2 G2 !fermata!c2 |$ (3GAB |"^(a) var." c2 dc B2 c2 | | + | "^(a)" c3 d B3 c | G2 GE F2 EF | GA BG A2 GF | E2 C2 C2 ||$ C2 | G2 GA B2 A2 |<br> |
| − | G2 GE F2 EF | GA BG A2 GF | E2 C2 C2 |] | + | G2 E2 !fermata!F2 EF | G2 c2 c2 dc | B2 G2 !fermata!c2 |$ (3GAB |"^(a) var." c2 dc B2 c2 |<br> |
| + | G2 GE F2 EF | GA BG A2 GF | E2 C2 C2 |]<br> | ||
Latest revision as of 13:49, 20 April 2016
Link to Take 6 Transcription Programme Home Page
For playback, abc files, and midi files, of these transcriptions that are linked to their original MSS enter the filenames [LEB/2/1/1 or whatever] in the search box here. [[1]]
GB/7d/1 Painful Plough
abc notation
X:1
T:GB/7d/1 Painful Plough
C:East Chiltington, XI. 08
P:F.W. J(ekyll) & G.S.K B(utterworth)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:Gmix
d | G3/2 A/ B c |[M:3/4] d f e |[M:4/4] d3/2 c/ A A | G3 :| G | B c d g |$ f e d B | c c d d |
G3/2 A/4G/4 F D | G3/2 A/ B c |[M:3/4] d f e |[M:4/4] d3/2 c/ A A | G3 |]
GB/7d/2 Now We've drunk Our Master's Health
abc notation
X:2
T:GB/7d/2 Now We've Drunk Our Master's Health
C:Mr. George Knight, Horsham
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:3/4
I:linebreak $
K:C
C/ C/ F F | G E C | C A A | A2 c |$ G G G | G E C | C A A | A2 G |$ E G G | c G E | F G A |
w: Now we've drunk our|mas- ter's health,|We'll drink our|dame's, And|we will be|mer- ry in|do- ing the|same: To|him we drank|one glass, To|her we'll drink|
c2 A |$ G E C | F D D | E C C | C3 |]
w: two, And|we will be|mer- ry be-|fore we do|go.|
Notes on GB/7d/2 The tune is identical to that of GB/6b/12.
GB/7d/3 We Poor Labouring Men
abc notation
X:3
T:GB/7d/3 We Poor Labouring Men
C:East Meon
P:F.W. J(ekyll)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:6/8
I:linebreak $
K:Bb
F2 F B2 B | D3 F2 F | E3 F2 D | B,3- B,2 F |$ B2 A GAB | c2 A F>GA | B2 G C>D=E | F3- F2 F |$
d3 B2 B | e2 d c2 A | B2 c B2 _A | F3 D2 D |$ E2 E D2 C | D2 E F2 B | c2 A F>GA | B6 |]
GB/7d/4 Young Girl Cut Down In Her Prime
abc notation
X:4
T:GB/7d/4 Young Girl Cut Down In Her Prime
C:East Meon
P:F.W. J(ekyll)
Z:Transcribed by Simon Furey and Lewis Jones
W: The key has been changed from D (2 sharps) to D Mixolydian
W: (one sharp) to eliminate the accidental naturals on the Cs.
W: The tune is unaltered.
L:1/4
M:3/4
I:linebreak $
K:Dmix
D | D F A | A B A | G A F | E !fermata!D B/c/ | d B A |$ G B d | c/B/ A G | A2 A | d B A |
G B d |$ c B G | A !fermata!D D/E/ | =F E D | A B c | E G F | D2 |]
GB/7d/5 Horn Fair
abc notation
X:5
T:GB/7d/5 Horn Fair
P:F.W. J(ekyll)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:4/4
I:linebreak $
K:A
E- |: E | ABcd e2 fd | c2 dB A3 :| e | fddf dBBd |$ e2 dc B3 E | ABcd eafd | c2 dB !fermata!A2 |]
Notes on GB/7d/5 In the MS the bar lengths are inconsistent. To resolve this the anacrucial crotchet has been split into two quavers and a forward repeat has been inserted between them.
