Difference between revisions of "Take 6 Transcription Programme: The Butterworth Archive, MS 7b"

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  Link to [[Take 6 Transcription Programme]] Home Page
 
  Link to [[Take 6 Transcription Programme]] Home Page
 +
 +
 +
 +
'''For playback, abc files, and midi files, of these transcriptions that are linked to their original MSS enter the filenames [LEB/2/1/1 or whatever] in the search box here. [[http://www.vwml.org/]]'''
  
  
Line 9: Line 13:
  
 
[[File:GB-7b-1.xml]]
 
[[File:GB-7b-1.xml]]
 +
 +
'''abc notation'''
 +
 +
X:1<br>
 +
T:GB/7b/1 Oxford City<br>
 +
C:Mr H. Webb (c. 70), Stanton St. John, Oxon., V. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:3/2<br>
 +
I:linebreak $<br>
 +
K:Dmix<br>
 +
D | G A G2 D3/2 E/ | =F G E D z D | G F G2 A B | c d A2 z G |$ A B/c/ d2 c B | A D E/F/ G z A |<br>
 +
B c A2 G2 | D D D3 |]<br>
  
 
''Notes on GB/7b/1'' The tune is similar to that of GB/6a/132.
 
''Notes on GB/7b/1'' The tune is similar to that of GB/6a/132.
Line 20: Line 37:
  
 
[[File:GB-7b-2.xml]]
 
[[File:GB-7b-2.xml]]
 +
 +
'''abc notation'''
 +
 +
X:2<br>
 +
T:GB/7b/2 Seeds of Love Version 1 of 2<br>
 +
C:Sung by Mrs Cranstone (p. 4), Billingshurst, VI. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:F<br>
 +
EF | G2 EF G2 A2 | F6 c2 | d2 cB A2 FA | c6 c2 |$ d2 cB A2 FA | c2 AF D2 EF | GBAG C2 G2 | F6 |]<br>
  
  
Line 29: Line 58:
  
 
[[File:GB-7b-2A.xml]]
 
[[File:GB-7b-2A.xml]]
 +
 +
'''abc notation'''
 +
 +
X:2<br>
 +
T:GB/7b/2A The Seeds of Love Version 2 of 2<br>
 +
C:Mrs Golds (c. 60), Washington, Sussex, XII. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:F<br>
 +
C2 | F2 EF G2 FG | F6 c2 | d2 cB A2 FA | c6 c2 |$ d2 cB A2 FA | c2 AF D2 EF | GBAG C2 EG | F6 |]<br>
  
 
''Notes on GB/7b/2A'' The tune is identical to that of GB/6a/149.
 
''Notes on GB/7b/2A'' The tune is identical to that of GB/6a/149.
Line 40: Line 81:
  
 
[[File:GB-7b-3.xml]]
 
[[File:GB-7b-3.xml]]
 +
 +
'''abc notation'''
 +
 +
X:3<br>
 +
T:GB/7b/3 The Dark-Eyed Sailor Version 1 of 3<br>
 +
C:Mr. Knight (c. 60), Horsham, IV. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:3/2<br>
 +
I:linebreak $<br>
 +
K:F<br>
 +
F | A A A2 G A | F G D3 C | F A c2 d3/2 c/ | B c A3 A | c c F2 E D |$[M:4/4] G A B2 |<br>
 +
A3/2 G/ A F | D C2 z | F3/2 G/ A/B/ c | d c d B | A G F E | F3 |]<br>
  
  
Line 54: Line 108:
 
X:3<br>
 
X:3<br>
 
T:GB/7b/3A The Dark-Eyed Sailor Version 2 of 3<br>
 
T:GB/7b/3A The Dark-Eyed Sailor Version 2 of 3<br>
−
T:"Chummy," Filby, Norfolk, IV. 10<br>
+
C:"Chummy," Filby, Norfolk, IV. 10<br>
−
T:F.W. J(ekyll) & G.S.K. B(utterworth)<br>
+
P:F.W. J(ekyll) & G.S.K. B(utterworth)<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 
M:3/2<br>
 
M:3/2<br>
 
L:1/8<br>
 
L:1/8<br>
 
K:FLyd<br>
 
K:FLyd<br>
−
C2 | A2 A2 A4 G2 F2 | G2 A2 D6 DE | FGA=B c4 d3 c | =B2 cB A4 d4 | c2 AG F4 E2 D2 | [M:4/4]G2 A2 _B4 |<br>
+
C2 | A2 A2 A4 G2 F2 | G2 A2 D6 DE | FGAB c4 d3 c | B2 cB A4 d4 | c2 AG F4 E2 D2 | [M:4/4]G2 A2 _B4 |<br>
−
A3 G A2 D2 | [M:3/4]D2 C4 | [M:4/4]F3 G A=B c2 | d2 c2 d2 A=B | c2 A2 G2 G2 | F6 |]
+
A3 G A2 D2 | [M:3/4]D2 C4 | [M:4/4]F3 G AB c2 | d2 c2 d2 AB | c2 A2 G2 G2 | F6 |]<br>
  
−
''Notes on GB/7b/3A'' This tune is in the rare Lydian, or to be precise Hyperlydian, mode except for one note: the single instance of a B flat in the sixth full bar when all of the other Bs are natural.
+
''Notes on GB/7b/3A'' This tune is in the rare Lydian, or to be precise Hypolydian, mode except for one note: the single instance of a B flat in the sixth full bar when all of the other Bs are natural.
  
