# Difference between revisions of "Take 6 Transcription Programme: The Butterworth Archive, MS 7d"

Lewis Jones (talk | contribs) |
Lewis Jones (talk | contribs) |
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Line 163: | Line 163: | ||

'''abc notation''' | '''abc notation''' | ||

− | X:17 | + | X:17<br> |

− | T:GB/7d/17 Bonny Green | + | T:GB/7d/17 Bonny Green<br> |

− | T:Bucknell Morris Tunes 1 of 8 | + | T:Bucknell Morris Tunes 1 of 8<br> |

− | C:Will Rolfe, 1912 | + | C:Will Rolfe, 1912<br> |

− | L:1/8 | + | L:1/8<br> |

− | M:6/8 | + | M:6/8<br> |

− | I:linebreak $ | + | I:linebreak $<br> |

− | K:C | + | K:C<br> |

− | G | cB c ded | cB A GAB | cB c AGF | EFD C2 :: z | DE F EDC | DE F GAB |$ cB c AGF | EFD C2 :| z | | + | G | cB c ded | cB A GAB | cB c AGF | EFD C2 :: z | DE F EDC | DE F GAB |$ cB c AGF | EFD C2 :| z |<br> |

− | [M:3/8] C3 |[M:6/8] c2 B c3 | d2 e d3 | c2 B A3 | G2 A B3 | c2 B c3 | A2 G F3 |$ (2:3:2EF D3 | | + | [M:3/8] C3 |[M:6/8] c2 B c3 | d2 e d3 | c2 B A3 | G2 A B3 | c2 B c3 | A2 G F3 |$ (2:3:2EF D3 |<br> |

− | C3 C3 | c2 B c3 | d2 e d3 | c2 B A3 | G2 A B3 | c2 B c3 | A2 G F3 | (2:3:2EF D3 | | + | C3 C3 | c2 B c3 | d2 e d3 | c2 B A3 | G2 A B3 | c2 B c3 | A2 G F3 | (2:3:2EF D3 |<br> |

C4- !fermata!C |] | C4- !fermata!C |] | ||

Line 190: | Line 190: | ||

'''abc notation''' | '''abc notation''' | ||

− | X:18 | + | X:18<br> |

− | T:GB/7d/18 Queen's Delight | + | T:GB/7d/18 Queen's Delight<br> |

− | T:Bucknell Morris Tunes 2 of 8 | + | T:Bucknell Morris Tunes 2 of 8<br> |

− | L:1/8 | + | L:1/8<br> |

− | M:6/8 | + | M:6/8<br> |

− | I:linebreak $ | + | I:linebreak $<br> |

− | K:G | + | K:G<br> |

− | d2 G dcB | cBc ABc | d2 G d2 c | BcA G3 :| cBc cBc | ABc def | gfg eag |$ gfe def | g2 g gfe | | + | d2 G dcB | cBc ABc | d2 G d2 c | BcA G3 :| cBc cBc | ABc def | gfg eag |$ gfe def | g2 g gfe |<br> |

− | dec ABc | d2 G d2 c | BcA G3 ||"^Uprights" cBc cBc |[M:9/8] ABc d2 e f3 |$[M:6/8] g2 f g3 | | + | dec ABc | d2 G d2 c | BcA G3 ||"^Uprights" cBc cBc |[M:9/8] ABc d2 e f3 |$[M:6/8] g2 f g3 |<br> |

(2:3:2ea g3 |[M:9/8] g2 f e3 def |[M:6/8] g2 g gfe | dec ABc | d2 G d2 c | BcA G3 |] | (2:3:2ea g3 |[M:9/8] g2 f e3 def |[M:6/8] g2 g gfe | dec ABc | d2 G d2 c | BcA G3 |] | ||

Line 215: | Line 215: | ||

'''abc notation''' | '''abc notation''' | ||

− | X:19 | + | X:19<br> |

− | T:GB/7d/19 Bonnet So Blue | + | T:GB/7d/19 Bonnet So Blue<br> |

− | T:Bucknell Morris Tunes 3 of 8 | + | T:Bucknell Morris Tunes 3 of 8<br> |

− | L:1/8 | + | L:1/8<br> |

− | M:6/8 | + | M:6/8<br> |

− | I:linebreak $ | + | I:linebreak $<br> |

− | K:F | + | K:F<br> |

− | C | F>E F ABc | C>C C CDE | FA d cAF | GA G G2 A | F>F F FGA |$ C>C C C2 d | cB A GAG | F3 F2 :| | + | C | F>E F ABc | C>C C CDE | FA d cAF | GA G G2 A | F>F F FGA |$ C>C C C2 d | cB A GAG | F3 F2 :|<br> |

