Difference between revisions of "Take 6 Transcription Programme: The Butterworth Archive, MS 7c"
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Lewis Jones (talk | contribs) |
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'''abc notation''' | '''abc notation''' | ||
| + | |||
| + | X:31 | ||
| + | T:GB/7c/31 Claudy Banks | ||
| + | C:Mr. Verrall (X. 10) | ||
| + | P:F.W. J(ekyll) | ||
| + | Z:Transcribed by Simon Furey and Lewis Jones | ||
| + | L:1/4 | ||
| + | M:4/4 | ||
| + | I:linebreak $ | ||
| + | K:Gmix | ||
| + | d | c B G G | e ^f g d | c B G G | G3 d | g2 g e |$ f a g d | f2 d/e/ f | g3 G | B B d/e/ f | | ||
| + | g2 d e | f a g e |$ f3 e/f/ | g e d B | c e d B | c B G G |[M:2/4] G2 || | ||
''Notes on GB/7c/31'' The meaning and significance of the crosses above full bars 4 and 8 in the MS are unclear. | ''Notes on GB/7c/31'' The meaning and significance of the crosses above full bars 4 and 8 in the MS are unclear. | ||
| Line 1,175: | Line 1,187: | ||
'''abc notation''' | '''abc notation''' | ||
| + | |||
| + | X:32 | ||
| + | T:GB/7c/32 You Gentlemen of England | ||
| + | T:(Fox-Hunting Song) | ||
| + | C:Mr. Heygate, Rusper, XI.10 | ||
| + | P:F.W. J(ekyll) | ||
| + | Z:Transcribed by Simon Furey and Lewis Jones | ||
| + | L:1/4 | ||
| + | M:5/4 | ||
| + | I:linebreak $ | ||
| + | K:Daeo | ||
| + | F/G/ | A A A2 G | F D C2 F | G A B A G |[M:3/4] A2 F/G/ |[M:5/4] A A A2 G |$ F D C2 D/E/ | | ||
| + | F D E D C |[M:3/4] D2 F/G/ |[M:5/4] A A A2 G | A A A G F |$ G A B A G |[M:3/4] A2 F/G/ | | ||
| + | [M:5/4] A A A2 G | F D C2 D/E/ | F D E D C | D4 |] | ||
| Line 1,186: | Line 1,212: | ||
'''abc notation''' | '''abc notation''' | ||
| + | |||
| + | X:33 | ||
| + | T:GB/7c/33 Seven Jolly Gipsies | ||
| + | C:Mr. James Landamore, Wroxham, IV. 10 | ||
| + | P:F.W. J(ekyll) | ||
| + | Z:Transcribed by Simon Furey and Lewis Jones | ||
| + | L:1/4 | ||
| + | M:4/4 | ||
| + | I:linebreak $ | ||
| + | K:G | ||
| + | G/A/B/c/ d d | c A G2 | G B/c/ d d | g3/2 f/ d2 |$ d d g g | =f d/c/ =F A | B A/G/ d d | B G G2 |] | ||
| Line 1,197: | Line 1,234: | ||
'''abc notation''' | '''abc notation''' | ||
| + | |||
| + | X:34 | ||
| + | T:GB/7c/34 Black Velvet Band | ||
| + | C:Mr. Standing, Washington | ||
| + | P:F.W. J(ekyll) & G.S.K. B(utterworth) | ||
| + | Z:Transcribed by Simon Furey and Lewis Jones | ||
| + | L:1/4 | ||
| + | M:3/4 | ||
| + | I:linebreak $ | ||
| + | K:Gmix | ||
| + | G | B c d/e/ | f d e/f/ | g G G | B c d/e/ | f d d | g2 g |$ f e d | G e e | G A B | c B A | | ||
| + | D G ^F | G2 |] | ||
| Line 1,208: | Line 1,257: | ||
'''abc notation''' | '''abc notation''' | ||
| + | |||
| + | X:35 | ||
| + | T:GB/7c/35 Tag Dum Torum | ||
| + | T:(It's Of an Old Couple) | ||
| + | C:Mrs. Verrall XI. 08 | ||
| + | P:F.W. J(ekyll) | ||
| + | Z:Transcribed by Simon Furey and Lewis Jones | ||
| + | L:1/8 | ||
| + | M:6/8 | ||
| + | I:linebreak $ | ||
| + | K:G | ||
| + | D | G2 G D2 D | E2 E D2 D | D2 D G2 G | c2 B B AA | B2 A B2 A | B2 c d2 d | G2 G c2 B |$ | ||
| + | w: |||||||| | ||
| + | A2 G FED |[M:9/8] E2 E E2 F FED |[M:6/8] D2 G A2 B | G4- G |] | ||
| + | w: |Tag dum to- rum lit- tle- dam|tag dum to- rum|row *| | ||
''Notes on GB/7c/35'' The VWML catalogue has "Woman" for "Couple" in the alternative title. | ''Notes on GB/7c/35'' The VWML catalogue has "Woman" for "Couple" in the alternative title. | ||
Revision as of 08:35, 12 June 2014
Link to Take 6 Transcription Programme Home Page
GB/7c/1 Lord Carter Is My Name
abc notation
X:1 T:GB/7c/1 Lord Carter Is My Name C:Mr. Cranstone (c. 50), Billingshurst, VII. 09 Z:Transcribed by Simon Furey and Lewis Jones L:1/8 Q:1/4=100 M:4/4 I:linebreak $ K:Dmix D2 | G2 G2 GABc | A6 A2 | d2 dB G2 cB | A6 Bc |$ dBdB GBde | c2 B2 AFDD | ABcB AGEE | D6 |]
GB/7c/2 Mole-Catcher, The
abc notation
X:2 T:GB/7c/2 Mole-Catcher, The C:Mr. James Landamore (c. 70), Wroxham, Norfolk, IV. 10 P:F.W. J(ekyll) & G.S.K. B(utterworth) Z:Transcribed by Simon Furey and Lewis Jones L:1/4 Q:1/4=144 M:3/4 I:linebreak $ K:Ddor A | A B c | d2 d | c A A | d2 A | A B c | d d d | c A A |$"^(a)" c2 c | B G G | G3 | A F D | C D E | G E D | D2 ||$ A | A B c | d2 d | c A A | d2 A | A B c | d d d | c A A |$ "^(a) var." c A c | B G G | G3 | A F D | C D E | G E D | D2 |]
GB/7c/3 Botany Bay Version 1 of 2
abc notation
X:3 T:GB/7c/3 Botany Bay Version 1 of 2 C:Mrs. Cranstone (p.4), Billingshurst, VII. 07 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:4/4 I:linebreak $ K:Ddor D | F G A B | c B A3/2 A/ | d3/2 e/ f e | d3 c |$ d3/2 c/ A G/F/ | G A D E/F/ | G3/2 F/ D C | D3 |]
Notes on GB/7c/3 The tune is identical to that of GB/6/38.