GB/7d/6 Dido & Spandigo
abc notation
X:5
T:GB/7d/5 Horn Fair
P:F.W. J(ekyll)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:4/4
I:linebreak $
K:A
E- |: E | ABcd e2 fd | c2 dB A3 :| e | fddf dBBd |$ e2 dc B3 E | ABcd eafd | c2 dB !fermata!A2 |]
GB/7d/7 Madam I'll Present
abc notation
X:7
T:GB/7d/7 Madam, I'll Present
C:Fernhurst
P:F(rancis) W. J(ekyll)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:4/4
I:linebreak $
K:G
G | DG GG G2 GG | A>B cA B2 B A | GGGF E2 FG | A>BAG GF Bd |$[M:3/4] d4 d2 | B4 AG |
[M:4/4] G2 B2 D2 z D | EFGA B2 A2 | G6 |]
Notes on GB/7d/7 The tune is identical to that of GB/6b/25.
GB/7d/8 "Banks of Sweet Dundee"
abc notation
X:8
T:GB/7d/8 "Banks of Sweet Dundee"
P:F.W. J(ekyll)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:6/8
I:linebreak $
K:G
d | c2 B G2 G | B2 c d2 B | c2 B G2 G | G3- G2 d | g2 g d2 e |$ =f3 e2 c | _B2 A =f2 e |
"^." d3- d2 d | g2 g d2 e | =f3 e2 c |$ _B2 A =f2 e | d3- d2 d | c2 B G2 G | B2 c d2 B |
c2 B G2 G | G3- G2 |]
GB/7d/9 Planxty Conor
abc notation
X:9
T:GB/7d/9 Planxty Conor
C:Tom O'Brien, fiddler & dancer, Foynes, Ireland, (19)06
T:F.W. J(ekyll)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:6/8
I:linebreak $
K:G
d | B2 G AFD | E2 F G2 A | B>B B BcA | B>B B BcA | Bc d EFG |$ A>BA/G/ FED | EF G ABA | G3 F2 D |
G2 B def | g2 a gfe |$ d>c B c2 d | e>gf/a/ g2 e | dc B{/B} c2 A |{/A} B2 G AFD | EF G ABA |
G3 G2 |]
GB/7d/10 The Blackbird (Dance)
abc notation
X:10
T:GB/7d/10 The Blackbird (Dance)
C:T. O'B(rien), Ireland, (19)06
P:F(rancis) W. J(ekyll)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:6/8
I:linebreak $
K:Cmix
c2 B | A2 F A2 c | B3 A2 F | G2 A G2 F | E2 F G2 A | B2 A B2 d | e2 c =B2 G |$ F2 A G2 E |
C3 C2 D | _E2 D =E2 F | G2 f e2 d | c2 =B c2 d | e2 c =B2 G |$ F2 A G2 E | C3 C3 | C3 c2 d |
e3 c2 d | e3 f3 | g2 a g2 f | e2 f g2 e |$ f3 gfe | f3 g2 e | f2 g f2 e | c3 c2 d | e3 c2 d |
e3 f3 | g2 a g2 f |$ e2 f g2 e | f2 g f2 d | c3 c3 | c2 d e2 f | g2 a g2 f | e2 f g2 e |$
f3 d2 f | e2 c d2 =B | c2 =B G2 A | _B2 A B2 c | d2 e f2 d | g3 g3 |$ G2 A G2 F | E2 F G2 A |
B2 A B2 d | e2 c =B2 A | F2 A G2 E | C3 C3 | C3 |]
GB/7d/11 Bonny Light Horseman
abc notation
X:11
T:GB/7d/11 Bonny Light Horseman
C:Jesse Robinson, Ilmington, XI. 10
P:F.W. J(ekyll)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:3/4
I:linebreak $
K:D
D/>E/ | F F F/>E/ | E D D/F/ | A A A | (G F) D/>E/ | F F D/>E/ | F F F/>E/ | E D D/F/ | A A A |$
(G F) D/>F/ | A d c | B A (D/F/) | A d c | (B A) D/>F/ | A d c | B A F | E G B |$
B !fermata!A D/>E/ | F F F/>E/ | E D D/>F/ | A A A | G F D/>F/ | A d c | B A F/E/ | D B A | D2 |]
GB/7d/12 Week Before Easter
abc notation
X:12
T:GB/7d/12 Week Before Easter
C:Mrs. Cranstone 1911
P:G.S.K. B(utterworth)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:3/4
I:linebreak $
K:G
D | G G D | G2 D | G A/B/ c | d2 d/c/ | B A G | G D D/D/ | G c B |$ A2 B/c/ | d B d | c/B/ A c |
B G A | D3/2 E/ F/D/ | G3/2 A/ B | c A3/2 G/ | F G |]
GB/7d/13 'Twas Down in Yonder Valley
abc notation
X:13
T:GB/7d/13 'Twas Down in Yonder Valley
C:Mr. Searle, Wepham, XII. 11.