− | F | EF G GAG | C>C C C2 F | EF G GAB |$ c3 c2 B | A2 G F2 E | D2 E F2 G | AB A GFE | C3 D2 C | | + | F | EF G GAG | C>C C C2 F | EF G GAB |$ c3 c2 B | A2 G F2 E | D2 E F2 G | AB A GFE | C3 D2 C |<br> |

− | F>F F FGA |$ C>C C C2 F | EF G GAB | c3 c2 B | A2 G FGA | Bc d c2 d | cB A GFE | F3 F2 ||$ | + | F>F F FGA |$ C>C C C2 F | EF G GAB | c3 c2 B | A2 G FGA | Bc d c2 d | cB A GFE | F3 F2 ||$<br> |

− | [M:3/8]"^Capers" C3 |[M:6/8] F2 E F3 | A2 B c3 | C2 D C3 | C2 D E3 | F2 A d3 | c2 A F3 |$ G2 A G3 | | + | [M:3/8]"^Capers" C3 |[M:6/8] F2 E F3 | A2 B c3 | C2 D C3 | C2 D E3 | F2 A d3 | c2 A F3 |$ G2 A G3 |<br> |

[M:3/8]"^? should be A music." G2 B |[M:6/8] A2 G FGA | Bcd c2 d | cBA GFE | F3 F3 |] | [M:3/8]"^? should be A music." G2 B |[M:6/8] A2 G FGA | Bcd c2 d | cBA GFE | F3 F3 |] | ||

Line 243: | Line 243: | ||

'''abc notation''' | '''abc notation''' | ||

− | X:20 | + | X:20<br> |

− | T:GB/7d/20 Saturday Night | + | T:GB/7d/20 Saturday Night<br> |

− | T:Bucknell Morris Tunes 4 of 8 | + | T:Bucknell Morris Tunes 4 of 8<br> |

− | L:1/8 | + | L:1/8<br> |

− | M:6/8 | + | M:6/8<br> |

− | I:linebreak $ | + | I:linebreak $<br> |

− | K:G | + | K:G<br> |

− | BAG Gdd | dAA A3 | BAG EEE | AGF G3 :| ADD D3 | AAB c3 | BAG Bcd |$ DGF G3 | ADD D3 | | + | BAG Gdd | dAA A3 | BAG EEE | AGF G3 :| ADD D3 | AAB c3 | BAG Bcd |$ DGF G3 | ADD D3 |<br> |

[M:9/8] AAB c2 B c3 |[M:6/8] B2 A G3 | B2 c d3 | (2:3:2DG F3 |[M:3/8] G3 |] | [M:9/8] AAB c2 B c3 |[M:6/8] B2 A G3 | B2 c d3 | (2:3:2DG F3 |[M:3/8] G3 |] | ||

Line 267: | Line 267: | ||

'''abc notation''' | '''abc notation''' | ||

− | X:21 | + | X:21<br> |

− | T:GB/7d/21 Room for Cuckolds | + | T:GB/7d/21 Room for Cuckolds<br> |

− | T:Bucknell Morris Tunes 5 of 8 | + | T:Bucknell Morris Tunes 5 of 8<br> |

− | L:1/8 | + | L:1/8<br> |

− | M:6/8 | + | M:6/8<br> |

− | I:linebreak $ | + | I:linebreak $<br> |

− | K:F | + | K:F<br> |

− | F>FF C2 C |"^(a)" D>Fd cBA | F>FF C2 C | D2 G F3 ::$"^(b)" A2 F A2 F | AFA G3 | A2 F D2 D | | + | F>FF C2 C |"^(a)" D>Fd cBA | F>FF C2 C | D2 G F3 ::$"^(b)" A2 F A2 F | AFA G3 | A2 F D2 D |<br> |

− | GFE F3 ::$ F>FF C2 C |"^(a) var." D>Fd cAF | F>FF C2 C | D2 G F3 ::$"^(b) var." AGF A2 F | | + | GFE F3 ::$ F>FF C2 C |"^(a) var." D>Fd cAF | F>FF C2 C | D2 G F3 ::$"^(b) var." AGF A2 F |<br> |