GB/7c/3A Botany Bay Version 2 of 2
abc notation
X:3 T:GB/7c/3A, Botany Bay Version 2 of 2 C:Mr. Turner, Sheffield Park, Sussex, II. 09 P:F.W. J(ekyll) & G.S.K. B(utterworth) Z:Transcribed by Simon Furey and Lewis Jones L:1/4 Q:1/4=100 M:4/4 I:linebreak $ K:Dmix A/B/ | c c A/B/ c | d d D F/G/ | A A G/F/ E |$ D3 :| A | d3/2 e/ =f d | e e !fermata!A A | d3/2 e/ =f e |$ d3 d | c d B/A/ G | d d D F/G/ | A A G/F/ E | D3 |]
Notes on GB/7c/3A The key has been changed from C to G to eliminate most of the accidentals. The tune, which is similar to that of GB/6/39, is unaltered.
GB/7c/4 Fair Maid Walking Down in the Garden, A, Version 1 of 3
abc notation
X:4 T:GB/7c/4 A Fair Maid Walking Down in the Garden C:Mr. H. Hunt (p. 4), East Chiltington, Sussex VII. 08 P:F.W. J(ekyll) & G.S.K. B(utterworth) Z:Transcribed by Simon Furey and Lewis Jones T:Version 1 of 3 L:1/4 M:3/2 I:linebreak $ K:Ddor D | F G A2 G3/2 E/ | F D E D z D | G F G2 A3/2 B/ | c B A3 G |$ A B/c/ d2 c A | c A G F z D | A B c2 E/F/ G | F E D3 |]
Notes on GB/7c/4 The tune is similar to that of GB/6a/70.
GB/7c/5 Fair Maid Walking Down in the Garden, A, Version 2 of 3
abc notation
X:5 T:GB/7c/5 Fair Maid Walking Down in the Garden, A T:Version 2 of 3 C:Mr. Nappin (c. 50), Stanton St. John, Oxon., V. 07 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 Q:1/4=112 M:3/2 I:linebreak $ K:Bb F | D F e2 d c | d B G F z B | B A G F E D | C D/E/ F3 F |$ D F e2 d c | d B G F z E | D F e c d B | F/A/ c B3 |]
Notes on GB/7c/5 The tune is similar to that of GB/6a/68.
GB/7c/5A Fair Maid Walking Down in the Garden, A, Version 3 of 3
abc notation
X:5 T:GB/7c/5A, A Fair Maid Walking Down in the Garden T:Version 3 of 3 C:Mr. Lockley (c. 80), High Ercall, Salop., III. 08 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:3/2 I:linebreak $ K:Bb B | d c B2 A G | B G F B, z B/A/ | G F E D C B, | F F F3 F |$ B c/d/ e2 d c | d/c/ B A/G/ F- F E | D F e c d B | F/A/ c B3 |]
Notes on GB/7c/5A The tune is similar to that of GB/6a/69.
GB/7c/6 Highland Soldier Version 1 of 2
abc notation
X:6 T:GB/7c/6 Highland Soldier Version 1 of 2 C:Mr Dearling (c. 50), West Burton, Sussex, VII. 07 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:4/4 I:linebreak $ K:Fdor c | F c B"^(a)" G/A/ | F F e f | e c B G/A/ | B3/2 A/ F :|$ B | c c/d/ e d/e/ | c f f e/d/ | c c/d/ e d/c/ | B/c/ d !fermata!c c |$ F c c/B/A/G/ | F F e f | e c B G/A/ | B3/2 A/ F |:$ c | F c B"^(a) var." A/G/ | F F e f | e c B G/A/ | B3/2 A/ F :|$ B | c c/d/ e d/e/ | c f f e/d/ | c c/d/ e d/c/ | B/c/ d !fermata!c c |$ F c c/B/A/G/ | F F e f | e c B G/A/ | B3/2 A/ F |]
Notes on GB/7c/6 The tune is similar to that of GB/6a/96.
GB/7c/6A Highland Soldier Version 2 of 2
abc notation
X:6 T:GB/7c/6A Highland Soldier Version 2 of 2 C:Mr Smith (p. 1), Stoke Lacy, Herefordshire, IX. 07 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:4/4 I:linebreak $ K:Fmix c | F c B/A/G/F/ | F F e d/e/ | f e/c/ B G | F2 F :| B | c c f e/d/ | c/B/c/d/ !fermata!e c |$ e/d/ c B A/B/ | c f !fermata!c c | F c B/A/G/F/ | F c/d/ e (3c/d/e/ | f e/c/ B G | F2 F |]
Notes on GB/7c/6A The tune is similar to that of GB/6a/97.
GB/7c/7 Irish Girl, The, Version 1 of 2
abc notation
X:7 T:GB/7c/7 Irish Girl, The T:Version 1 of 2 C:Mr Nappin (c. 50), Stanton St John, Oxon. V. 07 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:4/4 I:linebreak $ K:G D | G G B D | E E G E/D/ | C C D E/F/ | G3 G | B B G B | d d c B | A G F G | A3 G |$ B B G B | d d c B | A G F/G/ B | D3/2 E/ F D | G3/2 A/ B D | E F G E/D/ | C C D E/F/ | G3 |]
Notes on GB/7c/7 The tune is similar to that of GB/6a/92.