P:G.S.K. B(utterworth)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:C
G | A G F F | F2 E F | C2 B, C |"^(a)" D2 D/E/ G | G2 E/D/ C | D E F/E/ D | B, B, C A, | G,3 G, |$
C D E C | D E F/E/ D | E F G/A/ B | c2 B c |"^(b)" A G F E | F3/2 G/ A/G/F/E/ | D2 C B, | C3 ||$
G | A G F F | F2 E F | C2 B, C |"^(a) var." D2 E G | G2 E/D/ C | D E F/E/ D | B, B, C A, |
G,3 G, | C D E C |$ D E F/E/ D | E F G/A/ B | c2 B c |"^(b) var." A2 G/F/ E | F3/2 G/ A/G/F/E/ |
D2 C B, | C3 |]
GB/7d/14 The Servant Man
abc notation
X:14
T:GB/7d/14 The Servant Man
C:Mr. Searle, Wepham, XII. 11.
P:G.S.K. B(utterworth)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:G
G | B c d G | A2 B3/2 A/ | G3 G | B c d G | B2 d2 | A3 B/A/ |$ G F G A | g2 f e | e d2 e |
d3/2 c/ B G | c3/2 A/ B A | G3 |]
GB/7d/15 Merry Broomfield
abc notation
X:15
T:GB/7d/15 Merry Broomfield
C:Ipswich, VI. 12
P:G.S.K. B(utterworth)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:4/4
I:linebreak $
K:C
EF | G2 EF G2 EF |"^(a)" G2 DE !fermata!C2 CC | DEFA AGEC | D4- D3 C |$ CE (3GAB c2 Ac |
GGAG C2 CE | EDFG BAFD | C6 ||$ EF | G2 EF G2 EF |"^(a) var." GC DE !fermata!C2 CC | DEFA AGEC |
D4- D3 C |$ CE (3GAB c2 Ac | GGAG C2 CE | EDFG BAFD | C6 |]
GB/7d/16 Tree in the Wood
abc notation
X:16
T:GB/7d/16 Tree in the Wood
C:Ipswich, VI. 12.
P:G.S.K. B(utterworth)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:4/4
I:linebreak $
K:D
"^1st verse " DDDD F2 G2 |[M:6/4] E2 EE D4 D3 E |$[M:4/4] F2 d2 A3 G |[M:6/4] F2 E2 D4 D3 E |
w: Once there was a tree that|grew in the wood, And the|wood stood down the|vall- ies low, And the|
[M:4/4] F2 d2 A3 G |$[M:6/4] F2 E2 D6 A,2 |[M:4/4] D2 D2 F2 F2 | E2 E2 A,2 A,2 |$ E2 E2 D2 C2 |
w: wood stood down the|vall- ies low. 2.~And|on this tree there|was a branch, a|dan- dy cur- ious|
A,6"^(a)" F2 | GGGG E2"^(b)" EE |$[M:6/4] FFFF D4 D3 E |[M:4/4] F2 d2 A3 G |[M:2/4] F2 E2 |$
w: branch. The|branch was on the tree, And the|tree was in the wood, And the|wood stood down the|vall- ies|
[M:4/4] D4 D3 E | F2 d2 A3 G |[M:5/4] F2 E2 D6 |]
w: low, And the|wood stood down the|vall- ies low|
GB/7d/17 Bucknell Morris Tunes 1 of 8: Bonny Green
abc notation
X:17
T:GB/7d/17 Bonny Green
T:Bucknell Morris Tunes 1 of 8
C:Will Rolfe, 1912
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:6/8
I:linebreak $
K:C
G | cB c ded | cB A GAB | cB c AGF | EFD C2 :: z | DE F EDC | DE F GAB |$ cB c AGF | EFD C2 :| z |
[M:3/8] C3 |[M:6/8] c2 B c3 | d2 e d3 | c2 B A3 | G2 A B3 | c2 B c3 | A2 G F3 |$ (2:3:2EF D3 |
C3 C3 | c2 B c3 | d2 e d3 | c2 B A3 | G2 A B3 | c2 B c3 | A2 G F3 | (2:3:2EF D3 |
C4- !fermata!C |]
Notes on GB/7d/17 The Bucknell Morris Tunes have been thoroughly researched and published by Lionel Bacon in his "A Handbook
of Morris Dances" published by the Morris Ring.
