Difference between revisions of "Take 6 Transcription Programme: The Butterworth Archive, MS 7d"

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Link to [[Take 6 Transcription Programme]] Home Page
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<br> Link to [[Take 6 Transcription Programme]] Home Page
 +
 
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'''For playback, abc files, and midi files, of these transcriptions that are linked to their original MSS enter the filenames [LEB/2/1/1 or whatever] in the search box here. [[http://www.vwml.org/]]'''
  
  
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'''abc notation'''
 
'''abc notation'''
 +
 +
X:1<br>
 +
T:GB/7d/1 Painful Plough<br>
 +
C:East Chiltington, XI. 08<br>
 +
P:F.W. J(ekyll) & G.S.K B(utterworth)<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:Gmix<br>
 +
d | G3/2 A/ B c |[M:3/4] d f e |[M:4/4] d3/2 c/ A A | G3 :| G | B c d g |$ f e d B | c c d d |<br>
 +
G3/2 A/4G/4 F D | G3/2 A/ B c |[M:3/4] d f e |[M:4/4] d3/2 c/ A A | G3 |]<br>
  
  
Line 22: Line 38:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:2<br>
 +
T:GB/7d/2 Now We've Drunk Our Master's Health<br>
 +
C:Mr. George Knight, Horsham<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:3/4<br>
 +
I:linebreak $<br>
 +
K:C<br>
 +
C/ C/ F F | G E C | C A A | A2 c |$ G G G | G E C | C A A | A2 G |$ E G G | c G E | F G A |<br>
 +
w: Now we've drunk our|mas- ter's health,|We'll drink our|dame's, And|we will be|mer- ry in|do- ing the|same: To|him we drank|one glass, To|her we'll drink|<br>
 +
c2 A |$ G E C | F D D | E C C | C3 |]<br>
 +
w: two, And|we will be|mer- ry be-|fore we do|go.|<br>
  
 
''Notes on GB/7d/2'' The tune is identical to that of GB/6b/12.  
 
''Notes on GB/7d/2'' The tune is identical to that of GB/6b/12.  
Line 35: Line 64:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:3<br>
 +
T:GB/7d/3 We Poor Labouring Men<br>
 +
C:East Meon<br>
 +
P:F.W. J(ekyll)<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
M:6/8<br>
 +
I:linebreak $<br>
 +
K:Bb<br>
 +
F2 F B2 B | D3 F2 F | E3 F2 D | B,3- B,2 F |$ B2 A GAB | c2 A F>GA | B2 G C>D=E | F3- F2 F |$<br>
 +
d3 B2 B | e2 d c2 A | B2 c B2 _A | F3 D2 D |$ E2 E D2 C | D2 E F2 B | c2 A F>GA | B6 |]<br>
  
  
Line 46: Line 87:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:4
 +
T:GB/7d/4 Young Girl Cut Down In Her Prime
 +
C:East Meon
 +
P:F.W. J(ekyll)
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
W: The key has been changed from D (2 sharps) to D Mixolydian
 +
W: (one sharp) to eliminate the accidental naturals on the Cs.
 +
W:  The tune is unaltered.
 +
L:1/4
 +
M:3/4
 +
I:linebreak $
 +
K:Dmix
 +
D | D F A | A B A | G A F | E !fermata!D B/c/ | d B A |$ G B d | c/B/ A G | A2 A | d B A |
 +
G B d |$ c B G | A !fermata!D D/E/ | =F E D | A B c | E G F | D2 |]
  
  
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'''abc notation'''
 
'''abc notation'''
 +
 +
X:5<br>
 +
T:GB/7d/5 Horn Fair<br>
 +
P:F.W. J(ekyll)<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
M:4/4
 +
I:linebreak $<br>
 +
K:A<br>
 +
E- |: E | ABcd e2 fd | c2 dB A3 :| e | fddf dBBd |$ e2 dc B3 E | ABcd eafd | c2 dB !fermata!A2 |]<br>
  
 
''Notes on GB/7d/5'' In the MS the bar lengths are inconsistent. To resolve this the anacrucial crotchet has been split into
 
''Notes on GB/7d/5'' In the MS the bar lengths are inconsistent. To resolve this the anacrucial crotchet has been split into
Line 71: Line 137:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:5<br>
 +
T:GB/7d/5 Horn Fair<br>
 +
P:F.W. J(ekyll)<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:A<br>
 +
E- |: E | ABcd e2 fd | c2 dB A3 :| e | fddf dBBd |$ e2 dc B3 E | ABcd eafd | c2 dB !fermata!A2 |]<br>
  
  
Line 82: Line 158:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:7<br>
 +
T:GB/7d/7 Madam, I'll Present<br>
 +
C:Fernhurst<br>
 +
P:F(rancis) W. J(ekyll)<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:G<br>
 +
G | DG GG G2 GG | A>B cA B2 B A | GGGF E2 FG | A>BAG GF Bd |$[M:3/4] d4 d2 | B4 AG |<br>
 +
[M:4/4] G2 B2 D2 z D | EFGA B2 A2 | G6 |]<br>
  
 
''Notes on GB/7d/7'' The tune is identical to that of GB/6b/25.
 
''Notes on GB/7d/7'' The tune is identical to that of GB/6b/25.
Line 95: Line 183:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:8<br>
 +
T:GB/7d/8 "Banks of Sweet Dundee"<br>
 +
P:F.W. J(ekyll)<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
M:6/8<br>
 +
I:linebreak $<br>
 +
K:G<br>
 +
d | c2 B G2 G | B2 c d2 B | c2 B G2 G | G3- G2 d | g2 g d2 e |$ =f3 e2 c | _B2 A =f2 e |<br>
 +
"^." d3- d2 d | g2 g d2 e | =f3 e2 c |$ _B2 A =f2 e | d3- d2 d | c2 B G2 G | B2 c d2 B |<br>
 +
c2 B G2 G | G3- G2 |]<br>
  
  
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'''abc notation'''
 
'''abc notation'''
 +
 +
X:9<br>
 +
T:GB/7d/9 Planxty Conor<br>
 +
C:Tom O'Brien, fiddler & dancer, Foynes, Ireland, (19)06<br>
 +
T:F.W. J(ekyll)<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
M:6/8<br>
 +
I:linebreak $<br>
 +
K:G<br>
 +
d | B2 G AFD | E2 F G2 A | B>B B BcA | B>B B BcA | Bc d EFG |$ A>BA/G/ FED | EF G ABA | G3 F2 D |<br>
 +
G2 B def | g2 a gfe |$ d>c B c2 d | e>gf/a/ g2 e | dc B{/B} c2 A |{/A} B2 G AFD | EF G ABA |<br>
 +
G3 G2 |]<br>
  
  
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'''abc notation'''
 
'''abc notation'''
 +
 +
X:10<br>
 +
T:GB/7d/10 The Blackbird (Dance)<br>
 +
C:T. O'B(rien), Ireland, (19)06<br>
 +
P:F(rancis) W. J(ekyll)<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
M:6/8<br>
 +
I:linebreak $<br>
 +
K:Cmix<br>
 +
c2 B | A2 F A2 c | B3 A2 F | G2 A G2 F | E2 F G2 A | B2 A B2 d | e2 c =B2 G |$ F2 A G2 E |<br>
 +
C3 C2 D | _E2 D =E2 F | G2 f e2 d | c2 =B c2 d | e2 c =B2 G |$ F2 A G2 E | C3 C3 | C3 c2 d |<br>
 +
e3 c2 d | e3 f3 | g2 a g2 f | e2 f g2 e |$ f3 gfe | f3 g2 e | f2 g f2 e | c3 c2 d | e3 c2 d |<br>
 +
e3 f3 | g2 a g2 f |$ e2 f g2 e | f2 g f2 d | c3 c3 | c2 d e2 f | g2 a g2 f | e2 f g2 e |$<br>
 +
f3 d2 f | e2 c d2 =B | c2 =B G2 A | _B2 A B2 c | d2 e f2 d | g3 g3 |$ G2 A G2 F | E2 F G2 A |<br>
 +
B2 A B2 d | e2 c =B2 A | F2 A G2 E | C3 C3 | C3 |]<br>
  
  
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'''abc notation'''
 