  
Line 72: Line 127:
  
 
[[File:GB-7b-3B.xml]]
 
[[File:GB-7b-3B.xml]]
 +
 +
'''abc notation'''
 +
 +
X:3<br>
 +
T:GB/7b/3B The Dark-Eyed Sailor Version 3 of 3<br>
 +
C:Mr. Locke (c. 70), Rollerby, Norfolk, IV 10<br>
 +
P:F.W. J(ekyll) & G.S. K. B(utterworth)<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
M:3/2<br>
 +
I:linebreak $<br>
 +
K:F<br>
 +
C2 | A2 A2 (3ABA G2 F2 G2 | AGFE D6 C2 | FGAB c4 d3 c | B2 cB A6 d2 |$ cBAG F2 E2 D2 C2 |<br>
 +
[M:4/4] G2 A2 B4 | c3 B AGFE | D2 C6 |$ F3 G AB c2 | d2 c2 dc B2 | cB G2 F2 E2 | F6 |]<br>
  
  
Line 81: Line 150:
  
 
[[File:GB-7b-4.xml]]
 
[[File:GB-7b-4.xml]]
 +
 +
'''abc notation'''
 +
 +
X:4<br>
 +
T:GB/7b/4 The Bonny Bunch of Roses,O<br>
 +
T:Version 1 of 5<br>
 +
T:Mr. Nappin (c. 50), Stanton St. John. Oxon. V. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:C<br>
 +
E | F E F G/A/ | _B A !fermata!G G | c d e d/c/ | d c/B/ !fermata!c G |$ c3/2 d/ e d/c/ | c2 G E |<br>
 +
F G/A/ _B/A/G/F/ | G C C |]<br>
  
  
Line 90: Line 173:
  
 
[[File:GB-7b-4A.xml]]
 
[[File:GB-7b-4A.xml]]
 +
 +
'''abc notation'''
 +
 +
X:4<br>
 +
T:GB/7b/4A The Bonny Bunch of Roses,O<br>
 +
T:Version 2 of 5<br>
 +
C:Mr. Hoare (c. 80), Houghton, Sussex, VI. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:C<br>
 +
C2 | E2 D2 EFGA | BA G4 G2 | c3 d e2 dc | _B2 d2 !fermata!c2 G2 |$ c3 d e2 d2 | c2 cB G2 E2 |<br>
 +
F2 GA BAGF | FE C2 C2 |]<br>
  
 
''Notes on GB/7b/4A'' The tune is identical to that of GB/6a/35. In the library catalogue record for GB/6a/35 Mr. Hoare's name is unclear and/or incorrectly recorded.  
 
''Notes on GB/7b/4A'' The tune is identical to that of GB/6a/35. In the library catalogue record for GB/6a/35 Mr. Hoare's name is unclear and/or incorrectly recorded.  
Line 101: Line 198:
  
 
[[File:GB-7b-4B.xml]]
 
[[File:GB-7b-4B.xml]]
 +
 +
'''abc notation'''
 +
 +
X:4<br>
 +
T:GB/7b/4B The Bonny Bunch of Roses,O<br>
 +
T:Version 3 of 5<br>
 +
C:Mr. and Mrs. Cranstone (p. 4), Billingshurst, VI. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:Cdor<br>
 +
G2 | c3 d e2 d2 | c3 B G4 | c2 cd e2 d2 | c2 BA G2 G2 |$ c3 B G2 FE | F2 G2 C2 DE | F2 GA BAGF |<br>
 +
G2 C2 C2 |]<br>
  
 
''Notes on GB/7b/4B'' The key signature is different but the tune is identical to, and at the same pitch as, that of GB/6a/36.
 
''Notes on GB/7b/4B'' The key signature is different but the tune is identical to, and at the same pitch as, that of GB/6a/36.
Line 112: Line 223:
  
 
[[File:GB-7b-4C.xml]]
 
[[File:GB-7b-4C.xml]]
 +
 +
'''abc notation'''
 +
 +
X:4<br>
 +
T:GB/7b/4C The Bonny Bunch of Roses,O<br>
 +
T:Version 4 of 5<br>
 +
C:Mr. Whitehead (c. 50), Heslington, Yorks., VII. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:C<br>
 +
G2 | c2 f2 e2 d2 | cB G4 E2 | F2 GA BAGF | FE C2 C2 :| C2 | F3 E F2 GA | _B2 A2 G3 F |$<br>
 +
G2 f2 e2 d2 | c6 G2 | c2 f2 e2 d2 | cB G4 E2 | F2 GA BAGF | FE C2 C2 |]<br>
  
 
''Notes on GB/7b/4C'' The tune is identical to that of GB/6a/37.
 