GB/7d/18 Bucknell Morris Tunes 2 of 8: Queen's Delight
abc notation
X:18
T:GB/7d/18 Queen's Delight
T:Bucknell Morris Tunes 2 of 8
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:6/8
I:linebreak $
K:G
d2 G dcB | cBc ABc | d2 G d2 c | BcA G3 :| cBc cBc | ABc def | gfg eag |$ gfe def | g2 g gfe |
dec ABc | d2 G d2 c | BcA G3 ||"^Uprights" cBc cBc |[M:9/8] ABc d2 e f3 |$[M:6/8] g2 f g3 |
(2:3:2ea g3 |[M:9/8] g2 f e3 def |[M:6/8] g2 g gfe | dec ABc | d2 G d2 c | BcA G3 |]
Notes on GB/7d/18 The Bucknell Morris Tunes have been thoroughly researched and published by Lionel Bacon in his "A Handbook
of Morris Dances" published by the Morris Ring.
GB/7d/19 Bucknell Morris Tunes 3 of 8: Bonnet So Blue
abc notation
X:19
T:GB/7d/19 Bonnet So Blue
T:Bucknell Morris Tunes 3 of 8
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:6/8
I:linebreak $
K:F
C | F>E F ABc | C>C C CDE | FA d cAF | GA G G2 A | F>F F FGA |$ C>C C C2 d | cB A GAG | F3 F2 :|
F | EF G GAG | C>C C C2 F | EF G GAB |$ c3 c2 B | A2 G F2 E | D2 E F2 G | AB A GFE | C3 D2 C |
F>F F FGA |$ C>C C C2 F | EF G GAB | c3 c2 B | A2 G FGA | Bc d c2 d | cB A GFE | F3 F2 ||$
[M:3/8]"^Capers" C3 |[M:6/8] F2 E F3 | A2 B c3 | C2 D C3 | C2 D E3 | F2 A d3 | c2 A F3 |$ G2 A G3 |
[M:3/8]"^? should be A music." G2 B |[M:6/8] A2 G FGA | Bcd c2 d | cBA GFE | F3 F3 |]
Notes on GB/7d/19 The Bucknell Morris Tunes have been thoroughly researched and published by Lionel Bacon in his "A Handbook
of Morris Dances" published by the Morris Ring.
GB/7d/20 Bucknell Morris Tunes 4 of 8: Saturday Night
abc notation
X:20
T:GB/7d/20 Saturday Night
T:Bucknell Morris Tunes 4 of 8
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:6/8
I:linebreak $
K:G
BAG Gdd | dAA A3 | BAG EEE | AGF G3 :| ADD D3 | AAB c3 | BAG Bcd |$ DGF G3 | ADD D3 |
[M:9/8] AAB c2 B c3 |[M:6/8] B2 A G3 | B2 c d3 | (2:3:2DG F3 |[M:3/8] G3 |]
Notes on GB/7d/20 The Bucknell Morris Tunes have been thoroughly researched and published by Lionel Bacon in his "A Handbook
of Morris Dances" published by the Morris Ring.