GB/7c/7A Irish Girl, The, Version 2 of 2
abc notation
X:7 T:GB/7c/7A The Irish Girl Version 2 of 2 C:Mr Jim Jillson (c. 60), Askham Bryan, Yorks., VII. 07 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:4/4 I:linebreak $ K:G D | G3/2 F/ G B | D3/2 E/ =F G | E C D/E/ F | G3 d | B3/2 G/ G B | d3/2 B/ c B | A G F E | D3 c |$ B G G B/c/ | d d c d | B A/G/ F E | D3 D | G3/2 A/ B c | D3/2 E/ =F G | E C D/E/ F | G3 |]
Notes on GB/7c/7A The tune is identical to that of GB/6a/95.
GB/7c/8 Lord Bateman Version 1 of 2
abc notation
X:8 T:GB/7c/8 Lord Bateman Version 1 of 2 C:Mrs Cranstone (p. 4), Billingshurst, VI. 07 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:3/2 I:linebreak $ K:Edor E | A G A3 B/A/ | G F E3 E | A G A3 B/c/ | d e B3 A |$ B c/d/ e2 d d | c B A E z F | "^(a)" G A F E D D | E/F/ G A3 ||$ E | A G A3 B/A/ | G F E3 E | A G A3 B/c/ | d e B3 A |$ B c/d/ e2 d d | c B A E z F |"^(a) var." G A B2 A F | G F E3 |]
Notes on GB/7c/8 The tune is similar to that of GB/6a/121.
GB/7c/8A Lord Bateman Version 2 of 2
abc notation
X:8 T:GB/7c/8A Lord Bateman Version 2 of 2 C:Verrall Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:3/2 I:linebreak $ K:Gmix G | B c d2 c A |[M:5/4] G F G2 c |[M:3/2] d e f2 e d |[M:5/4] c e d2 G |$[M:3/2] d d g2 f d | c A F2 G A | B c d2 c B | G F G2 |]
Notes on GB/7c/8A
GB/7c/9 Come All You Jolly Ploughboys Version 1 of 4
abc notation
X:9 T:GB/7c/9 Come All You Jolly Ploughboys T:Version 1 of 4 C:Mr. Knight (c. 60), Horsham, IV. 07 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:3/4 I:linebreak $ K:Bb F | F B F |"^(a)" B B F | G B G | F2 F | B c d | f e d | c3- | c2 d |$ f c d | e e f | d B c | F2 F | B d f | e c A | B2 ||$ F | F B F |"^(a) var." B2 F | G B G | F2 F | B c d | f e d | c3- | c2 d |$ f c d | e e f | d B c | F2 F | B d f | e c A | B2 |]
Notes on GB/7c/9 See Notes on GB/7c/9C below.
GB/7c/9A Come All You Jolly Ploughboys Version 2 of 4
abc notation
X:9 T:GB/7c/9A Come All You Jolly Ploughboys T:Version 2 of 4 C:Mr. Pocock, Flowers Green, Sussex, IV. 07 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:3/4 I:linebreak $ K:Bb F | B B F |"^(a)" B B F | G B G | F2 B | c3/2 d/ e | f3/2 e/ d | c3- | c2 B |$ c3/2 d/ e/c/ | f d B/c/ | d B G | G !fermata!F F | B d f | e"^(b)" d c | B2 |$ F | B B F |"^(a) var." B2 F | G B G | F2 B | c3/2 d/ e | f3/2 e/ d | c3- | c2 B |$ c3/2 d/ e/c/ | f d B/c/ | d B G | G !fermata!F F | B d f | e"^(b) var." c A | B2 |]
Notes on GB/7c/9A See Notes on GB/7c/9C below.
GB/7c/9B Come All You Jolly Ploughboys Version 3 of 4
abc notation
X:9 T:GB/7c/9B Come All You Jolly Ploughboys T:Version 3 of 4 C:Mr. Harwood (c. 50) Watersfield, Pulborough, VII. 07 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:3/4 I:linebreak $ K:Bb B | B B F | B2 F | G/A/B/A/ G | F2 B | c d e | f e d/B/ | c2 B |$ c3/2 d/ e/c/ | f c/d/ e | d B c | (3G/A/G/ !fermata!F F | B d f | e d/B/ (3c/d/c/ | B2 |]
Notes on GB/7c/9B See Notes on GB/7c/9C below.
GB/7c/9C Come All You Jolly Ploughboys Version 4 of 4
abc notation
X:9 T:GB/7c/9C Come All You Jolly Ploughboys T:Version 4 of 4 C:Mr. Dearling (c. 50), West Burton, Sussex, XII. 07 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:3/4 I:linebreak $ K:Bb F | B B F | B2 F | B A G | F2 A/B/ | c c/d/ e | f e d | c2 A/B/ |$ c c/d/"^(a)" e/g/ | f c/d/ e | d/c/"^(b)" B c/B/ | A/G/ !fermata!F F | B d f | e"^(c)" c A | B2 ||$ F | B B F | B2 F | B A G | F2 A/B/ | c c/d/ e | f e d | c2 A/B/ |$ c c/d/"^(a) var." e | f c/d/ e | d/c/"^(b) var." B/A/ G | G !fermata!F F | B d f | e"^(c) var." c/B/ A | B2 |]
GB/7c/10 Weddingmore Version 1 of 4
abc notation
X:10 T:GB/7c/10 Weddingmore Version 1 of 4 C:Mr Thomas Gibbs, Brill, Bucks., V. 07 Z:Transcribed by Simon Furey and Lewis Jones L:1/8 M:4/4 I:linebreak $ K:Edor E2 | G2 A2 B2 c2 | B4 GF E2 | FG A2 F2 GF | E6 :| E2 | G2 A2 Bc d2 |$ c2 B4 Bc | d2 e2 A3 G | F6 B2 | B3 A B2 c2 | B4 GF E2 | FG A2 F2 GF | E6 |]
Notes on GB/7c/10 The tune is identical to that of GB/6a/103 but in a different key.
GB/7c/10A Weddingmore Version 2 of 4
abc notation
X:10 T:GB/7c/10A Weddingmore Version 2 of 4 C:Mr Nixie, Oakley, Oxon., V. 07 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:4/4 I:linebreak $ K:Edor E | G A B c | B A G E | F/G/ A F G | E3 :| E | G A B/c/ d |$ c B2 B/c/ | d d A3/2 G/ | F3 B | B3/2 A/ B/c/ d | B A F D | F/G/ A F G | E3 |]
Notes on GB/7c/10A The tune is identical to that of GB/6a/104 but in a different key.