''Notes on GB/7b/4C'' The tune is identical to that of GB/6a/37.
Line 123: Line 248:
  
 
[[File:GB-7b-4D.xml]]
 
[[File:GB-7b-4D.xml]]
 +
 +
'''abc notation'''
 +
 +
X:4<br>
 +
T:GB/7b/4D The Bonny Bunch of Roses,O<br>
 +
T:Version 5 of 5<br>
 +
C:Mr.James Landamore (c. 70), Wroxham, Norfolk, IV. 10<br>
 +
P:F.W. J(ekyll) & G.S. K. B(utterworth)<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:Cdor<br>
 +
G | c3/2 d/ e d | c3/2 B/ G C | F G B A | G C C :| C |$"^(a)" E F G A | B A !fermata!G G |<br>
 +
c3/2 d/ e d | c G !fermata!c G | c3/2 d/ e d | c3/2 B/ G C |$ F G/>A/ B/>G/ A/>F/ | G C C |: G |<br>
 +
c3/2 d/ e d | c3/2 B/ G C | F G B A |$ G C C :| C |"^(a) var." E D E F | B A !fermata!G G |<br>
 +
c3/2 d/ e d | c G !fermata!c G |$ c3/2 d/ e d | c3/2 B/ G C | F G/>A/ B/>G/ A/>F/ | G C C |]<br>
  
  
Line 132: Line 274:
  
 
[[File:GB-7b-5.xml]]
 
[[File:GB-7b-5.xml]]
 +
 +
'''abc notation'''
 +
 +
X:5<br>
 +
T:GB/7b/5 Seventeen Come Sunday Version 1 of 5<br>
 +
C:Mr. Webb (c. 70), Stanton St. John, Oxon., VI. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:Edor<br>
 +
"^Variation 1" B3/2 A/ | G E F D | E E E F/G/ | A F D F | A2 !fermata!B A | B e d e | B A G F |$<br>
 +
E F G B | A F D E/F/ | G E E2 | F/G/A/F/ D2 | E3/2 F/ G/A/ B/>B/ | A2 E2 |]$<br>
 +
"^Variation 2" B3/2 A/ | G E F D | E E E F/G/ | A F D F | A2 !fermata!B A |[M:3/2] B e d2 e2 |<br>
 +
[M:4/4] d B d ^c/d/ |$ e B A G | A F D E/F/ | G E E2 | F/G/A/F/ D2 | E3/2 F/ G/A/ B/>B/ | A2 E2 |]<br>
  
  
Line 141: Line 298:
  
 
[[File:GB-7b-5A.xml]]
 
[[File:GB-7b-5A.xml]]
 +
 +
'''abc notation'''
 +
 +
X:5<br>
 +
T:GB/7b/5A Seventeen Come Sunday Version 2 of 5<br>
 +
C:Mr. Hoare (c. 80), Houghton, Sussex, VI. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:Edor<br>
 +
B3/2 A/ | G E F D | E E E F/G/ | A G F G | A2 B B/c/ |[M:3/2] d B d2 e2 |[M:4/4] d c B A |$<br>
 +
B G F E | B c d F | G E E2 | E/F/G/F/ E2 | E F G A/G/ | E D E2 |]<br>
  
  
Line 150: Line 320:
  
 
[[File:GB-7b-5B.xml]]
 
[[File:GB-7b-5B.xml]]
 +
 +
'''abc notation'''
 +
 +
X:5<br>
 +
T:GB/7b/5B Seventeen Come Sunday Version 3 of 5<br>
 +
C:Mr. Leatham (c. 70), Askam Bryan, Yorks., VII. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:Edor<br>
 +
B3/2 A/ | G E F D | E E E F/G/ | A F D F | A2 B3/2 A/ | G A F E/D/ |$ E E E F/G/ | A F D F |<br>
 +
[M:3/2] A2 B2 B3/2 c/ | d B d2 e2 | d B/c/ d3 c |[M:4/4] B G F E |$ B B B B | A F/D/ E2 |<br>
 +
A F/E/ D2 | E B/ B/ A F | E2 E2 |]<br>
  
  
Line 159: Line 343:
  
 
[[File:GB-7b-5C.xml]]
 
[[File:GB-7b-5C.xml]]
 +
 +
'''abc notation'''
 +
 +
X:5<br>
 +
T:GB/7b/5C Seventeen Come Sunday Version 4 of 5<br>
 +
C:Mrs Verral (Journal), Horsham, XII. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:Edor<br>
 +
B3/2 A/ | G E F D | E E E F/G/ | A F D F/G/ |[M:3/2] A2 B2 B3/2 c/ | d B d2 e2 |$ d B d2 c B |<br>
 +
[M:4/4] B A F E | B c d F | F E E2 | F/G/A/F/ D2 | E B B/A/G/F/ | E3/2 D/ E2 |]<br>
  