'''abc notation'''
 +
 +
X:11<br>
 +
T:GB/7d/11 Bonny Light Horseman<br>
 +
C:Jesse Robinson, Ilmington, XI. 10
 +
P:F.W. J(ekyll)<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:3/4<br>
 +
I:linebreak $<br>
 +
K:D<br>
 +
D/>E/ | F F F/>E/ | E D D/F/ | A A A | (G F) D/>E/ | F F D/>E/ | F F F/>E/ | E D D/F/ | A A A |$<br>
 +
(G F) D/>F/ | A d c | B A (D/F/) | A d c | (B A) D/>F/ | A d c | B A F | E G B |$<br>
 +
B !fermata!A D/>E/ | F F F/>E/ | E D D/>F/ | A A A | G F D/>F/ | A d c | B A F/E/ | D B A | D2 |]<br>
  
  
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'''abc notation'''
 
'''abc notation'''
 +
 +
X:12<br>
 +
T:GB/7d/12 Week Before Easter<br>
 +
C:Mrs. Cranstone 1911<br>
 +
P:G.S.K. B(utterworth)<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:3/4<br>
 +
I:linebreak $<br>
 +
K:G<br>
 +
D | G G D | G2 D | G A/B/ c | d2 d/c/ | B A G | G D D/D/ | G c B |$ A2 B/c/ | d B d | c/B/ A c |<br>
 +
B G A | D3/2 E/ F/D/ | G3/2 A/ B | c A3/2 G/ | F G |]<br>
  
  
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'''abc notation'''
 
'''abc notation'''
 +
 +
X:13<br>
 +
T:GB/7d/13 'Twas Down in Yonder Valley<br>
 +
C:Mr. Searle, Wepham, XII. 11.<br>
 +
P:G.S.K. B(utterworth)<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:C<br>
 +
G | A G F F | F2 E F | C2 B, C |"^(a)" D2 D/E/ G | G2 E/D/ C | D E F/E/ D | B, B, C A, | G,3 G, |$<br>
 +
C D E C | D E F/E/ D | E F G/A/ B | c2 B c |"^(b)" A G F E | F3/2 G/ A/G/F/E/ | D2 C B, | C3 ||$<br>
 +
G | A G F F | F2 E F | C2 B, C |"^(a) var." D2 E G | G2 E/D/ C | D E F/E/ D | B, B, C A, |<br>
 +
G,3 G, | C D E C |$ D E F/E/ D | E F G/A/ B | c2 B c |"^(b) var." A2 G/F/ E | F3/2 G/ A/G/F/E/ |<br>
 +
D2 C B, | C3 |]<br>
  
  
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'''abc notation'''
 
'''abc notation'''
 +
 +
X:14<br>
 +
T:GB/7d/14 The Servant Man<br>
 +
C:Mr. Searle, Wepham, XII. 11.<br>
 +
P:G.S.K. B(utterworth)<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:G<br>
 +
G | B c d G | A2 B3/2 A/ | G3 G | B c d G | B2 d2 | A3 B/A/ |$ G F G A | g2 f e | e d2 e |<br>
 +
d3/2 c/ B G | c3/2 A/ B A | G3 |]<br>
  
  
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'''abc notation'''
 
'''abc notation'''
 +
 +
X:15<br>
 +
T:GB/7d/15 Merry Broomfield<br>
 +
C:Ipswich, VI. 12<br>
 +
P:G.S.K. B(utterworth)<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:C<br>
 +
EF | G2 EF G2 EF |"^(a)" G2 DE !fermata!C2 CC | DEFA AGEC | D4- D3 C |$ CE (3GAB c2 Ac |<br>
 +
GGAG C2 CE | EDFG BAFD | C6 ||$ EF | G2 EF G2 EF |"^(a) var." GC DE !fermata!C2 CC | DEFA AGEC |<br>
 +
D4- D3 C |$ CE (3GAB c2 Ac | GGAG C2 CE | EDFG BAFD | C6 |]<br>
  
  
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'''abc notation'''
 
'''abc notation'''
 +
 +
X:16<br>
 +
T:GB/7d/16 Tree in the Wood<br>
 +
C:Ipswich, VI. 12.<br>
 +
P:G.S.K. B(utterworth)<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:D<br>
 +
"^1st verse " DDDD F2 G2 |[M:6/4] E2 EE D4 D3 E |$[M:4/4] F2 d2 A3 G |[M:6/4] F2 E2 D4 D3 E |<br>
 +
w: Once there was a tree that|grew in the wood, And the|wood stood down the|vall- ies low, And the|<br>
 +
[M:4/4] F2 d2 A3 G |$[M:6/4] F2 E2 D6 A,2 |[M:4/4] D2 D2 F2 F2 | E2 E2 A,2 A,2 |$ E2 E2 D2 C2 |<br>
 +
w: wood stood down the|vall- ies low. 2.~And|on this tree there|was a branch, a|dan- dy cur- ious|<br>
 +
A,6"^(a)" F2 | GGGG E2"^(b)" EE |$[M:6/4] FFFF D4 D3 E |[M:4/4] F2 d2 A3 G |[M:2/4] F2 E2 |$<br>
 +
w: branch. The|branch was on the tree, And the|tree was in the wood, And the|wood stood down the|vall- ies|<br>
 +
[M:4/4] D4 D3 E | F2 d2 A3 G |[M:5/4] F2 E2 D6 |]<br>
 +
w: low, And the|wood stood down the|vall- ies low|<br>
  
  
Line 199: Line 411:
 
T:Bucknell Morris Tunes 1 of 8<br>
 
T:Bucknell Morris Tunes 1 of 8<br>
 
C:Will Rolfe, 1912<br>
 
C:Will Rolfe, 1912<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 
L:1/8<br>
 
L:1/8<br>
 
M:6/8<br>
 
M:6/8<br>
Line 206: Line 419:
 
[M:3/8] C3 |[M:6/8] c2 B c3 | d2 e d3 | c2 B A3 | G2 A B3 | c2 B c3 | A2 G F3 |$ (2:3:2EF D3 |<br>  
 
[M:3/8] C3 |[M:6/8] c2 B c3 | d2 e d3 | c2 B A3 | G2 A B3 | c2 B c3 | A2 G F3 |$ (2:3:2EF D3 |<br>  
 
C3 C3 | c2 B c3 | d2 e d3 | c2 B A3 | G2 A B3 | c2 B c3 | A2 G F3 | (2:3:2EF D3 |<br>  
 
C3 C3 | c2 B c3 | d2 e d3 | c2 B A3 | G2 A B3 | c2 B c3 | A2 G F3 | (2:3:2EF D3 |<br>  
−
C4- !fermata!C |]  
+
C4- !fermata!C |]<br>
  
  
Line 226: Line 439:
 
T:GB/7d/18 Queen's Delight<br>
 
T:GB/7d/18 Queen's Delight<br>
 
T:Bucknell Morris Tunes 2 of 8<br>
 
T:Bucknell Morris Tunes 2 of 8<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 
L:1/8<br>
 
L:1/8<br>
 
M:6/8<br>
 
M:6/8<br>
Line 232: Line 446:
 
d2 G dcB | cBc ABc | d2 G d2 c | BcA G3 :| cBc cBc | ABc def | gfg eag |$ gfe def | g2 g gfe |<br>  
 
d2 G dcB | cBc ABc | d2 G d2 c | BcA G3 :| cBc cBc | ABc def | gfg eag |$ gfe def | g2 g gfe |<br>  
 
dec ABc | d2 G d2 c | BcA G3 ||"^Uprights" cBc cBc |[M:9/8] ABc d2 e f3 |$[M:6/8] g2 f g3 |<br>  
 
dec ABc | d2 G d2 c | BcA G3 ||"^Uprights" cBc cBc |[M:9/8] ABc d2 e f3 |$[M:6/8] g2 f g3 |<br>  
−
(2:3:2ea g3 |[M:9/8] g2 f e3 def |[M:6/8] g2 g gfe | dec ABc | d2 G d2 c | BcA G3 |]
+
(2:3:2ea g3 |[M:9/8] g2 f e3 def |[M:6/8] g2 g gfe | dec ABc | d2 G d2 c | BcA G3 |]<br>
  
  
Line 252: Line 466:
 
T:GB/7d/19 Bonnet So Blue<br>
 
T:GB/7d/19 Bonnet So Blue<br>
 
T:Bucknell Morris Tunes 3 of 8<br>
 
T:Bucknell Morris Tunes 3 of 8<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 
L:1/8<br>
 