GB/7c/10B Weddingmore Version 3 of 4
abc notation
X:10 T:GB/7c/10B Weddingmore Version 3 of 4 C:Brill, Bucks., VII. 08 Z:Transcribed by Simon Furey and Lewis Jones L:1/8 M:4/4 I:linebreak $ K:Edor EF | G2 A2 B2 c2 | B3 A GF E2 | FG A2 F2 D2 | E6 :| EF | G2 A2 Bc d2 |$ c2 B4 Bc | d2 e2 A3 G | F8 | B3 B A2 c2 | B3 A GF E2 | FG A2 F2 D2 | E6 |]
Notes on GB/7c/10B The tune is identical to that of GB/6a/106 but in a different key.
GB/7c/10C Weddingmore Version 4 of 4
abc notation
X:10 T:GB/7c/10C Weddingmore Version 4 of 4 T:Another Tune C:Mr. Cranstone (c. 50), Billingshurst, VII. 09 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:3/2 I:linebreak $ K:Eaeo G A | B2"^(a)" G A B d | A2 G2 F G | E2 B2 A G | E4 :| G A | B2 G A B d |$ A2 !fermata!G2 F G | A e- !fermata!e2 !fermata!A G | A4 G A | B2 G A B d | A2 G2 F G | E2 B2 A G | E4 |:$ G A | B2"^(a) var." G2 B d | A2 G2 F G | E2 B2 A G | E4 :| G A | B2 G A B d |$ A2 !fermata!G2 F G | A e- !fermata!e2 !fermata!A G | A4 G A | B2 G A B d | A2 G2 F G | E2 B2 A G | E4 |]
GB/7c/11 Young Collins
abc notation
X:11 T:GB/7c/11 Young Collins C:Mr. Greenfield, Lurgashall, Sussex, X. 10 P:F.W. J(ekyll) & G.S.K. B(utterworth) Z:Transcribed by Simon Furey and Lewis Jones L:1/8 M:4/4 I:linebreak $ K:A AB | c2 cB F2 B2 | A2 G2 A3 B | c2 A2 F2 e2 | f2 e^d e3 e | !fermata!f3 e !fermata!d3 c |$ B2 ed c2 AG | F2 d2 dcBA |"^(a)" G2 e2 !fermata!e3 e |"^(b)" a3 e f3 d | c2 B2 A2 ||$ AB | c2 cB F2 B2 | A2 G2 A3 B | c2 A2 F2 e2 | f2 e^d e3 e | !fermata!f3 e !fermata!d3 c |$ B2 ed c2 AG | F2 d2 dcBA |"^(a) var." GB e2 !fermata!e3 e |"^(b) var." a3 e fdcd | c2 B2 A2 |]
GB/7c/12 Jack Goes Up to London Version 1 of 2
abc notation
X:12 T:GB/7c/12 Jack Goes Up To London T:Version 1 of 2 C:Mr. Greenfield, Lurgashall, Sussex, X. 10 P:F.W. J(ekyll) & G.S.K. B(utterworth) Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:4/4 I:linebreak $ K:Dmix D | G G B d | A A/G/ F A | B B E G | A A/G/ F !fermata!D :| B | c d !fermata!e c |$ B A !fermata!d d | e d c B | A d G G/F/ | E E/E/ D D/D/ | A A/G/ F !fermata!D | A A/B/ c d/G/ | F E D |]
GB/7c/12A Jack Goes Up to London Version 2 of 2
abc notation
X:12 T:GB/7c/12A Jack Goes Up To London T:Version 2 of 2 C:Mr. Heygate, Rusper, XI. 10 P:F.W. J(ekyll) Z:Transcribed by Simon Furey and Lewis Jones L:1/8 M:4/4 I:linebreak $ K:Dmix G2 G2 A2 d2 | c2 AG F2 A2 | B2 B2 E2 FG | ABAG F2 !fermata!D B | c2 d2 e3 c | B2 c2 d3 d |$ e2 d2 c2 B2 | A2"^(a)" dB G2 GF | E2 EE D2 GG | ABAG F2 D2 | A2 AA BcdG | F2 E2 D4 ||$ G2 G2 A2 d2 | c2 AG F2 A2 | B2 B2 E2 FG | ABAG F2 !fermata!D B | c2 d2 e3 c | B2 c2 d3 d |$ e2 d2 c2 B2 | A2"^(a) var." d2 G2 GF | E2 EE D2 GG | ABAG F2 D2 | A2 AA BcdG | F2 E2 D4 |]
GB/7c/13 An Old Man He Courted Me
abc notation
X:13 T:GB/7c/13 An Old Man He Courted Me C:Mrs. Powell, Minster, Sheppey, VIII. 10 P:F.W. J(ekyll) Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:3/4 I:linebreak $ K:Cmix C | C D E | F G A | G2 D | F/E/ C3/2 C/ | C D E | F G A | B G c | G2 G |$ c G G | B c !fermata!d | c A F | G E/D/ !fermata!C | G A B | A B A | G F D | C3 |]
GB/7c/14 Bold General Wolfe
abc notation
X:14 T:GB/7c/14 Bold General Wolfe C:Workhouse, Minster, Kent, IX. 10 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:3/2 I:linebreak $ K:G D | G D G3/2 A/ B c | d e c3 d | B G c A B G | F E D3 A | c d e c B/A/ G |$ B c d3 d | c B A3/2 B/ c d | B G E2 D2 |[M:1/2] z D |[M:3/2] G3/2 E/ F G A B/A/ | G4- G |]
GB/7c/15 Bold Princess Royal Version 1 of 2
abc notation