ABA G3 | A2 F D2 D | GFE F3 :| | ABA G3 | A2 F D2 D | GFE F3 :| | ||

Line 292: | Line 292: | ||

'''abc notation''' | '''abc notation''' | ||

− | X:22 | + | X:22<br> |

− | T:GB/7d/22 Old Woman | + | T:GB/7d/22 Old Woman<br> |

− | T:Bucknell Morris Tunes 6 of 8 | + | T:Bucknell Morris Tunes 6 of 8<br> |

− | L:1/8 | + | L:1/8<br> |

− | M:6/8 | + | M:6/8<br> |

− | I:linebreak $ | + | I:linebreak $<br> |

− | K:C | + | K:C<br> |

− | C2 C C>AA | AGF EGC | FEF G3 | A>CC C3 :: ccc Gcc | Gcc cBA |$ GGG G2 G | GAF EFG | C2 C CAA | | + | C2 C C>AA | AGF EGC | FEF G3 | A>CC C3 :: ccc Gcc | Gcc cBA |$ GGG G2 G | GAF EFG | C2 C CAA |<br> |

AGF EGC | FEF G3 | A>CC C3 :| | AGF EGC | FEF G3 | A>CC C3 :| | ||

Line 316: | Line 316: | ||

'''abc notation''' | '''abc notation''' | ||

− | X:23 | + | X:23<br> |

− | T:GB/7d/23 Old Black Joe | + | T:GB/7d/23 Old Black Joe<br> |

− | T:Bucknell Morris Tunes 7 of 8 | + | T:Bucknell Morris Tunes 7 of 8<br> |

− | L:1/8 | + | L:1/8<br> |

− | M:6/8 | + | M:6/8<br> |

− | I:linebreak $ | + | I:linebreak $<br> |

− | K:F | + | K:F<br> |

− | CFF FEF | GAG G2 G | Fcc cBA | GAG BAG | F3 D3 | GFE F3 :|$ BAB c2 c | dBd c3 | BAB c2 c | | + | CFF FEF | GAG G2 G | Fcc cBA | GAG BAG | F3 D3 | GFE F3 :|$ BAB c2 c | dBd c3 | BAB c2 c |<br> |

dBd c3 | cBA AGF |$ GAG G2 G | Fcc cBA | GAG BAG | F3 D3 | GFE F3 |] | dBd c3 | cBA AGF |$ GAG G2 G | Fcc cBA | GAG BAG | F3 D3 | GFE F3 |] | ||

Line 340: | Line 340: | ||

'''abc notation''' | '''abc notation''' | ||

− | X:24 | + | X:24<br> |

− | T:GB/7d/24 Trunkles | + | T:GB/7d/24 Trunkles<br> |

− | T:Bucknell Morris Tunes 8 of 8 | + | T:Bucknell Morris Tunes 8 of 8<br> |

− | L:1/8 | + | L:1/8<br> |

− | M:4/4 | + | M:4/4<br> |

− | I:linebreak $ | + | I:linebreak $<br> |

− | K:F | + | K:F<br> |

− | c3 A B2 d2 | cABG A2 F2 | c3 A B2 d2 | cBAG F4 :| c3 =B c2 f2 |$ ddd=B c2 f2 | dd (3dc=B A2 B2 | | + | c3 A B2 d2 | cABG A2 F2 | c3 A B2 d2 | cBAG F4 :| c3 =B c2 f2 |$ ddd=B c2 f2 | dd (3dc=B A2 B2 |<br> |

c4 c2 fe | d2 _B2 BABd |$ c2 A2 AFAc | B2 G2 GFGB | A2 F2 F2 c2 | B2 AG F2 G2 | F4 F4 |] | c4 c2 fe | d2 _B2 BABd |$ c2 A2 AFAc | B2 G2 GFGB | A2 F2 F2 c2 | B2 AG F2 G2 | F4 F4 |] | ||

''Notes on GB/7d/24'' The Bucknell Morris Tunes have been thoroughly researched and published by Lionel Bacon in his "A Handbook | ''Notes on GB/7d/24'' The Bucknell Morris Tunes have been thoroughly researched and published by Lionel Bacon in his "A Handbook | ||

of Morris Dances" published by the Morris Ring. | of Morris Dances" published by the Morris Ring. |

## Revision as of 10:59, 20 July 2012

Link to Take 6 Transcription Programme Home Page

**GB/7d/1 Painful Plough**

**GB/7d/2 Now We've drunk Our Master's Health**

*Notes on GB/7d/2* The tune is identical to that of GB/6b/12.