GB/7d/21 Bucknell Morris Tunes 5 of 8: Room for Cuckolds
abc notation
X:21
T:GB/7d/21 Room for Cuckolds
T:Bucknell Morris Tunes 5 of 8
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:6/8
I:linebreak $
K:F
F>FF C2 C |"^(a)" D>Fd cBA | F>FF C2 C | D2 G F3 ::$"^(b)" A2 F A2 F | AFA G3 | A2 F D2 D |
GFE F3 ::$ F>FF C2 C |"^(a) var." D>Fd cAF | F>FF C2 C | D2 G F3 ::$"^(b) var." AGF A2 F |
ABA G3 | A2 F D2 D | GFE F3 :|
Notes on GB/7d/21 The Bucknell Morris Tunes have been thoroughly researched and published by Lionel Bacon in his "A Handbook
of Morris Dances" published by the Morris Ring.
GB/7d/22 Bucknell Morris Tunes 6 of 8: Old Woman
abc notation
X:22
T:GB/7d/22 Old Woman
T:Bucknell Morris Tunes 6 of 8
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:6/8
I:linebreak $
K:C
C2 C C>AA | AGF EGC | FEF G3 | A>CC C3 :: ccc Gcc | Gcc cBA |$ GGG G2 G | GAF EFG | C2 C CAA |
AGF EGC | FEF G3 | A>CC C3 :|
Notes on GB/7d/22 The Bucknell Morris Tunes have been thoroughly researched and published by Lionel Bacon in his "A Handbook
of Morris Dances" published by the Morris Ring.
GB/7d/23 Bucknell Morris Tunes 7 of 8: Old Black Joe
abc notation
X:23
T:GB/7d/23 Old Black Joe
T:Bucknell Morris Tunes 7 of 8
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:6/8
I:linebreak $
K:F
CFF FEF | GAG G2 G | Fcc cBA | GAG BAG | F3 D3 | GFE F3 :|$ BAB c2 c | dBd c3 | BAB c2 c |
dBd c3 | cBA AGF |$ GAG G2 G | Fcc cBA | GAG BAG | F3 D3 | GFE F3 |]
Notes on GB/7d/23 The Bucknell Morris Tunes have been thoroughly researched and published by Lionel Bacon in his "A Handbook
of Morris Dances" published by the Morris Ring.
GB/7d/24 Bucknell Morris Tunes 8 of 8: Trunkles
abc notation
X:24
T:GB/7d/24 Trunkles
T:Bucknell Morris Tunes 8 of 8
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:4/4
I:linebreak $
K:F
c3 A B2 d2 | cABG A2 F2 | c3 A B2 d2 | cBAG F4 :| c3 =B c2 f2 |$ ddd=B c2 f2 | dd (3dc=B A2 B2 |
c4 c2 fe | d2 _B2 BABd |$ c2 A2 AFAc | B2 G2 GFGB | A2 F2 F2 c2 | B2 AG F2 G2 | F4 F4 |]
Notes on GB/7d/24 The Bucknell Morris Tunes have been thoroughly researched and published by Lionel Bacon in his "A Handbook
of Morris Dances" published by the Morris Ring.
GB/7d/30a Escrick Sword Dance Tunes 1 of 2: Fisher Laddy
abc notation
X:30
T:GB/7d/30a Fisher Laddy
T:Escrick Sword Dance Tunes 1 of 2
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:4/4
I:linebreak $
K:F
A2 AF A2 AF | A2 AG FEFG | A2 A2 BAGF | EFGE F4 ::$ c2 cA d2 d2 | BGAB c4 | A2 A2 BAGF |
EFGE F4 :|
GB/7d/30b Escrick Sword Dance Tunes 2 of 2: Oyster Girl
abc notation
X:31
T:GB/7d/30b Oyster Girl
T:Escrick Sword Dance Tunes 2 of 2
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
Q:1/4=144
M:6/8
I:linebreak $
K:G
d | ded B2 G | A2 F D3 | GFG BAG | d2 B A2 d | ded B2 d |$ g2 e c2 e | edc dcA | G3- G3 ||
BBB B2 A | B2 c d3 |$ AAA A2 G | A2 B c3 | BBB B2 A | B2 c d2 g | fed cBA | G3 g3 |]
GB/7d/31a Winlaton Sword Dance Tunes 1 of 2: Song
abc notation
X:32
T:GB/7d/31a Song
T:Winlaton Sword Dance Tunes 1 of 2
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:6/8
I:linebreak $
K:Am
g/^f/ | eA A cBA | E A2- A2 d | de d dBc | d3- d2 d | eA A cBA |$ E A2- A2 B | cd e dcB |
A3- A2 || A | A^c e ggg | ^f e2- e2 d |$ de d eBG | d3- dg^f | eA A cBA | E A2- A2 B | cd e dcB |
A3- A2 |]
GB/7d/31b Winlaton Sword Dance Tune 2 of 2: Jig Tune
abc notation
X:33
T:GB/7d/31b Jig Tune
T:Winlaton Sword Dance Tunes 2 of 2
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:6/8
I:linebreak $
K:Am
e | eA A eAA | BA B GBd | eA A eAA | g^f g2 ed |$ eA A eAA | BA B GAB | cd e g2 B | cAA A2 |]
Notes on GB/7d/31b This is a rapper dance. See [2] for a performance of this dance in 1920; the musician and the dancers were probably the same individuals that Butterworth witnessed. This footage illustrates just how hard rapper tunes are to notate without recording equipment.