X:15 T:GB/7c/15 Bold Princess Royal Version 1 of 2 C:Workhouse, Minster, Kent, IX. 10 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:3/4 I:linebreak $ K:G D |"^(a)" G B A/G/ | F !fermata!G G/B/ |"^(b)" d c B | A2 B/A/ | G G G | G D E | =F G/F/ E | D2 B/c/ | d/B/ G d |$"^(c)" c/B/ !fermata!A B/c/ | B A G | D G G/F/ | E/D/ C A | "^(d)" A/F/ !fermata!D D | G B B/A/ | G2 ||$ D |"^(a) var." G G A/G/ | F !fermata!G G/B/ | "^(b) var." B G B | A2 B/A/ | G G G | G D E | =F G/F/ E | D2 B/c/ | d/B/ G d |$ "^(c) var." c/B/ !fermata!A d | c B A | D G G/F/ | E/D/ C A |"^(d) var." A/F/ !fermata!D A | B c/B/ A | G2 |]
GB/7c/15A Bold Princess Royal Version 2 of 2
abc notation
X:15 T:GB/7c/15A Bold Princess Royal Version 2 of 2 C:Mr. Robert Hurr (c. 50), Southwold, X. 10 P:R. V(aughan) W(illiams) & G.S.K. B(utterworth) Z:Transcribed by Simon Furey and Lewis Jones L:1/8 M:3/4 I:linebreak $ K:G G>A | Bc d2 g2 |"^(a)" e2 d2 G>B | c>B G2 G2 | G4 B>G | A2 A2 d2 |$"^(b)" c2 B2 A>G | d2 f2 e2 | d4 B>c | d2 A2 d2 | ef !fermata!g2 a>g | g2 d>B G2 |$ D2 G2 G>A |"^(c)" Bc d2 g>f | ed B2 (3GAB | A>B G2 G2 | G4 ||$ G>A | Bc d2 g2 |"^(a) var." e2 d>B G>B | c2 G2 G2 | G4 B>G | A2 A2 d2 |$ "^(b) var." B>A B2 A>G | d2 f>d e>f | d4 B>c | d2 A2 d2 | ef !fermata!g2 a>g | g2 d>B G2 |$ D2 G2 G>A |"^(c) var." Bc d2 f>g | e>d cB GB | A2 G2 G2 | G4 |]
GB/7c/16 Belt On, Brave Boys
abc notation
X:16
T:GB/7c/16 Belt On, Brave Boys
C:Mr. W. Smith (p. 1), Newport, Mon., IV. 08
Z:Transcribed by Simon Furey and Lewis Jones
M:4/4
L:1/8
K:EAeo
D | G2 GA GFED | G>ABG AG!fermata!ED | G3 A GFED | G2 AB A2 z D |
GABd e2 e e | ABAG FA !fermata!d2 | G3 F/E/ B3 G | AG ED E3 |]
GB/7c/17 Forty Miles
abc notation
X:17 T:GB/7c/17 Forty Miles C:Mr. Newby (c. 80), Almshouses, Southwold, X. 10 Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:6/4 I:linebreak $ K:C G | c2 c G2 E | F G F D2 E | F G F E D C | G2 G G3 |[M:3/4] z G G |$[M:6/4] A A A A2 G | (c2 e G3) |[M:3/4] z G G |[M:6/4] A f e d c B | c4- c |]
GB/7c/18 Geordie Version 1 of 2
abc notation
X:18 T:GB/7c/18 Geordie Version 1 of 2 C:Mr. Newby P:R.V(aughan) W(illiams) & G.S.K. B(utterworth) Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:4/4 I:linebreak $ K:Ddor c/d/ | e e d e/>d/ | c A"^?" G c/>d/ | e e d c/>A/ | G A/c/ !fermata!d c/d/ |$ e e d e/>d/ | [M:6/4] c A G2 c3/2 B/ |[M:4/4]"^(a)" A G/F/ E D/E/ | F d/>c/ d ||$ c/d/ | e e d e/>d/ | c A"^?" G c/>d/ | e e d c/>A/ | G A/c/ !fermata!d c/d/ |$ e e d e/>d/ |[M:6/4] c A G2 c3/2 B/ | [M:4/4]"^(a) var." A G/F/ E C | G c d |]
GB/7c/18A Geordie Version 2 of 2
abc notation
X:18 T:GB/7c/18A Geordie Version 2 of 2 C:Mr. Verrall P:G.S.K. B(utterworth) Z:Transcribed by Simon Furey and Lewis Jones W:* All verses except first L:1/8 M:4/4 I:linebreak $ K:C c3 d | e2 e2 d2"^(a)" e2 | c2"^(b)" A2 !fermata!G3 G | c3 d e2"^(c)" c2 | B2 d4 cd |$ e2 dc d2 ed |[M:3/2]"^(d)" c2 Ac G4 A3 G |[M:4/4] E2 G2 A2 GF | E2"^(e)" Gc c4 ||$ c3 d | e2 e2 d2"^(a) var." ed | c2"^(b) var." Ac !fermata!G3 G | c3 d e2"^(c) var." G2 | c2 d4 cd |$ e2 dc d2 ed |"^(d) var.*" c2 A2 G2 EE | G2 GG A2 GF | E2"^(e) var." c2 c4 |]
GB/7c/19 Roger the Miller
abc notation
X:19 T:GB/7c/19 Roger the Miller C:Mr. George Goble (c. 70), Filby, Norfolk, X. 10 P:R. V(aughan) W(illiams) & G.S.K. B(utterworth) Z:Transcribed by Simon Furey and Lewis Jones L:1/4 Q:1/4=200 M:9/4 I:linebreak $ K:G "^Fast" B | B A G F E D E F G | A F D D E F G2 B | B A G F E D E F G |$ F A G F E F G2 D | w: ||||| [M:6/4] G B B B A B | d"^(a)" D D D2 D | G B B B A G |$ A3- A G A |[M:9/4] B c B B A G F G A | w: ||||| B c B B A G F G A | B E E F E D E F G |$ A F D D E F G3 || B | B A G F E D E F G | w: * * * * * * * Sing- ing|Rip * * * * * * * *|||| A F D D E F G2 B |$ B A G F E D E F G | F A G F E F G2 D |[M:6/4] G B B B A B | w: |||| d"^(a) var." D2- D2 D |$ G B B B A G | A3- A G A |[M:9/4] B c B B A G F G A | B c B B A G F G A |$ w: ||||* * * * * * * Sing- ing| B E E F E D E F G | A F D D E F G3 |] w: Rip * * * * * * * *||