  
Line 168: Line 365:
  
 
[[File:GB-7b-5D.xml]]
 
[[File:GB-7b-5D.xml]]
 +
 +
'''abc notation'''
 +
 +
X:5<br>
 +
T:GB/7b/5D Seventeen Come Sunday Version 5 of 5<br>
 +
T:Another Tune<br>
 +
C:Mrs. Cranstone<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:2/2<br>
 +
I:linebreak $<br>
 +
K:Bbmix<br>
 +
B | B G E G | B B F F | B B c e |[M:3/2] d3/2 c/ B2 d3/2 e/ |[M:2/2] f f e e |$<br>
 +
[M:3/2] f f B2 F3/2 G/ |[M:2/2] A A B G/F/ | E2 F2 | B G E2 | B B/G/ F2 | B B c (3d/e/c/ |<br>
 +
d3/2 c/ B |]<br>
  
  
Line 177: Line 389:
  
 
[[File:GB-7b-6.xml]]
 
[[File:GB-7b-6.xml]]
 +
 +
'''abc notation'''
 +
 +
X:6<br>
 +
T:GB/7b/6 A Brisk Young Sailor Courted Me<br>
 +
T:Version 1 of 2<br>
 +
C:Mr. Ford, Scaynes Hill, Sussex, 08<br>
 +
P:F.W. J(ekyll)<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
W:For a version of this song in 6/8 time see GB/6a/44A.<br>
 +
L:1/4<br>
 +
M:6/4<br>
 +
I:linebreak $<br>
 +
K:E<br>
 +
G | B2 B F G A | G2 F E2 B | e2 e B c e | d2 c B2 B |$ B c d e d e | c B c G F E | F2 G B c B |<br>
 +
G2 F E2 |]<br>
  
  
Line 186: Line 414:
  
 
[[File:GB-7b-6A.xml]]
 
[[File:GB-7b-6A.xml]]
 +
 +
'''abc notation'''
 +
 +
X:6<br>
 +
T:GB/7b/6A A Brisk Young Sailor Courted Me<br>
 +
T:Version 2 of 2<br>
 +
C:Mrs. Cranstone (p. 4), Billingshurst, VII. 09<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:6/4<br>
 +
I:linebreak $<br>
 +
K:E<br>
 +
E | F2 E F G A | D2 F E2 B | e2 e d c B | d2 c B2 B |$ c2 c e d c | B2 G c2 c | B2 G G F E |<br>
 +
G2 F E2 |]<br>
  
  
Line 195: Line 437:
  
 
[[File:GB-7b-7.xml]]
 
[[File:GB-7b-7.xml]]
 +
 +
'''abc notation'''
 +
 +
X:7<br>
 +
T:GB/7b/7 William the Waterboy Version 1 of 2<br>
 +
C:Mr Smith (p. 1), Stoke Lacy, Herefordshire, IX.07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
Q:1/4=66<br>
 +
M:3/2<br>
 +
I:linebreak $<br>
 +
K:Cdor<br>
 +
"^Slow" C | C C/D/ E E z C |[M:4/4] B B2 D | F/D/ C2 F |[M:3/2] G G c3 d/c/ | c/B/ G c3 B/c/ |$<br>
 +
d/c/B/G/ c3 B/G/ | F D/E/ F G z c |[M:4/4] c2 B c | G F C3/2 D/ | C C C2 |]<br>
  
  
Line 204: Line 460:
  
 
[[File:GB-7b-7A.xml]]
 
[[File:GB-7b-7A.xml]]
 +
 +
'''abc notation'''
 +
 +
X:7<br>
 +
T:GB/7b/7A William the Waterboy Version 2 of 2<br>
 +
C:Mrs Whiting (p.1), Newport, Mon., IV. 08<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
Q:1/4=120<br>
 +
M:3/2<br>
 +
I:linebreak $<br>
 +
K:Cdor<br>
 +
"^Faster (i.e. than GB/7b/7)" FD | C2 DE F2 D D B B !fermata!D2 |[M:4/4] FD C4 F2 |<br>
 +
[M:3/2] G2 c2 d2 c2 B2 G2 | cB G2 c6 Bc |$ dcBG c6 BG | FEDE F2 G2 z4 |[M:4/4] c3 =A B2 cB |<br>
 +
G3 F DC D2 | ED CD C4 |]<br>
  
  
Line 213: Line 484:
  
 
[[File:GB-7b-8.xml]]
 
[[File:GB-7b-8.xml]]
 +
 +
'''abc notation'''
 +
 +
X:8<br>
 +
T:GB/7b/8 The Undaunted Female<br>
 +
C:Abingdon, X. 06<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:D<br>
 +
"^Variant 1" A | D D E F | G2 A A | G F D D | D3 A | A d B B | c B A A | E E F G | A3 A |$<br>
 +
A d B B | c A B G | E E d B | A3 A | D D E F | G2 A A | G F D D | D3 |]$"^Vaiant 2" A | D D E F |<br>
 +
G2 A A | E F D D | D3 A | A d B B | c B A A | E E F G | A3 A |$ A d B B | c A B G | E E d B |<br>
 +
A3 A | D D E F | G2 A A | G F D D | D3 |]<br>
  
 
''Notes on GB/7b/8'' The tune is identical to that of GB/6a/171.
 