GB/7d/34 A Story, A Story
abc notation
X:34
T:GB/7d/34 A Story, A Story
C:Mr. John Woodhouse, aged 81, California, Ormesby, Norfolk, III. 13.
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:Cmix
G | C2 D/E/ F | G B A G | F2 D"^(a)" F/D/ | C3 G |"^(b)" B2 G/A/ B |"^(c)" G2 A G |$ F/E/ D E F |
G3 G | B2 A c | G B A G | F/E/ D B c | G2 F D |"^(d)" C2 D E/F/ |$ G B A G | F2"^(e)" D B, | C3 ||
G | C2 D/E/ F | G B A G | F2 D"^(a) var." D |$ C3 G |"^(b) var." B G A B |"^(c) var." G B A G |
F/E/ D E F | G3 G | B2 A c | G B A G |$ F/E/ D B c | G2 F D |"^(d) var." C3/2 D/ E F | G B A G |
F2"^(e) var." D/C/ B, | C3 |]
Notes on GB/7d/34 An F has been inserted into the key signature and the flats have been removed from all of the Bs; this fine Mixolydian tune is simplified but unaltered by this.
GB/7d/35 On the First of November Last
abc notation
X:35
T:GB/7d/35 On the First of November Last
C:Mr. John Woodhouse, aged 81, California, Ormesby, Norfolk, III. 13.
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:3/4
I:linebreak $
K:Gdor
B>c | d>e d3 B | c>"^(a)"d !fermata!c2 B>A |"^(b) (c)" G>A B2 A2 | G>F !fermata!D2 B>c |$
w: |||||
d2 c2 B>G | A>G D2 G>F |[M:4/4] G>B d3 c B>G | F2 !fermata!G4 ||$ B>c |[M:3/4] d>e d3 B |
w: ||||||
c>"^(a) var."B !fermata!c2 B>A |"^(b) var." G2 B2 A2 | G>F !fermata!D2 B>c |$ d2 c2 B>G |
w: ||||
A>G D2 G>F |[M:4/4] G>B d3 c B>F | F2 !fermata!G4 ||$ B>c |[M:3/4] d>e d3 B |
w: |||||
c>d !fermata!c2 B>A |"^(c) var." G>B A2 G2 | D4 B>c |$ d2 c2 B>G | A>G D2 G>F |
w: |came a can- non|ball * *|||
[M:4/4] G>B d3 c B>G | F2 !fermata!G4 ||
w: ||
Notes on GB/7d/35 A redundant flat has been removed from the key signature, which is F and in the Dorian mode; the tune is unaltered by this. Fermatas have been added on the final minim in each of the three verses (at the ends of the second, fouth and sixth lines) to bring out the unusual and beautiful shape of the tune. The "cannon ball" interpolation clearly relates to a variation in the tune specific to that particular verse.
GB/7d/36 Scarbro' Town
abc notation
X:36
T:GB/7d/36 Scarbro' Town
C:Attributed by Butterworth to "??"