GB/7c/20 Jones' Ale
abc notation
X:20 T:GB/7c/20 Jones' Ale C:Mr. Robert Hurr (c. 50), Southwold, X. 10 P:R. V(aughan) W(illiams) & G.S.K. B(utterworth) Z:Transcribed by Simon Furey and Lewis Jones T:Approximate L:1/4 Q:1/4=200 M:6/4 I:linebreak $ K:G "^Fast" D | G2 G G"^(a)" F G |[M:9/4] B3 G3 E F G |[M:6/4] A A A A"^(b)" B G | [M:9/4] F3 D3 D E F |$[M:6/4] G G G G F G | B3"^(c)" G2 G | A2 D D E F | G3- G2 c | B2 c d2 A |$ B2 c d2 d | e2 c A B c | d2 c B A G | G G G G F G | B3 G F G |$ A2 D D E F | G3 c3 | B A G A G F | G2 E D2 B, | C D E D E F | G3- G2 ||$ D | G2 G G"^(a) var." G G |[M:9/4] B3 G3 E F G | [M:6/4] A A A A"^(b) var." A G |[M:9/4] F3 D3 D E F |$[M:6/4] G G G G F G | B3"^(c) var." G F G | A2 D D E F | G3- G2 c | B2 c d2 A |$ B2 c d2 d | e2 c A B c | d2 c B A G | G G G G F G | B3 G F G |$ A2 D D E F | G3 c3 | B A G A G F | G2 E D2 B, | C D E D E F | G3- G2 |]
GB/7c/21 On Monday Morning I Married a Wife
abc notation
X:21 T:GB/7c/21 On Monday Morning I Married a Wife C:Mr. Robert Hurr (c. 50), Southwold, X. 10 P:R. V(aughan) W(illiams) & G.S.K. B(utterworth) Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:6/4 I:linebreak $ K:Ab E F G | A2 A A G E | A A B c2 A | B2 c B2 E |[M:9/4] B2 c d3 e d B |$[M:6/4] A2 A A G E | A A B c2 A | B2 c B2 E |[M:9/4] B2 c d3 B c d |[M:6/4] e f e e c d |$[M:9/4] e e f e3 d2 e | [M:6/4] f2 e d c d | e2 d c B c | A B A"^(a)" A2 E | E A G A2 ||$ E F G | A2 A A G E | A A B c2 A | B2 c B2 E |[M:9/4] B2 c d3 e d B |$[M:6/4] A2 A A G E | A A B c2 A | B2 c B2 E | [M:9/4] B2 c d3 B c d |[M:6/4] e f e e c d |$[M:9/4] e e f e3 d2 e |[M:6/4] f2 e d c d | e2 d c B c | A B A"^(a) var." G F G | E A G A2 |]
GB/7c/22 Royal George, The, Version 1 of 2
abc notation
X:22 T:GB/7c/22 Royal George, The T:Version 1 of 2 C:Mr. Robert Hurr, c. 50, Southwold, X. 10 P:R. V(aughan) W(illiams) & G.S.K. B(utterworth) Z:Transcribed by Simon Furey and Lewis Jones L:1/8 M:4/4 I:linebreak $ K:Bb Bc | d2 d2 d2 c>d | e>d c>B{/B} A2 G2- |[M:2/4] G2"^(a)" z"^(""^)" d |[M:4/4] e3 d/e/ f3 B |$ B>A B2 c3 F | B>A B>c B>A GF | B>A B2 c f2 d |"^(b)" e2 fg f3 e |$ d2 c2 B>AG>F | B>A B>c B>A GF | B>A B2 c f2 d | e2 fg f3 e | d2 c2 B2 ||$ Bc | d2 d2 d2 c>d | e>d c>B{/B} A2 G2- | [M:2/4] G2"^(a) var." z2 |[M:4/4] e3 d/e/ f3 B |$ B>A B2 c3 F | B>A B>c B>A GF | B>A B2 c f2 d | "^(b) var. 1" ef g2 f3 e |$ d2 c2 B>AG>F | B>A B>c B>A GF | B>A B2 c f2 d | e2 fg f3 e | d2 c2 B2 ||$ Bc | d2 d2 d2 c>d | e>d c>B{/B} A2 G2- |[M:2/4] G2 z d |[M:4/4] e3 d/e/ f3 B |$ B>A B2 c3 F | B>A B>c B>A GF | B>A B2 c f2 d |"^(b) var. 2" e2- (3efg f3 e |$ d2 c2 B>AG>F | B>A B>c B>A GF | B>A B2 c f2 d | e2 fg f3 e | d2 c2 B2 |]
GB/7c/22A Royal George, The, Version 2 of 2
abc notation
X:22 T:GB/7c/22A Royal George, The T:Version 2 of 2 C:Mr. Verrall, 1911 Z:Transcribed by Simon Furey and Lewis Jones L:1/8 M:4/4 I:linebreak $ K:Bb Bc | d2 d2 d2 cB | Bc"^(a)" d2 cB !fermata!G2 | e2"^(b)" e2 d2 c2 | B2 d2 !fermata!c2 z F |$ B>A Bc BAGF | B2 B2 cd e2 | f2 f2 e2 dB | c2 c2 B2 ||$ Bc | d2 d2 d2 cB | Bc"^(a) var." dc cB !fermata!G2 | e2"^(b) var." ee d2 c2 | B2 d2 !fermata!c2 z F |$ B>A Bc BAGF | B2 B2 cd e2 | f3 d e2 dB | c2 c2 B2 |]
GB/7c/23 Liverpool Hornpipe
abc notation
X:23 T:GB/7c/23 Liverpool Hornpipe C:Played on the concertina by Robert Hurr (c. 50), Southwold, X. 10 Z:Transcribed by Simon Furey and Lewis Jones L:1/8 M:2/2 I:linebreak $ K:Bb AG | F2 DG F2 DE | DF B4 AG | F2 DG F2 DF | G2 C2 C4 | F2 DG F2 DE |$ DF B4 c2 | d2 B2 ABcA | B6 :: Bc | d2 d4 d2 | c2 A2 cdce |$ d2 B2 d2 B2 | cBAG F4 | d2 d4 d2 | cBAB cdce | d2 B2 ABcA | B6 :|
GB/7c/24 Birmingham Town
abc notation