**GB/7d/3 We Poor Labouring Men**

**GB/7d/4 Young Girl Cut Down In Her Prime**

**GB/7d/5 Horn Fair**

*Notes on GB/7d/5* In the MS the bar lengths are inconsistent. To resolve this the anacrucial crotchet has been split into
two quavers and a forward repeat has been inserted between them.

**GB/7d/6 Dido & Spandigo**

**GB/7d/7 Madam I'll Present**

*Notes on GB/7d/7* The tune is identical to that of GB/6b/25.

**GB/7d/8 "Banks of Sweet Dundee"**

**GB/7d/9 Planxty Conor**

**GB/7d/10 The Blackbird (Dance)**

**GB/7d/11 Bonny Light Horseman**

**GB/7d/12 Week Before Easter**

**GB/7d/13 'Twas Down in Yonder Valley**

**GB/7d/14 The Servant Man**

**GB/7d/15 Merry Broomfield**

**GB/7d/16 Tree in the Wood**

**GB/7d/17 Bucknell Morris Tunes 1 of 8: Bonny Green**

**abc notation**

X:17

T:GB/7d/17 Bonny Green

T:Bucknell Morris Tunes 1 of 8

C:Will Rolfe, 1912

L:1/8

M:6/8

I:linebreak $

K:C

G | cB c ded | cB A GAB | cB c AGF | EFD C2 :: z | DE F EDC | DE F GAB |$ cB c AGF | EFD C2 :| z |

[M:3/8] C3 |[M:6/8] c2 B c3 | d2 e d3 | c2 B A3 | G2 A B3 | c2 B c3 | A2 G F3 |$ (2:3:2EF D3 |

C3 C3 | c2 B c3 | d2 e d3 | c2 B A3 | G2 A B3 | c2 B c3 | A2 G F3 | (2:3:2EF D3 |

C4- !fermata!C |]

*Notes on GB/7d/17* The Bucknell Morris Tunes have been thoroughly researched and published by Lionel Bacon in his "A Handbook
of Morris Dances" published by the Morris Ring.

**GB/7d/18 Bucknell Morris Tunes 2 of 8: Queen's Delight**

**abc notation**

X:18

T:GB/7d/18 Queen's Delight

T:Bucknell Morris Tunes 2 of 8

L:1/8

M:6/8

I:linebreak $

K:G

d2 G dcB | cBc ABc | d2 G d2 c | BcA G3 :| cBc cBc | ABc def | gfg eag |$ gfe def | g2 g gfe |

dec ABc | d2 G d2 c | BcA G3 ||"^Uprights" cBc cBc |[M:9/8] ABc d2 e f3 |$[M:6/8] g2 f g3 |

(2:3:2ea g3 |[M:9/8] g2 f e3 def |[M:6/8] g2 g gfe | dec ABc | d2 G d2 c | BcA G3 |]

*Notes on GB/7d/18* The Bucknell Morris Tunes have been thoroughly researched and published by Lionel Bacon in his "A Handbook
of Morris Dances" published by the Morris Ring.

**GB/7d/19 Bucknell Morris Tunes 3 of 8: Bonnet So Blue**

**abc notation**

X:19

T:GB/7d/19 Bonnet So Blue

T:Bucknell Morris Tunes 3 of 8

L:1/8

M:6/8

I:linebreak $

K:F

C | F>E F ABc | C>C C CDE | FA d cAF | GA G G2 A | F>F F FGA |$ C>C C C2 d | cB A GAG | F3 F2 :|

F | EF G GAG | C>C C C2 F | EF G GAB |$ c3 c2 B | A2 G F2 E | D2 E F2 G | AB A GFE | C3 D2 C |

F>F F FGA |$ C>C C C2 F | EF G GAB | c3 c2 B | A2 G FGA | Bc d c2 d | cB A GFE | F3 F2 ||$

[M:3/8]"^Capers" C3 |[M:6/8] F2 E F3 | A2 B c3 | C2 D C3 | C2 D E3 | F2 A d3 | c2 A F3 |$ G2 A G3 |

[M:3/8]"^? should be A music." G2 B |[M:6/8] A2 G FGA | Bcd c2 d | cBA GFE | F3 F3 |]

*Notes on GB/7d/19* The Bucknell Morris Tunes have been thoroughly researched and published by Lionel Bacon in his "A Handbook
of Morris Dances" published by the Morris Ring.