''Notes on GB/7b/8'' The tune is identical to that of GB/6a/171.
Line 224: Line 510:
  
 
[[File:GB-7b-9.xml]]
 
[[File:GB-7b-9.xml]]
 +
 +
'''abc notation'''
 +
 +
X:9<br>
 +
T:GB/7b/9 William Taylor Version 1 of 3<br>
 +
C:Mr Whitehead (c. 50), Heslington, Yorks., VII. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:Dmix<br>
 +
D | F F/E/ F G/A/ | B3/2 A/ F D | A3/2 F/ G A | d d A3/2 A/ |$ d d F B | A A F/E/D/E/ | F F G A |<br>
 +
B A D |]<br>
  
 
''Notes on GB/7b/9'' The tune is identical to that of GB/6a/178.
 
''Notes on GB/7b/9'' The tune is identical to that of GB/6a/178.
Line 235: Line 534:
  
 
[[File:GB-7b-9A.xml]]
 
[[File:GB-7b-9A.xml]]
 +
 +
'''abc notation'''
 +
 +
X:9<br>
 +
T:GB/7b/9A William Taylor Version 2 of 3<br>
 +
C:Mr. Jim Bull (c. 50), Bishop's Frome, Herefordshire IX. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:none<br>
 +
I:linebreak $<br>
 +
K:Dmix<br>
 +
D | G F E F/G/ | B A F !fermata!D | G F G A/B/ | c B !fermata!A (3A/B/c/ | d d G"^(a)" B/d/ |$<br>
 +
c A F D/D/ | G3/2 F/ E/F/G/A/ | B A !fermata!D || D | G F E F/G/ | B A F !fermata!D |<br>
 +
G F G A/B/ |$ c B !fermata!A (3A/B/c/ | d d G"^(a) var." A/B/ | c A F D/D/ | G3/2 F/ E/F/G/A/ |<br>
 +
B A !fermata!D |]<br>
  
  
Line 244: Line 558:
  
 
[[File:GB-7b-9B.xml]]
 
[[File:GB-7b-9B.xml]]
 +
 +
'''abc notation'''
 +
 +
X:9<br>
 +
T:GB/7b/9B William Taylor Version 3 of 3<br>
 +
C:Ipswich VI. 12<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:4/4<br>
 +
I:linebreak $
 +
K:C<br>
 +
C | E E F G | A G"^(a)" E !fermata!C | G3/2 E/ G3/2 A/ | B G !fermata!c G | c c F G/A/ |$<br>
 +
_B A G/E/ !fermata!C | E3/2 E/ D F | A G !fermata!C || C | E E F G |<br>
 +
A G"^(a) var." E/D/ !fermata!C | G3/2 E/ G3/2 A/ |$ B G !fermata!c G | c c F G/A/ |<br>
 +
_B A G/E/ !fermata!C | E3/2 E/ D F | A G !fermata!C |]<br>
  
  
Line 253: Line 582:
  
 
[[File:GB-7b-10.xml]]
 
[[File:GB-7b-10.xml]]
 +
 +
'''abc notation'''
 +
 +
X:10<br>
 +
T:GB/7b/10 Cupid the Ploughboy Version 1 of 2<br>
 +
C:Mr. Jim Jillson (c. 60), Askham Bryan, Yorks, VII. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:6/4<br>
 +
I:linebreak $<br>
 +
K:Gdor<br>
 +
D | G2 G G2 A | B2 A B2 D | G2 G G2 A | B3 A2 D | G2 G A B c | d2 d d2 G | A B c A G F |<br>
 +
G3 G2 f |$ f2 d d c B | c3 d2 c | B2 G G2 A | B3- B2 D | G2 G A B c | d3 d2 G | A B c A G F |<br>
 +
G3- G2 |]<br>
  
 
''Notes on GB/7b/10'' The tune is similar to that of GB/6a/59.
 