L:1/8<br>
 
M:6/8<br>
 
M:6/8<br>
Line 260: Line 475:
 
F>F F FGA |$ C>C C C2 F | EF G GAB | c3 c2 B | A2 G FGA | Bc d c2 d | cB A GFE | F3 F2 ||$<br>  
 
F>F F FGA |$ C>C C C2 F | EF G GAB | c3 c2 B | A2 G FGA | Bc d c2 d | cB A GFE | F3 F2 ||$<br>  
 
[M:3/8]"^Capers" C3 |[M:6/8] F2 E F3 | A2 B c3 | C2 D C3 | C2 D E3 | F2 A d3 | c2 A F3 |$ G2 A G3 |<br>  
 
[M:3/8]"^Capers" C3 |[M:6/8] F2 E F3 | A2 B c3 | C2 D C3 | C2 D E3 | F2 A d3 | c2 A F3 |$ G2 A G3 |<br>  
−
[M:3/8]"^? should be A music." G2 B |[M:6/8] A2 G FGA | Bcd c2 d | cBA GFE | F3 F3 |]
+
[M:3/8]"^? should be A music." G2 B |[M:6/8] A2 G FGA | Bcd c2 d | cBA GFE | F3 F3 |]<br>
  
  
Line 280: Line 495:
 
T:GB/7d/20 Saturday Night<br>
 
T:GB/7d/20 Saturday Night<br>
 
T:Bucknell Morris Tunes 4 of 8<br>
 
T:Bucknell Morris Tunes 4 of 8<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 
L:1/8<br>
 
L:1/8<br>
 
M:6/8<br>
 
M:6/8<br>
Line 285: Line 501:
 
K:G<br>
 
K:G<br>
 
BAG Gdd | dAA A3 | BAG EEE | AGF G3 :| ADD D3 | AAB c3 | BAG Bcd |$ DGF G3 | ADD D3 |<br>  
 
BAG Gdd | dAA A3 | BAG EEE | AGF G3 :| ADD D3 | AAB c3 | BAG Bcd |$ DGF G3 | ADD D3 |<br>  
−
[M:9/8] AAB c2 B c3 |[M:6/8] B2 A G3 | B2 c d3 | (2:3:2DG F3 |[M:3/8] G3 |]
+
[M:9/8] AAB c2 B c3 |[M:6/8] B2 A G3 | B2 c d3 | (2:3:2DG F3 |[M:3/8] G3 |]<br>
  
  
Line 305: Line 521:
 
T:GB/7d/21 Room for Cuckolds<br>
 
T:GB/7d/21 Room for Cuckolds<br>
 
T:Bucknell Morris Tunes 5 of 8<br>
 
T:Bucknell Morris Tunes 5 of 8<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 
L:1/8<br>
 
L:1/8<br>
 
M:6/8<br>
 
M:6/8<br>
Line 311: Line 528:
 
F>FF C2 C |"^(a)" D>Fd cBA | F>FF C2 C | D2 G F3 ::$"^(b)" A2 F A2 F | AFA G3 | A2 F D2 D |<br>  
 
F>FF C2 C |"^(a)" D>Fd cBA | F>FF C2 C | D2 G F3 ::$"^(b)" A2 F A2 F | AFA G3 | A2 F D2 D |<br>  
 
GFE F3 ::$ F>FF C2 C |"^(a) var." D>Fd cAF | F>FF C2 C | D2 G F3 ::$"^(b) var." AGF A2 F |<br>  
 
GFE F3 ::$ F>FF C2 C |"^(a) var." D>Fd cAF | F>FF C2 C | D2 G F3 ::$"^(b) var." AGF A2 F |<br>  
−
ABA G3 | A2 F D2 D | GFE F3 :|
+
ABA G3 | A2 F D2 D | GFE F3 :|<br>
  
  
Line 331: Line 548:
 
T:GB/7d/22 Old Woman<br>
 
T:GB/7d/22 Old Woman<br>
 
T:Bucknell Morris Tunes 6 of 8<br>
 
T:Bucknell Morris Tunes 6 of 8<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 
L:1/8<br>
 
L:1/8<br>
 
M:6/8<br>
 
M:6/8<br>
Line 336: Line 554:
 
K:C<br>
 
K:C<br>
 
C2 C C>AA | AGF EGC | FEF G3 | A>CC C3 :: ccc Gcc | Gcc cBA |$ GGG G2 G | GAF EFG | C2 C CAA |<br>  
 
C2 C C>AA | AGF EGC | FEF G3 | A>CC C3 :: ccc Gcc | Gcc cBA |$ GGG G2 G | GAF EFG | C2 C CAA |<br>  
−
AGF EGC | FEF G3 | A>CC C3 :|
+
AGF EGC | FEF G3 | A>CC C3 :|<br>
  
  
Line 356: Line 574:
 
T:GB/7d/23 Old Black Joe<br>
 
T:GB/7d/23 Old Black Joe<br>
 
T:Bucknell Morris Tunes 7 of 8<br>
 
T:Bucknell Morris Tunes 7 of 8<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 
L:1/8<br>
 
L:1/8<br>
 
M:6/8<br>
 
M:6/8<br>
Line 361: Line 580:
 
K:F<br>
 
K:F<br>
 
CFF FEF | GAG G2 G | Fcc cBA | GAG BAG | F3 D3 | GFE F3 :|$ BAB c2 c | dBd c3 | BAB c2 c |<br>  
 
CFF FEF | GAG G2 G | Fcc cBA | GAG BAG | F3 D3 | GFE F3 :|$ BAB c2 c | dBd c3 | BAB c2 c |<br>  
−
dBd c3 | cBA AGF |$ GAG G2 G | Fcc cBA | GAG BAG | F3 D3 | GFE F3 |]
+
dBd c3 | cBA AGF |$ GAG G2 G | Fcc cBA | GAG BAG | F3 D3 | GFE F3 |]<br>
  
  
Line 381: Line 600:
 
T:GB/7d/24 Trunkles<br>
 
T:GB/7d/24 Trunkles<br>
 
T:Bucknell Morris Tunes 8 of 8<br>
 
T:Bucknell Morris Tunes 8 of 8<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 
L:1/8<br>
 
L:1/8<br>
 
M:4/4<br>
 
M:4/4<br>
Line 386: Line 606:
 
K:F<br>
 
K:F<br>
 
c3 A B2 d2 | cABG A2 F2 | c3 A B2 d2 | cBAG F4 :| c3 =B c2 f2 |$ ddd=B c2 f2 | dd (3dc=B A2 B2 |<br>  
 
c3 A B2 d2 | cABG A2 F2 | c3 A B2 d2 | cBAG F4 :| c3 =B c2 f2 |$ ddd=B c2 f2 | dd (3dc=B A2 B2 |<br>  
−
c4 c2 fe | d2 _B2 BABd |$ c2 A2 AFAc | B2 G2 GFGB | A2 F2 F2 c2 | B2 AG F2 G2 | F4 F4 |]
+
c4 c2 fe | d2 _B2 BABd |$ c2 A2 AFAc | B2 G2 GFGB | A2 F2 F2 c2 | B2 AG F2 G2 | F4 F4 |]<br>
  
  
Line 406: Line 626:
 
T:GB/7d/30a Fisher Laddy<br>
 
T:GB/7d/30a Fisher Laddy<br>
 
T:Escrick Sword Dance Tunes 1 of 2<br>
 
T:Escrick Sword Dance Tunes 1 of 2<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 
L:1/8<br>
 
L:1/8<br>
 
M:4/4<br>
 
M:4/4<br>
Line 427: Line 648:
 
T:GB/7d/30b Oyster Girl<br>
 
T:GB/7d/30b Oyster Girl<br>
 
T:Escrick Sword Dance Tunes 2 of 2<br>
 
T:Escrick Sword Dance Tunes 2 of 2<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 
L:1/8<br>
 
L:1/8<br>
 
Q:1/4=144<br>
 
Q:1/4=144<br>
Line 449: Line 671:
 
T:GB/7d/31a Song<br>
 
T:GB/7d/31a Song<br>
 
T:Winlaton Sword Dance Tunes 1 of 2<br>
 
T:Winlaton Sword Dance Tunes 1 of 2<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 
L:1/8<br>
 