**GB/7d/20 Bucknell Morris Tunes 4 of 8: Saturday Night**

**abc notation**

X:20

T:GB/7d/20 Saturday Night

T:Bucknell Morris Tunes 4 of 8

L:1/8

M:6/8

I:linebreak $

K:G

BAG Gdd | dAA A3 | BAG EEE | AGF G3 :| ADD D3 | AAB c3 | BAG Bcd |$ DGF G3 | ADD D3 |

[M:9/8] AAB c2 B c3 |[M:6/8] B2 A G3 | B2 c d3 | (2:3:2DG F3 |[M:3/8] G3 |]

*Notes on GB/7d/20* The Bucknell Morris Tunes have been thoroughly researched and published by Lionel Bacon in his "A Handbook
of Morris Dances" published by the Morris Ring.

**GB/7d/21 Bucknell Morris Tunes 5 of 8: Room for Cuckolds**

**abc notation**

X:21

T:GB/7d/21 Room for Cuckolds

T:Bucknell Morris Tunes 5 of 8

L:1/8

M:6/8

I:linebreak $

K:F

F>FF C2 C |"^(a)" D>Fd cBA | F>FF C2 C | D2 G F3 ::$"^(b)" A2 F A2 F | AFA G3 | A2 F D2 D |

GFE F3 ::$ F>FF C2 C |"^(a) var." D>Fd cAF | F>FF C2 C | D2 G F3 ::$"^(b) var." AGF A2 F |

ABA G3 | A2 F D2 D | GFE F3 :|

*Notes on GB/7d/21* The Bucknell Morris Tunes have been thoroughly researched and published by Lionel Bacon in his "A Handbook
of Morris Dances" published by the Morris Ring.

**GB/7d/22 Bucknell Morris Tunes 6 of 8: Old Woman**

**abc notation**

X:22

T:GB/7d/22 Old Woman

T:Bucknell Morris Tunes 6 of 8

L:1/8

M:6/8

I:linebreak $

K:C

C2 C C>AA | AGF EGC | FEF G3 | A>CC C3 :: ccc Gcc | Gcc cBA |$ GGG G2 G | GAF EFG | C2 C CAA |

AGF EGC | FEF G3 | A>CC C3 :|

*Notes on GB/7d/22* The Bucknell Morris Tunes have been thoroughly researched and published by Lionel Bacon in his "A Handbook
of Morris Dances" published by the Morris Ring.

**GB/7d/23 Bucknell Morris Tunes 7 of 8: Old Black Joe**

**abc notation**

X:23

T:GB/7d/23 Old Black Joe

T:Bucknell Morris Tunes 7 of 8

L:1/8

M:6/8

I:linebreak $

K:F

CFF FEF | GAG G2 G | Fcc cBA | GAG BAG | F3 D3 | GFE F3 :|$ BAB c2 c | dBd c3 | BAB c2 c |

dBd c3 | cBA AGF |$ GAG G2 G | Fcc cBA | GAG BAG | F3 D3 | GFE F3 |]

*Notes on GB/7d/23* The Bucknell Morris Tunes have been thoroughly researched and published by Lionel Bacon in his "A Handbook
of Morris Dances" published by the Morris Ring.

**GB/7d/24 Bucknell Morris Tunes 8 of 8: Trunkles**

**abc notation**

X:24

T:GB/7d/24 Trunkles

T:Bucknell Morris Tunes 8 of 8

L:1/8

M:4/4

I:linebreak $

K:F

c3 A B2 d2 | cABG A2 F2 | c3 A B2 d2 | cBAG F4 :| c3 =B c2 f2 |$ ddd=B c2 f2 | dd (3dc=B A2 B2 |

c4 c2 fe | d2 _B2 BABd |$ c2 A2 AFAc | B2 G2 GFGB | A2 F2 F2 c2 | B2 AG F2 G2 | F4 F4 |]

*Notes on GB/7d/24* The Bucknell Morris Tunes have been thoroughly researched and published by Lionel Bacon in his "A Handbook
of Morris Dances" published by the Morris Ring.