''Notes on GB/7b/10'' The tune is similar to that of GB/6a/59.
Line 264: Line 607:
  
 
[[File:GB-7b-10A.xml]]
 
[[File:GB-7b-10A.xml]]
 +
 +
'''abc notation'''
 +
 +
X:10<br>
 +
T:GB/7b/10A Cupid the Ploughboy Version 2 of 2<br>
 +
C:Mr. Young (c. 70), Bilborough, Yorks, III. 08<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:6/4<br>
 +
I:linebreak $<br>
 +
K:Gaeo<br>
 +
D | G2 G G2 A | B2 B A2 D | G2 G G2 A | B2 c/B/ A2 A | G2 F G A B |$ d2 d d2 c | B2 G c B A |<br>
 +
G3- G2 d | f2 d d c B | c2 e d2 c | d2 G G2 A |$ B2 c/B/ A2 D | G2 G A B c | d2 e d2 c |<br>
 +
B2 G c B A | G3- G2 |]<br>
  
 
''Notes on GB/7b/10A'' The tune is identical to that of GB/6a/61.
 
''Notes on GB/7b/10A'' The tune is identical to that of GB/6a/61.
Line 275: Line 632:
  
 
[[File:GB-7b-11.xml]]
 
[[File:GB-7b-11.xml]]
 +
 +
'''abc notation'''
 +
 +
X:11<br>
 +
T:GB/7b/11 Our Captain Calls Version 1 of 2<br>
 +
C:Mrs Cranstone (p.4), Billingshurst, VII. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:D<br>
 +
D | F D F G |[M:3/4] A2 F |[M:6/4] G E F/G/ A z A |[M:4/4] d d e d | B A2 F |$<br>
 +
[M:6/4] G E F/G/ A z A |[M:4/4] d d e d | B A2 F |[M:6/4] G E F/G/ A z A |$[M:4/4] d A B/A/G/F/ |<br>
 +
[M:3/4] E F G/B/ |[M:4/4] A D C !fermata!D |]<br>
  
 
''Notes on GB/7b/11'' The tune is similar to that of GB/6a/130.
 
''Notes on GB/7b/11'' The tune is similar to that of GB/6a/130.
−
 
  
  
Line 287: Line 657:
  
 
[[File:GB-7b-11A.xml]]
 
[[File:GB-7b-11A.xml]]
 +
 +
'''abc notation'''
 +
 +
X:11<br>
 +
T:GB/7b/11A Our Captain Calls Version 2 of 2<br>
 +
C:Mrs Golds (c. 60), Washington, Sussex, XII. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:D<br>
 +
D | F D F/G/ A |[M:6/4] B2 B A2 D |[M:4/4] C D z A | d B c d/c/ |$ B2 A2 |<br>
 +
[M:6/4] F/E/ D F/G/ A z A |[M:4/4] d B c d/c/ | B2 A2 |$[M:6/4] F/E/ D F/G/ A z A |<br>
 +
[M:4/4] !fermata!d A B/A/G/F/ |[M:3/4] E F G/B/ | A2 D | C D2 |]<br>
  
 
''Notes on GB/7b/11A'' The tune is similar to that of GB/6a/131.
 
''Notes on GB/7b/11A'' The tune is similar to that of GB/6a/131.
Line 298: Line 682:
  
 
[[File:GB-7b-12.xml]]
 
[[File:GB-7b-12.xml]]
 +
 +
'''abc notation'''
 +
 +
X:12<br>
 +
T:GB/7b/12 The Basket of Eggs, Version 1 of 2<br>
 +
C:Mr. Spooner (c. 70), Midhurst Workhouse, XII.08<br>
 +
P:FW J(ekyll) & GSK B(utterworth)<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:3/2<br>
 +
I:linebreak $<br>
 +
K:Edor<br>
 +
B | e e d B z A | B e d B z B/c/ |[M:5/4] d d G F E | A c B2 B |$ E E/F/ G F E | A A/G/ F G A |<br>
 +
[M:3/2] B e d2 B3/2 A/ | G F E3 |]<br>
  
 
''Notes on GB/7b/12'' The tune is similar to that of GB/6a/18.
 
''Notes on GB/7b/12'' The tune is similar to that of GB/6a/18.
Line 309: Line 707:
  
 
[[File:GB-7b-12A.xml]]
 
[[File:GB-7b-12A.xml]]
 +
 +
'''abc notation'''
 +
 +
X:12<br>
 +
T:GB/7b/12A The Basket of Eggs Version 2 of 2<br>
 +
C:Heygate, Rusper, 11.10.<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:5/4<br>
 +
I:linebreak $<br>
 +
K:Gmix<br>
 +
G |:"^(a)" G E D G G | A G A B c | d g d2 c/B/ | A A G2 G :|$ c | d e f e d |<br>
 +
[M:6/4] d g f d2 e/f/ |[M:5/4] f f A G F | c c d2 d |$ G E D G G | A G A B c | d g d2 c/B/ |<br>
 +
A A G2 ||$ G |:"^(a) var." G E D G A | B c A B c | d g d2 c/B/ | A A G2 G :|$ c | d e f e d |<br>
 +
[M:6/4] d g f d2 e/f/ |[M:5/4] f f A G F | c c d2 d |$ G E D G G | A G A B c | d g d2 c/B/ |<br>
 +
A A G2 |]<br>
  
  
Line 318: Line 732:
  
 
[[File:GB-7b-13.xml]]
 