L:1/8<br>
 
M:6/8<br>
 
M:6/8<br>
Line 471: Line 694:
 
T:GB/7d/31b Jig Tune<br>
 
T:GB/7d/31b Jig Tune<br>
 
T:Winlaton Sword Dance Tunes 2 of 2<br>
 
T:Winlaton Sword Dance Tunes 2 of 2<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 
L:1/8<br>
 
L:1/8<br>
 
M:6/8<br>
 
M:6/8<br>
Line 489: Line 713:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:34<br>
 +
T:GB/7d/34 A Story, A Story<br>
 +
C:Mr. John Woodhouse, aged 81, California, Ormesby, Norfolk, III. 13.<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:Cmix<br>
 +
G | C2 D/E/ F | G B A G | F2 D"^(a)" F/D/ | C3 G |"^(b)" B2 G/A/ B |"^(c)" G2 A G |$ F/E/ D E F |<br>
 +
G3 G | B2 A c | G B A G | F/E/ D B c | G2 F D |"^(d)" C2 D E/F/ |$ G B A G | F2"^(e)" D B, | C3 ||<br>
 +
G | C2 D/E/ F | G B A G | F2 D"^(a) var." D |$ C3 G |"^(b) var." B G A B |"^(c) var." G B A G |<br>
 +
F/E/ D E F | G3 G | B2 A c | G B A G |$ F/E/ D B c | G2 F D |"^(d) var." C3/2 D/ E F | G B A G |<br>
 +
F2"^(e) var." D/C/ B, | C3 |]<br>
  
 
''Notes on GB/7d/34'' An F has been inserted into the key signature and the flats have been removed from all of the Bs; this fine Mixolydian tune is simplified but unaltered by this.
 
''Notes on GB/7d/34'' An F has been inserted into the key signature and the flats have been removed from all of the Bs; this fine Mixolydian tune is simplified but unaltered by this.
Line 502: Line 740:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:35<br>
 +
T:GB/7d/35 On the First of November Last<br>
 +
C:Mr. John Woodhouse, aged 81, California, Ormesby, Norfolk, III. 13.<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
M:3/4<br>
 +
I:linebreak $<br>
 +
K:Gdor<br>
 +
B>c | d>e d3 B | c>"^(a)"d !fermata!c2 B>A |"^(b) (c)" G>A B2 A2 | G>F !fermata!D2 B>c |$<br>
 +
w: |||||<br>
 +
d2 c2 B>G | A>G D2 G>F |[M:4/4] G>B d3 c B>G | F2 !fermata!G4 ||$ B>c |[M:3/4] d>e d3 B |<br>
 +
w: ||||||<br>
 +
c>"^(a) var."B !fermata!c2 B>A |"^(b) var." G2 B2 A2 | G>F !fermata!D2 B>c |$ d2 c2 B>G |<br>
 +
w: ||||<br>
 +
A>G D2 G>F |[M:4/4] G>B d3 c B>F | F2 !fermata!G4 ||$ B>c |[M:3/4] d>e d3 B |<br>
 +
w: |||||<br>
 +
c>d !fermata!c2 B>A |"^(c) var." G>B A2 G2 | D4 B>c |$ d2 c2 B>G | A>G D2 G>F |<br>
 +
w: |came a can- non|ball * *|||<br>
 +
[M:4/4] G>B d3 c B>G | F2 !fermata!G4 ||<br>
 +
w: ||<br>
  
 
''Notes on GB/7d/35'' A redundant flat has been removed from the key signature, which is F and in the Dorian mode; the tune is unaltered by this. Fermatas have been added on the final minim in each of the three verses (at the ends of the second, fouth and sixth lines) to bring out the unusual and beautiful shape of the tune. The "cannon ball" interpolation clearly relates to a variation in the tune specific to that particular verse.
 
''Notes on GB/7d/35'' A redundant flat has been removed from the key signature, which is F and in the Dorian mode; the tune is unaltered by this. Fermatas have been added on the final minim in each of the three verses (at the ends of the second, fouth and sixth lines) to bring out the unusual and beautiful shape of the tune. The "cannon ball" interpolation clearly relates to a variation in the tune specific to that particular verse.
Line 515: Line 774:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:36<br>
 +
T:GB/7d/36 Scarbro' Town<br>
 +
C:Attributed by Butterworth to "??"<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:C<br>
 +
G | c B c A | G2 C F | G2 D F/E/ | C3 G | c d e c |$ d2 G d | B G A A | G3 G | G c c d |<br>
 +
e c !fermata!A G | A d c/B/ c |$ F2 !fermata!E E/D/ | C A A B | c c F A | G3/2 F/ D F/E/ | C3 ||<br>
  
  
Line 526: Line 796:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:37<br>
 +
T:GB/7d/37 O Father, Dear Father<br>
 +
T:(Fragment)<br>
 +
C:Mr. Woodhouse<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:Ddor<br>
 +
E/F/ | G2 E F | G2 E F | G G F D | C3 D/E/ | F2 D E | F2 D/E/ F | G G F D | C3 D/E/ |$<br>
 +
"^(a)" F2 E C | D2 A d | c3/2 A/ =B"^(b)" A/G/ | A3 G | F2 E D | C D E/F/ G | F3/2 D/ E/D/ C |<br>
 +
D3 ||$ D/E/ | F F D E | F2 D/E/ F | G2 F D | C3 D | F2 D E | F2 D E/F/ | G3/2 E/ F D | C3 D/E/ |$<br>
 +
"^(a) var." F D E C | D2 A d | c3/2 A/ =B"^(b) var." G | A3 G | F2 E D | C D E/F/ G |<br>
 +
F3/2 D/ E/D/ C | D3 |]<br>
  
  
Line 537: Line 822:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:38<br>
 +
T:GB/7d/38 On the 1st of November<br>
 +
C:Mr. 'Skinny' Crow, Filby, Norfolk, 3.13.<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br><br>
 +
M:3/4<br>
 +
I:linebreak $<br>
 +
K:Gaeo<br>
 +
"^1st verse" B>c | d2 c2 B>G | A>G D2 G>F |[M:4/4] G>B d3 c (3BAG | F2 G4 B>c |$<br>
 +
w: |||||<br>
 +
[M:3/4] d2 c2 (3BAG | A>G D2 G>F |[M:4/4] G>B d4 (3BAG | F2 G4 ||$[M:3/4]"^Rest" G>A |<br>
 +
w: |||||<br>
 +
B>c d3 c/B/ | c>B !fermata!c2 B>A |"^(a)" GB AG F/=E/D- | D4 B>c |$ d2 c2 (3BAG | (3AGF D2 G>F |<br>
 +
w: ||||||<br>
 +
[M:4/4]"^(b)" G>B d4 (3BAG | F2 G4 ||$ G>A | B>c d3 c/B/ | c>B !fermata!c2 B>A |<br>
 +
w: |||||<br>
 +
"^(a) var." GBAG D2- | D4 B>c |$ d2 c2 (3BAG | (3AGF D2 G>F |"^(b) var." G>B d3 A (3BAG | FG G4 |]<br>
 +
w: came a can- non ball||||||<br>
  
  
Line 548: Line 852:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:39<br>
 +
T:GB/7d/39 Saucy Ward<br>
 +
C:'Skinny' Crow, Filby, III.13.<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:Fmix<br>
 +
c | B A F F | A B c c | B A F F | F3 F | A B c/d/ e | d c B c | d f e d | c3 F |$ A B c/d/ e |<br>
 +
d c B c | d f e d | c3 c | B A F F | A B"^(a)" c/d/ c | B A F F | F3 || c |$ B A F F | A B c c |<br>
 +
B A F F | F3 F | A B c/d/ e | d c B c | d f e d | c3 F | A B c/d/ e |$ d c B c | d f e d | c3 c |<br>
 +
B A F F | A B"^(a) var." c c | B A F F | F3 |]<br>
  
  
Line 559: Line 876:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:40<br>
 +
T:GB/7d/40 Crystal Stream<br>
 +
C:'Skinny' Crow<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
M:3/4<br>
 +
I:linebreak $<br>
 +
K:F<br>
 +
cA | F2 FAcd | c4 d2 | G2 G2 c2 | B2 !fermata!A2 (3cde | f2 e2 d2 | c2 AG F2 | d2 cA F2 | G4 AG |$<br>
 +
FGAB ce | f3 e gf | d2 cA BG | EG !fermata!c2 (3CDE | F2 A2 GE | G2 F2 c2 | ed cA BG | F4 |]<br>
  