X:24 T:GB/7c/24 Birmingham Town C:Mr. George Locke (c. 70), Rollesby, Norfolk, X. 10 P:R.V(aughan) W(illiams) & G.S.K. B(utterworth) Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:4/4 I:linebreak $ K:Ddor D/E/ | F"^(a)" G D C | c d !fermata!A A/B/ | c"^(b)" c B G | A3 A/B/ |"^(c)" c c B/A/ G |$ A"^(d)" A/G/ F G | F E D C | D"^(e)" D"^(f)" F G/A/ | B A/G/ F E | D3 ||$ D/E/ | F"^(a) var." E D C | c d !fermata!A A/B/ | c"^(b) var. 1" c B/A/ G | A3 A/B/ | "^(c) var." c B/A/ B A/G/ |$ A"^(d) var." E F G | F E D C | D"^(e) var." D/E/"^(f) var. 1" F G | B A/G/ F E | D3 ||$ D/E/ | F G D C | c d !fermata!A A/B/ | c"^(b) var. 2" d G A | A3 A/B/ | c c B/A/ G |$ A A/G/ F G | F E D C | D D"^(f) var. 2" F G | A/>B/ A/G/ F E | D3 ||$ D/E/ | F G D C | c d !fermata!A A/B/ | c"^(b) var. 3" d/B/ G A | A3 A/B/ | c c B/A/ G |$ A A/G/ F G | F E D C | D D F G/A/ | B A/G/ F E | D3 ||$ D/E/ | F G D C | c d !fermata!A A/B/ | c"^(b) var. 4" d/B/ G G | A3 A/B/ | c c B/A/ G |$ A A/G/ F G | F E D C | D D F G/A/ | B A/G/ F E | D3 |]
GB/7c/25 Liverpool Play
abc notation
X:25 T:GB/7c/25 Liverpool Play C:Mr. George Locke (c. 70), Rollesby, Norfolk, X. 10 P:R.V(aughan) W(illiams) & G.S.K. B(utterworth) Z:Transcribed by Simon Furey and Lewis Jones L:1/8 M:6/8 I:linebreak $ K:A E |"^(a)" A3 A2 E |"^(b) " A3 A2 B | c2"^(c)" d c2 B | A3- A2 c | d2 d"^(d)" c2 B |$ c2 d e2 c | "^(e)" B2 A G2 A | B3- B cd | e2 e cBc | A2 G !fermata!F2 d |$"^(f)" dcB AFG | E3- E2 E | F2 F GFE | A2 A Bcd | e2 A"^(g)" B2 G | A3- A2 ||$ E |"^(a) var." A2 E A2 E | "^(b) var." A2 E A2 B | c2"^(c) var." c BAB | A3- A2 c | d2 d"^(d) var." dcB |$ c2 d e2 c | "^(e) va." BGE G2 A | B3- B cd | e2 e cBc | A2 G !fermata!F2 d |$"^(f) var." cBc AFG | E3- E2 E | F2 F GFE | A2 A Bcd | e2 A"^(g var." GAB | A3- A2 |]
GB/7c/26 Basket of Eggs
abc notation
X:26 T:GB/7c/26 Basket of Eggs C:Mr. George Locke (c. 70) P:R.V(aughan) W(illiams) & G.S.K. B(utterworth) Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:4/4 I:linebreak $ K:Dmix D | D E F/G/A/B/ | c B A/F/ !fermata!D | G F G A | d f/e/ !fermata!d z/ d/ |$ d F G A/B/ | c B A/F/ D | G F E/F/G/A/ | B A D |]
GB/7c/27 Loss of the London, The
abc notation
X:27
T:GB/7c/27 Loss of the London, The
C:Mr. William Hurr (c. 60), Southwold, X. 10
P:R.V(aughan) W(illiams) & G.S.K. B(utterworth)
Z:Transcribed by Simon Furey and Lewis Jones
M:2/4
L:1/8
K:Edor
E>F | G>A G>A | GE F>G | "^(a)"A>G F>G | E2 (3Bcd | e>d e>f | eA d>c | B4 |
z2 B>c | d>c d>e | dB cA | "^(b)"(3ABG F>E | D2 E>F | G>G F>E | FB G>F | E2 ||
E>F | G>A G>A | GE F>G | "^(a) var."A>A G>F | E2 (3Bcd | e>d e>f | eA d>c | B4 |
z2 B>c | d>c d>e | dB cA | "^(b) var."AB (3GFE | D2 E>F | G>G F>E | FB G>F | E2 |]
GB/7c/28 When I Was Bound Apprentice in Fair London City
abc notation
X:28 T:GB/7c/28 When I Was Bound Apprentice in Fair London City C:Mr. William Hurr P:R.V(aughan) W(illiams) & G.S.K. B(utterworth) Z:Transcribed by Simon Furey and Lewis Jones L:1/8 M:4/4 I:linebreak $ K:G G | G>F GA e2 (3ede | d>B GB AG E2 |[M:2/4] z2 z d |[M:4/4] e2 ef g2 G2 |"^(a)" A>B c>A B3 A |$ G>F G>A e2 (3ede | d>B GB AG E2 |[M:2/4] z2 z d |[M:4/4] e2 ge d2 e>c | B>A G>F G3 ||$ G | G>F GA e2 (3ede | d>BGB AG E2 |[M:2/4] z2 z d |[M:4/4] e2 ef g2 G2 |"^(a) var." A2 A2 B3 A |$ G>F G>A e2 (3ede | d>B GB AG E2 |[M:2/4] z2 z d |[M:4/4] e2 ge d2 e>c | B>A G>F G3 |]
GB/7c/29 Captain's Apprentice
abc notation