[[File:GB-7b-13.xml]]
 +
 +
'''abc notation'''
 +
 +
X:13<br>
 +
T:GB/7b/13 New Garden Fields Version 1 of 2<br>
 +
C:Mr. Locke (c. 70), Rollesby, Norfolk, IV. 10.<br>
 +
P:F.W. J(ekyll) & G.S.K. B(utterworth)<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
M:3/4<br>
 +
I:linebreak $<br>
 +
K:Ddor<br>
 +
A2 | GF E2 D2 | C2 D2 FE | A2 D2 E2 | D4 FG | ABcB A2 |$"^(a)" dc d2 ed |"^(b)" c2 B2 A2 | G4 AB |<br>
 +
"^(c)" c2 cB G2 | d2 d2 ed | cBAG D2 |$ G4 FG |"^(d)" AB c2 d2 | GF D2 cB |"^(e)" A2 DF E2 | D4 ||$<br>
 +
A2 | GF E2 D2 | C2 D2 FE | A2 D2 E2 | D4 FG | ABcB A2 |$"^(a) var." d2 d2 ed |<br>
 +
"^(b) var." cBAG A2 | G4 AB |"^(c) var." cB A2 G2 | d2 d2 ed | cBAG D2 |$ G4 FG |<br>
 +
"^(d) var." AB cA d2 | GF D2 cB |"^(e) var." A2 DF EC | D4 |]<br>
  
  
Line 327: Line 758:
  
 
[[File:GB-7b-13A.xml]]
 
[[File:GB-7b-13A.xml]]
 +
 +
'''abc notation'''
 +
 +
X:13<br>
 +
T:GB/7b/13A New Garden Fields Version 2 of 2<br>
 +
T:The same (i.e. New Garden Fields Version 1 of 2), from phonograph record (x. 10)<br>
 +
P:R. V(aughan) W(illiams) & G.S.K.B(utterworth)<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
M:3/4<br>
 +
I:linebreak $<br>
 +
K:Ddor<br>
 +
A2 | G2 D2 E>D | C2 D2 G>B | A2 D>F E>"^?"^C | D4 ^FG | ABcB A2 | d2 d2 e>d | c2 B2 A2 |$<br>
 +
G4"^G" ^FG | AB c2 G>G | d2 !fermata!d2 d>"^C"B | c2 A>"^or G?"^F D2 | G4 ^FG | ABcA d2 |<br>
 +
G>F D2"^(a)" c>B |$ A2 D>F E>"^?"^C | !fermata!D4 A>A | G2 D2 ED | C2 D2 G>E | A2 D2 D^C |<br>
 +
D4 ^FG | ABcB A2 |$ d>^c d2 ed | c2 A2 ^F2 | G4"^G" ^FG | AB cB G2 | d2 !fermata!d2"^(b)" e>d |<br>
 +
c>B A>^F D2 | G4 ^FG |$ AB cA d2 | GF D2 c>B | A>"^G"^F D>F E^C | !fermata!D4 A2 | GF D2 ED |<br>
 +
C2 D2 GE | A2 D2 E^C |$ D4 ^FG | AB cB G2 | d2 d2 ed | c2 B2 A2 | G4 ^FG | ABcB G2 |<br>
 +
d2 !fermata!d2 e>d | c>B A>^F D2 |$ G4 ^FG | AB cA d2 | G^F D2 c>B |"^(c)" A2 D^F E>^C | D4 ||<br>
 +
A2 | G2 D2 E>D | C2 D2 G>B |$ A2 D>F E>"^?"^C | D4 ^FG | ABcB A2 | d2 d2 e>d | c2 B2 A2 |<br>
 +
G4"^G" ^FG | AB c2 G>G | d2 !fermata!d2 d>"^C"B |$ c2 A>"^or G?"^F D2 | G4 ^FG | ABcA d2 |<br>
 +
"^(a) var." G>F D2 cB | A2 D>F E>"^?"^C | !fermata!D4 A>A | G2 D2 ED |$ C2 D2 G>E | A2 D2 D^C |<br>
 +
D4 ^FG | ABcB A2 | d>^c d2 ed | c2 A2 ^F2 | G4"^G" ^FG | AB cB G2 |$<br>
 +
"^(b) var." d2 !fermata!d2 ed | c>B A>^F D2 | G4 ^FG | AB cA d2 | GF D2 c>B | A>"^G"^F D>F E^C |<br>
 +
!fermata!D4 A2 |$ GF D2 ED | C2 D2 GE | A2 D2 E^C | D4 ^FG | AB cB G2 | d2 d2 ed | c2 B2 A2 |<br>
 +
G4 ^FG |$ ABcB G2 | d2 !fermata!d2 e>d | c>B A>^F D2 | G4 ^FG | AB cA d2 | G^F D2 c>B |<br>
 +
"^(c) var." A2 D>F E2 | D4 |]<br>
  
 
''Notes on GB/7b/13A'' For anyone trying to learn/perform this piece it is important to note the exact words of George Butterworth as transcribed onto the PDF file (GB-7b-13A.pdf posted above). In particular his words "the same, from phonograph record" are important because the MS gives wonderful evidence of (a) the difficulty of notating source singers and (b) the differences between a field notation (GB/7b/13 above) and a field recording of what is allegedly the same thing (this tune, GB/7b/13A). The comment immediately below the sheet music that "most of the F's lie between sharp and natural--& the same often with the C's" is also very illuminating. The piece is longer than average because Butterworth and Vaughan Williams transcribed many (but not all) of the variants in full. This transcribed version also includes the rest of the variants; it needs to be checked against the original MS, which is unclear in places.
 