  
Line 570: Line 898:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:41<br>
 +
T:GB/7d/41 Gipsy Laddy<br>
 +
C:Skinny Crow<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:Cmix<br>
 +
C2 | G2 GA B2 A2 | G2 E2 !fermata!F2 EF | G2 c2 c2 dc | B2 G2 !fermata!c2 |$ (3GAB |<br>
 +
"^(a)" c3 d B3 c | G2 GE F2 EF | GA BG A2 GF | E2 C2 C2 ||$ C2 | G2 GA B2 A2 |<br>
 +
G2 E2 !fermata!F2 EF | G2 c2 c2 dc | B2 G2 !fermata!c2 |$ (3GAB |"^(a) var." c2 dc B2 c2 |<br>
 +
G2 GE F2 EF | GA BG A2 GF | E2 C2 C2 |]<br>

Latest revision as of 13:49, 20 April 2016


Link to Take 6 Transcription Programme Home Page


For playback, abc files, and midi files, of these transcriptions that are linked to their original MSS enter the filenames [LEB/2/1/1 or whatever] in the search box here. [[1]]


GB/7d/1 Painful Plough

File:GB-7d-1.mid

File:GB-7d-1.pdf

File:GB-7d-1.xml

abc notation

X:1
T:GB/7d/1 Painful Plough
C:East Chiltington, XI. 08
P:F.W. J(ekyll) & G.S.K B(utterworth)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:Gmix
d | G3/2 A/ B c |[M:3/4] d f e |[M:4/4] d3/2 c/ A A | G3 :| G | B c d g |$ f e d B | c c d d |
G3/2 A/4G/4 F D | G3/2 A/ B c |[M:3/4] d f e |[M:4/4] d3/2 c/ A A | G3 |]


GB/7d/2 Now We've drunk Our Master's Health

File:GB-7d-2.mid

File:GB-7d-2.pdf

File:GB-7d-2.xml

abc notation

X:2
T:GB/7d/2 Now We've Drunk Our Master's Health
C:Mr. George Knight, Horsham
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:3/4
I:linebreak $
K:C
C/ C/ F F | G E C | C A A | A2 c |$ G G G | G E C | C A A | A2 G |$ E G G | c G E | F G A |
w: Now we've drunk our|mas- ter's health,|We'll drink our|dame's, And|we will be|mer- ry in|do- ing the|same: To|him we drank|one glass, To|her we'll drink|
c2 A |$ G E C | F D D | E C C | C3 |]
w: two, And|we will be|mer- ry be-|fore we do|go.|

Notes on GB/7d/2 The tune is identical to that of GB/6b/12.


GB/7d/3 We Poor Labouring Men

File:GB-7d-3.mid

File:GB-7d-3.pdf

File:GB-7d-3.xml

abc notation

X:3
T:GB/7d/3 We Poor Labouring Men
C:East Meon
P:F.W. J(ekyll)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:6/8
I:linebreak $
K:Bb
F2 F B2 B | D3 F2 F | E3 F2 D | B,3- B,2 F |$ B2 A GAB | c2 A F>GA | B2 G C>D=E | F3- F2 F |$
d3 B2 B | e2 d c2 A | B2 c B2 _A | F3 D2 D |$ E2 E D2 C | D2 E F2 B | c2 A F>GA | B6 |]


GB/7d/4 Young Girl Cut Down In Her Prime

File:GB-7d-4.mid

File:GB-7d-4.pdf

File:GB-7d-4.xml

abc notation

X:4 T:GB/7d/4 Young Girl Cut Down In Her Prime C:East Meon P:F.W. J(ekyll) Z:Transcribed by Simon Furey and Lewis Jones
W: The key has been changed from D (2 sharps) to D Mixolydian W: (one sharp) to eliminate the accidental naturals on the Cs. W: The tune is unaltered. L:1/4 M:3/4 I:linebreak $ K:Dmix D | D F A | A B A | G A F | E !fermata!D B/c/ | d B A |$ G B d | c/B/ A G | A2 A | d B A | G B d |$ c B G | A !fermata!D D/E/ | =F E D | A B c | E G F | D2 |]


GB/7d/5 Horn Fair

File:GB-7d-5.mid

File:GB-7d-5.pdf

File:GB-7d-5.xml

abc notation

X:5
T:GB/7d/5 Horn Fair
P:F.W. J(ekyll)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:4/4 I:linebreak $
K:A
E- |: E | ABcd e2 fd | c2 dB A3 :| e | fddf dBBd |$ e2 dc B3 E | ABcd eafd | c2 dB !fermata!A2 |]

Notes on GB/7d/5 In the MS the bar lengths are inconsistent. To resolve this the anacrucial crotchet has been split into two quavers and a forward repeat has been inserted between them.


GB/7d/6 Dido & Spandigo

File:GB-7d-6.mid

File:GB-7d-6.pdf

File:GB-7d-6.xml

abc notation

X:5
T:GB/7d/5 Horn Fair
P:F.W. J(ekyll)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:4/4
I:linebreak $
K:A
E- |: E | ABcd e2 fd | c2 dB A3 :| e | fddf dBBd |$ e2 dc B3 E | ABcd eafd | c2 dB !fermata!A2 |]


GB/7d/7 Madam I'll Present

File:GB-7d-7.mid

File:GB-7d-7.pdf

File:GB-7d-7.xml

abc notation

X:7
T:GB/7d/7 Madam, I'll Present
C:Fernhurst
P:F(rancis) W. J(ekyll)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:4/4
I:linebreak $
K:G
G | DG GG G2 GG | A>B cA B2 B A | GGGF E2 FG | A>BAG GF Bd |$[M:3/4] d4 d2 | B4 AG |
[M:4/4] G2 B2 D2 z D | EFGA B2 A2 | G6 |]

Notes on GB/7d/7 The tune is identical to that of GB/6b/25.


GB/7d/8 "Banks of Sweet Dundee"

File:GB-7d-8.mid

File:GB-7d-8.pdf

File:GB-7d-8.xml

abc notation

X:8
T:GB/7d/8 "Banks of Sweet Dundee"
P:F.W. J(ekyll)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:6/8
I:linebreak $
K:G
d | c2 B G2 G | B2 c d2 B | c2 B G2 G | G3- G2 d | g2 g d2 e |$ =f3 e2 c | _B2 A =f2 e |
"^." d3- d2 d | g2 g d2 e | =f3 e2 c |$ _B2 A =f2 e | d3- d2 d | c2 B G2 G | B2 c d2 B |
c2 B G2 G | G3- G2 |]


GB/7d/9 Planxty Conor

File:GB-7d-9.mid

File:GB-7d-9.pdf

File:GB-7d-9.xml

abc notation

X:9
T:GB/7d/9 Planxty Conor
C:Tom O'Brien, fiddler & dancer, Foynes, Ireland, (19)06
T:F.W. J(ekyll)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:6/8
I:linebreak $
K:G
d | B2 G AFD | E2 F G2 A | B>B B BcA | B>B B BcA | Bc d EFG |$ A>BA/G/ FED | EF G ABA | G3 F2 D |
G2 B def | g2 a gfe |$ d>c B c2 d | e>gf/a/ g2 e | dc B{/B} c2 A |{/A} B2 G AFD | EF G ABA |
G3 G2 |]


GB/7d/10 The Blackbird (Dance)

File:GB-7d-10.mid

File:GB-7d-10.pdf

File:GB-7d-10.xml

abc notation

X:10
T:GB/7d/10 The Blackbird (Dance)
C:T. O'B(rien), Ireland, (19)06
P:F(rancis) W. J(ekyll)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:6/8
I:linebreak $
K:Cmix
c2 B | A2 F A2 c | B3 A2 F | G2 A G2 F | E2 F G2 A | B2 A B2 d | e2 c =B2 G |$ F2 A G2 E |
C3 C2 D | _E2 D =E2 F | G2 f e2 d | c2 =B c2 d | e2 c =B2 G |$ F2 A G2 E | C3 C3 | C3 c2 d |
e3 c2 d | e3 f3 | g2 a g2 f | e2 f g2 e |$ f3 gfe | f3 g2 e | f2 g f2 e | c3 c2 d | e3 c2 d |
e3 f3 | g2 a g2 f |$ e2 f g2 e | f2 g f2 d | c3 c3 | c2 d e2 f | g2 a g2 f | e2 f g2 e |$
f3 d2 f | e2 c d2 =B | c2 =B G2 A | _B2 A B2 c | d2 e f2 d | g3 g3 |$ G2 A G2 F | E2 F G2 A |
B2 A B2 d | e2 c =B2 A | F2 A G2 E | C3 C3 | C3 |]