X:29 T:GB/7c/29 Captain's Apprentice T:[Original Title (crossed out): Poor Boy Bound Apprentice] C:Mr. George Goble (c. 70), Filby, Norfolk, X.10 P:R.V(aughan) W(illiams) and G.S.K. B(utterworth) Z:Transcribed by Simon Furey and Lewis Jones W:Last verse To Newgate Gaol then I was brought to, To N(ewgate) G(aol) I was condemned, W:For if I had by my men been ruled, I might have a poor boy's life and my own. L:1/8 M:4/4 I:linebreak $ K:Ddor D2 | A3 A A2"^(a)" A2 | G2 A2 GF D2 |[M:2/4] z2 z D |[M:4/4] G3 G"^(b)" GFED | F2 G2 A3"^(c)" A |$ "^(d)" F2 ED c2"^(e)" d2 | G2 G2"^(f)" AB !fermata!c2- |[M:2/4] c2"^(g)" z2 | [M:4/4] F2 FE D2"^(h)" c>B | A2 G2 D2 || D2 | A3 A A2"^(a) var. 1 " A2 |$ G2 A2 GF D2- | [M:2/4] DE F2 |[M:4/4] G3 G"^(b) var." G2 FE | F2 G2 A3"^(c) var." G |$ "^(d) var." FE D2 c2"^(e) var." dB | G2 G2"^(f) var." B2 !fermata!c2- |[M:2/4] c2"^(g) var. 1" z2 | [M:4/4] F3 E D2"^(h) var." cB | A2 G2 D2 || D2 | A3 A A2"^(a) var. 2" G2 |$ A2 A2 GF D2 | [M:2/4] D3 D |[M:4/4] G3 G GFED | F2 G2 A3 A |$ F2 ED c2 d2 | G2 G2 AB !fermata!c2- | [M:2/4] c2 z"^(g) var. 2" E |[M:4/4] F>E F>E D2 c>B | A2 G2 D2 || D2 | A3 A A2"^(a) var. 3" G2 |$ A2 A2 G2 D2 |[M:2/4] D3 D |[M:4/4] G3 G GFED | F2 G2 A3 A |$ F2 ED c2 d2 | G2 G2 AB !fermata!c2- | [M:2/4] c2 z2 |[M:4/4] F2 FE D2 c>B | A2 G2 D2 ||
GB/7c/30 Lovely Joan
abc notation
X:30 T:GB/7c/30 Lovely Joan C:Mr.William Hurr (c. 60), Southwold, X. 10 P:R.V(aughan) W(illiams) & G.S.K. B(utterworth) Z:Transcribed by Simon Furey and Lewis Jones L:1/8 M:4/4 I:linebreak $ K:Edor "^(a)" G |"^(b)" GABc d3 G | AG E2 E4 | e3 f g2 fe | dc d2 e4 |$[M:2/4] z2 (3Bcd | [M:4/4]"^(c)" e2 e>d e2 g>f |[M:6/4] ed e2 B4- (Bc) (BA) |[M:4/4]"^(d)" GABe d3 G | AG E2 E3 ||$ "^(a) var." EF |"^(b) var. 1 [once]" GAB=c d3 G | AG E2 E4 | e3 f g2 fe | dc d2 e4 |$ [M:2/4] z2 (3Bcd |[M:4/4]"^(c) var." e3 e e2 gf |[M:6/4] ed e2 B4- (Bc) (BA) |[M:4/4] GABe d3 G | AG E2 E2 ||$ G |"^(b) var. 2" GABe d3 G | AG E2 E4 | e3 f g2 fe | dc d2 e4 |$[M:2/4] z2 (3Bcd | [M:4/4] e2 e>d e2 g>f |[M:6/4] ed e2 B4- (Bc) (BA) |[M:4/4]"^(d) var." GABc d3 G | AG E2 E3 |]
GB/7c/31 Claudy Banks
abc notation
X:31 T:GB/7c/31 Claudy Banks C:Mr. Verrall (X. 10) P:F.W. J(ekyll) Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:4/4 I:linebreak $ K:Gmix d | c B G G | e ^f g d | c B G G | G3 d | g2 g e |$ f a g d | f2 d/e/ f | g3 G | B B d/e/ f | g2 d e | f a g e |$ f3 e/f/ | g e d B | c e d B | c B G G |[M:2/4] G2 ||
Notes on GB/7c/31 The meaning and significance of the crosses above full bars 4 and 8 in the MS are unclear.
GB/7c/32 You Gentlemen of England (Fox-Hunting Song)
abc notation
X:32 T:GB/7c/32 You Gentlemen of England T:(Fox-Hunting Song) C:Mr. Heygate, Rusper, XI.10 P:F.W. J(ekyll) Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:5/4 I:linebreak $ K:Daeo F/G/ | A A A2 G | F D C2 F | G A B A G |[M:3/4] A2 F/G/ |[M:5/4] A A A2 G |$ F D C2 D/E/ | F D E D C |[M:3/4] D2 F/G/ |[M:5/4] A A A2 G | A A A G F |$ G A B A G |[M:3/4] A2 F/G/ | [M:5/4] A A A2 G | F D C2 D/E/ | F D E D C | D4 |]
GB/7c/33 Seven Jolly Gipsies
abc notation
X:33 T:GB/7c/33 Seven Jolly Gipsies C:Mr. James Landamore, Wroxham, IV. 10 P:F.W. J(ekyll) Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:4/4 I:linebreak $ K:G G/A/B/c/ d d | c A G2 | G B/c/ d d | g3/2 f/ d2 |$ d d g g | =f d/c/ =F A | B A/G/ d d | B G G2 |]
GB/7c/34 Black Velvet Band
abc notation
X:34 T:GB/7c/34 Black Velvet Band C:Mr. Standing, Washington P:F.W. J(ekyll) & G.S.K. B(utterworth) Z:Transcribed by Simon Furey and Lewis Jones L:1/4 M:3/4 I:linebreak $ K:Gmix G | B c d/e/ | f d e/f/ | g G G | B c d/e/ | f d d | g2 g |$ f e d | G e e | G A B | c B A | D G ^F | G2 |]
GB/7c/35 Tag Dum Torum (It's of an Old Couple)
abc notation
X:35 T:GB/7c/35 Tag Dum Torum T:(It's Of an Old Couple) C:Mrs. Verrall XI. 08 P:F.W. J(ekyll) Z:Transcribed by Simon Furey and Lewis Jones L:1/8 M:6/8 I:linebreak $ K:G D | G2 G D2 D | E2 E D2 D | D2 D G2 G | c2 B B AA | B2 A B2 A | B2 c d2 d | G2 G c2 B |$ w: |||||||| A2 G FED |[M:9/8] E2 E E2 F FED |[M:6/8] D2 G A2 B | G4- G |] w: |Tag dum to- rum lit- tle- dam|tag dum to- rum|row *|
Notes on GB/7c/35 The VWML catalogue has "Woman" for "Couple" in the alternative title.