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:C
G | c B c A | G2 C F | G2 D F/E/ | C3 G | c d e c |$ d2 G d | B G A A | G3 G | G c c d |
e c !fermata!A G | A d c/B/ c |$ F2 !fermata!E E/D/ | C A A B | c c F A | G3/2 F/ D F/E/ | C3 ||
GB/7d/37 Oh Father, Dear Father (Fragment)
abc notation
X:37
T:GB/7d/37 O Father, Dear Father
T:(Fragment)
C:Mr. Woodhouse
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:Ddor
E/F/ | G2 E F | G2 E F | G G F D | C3 D/E/ | F2 D E | F2 D/E/ F | G G F D | C3 D/E/ |$
"^(a)" F2 E C | D2 A d | c3/2 A/ =B"^(b)" A/G/ | A3 G | F2 E D | C D E/F/ G | F3/2 D/ E/D/ C |
D3 ||$ D/E/ | F F D E | F2 D/E/ F | G2 F D | C3 D | F2 D E | F2 D E/F/ | G3/2 E/ F D | C3 D/E/ |$
"^(a) var." F D E C | D2 A d | c3/2 A/ =B"^(b) var." G | A3 G | F2 E D | C D E/F/ G |
F3/2 D/ E/D/ C | D3 |]
GB/7d/38 On the 1st of November
abc notation
X:38
T:GB/7d/38 On the 1st of November
C:Mr. 'Skinny' Crow, Filby, Norfolk, 3.13.
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:3/4
I:linebreak $
K:Gaeo
"^1st verse" B>c | d2 c2 B>G | A>G D2 G>F |[M:4/4] G>B d3 c (3BAG | F2 G4 B>c |$
w: |||||
[M:3/4] d2 c2 (3BAG | A>G D2 G>F |[M:4/4] G>B d4 (3BAG | F2 G4 ||$[M:3/4]"^Rest" G>A |
w: |||||
B>c d3 c/B/ | c>B !fermata!c2 B>A |"^(a)" GB AG F/=E/D- | D4 B>c |$ d2 c2 (3BAG | (3AGF D2 G>F |
w: ||||||
[M:4/4]"^(b)" G>B d4 (3BAG | F2 G4 ||$ G>A | B>c d3 c/B/ | c>B !fermata!c2 B>A |
w: |||||
"^(a) var." GBAG D2- | D4 B>c |$ d2 c2 (3BAG | (3AGF D2 G>F |"^(b) var." G>B d3 A (3BAG | FG G4 |]
w: came a can- non ball||||||
GB/7d/39 Saucy Ward
abc notation
X:39
T:GB/7d/39 Saucy Ward
C:'Skinny' Crow, Filby, III.13.
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:Fmix
c | B A F F | A B c c | B A F F | F3 F | A B c/d/ e | d c B c | d f e d | c3 F |$ A B c/d/ e |
d c B c | d f e d | c3 c | B A F F | A B"^(a)" c/d/ c | B A F F | F3 || c |$ B A F F | A B c c |
B A F F | F3 F | A B c/d/ e | d c B c | d f e d | c3 F | A B c/d/ e |$ d c B c | d f e d | c3 c |
B A F F | A B"^(a) var." c c | B A F F | F3 |]
GB/7d/40 Crystal Stream
abc notation
X:40
T:GB/7d/40 Crystal Stream
C:'Skinny' Crow
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:3/4
I:linebreak $
K:F
cA | F2 FAcd | c4 d2 | G2 G2 c2 | B2 !fermata!A2 (3cde | f2 e2 d2 | c2 AG F2 | d2 cA F2 | G4 AG |$
FGAB ce | f3 e gf | d2 cA BG | EG !fermata!c2 (3CDE | F2 A2 GE | G2 F2 c2 | ed cA BG | F4 |]
GB/7d/41 Gipsy Laddy
abc notation
X:41
T:GB/7d/41 Gipsy Laddy
C:Skinny Crow
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:4/4
I:linebreak $
K:Cmix
C2 | G2 GA B2 A2 | G2 E2 !fermata!F2 EF | G2 c2 c2 dc | B2 G2 !fermata!c2 |$ (3GAB |
"^(a)" c3 d B3 c | G2 GE F2 EF | GA BG A2 GF | E2 C2 C2 ||$ C2 | G2 GA B2 A2 |
G2 E2 !fermata!F2 EF | G2 c2 c2 dc | B2 G2 !fermata!c2 |$ (3GAB |"^(a) var." c2 dc B2 c2 |
G2 GE F2 EF | GA BG A2 GF | E2 C2 C2 |]