GB/7d/11 Bonny Light Horseman

File:GB-7d-11.mid

File:GB-7d-11.pdf

File:GB-7d-11.xml

abc notation

X:11
T:GB/7d/11 Bonny Light Horseman
C:Jesse Robinson, Ilmington, XI. 10 P:F.W. J(ekyll)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:3/4
I:linebreak $
K:D
D/>E/ | F F F/>E/ | E D D/F/ | A A A | (G F) D/>E/ | F F D/>E/ | F F F/>E/ | E D D/F/ | A A A |$
(G F) D/>F/ | A d c | B A (D/F/) | A d c | (B A) D/>F/ | A d c | B A F | E G B |$
B !fermata!A D/>E/ | F F F/>E/ | E D D/>F/ | A A A | G F D/>F/ | A d c | B A F/E/ | D B A | D2 |]


GB/7d/12 Week Before Easter

File:GB-7d-12.mid

File:GB-7d-12.pdf

File:GB-7d-12.xml

abc notation

X:12
T:GB/7d/12 Week Before Easter
C:Mrs. Cranstone 1911
P:G.S.K. B(utterworth)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:3/4
I:linebreak $
K:G
D | G G D | G2 D | G A/B/ c | d2 d/c/ | B A G | G D D/D/ | G c B |$ A2 B/c/ | d B d | c/B/ A c |
B G A | D3/2 E/ F/D/ | G3/2 A/ B | c A3/2 G/ | F G |]


GB/7d/13 'Twas Down in Yonder Valley

File:GB-7d-13.mid

File:GB-7d-13.pdf

File:GB-7d-13.xml

abc notation

X:13
T:GB/7d/13 'Twas Down in Yonder Valley
C:Mr. Searle, Wepham, XII. 11.
P:G.S.K. B(utterworth)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:C
G | A G F F | F2 E F | C2 B, C |"^(a)" D2 D/E/ G | G2 E/D/ C | D E F/E/ D | B, B, C A, | G,3 G, |$
C D E C | D E F/E/ D | E F G/A/ B | c2 B c |"^(b)" A G F E | F3/2 G/ A/G/F/E/ | D2 C B, | C3 ||$
G | A G F F | F2 E F | C2 B, C |"^(a) var." D2 E G | G2 E/D/ C | D E F/E/ D | B, B, C A, |
G,3 G, | C D E C |$ D E F/E/ D | E F G/A/ B | c2 B c |"^(b) var." A2 G/F/ E | F3/2 G/ A/G/F/E/ |
D2 C B, | C3 |]


GB/7d/14 The Servant Man

File:GB-7d-14.mid

File:GB-7d-14.pdf

File:GB-7d-14.xml

abc notation

X:14
T:GB/7d/14 The Servant Man
C:Mr. Searle, Wepham, XII. 11.
P:G.S.K. B(utterworth)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:G
G | B c d G | A2 B3/2 A/ | G3 G | B c d G | B2 d2 | A3 B/A/ |$ G F G A | g2 f e | e d2 e |
d3/2 c/ B G | c3/2 A/ B A | G3 |]


GB/7d/15 Merry Broomfield

File:GB-7d-15.mid

File:GB-7d-15.pdf

File:GB-7d-15.xml

abc notation

X:15
T:GB/7d/15 Merry Broomfield
C:Ipswich, VI. 12
P:G.S.K. B(utterworth)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:4/4
I:linebreak $
K:C
EF | G2 EF G2 EF |"^(a)" G2 DE !fermata!C2 CC | DEFA AGEC | D4- D3 C |$ CE (3GAB c2 Ac |
GGAG C2 CE | EDFG BAFD | C6 ||$ EF | G2 EF G2 EF |"^(a) var." GC DE !fermata!C2 CC | DEFA AGEC |
D4- D3 C |$ CE (3GAB c2 Ac | GGAG C2 CE | EDFG BAFD | C6 |]


GB/7d/16 Tree in the Wood

File:GB-7d-16.mid

File:GB-7d-16.pdf

File:GB-7d-16.xml

abc notation

X:16
T:GB/7d/16 Tree in the Wood
C:Ipswich, VI. 12.
P:G.S.K. B(utterworth)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:4/4
I:linebreak $
K:D
"^1st verse " DDDD F2 G2 |[M:6/4] E2 EE D4 D3 E |$[M:4/4] F2 d2 A3 G |[M:6/4] F2 E2 D4 D3 E |
w: Once there was a tree that|grew in the wood, And the|wood stood down the|vall- ies low, And the|
[M:4/4] F2 d2 A3 G |$[M:6/4] F2 E2 D6 A,2 |[M:4/4] D2 D2 F2 F2 | E2 E2 A,2 A,2 |$ E2 E2 D2 C2 |
w: wood stood down the|vall- ies low. 2.~And|on this tree there|was a branch, a|dan- dy cur- ious|
A,6"^(a)" F2 | GGGG E2"^(b)" EE |$[M:6/4] FFFF D4 D3 E |[M:4/4] F2 d2 A3 G |[M:2/4] F2 E2 |$
w: branch. The|branch was on the tree, And the|tree was in the wood, And the|wood stood down the|vall- ies|
[M:4/4] D4 D3 E | F2 d2 A3 G |[M:5/4] F2 E2 D6 |]
w: low, And the|wood stood down the|vall- ies low|


GB/7d/17 Bucknell Morris Tunes 1 of 8: Bonny Green

File:GB-7d-17.mid

File:GB-7d-17.pdf

File:GB-7d-17.xml

abc notation

X:17
T:GB/7d/17 Bonny Green
T:Bucknell Morris Tunes 1 of 8
C:Will Rolfe, 1912
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:6/8
I:linebreak $
K:C
G | cB c ded | cB A GAB | cB c AGF | EFD C2 :: z | DE F EDC | DE F GAB |$ cB c AGF | EFD C2 :| z |
[M:3/8] C3 |[M:6/8] c2 B c3 | d2 e d3 | c2 B A3 | G2 A B3 | c2 B c3 | A2 G F3 |$ (2:3:2EF D3 |
C3 C3 | c2 B c3 | d2 e d3 | c2 B A3 | G2 A B3 | c2 B c3 | A2 G F3 | (2:3:2EF D3 |
C4- !fermata!C |]


Notes on GB/7d/17 The Bucknell Morris Tunes have been thoroughly researched and published by Lionel Bacon in his "A Handbook of Morris Dances" published by the Morris Ring.


GB/7d/18 Bucknell Morris Tunes 2 of 8: Queen's Delight

File:GB-7d-18.mid

File:GB-7d-18.pdf

File:GB-7d-18.xml

abc notation

X:18
T:GB/7d/18 Queen's Delight
T:Bucknell Morris Tunes 2 of 8
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:6/8
I:linebreak $
K:G
d2 G dcB | cBc ABc | d2 G d2 c | BcA G3 :| cBc cBc | ABc def | gfg eag |$ gfe def | g2 g gfe |
dec ABc | d2 G d2 c | BcA G3 ||"^Uprights" cBc cBc |[M:9/8] ABc d2 e f3 |$[M:6/8] g2 f g3 |
(2:3:2ea g3 |[M:9/8] g2 f e3 def |[M:6/8] g2 g gfe | dec ABc | d2 G d2 c | BcA G3 |]


Notes on GB/7d/18 The Bucknell Morris Tunes have been thoroughly researched and published by Lionel Bacon in his "A Handbook of Morris Dances" published by the Morris Ring.


GB/7d/19 Bucknell Morris Tunes 3 of 8: Bonnet So Blue

File:GB-7d-19.mid

File:GB-7d-19.pdf

File:GB-7d-19.xml

abc notation

X:19
T:GB/7d/19 Bonnet So Blue
T:Bucknell Morris Tunes 3 of 8
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:6/8
I:linebreak $
K:F
C | F>E F ABc | C>C C CDE | FA d cAF | GA G G2 A | F>F F FGA |$ C>C C C2 d | cB A GAG | F3 F2 :|
F | EF G GAG | C>C C C2 F | EF G GAB |$ c3 c2 B | A2 G F2 E | D2 E F2 G | AB A GFE | C3 D2 C |
F>F F FGA |$ C>C C C2 F | EF G GAB | c3 c2 B | A2 G FGA | Bc d c2 d | cB A GFE | F3 F2 ||$
[M:3/8]"^Capers" C3 |[M:6/8] F2 E F3 | A2 B c3 | C2 D C3 | C2 D E3 | F2 A d3 | c2 A F3 |$ G2 A G3 |
[M:3/8]"^? should be A music." G2 B |[M:6/8] A2 G FGA | Bcd c2 d | cBA GFE | F3 F3 |]


Notes on GB/7d/19 The Bucknell Morris Tunes have been thoroughly researched and published by Lionel Bacon in his "A Handbook of Morris Dances" published by the Morris Ring.


GB/7d/20 Bucknell Morris Tunes 4 of 8: Saturday Night

File:GB-7d-20.mid

File:GB-7d-20.pdf

File:GB-7d-20.xml

abc notation

X:20
T:GB/7d/20 Saturday Night
T:Bucknell Morris Tunes 4 of 8
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:6/8
I:linebreak $
K:G
BAG Gdd | dAA A3 | BAG EEE | AGF G3 :| ADD D3 | AAB c3 | BAG Bcd |$ DGF G3 | ADD D3 |
[M:9/8] AAB c2 B c3 |[M:6/8] B2 A G3 | B2 c d3 | (2:3:2DG F3 |[M:3/8] G3 |]


Notes on GB/7d/20 The Bucknell Morris Tunes have been thoroughly researched and published by Lionel Bacon in his "A Handbook of Morris Dances" published by the Morris Ring.


GB/7d/21 Bucknell Morris Tunes 5 of 8: Room for Cuckolds

File:GB-7d-21.mid

File:GB-7d-21.pdf

File:GB-7d-21.xml

abc notation

X:21
T:GB/7d/21 Room for Cuckolds
T:Bucknell Morris Tunes 5 of 8
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:6/8
I:linebreak $
K:F
F>FF C2 C |"^(a)" D>Fd cBA | F>FF C2 C | D2 G F3 ::$"^(b)" A2 F A2 F | AFA G3 | A2 F D2 D |
GFE F3 ::$ F>FF C2 C |"^(a) var." D>Fd cAF | F>FF C2 C | D2 G F3 ::$"^(b) var." AGF A2 F |
ABA G3 | A2 F D2 D | GFE F3 :|


Notes on GB/7d/21 The Bucknell Morris Tunes have been thoroughly researched and published by Lionel Bacon in his "A Handbook of Morris Dances" published by the Morris Ring.


GB/7d/22 Bucknell Morris Tunes 6 of 8: Old Woman

File:GB-7d-22.mid

File:GB-7d-22.pdf

File:GB-7d-22.xml

abc notation

X:22
T:GB/7d/22 Old Woman
T:Bucknell Morris Tunes 6 of 8
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:6/8
I:linebreak $
K:C
C2 C C>AA | AGF EGC | FEF G3 | A>CC C3 :: ccc Gcc | Gcc cBA |$ GGG G2 G | GAF EFG | C2 C CAA |
AGF EGC | FEF G3 | A>CC C3 :|


Notes on GB/7d/22 The Bucknell Morris Tunes have been thoroughly researched and published by Lionel Bacon in his "A Handbook of Morris Dances" published by the Morris Ring.


GB/7d/23 Bucknell Morris Tunes 7 of 8: Old Black Joe

File:GB-7d-23.mid

File:GB-7d-23.pdf

File:GB-7d-23.xml

abc notation

X:23
T:GB/7d/23 Old Black Joe
T:Bucknell Morris Tunes 7 of 8
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:6/8
I:linebreak $
K:F
CFF FEF | GAG G2 G | Fcc cBA | GAG BAG | F3 D3 | GFE F3 :|$ BAB c2 c | dBd c3 | BAB c2 c |
dBd c3 | cBA AGF |$ GAG G2 G | Fcc cBA | GAG BAG | F3 D3 | GFE F3 |]


Notes on GB/7d/23 The Bucknell Morris Tunes have been thoroughly researched and published by Lionel Bacon in his "A Handbook of Morris Dances" published by the Morris Ring.


GB/7d/24 Bucknell Morris Tunes 8 of 8: Trunkles

File:GB-7d-24.mid

File:GB-7d-24.pdf

File:GB-7d-24.xml

abc notation

X:24
T:GB/7d/24 Trunkles
T:Bucknell Morris Tunes 8 of 8
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:4/4
I:linebreak $
K:F
c3 A B2 d2 | cABG A2 F2 | c3 A B2 d2 | cBAG F4 :| c3 =B c2 f2 |$ ddd=B c2 f2 | dd (3dc=B A2 B2 |
c4 c2 fe | d2 _B2 BABd |$ c2 A2 AFAc | B2 G2 GFGB | A2 F2 F2 c2 | B2 AG F2 G2 | F4 F4 |]


Notes on GB/7d/24 The Bucknell Morris Tunes have been thoroughly researched and published by Lionel Bacon in his "A Handbook of Morris Dances" published by the Morris Ring.


GB/7d/30a Escrick Sword Dance Tunes 1 of 2: Fisher Laddy

File:GB-7d-30a.mid

File:GB-7d-30a.pdf

File:GB-7d-30a.xml

abc notation

X:30
T:GB/7d/30a Fisher Laddy
T:Escrick Sword Dance Tunes 1 of 2
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:4/4
I:linebreak $
K:F
A2 AF A2 AF | A2 AG FEFG | A2 A2 BAGF | EFGE F4 ::$ c2 cA d2 d2 | BGAB c4 | A2 A2 BAGF |
EFGE F4 :|


GB/7d/30b Escrick Sword Dance Tunes 2 of 2: Oyster Girl

File:GB-7d-30b.mid

File:GB-7d-30b.pdf

File:GB-7d-30b.xml

abc notation

X:31
T:GB/7d/30b Oyster Girl
T:Escrick Sword Dance Tunes 2 of 2
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
Q:1/4=144
M:6/8
I:linebreak $
K:G
d | ded B2 G | A2 F D3 | GFG BAG | d2 B A2 d | ded B2 d |$ g2 e c2 e | edc dcA | G3- G3 ||
BBB B2 A | B2 c d3 |$ AAA A2 G | A2 B c3 | BBB B2 A | B2 c d2 g | fed cBA | G3 g3 |]


GB/7d/31a Winlaton Sword Dance Tunes 1 of 2: Song

File:GB-7d-31a.mid

File:GB-7d-31a.pdf

File:GB-7d-31a.xml

abc notation

X:32
T:GB/7d/31a Song
T:Winlaton Sword Dance Tunes 1 of 2
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:6/8
I:linebreak $
K:Am
g/^f/ | eA A cBA | E A2- A2 d | de d dBc | d3- d2 d | eA A cBA |$ E A2- A2 B | cd e dcB |
A3- A2 || A | A^c e ggg | ^f e2- e2 d |$ de d eBG | d3- dg^f | eA A cBA | E A2- A2 B | cd e dcB |
A3- A2 |]


GB/7d/31b Winlaton Sword Dance Tune 2 of 2: Jig Tune

File:GB-7d-31b.mid

File:GB-7d-31b.pdf

File:GB-7d-31b.xml

abc notation

X:33
T:GB/7d/31b Jig Tune
T:Winlaton Sword Dance Tunes 2 of 2
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:6/8
I:linebreak $
K:Am
e | eA A eAA | BA B GBd | eA A eAA | g^f g2 ed |$ eA A eAA | BA B GAB | cd e g2 B | cAA A2 |]

Notes on GB/7d/31b This is a rapper dance. See [2] for a performance of this dance in 1920; the musician and the dancers were probably the same individuals that Butterworth witnessed. This footage illustrates just how hard rapper tunes are to notate without recording equipment.


GB/7d/34 A Story, A Story

File:GB-7d-34.mid

File:GB-7d-34.pdf

File:GB-7d-34.xml

abc notation

X:34
T:GB/7d/34 A Story, A Story
C:Mr. John Woodhouse, aged 81, California, Ormesby, Norfolk, III. 13.
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:Cmix
G | C2 D/E/ F | G B A G | F2 D"^(a)" F/D/ | C3 G |"^(b)" B2 G/A/ B |"^(c)" G2 A G |$ F/E/ D E F |
G3 G | B2 A c | G B A G | F/E/ D B c | G2 F D |"^(d)" C2 D E/F/ |$ G B A G | F2"^(e)" D B, | C3 ||
G | C2 D/E/ F | G B A G | F2 D"^(a) var." D |$ C3 G |"^(b) var." B G A B |"^(c) var." G B A G |
F/E/ D E F | G3 G | B2 A c | G B A G |$ F/E/ D B c | G2 F D |"^(d) var." C3/2 D/ E F | G B A G |
F2"^(e) var." D/C/ B, | C3 |]

Notes on GB/7d/34 An F has been inserted into the key signature and the flats have been removed from all of the Bs; this fine Mixolydian tune is simplified but unaltered by this.


GB/7d/35 On the First of November Last

File:GB-7d-35.mid

File:GB-7d-35.pdf

File:GB-7d-35.xml

abc notation

X:35
T:GB/7d/35 On the First of November Last
C:Mr. John Woodhouse, aged 81, California, Ormesby, Norfolk, III. 13.
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:3/4
I:linebreak $
K:Gdor
B>c | d>e d3 B | c>"^(a)"d !fermata!c2 B>A |"^(b) (c)" G>A B2 A2 | G>F !fermata!D2 B>c |$
w: |||||
d2 c2 B>G | A>G D2 G>F |[M:4/4] G>B d3 c B>G | F2 !fermata!G4 ||$ B>c |[M:3/4] d>e d3 B |
w: ||||||
c>"^(a) var."B !fermata!c2 B>A |"^(b) var." G2 B2 A2 | G>F !fermata!D2 B>c |$ d2 c2 B>G |
w: ||||
A>G D2 G>F |[M:4/4] G>B d3 c B>F | F2 !fermata!G4 ||$ B>c |[M:3/4] d>e d3 B |
w: |||||
c>d !fermata!c2 B>A |"^(c) var." G>B A2 G2 | D4 B>c |$ d2 c2 B>G | A>G D2 G>F |
w: |came a can- non|ball * *|||
[M:4/4] G>B d3 c B>G | F2 !fermata!G4 ||
w: ||

Notes on GB/7d/35 A redundant flat has been removed from the key signature, which is F and in the Dorian mode; the tune is unaltered by this. Fermatas have been added on the final minim in each of the three verses (at the ends of the second, fouth and sixth lines) to bring out the unusual and beautiful shape of the tune. The "cannon ball" interpolation clearly relates to a variation in the tune specific to that particular verse.


GB/7d/36 Scarbro' Town

File:GB-7d-36.mid

File:GB-7d-36.pdf

File:GB-7d-36.xml

abc notation

X:36
T:GB/7d/36 Scarbro' Town
C:Attributed by Butterworth to "??"
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:C
G | c B c A | G2 C F | G2 D F/E/ | C3 G | c d e c |$ d2 G d | B G A A | G3 G | G c c d |
e c !fermata!A G | A d c/B/ c |$ F2 !fermata!E E/D/ | C A A B | c c F A | G3/2 F/ D F/E/ | C3 ||


GB/7d/37 Oh Father, Dear Father (Fragment)

File:GB-7d-37.mid

File:GB-7d-37.pdf

File:GB-7d-37.xml

abc notation

X:37
T:GB/7d/37 O Father, Dear Father
T:(Fragment)
C:Mr. Woodhouse
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:Ddor
E/F/ | G2 E F | G2 E F | G G F D | C3 D/E/ | F2 D E | F2 D/E/ F | G G F D | C3 D/E/ |$
"^(a)" F2 E C | D2 A d | c3/2 A/ =B"^(b)" A/G/ | A3 G | F2 E D | C D E/F/ G | F3/2 D/ E/D/ C |
D3 ||$ D/E/ | F F D E | F2 D/E/ F | G2 F D | C3 D | F2 D E | F2 D E/F/ | G3/2 E/ F D | C3 D/E/ |$
"^(a) var." F D E C | D2 A d | c3/2 A/ =B"^(b) var." G | A3 G | F2 E D | C D E/F/ G |
F3/2 D/ E/D/ C | D3 |]


GB/7d/38 On the 1st of November

File:GB-7d-38.mid

File:GB-7d-38.pdf

File:GB-7d-38.xml

abc notation

X:38
T:GB/7d/38 On the 1st of November
C:Mr. 'Skinny' Crow, Filby, Norfolk, 3.13.
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8

M:3/4
I:linebreak $
K:Gaeo
"^1st verse" B>c | d2 c2 B>G | A>G D2 G>F |[M:4/4] G>B d3 c (3BAG | F2 G4 B>c |$
w: |||||
[M:3/4] d2 c2 (3BAG | A>G D2 G>F |[M:4/4] G>B d4 (3BAG | F2 G4 ||$[M:3/4]"^Rest" G>A |
w: |||||
B>c d3 c/B/ | c>B !fermata!c2 B>A |"^(a)" GB AG F/=E/D- | D4 B>c |$ d2 c2 (3BAG | (3AGF D2 G>F |
w: ||||||
[M:4/4]"^(b)" G>B d4 (3BAG | F2 G4 ||$ G>A | B>c d3 c/B/ | c>B !fermata!c2 B>A |
w: |||||
"^(a) var." GBAG D2- | D4 B>c |$ d2 c2 (3BAG | (3AGF D2 G>F |"^(b) var." G>B d3 A (3BAG | FG G4 |]
w: came a can- non ball||||||


GB/7d/39 Saucy Ward

File:GB-7d-39.mid

File:GB-7d-39.pdf

File:GB-7d-39.xml

abc notation

X:39
T:GB/7d/39 Saucy Ward
C:'Skinny' Crow, Filby, III.13.
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:Fmix
c | B A F F | A B c c | B A F F | F3 F | A B c/d/ e | d c B c | d f e d | c3 F |$ A B c/d/ e |
d c B c | d f e d | c3 c | B A F F | A B"^(a)" c/d/ c | B A F F | F3 || c |$ B A F F | A B c c |
B A F F | F3 F | A B c/d/ e | d c B c | d f e d | c3 F | A B c/d/ e |$ d c B c | d f e d | c3 c |
B A F F | A B"^(a) var." c c | B A F F | F3 |]


GB/7d/40 Crystal Stream

File:GB-7d-40.mid

File:GB-7d-40.pdf

File:GB-7d-40.xml

abc notation

X:40
T:GB/7d/40 Crystal Stream
C:'Skinny' Crow
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:3/4
I:linebreak $
K:F
cA | F2 FAcd | c4 d2 | G2 G2 c2 | B2 !fermata!A2 (3cde | f2 e2 d2 | c2 AG F2 | d2 cA F2 | G4 AG |$
FGAB ce | f3 e gf | d2 cA BG | EG !fermata!c2 (3CDE | F2 A2 GE | G2 F2 c2 | ed cA BG | F4 |]


GB/7d/41 Gipsy Laddy

File:GB-7d-41.mid

File:GB-7d-41.pdf

File:GB-7d-41.xml

abc notation

X:41
T:GB/7d/41 Gipsy Laddy
C:Skinny Crow
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:4/4
I:linebreak $
K:Cmix
C2 | G2 GA B2 A2 | G2 E2 !fermata!F2 EF | G2 c2 c2 dc | B2 G2 !fermata!c2 |$ (3GAB |
"^(a)" c3 d B3 c | G2 GE F2 EF | GA BG A2 GF | E2 C2 C2 ||$ C2 | G2 GA B2 A2 |
G2 E2 !fermata!F2 EF | G2 c2 c2 dc | B2 G2 !fermata!c2 |$ (3GAB |"^(a) var." c2 dc B2 c2 |
G2 GE F2 EF | GA BG A2 GF | E2 C2 C2 |]

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