''Notes on GB/7b/13A'' For anyone trying to learn/perform this piece it is important to note the exact words of George Butterworth as transcribed onto the PDF file (GB-7b-13A.pdf posted above). In particular his words "the same, from phonograph record" are important because the MS gives wonderful evidence of (a) the difficulty of notating source singers and (b) the differences between a field notation (GB/7b/13 above) and a field recording of what is allegedly the same thing (this tune, GB/7b/13A). The comment immediately below the sheet music that "most of the F's lie between sharp and natural--& the same often with the C's" is also very illuminating. The piece is longer than average because Butterworth and Vaughan Williams transcribed many (but not all) of the variants in full. This transcribed version also includes the rest of the variants; it needs to be checked against the original MS, which is unclear in places.
Line 338: Line 796:
  
 
[[File:GB-7b-14.xml]]
 
[[File:GB-7b-14.xml]]
 +
 +
'''abc notation'''
 +
 +
X:14<br>
 +
T:GB/7b/14 A Sailor in the North Countree<br>
 +
C:Mr. "Skinner" Crow (c. 60), Filby, Norfolk, IV. 10<br>
 +
P:F.W. J(ekyll) & G.S.K. B(utterworth)<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:Fmix<br>
 +
F | B2 c d | B3/2 A/ G G | F3 F | B A B c | f2 e d | c3 c |$ c B A c | f2 c/d/ e | d c B G |<br>
 +
F E F/G/ A | B3/2 G/ e f | c3/2 B/ G G | F3 |]<br>
  
 
''Notes on GB/7b/14'' This possibly belongs to the same tune family as "The Curragh of Kildare."
 
''Notes on GB/7b/14'' This possibly belongs to the same tune family as "The Curragh of Kildare."
Line 349: Line 821:
  
 
[[File:GB-7b-15.xml]]
 
[[File:GB-7b-15.xml]]
 +
 +
'''abc notation'''
 +
 +
X:15<br>
 +
T:GB/7b/15 Admiral Benbow<br>
 +
C:Mr. "Skinner" Crow (c. 60), Filby, Norfolk, IV. 10<br>
 +
P:F.W. J(ekyll) & G.S.K. B(utterworth)<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:G<br>
 +
D/E/"^(a)" =F/D/ | G B A A | G2 A/B/ c | d2 c B | A c B A | G B A G | F D G/F/ E | D2 B B/c/ |$<br>
 +
d B/A/ G G | G B d d | c B A"^(b)" A/F/ | D F A A | G3/2"^(c)" A/ G F | E D B, C | D c B A |<br>
 +
G2 ||$ D/E/"^(a) correction III. 13" ^F | G B A A | G2 A/B/ c | d2 c B | A c B A | G B A G |<br>
 +
F D G/F/ E | D2 B B/c/ |$ d B/A/ G G | G B d d | c B A"^(b) var." A | D F A A |<br>
 +
G3/2"^(c) correction III. 13" G/ G G | E D B, C | D c B A | G2 |]<br>
  
  
Line 358: Line 847:
  
 
[[File:GB-7b-16.xml]]
 
[[File:GB-7b-16.xml]]
 +
 +
'''abc notation'''
 +
 +
X:16<br>
 +
T:GB/7b/16 The Blacksmith<br>
 +
C:Mrs. Verrall (Journal) Horsham, VI. 09<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:Gdor<br>
 +
"^(a)" d3/2 c/ | B G c c | F2 G3/2 A/ | d d/c/ A G |[M:2/4] z d/c/ |[M:4/4] B G c c | F2 G3/2 A/ |<br>
 +
d d/c/ A G |$[M:2/4] z F |[M:4/4]"^(b)" G G f g | d3 G/A/ | B c f d/c/ | B c2"^(c)" f/=e/ |<br>
 +
d3/2 c/ d G | F2 G3/2 A/ |"^(d)" d3/2 c/ A !fermata!G ||$"^(a) var." z d/c/ | B G c c |<br>
 +
F2 G3/2 A/ | d d/c/ A G |[M:2/4] z d/c/ |[M:4/4] B G c c | F2 G3/2 A/ | d d/c/ A G |$[M:2/4] z F |<br>
 +
[M:4/4]"^(b) var." G/F/ G f g | d3 G/A/ | B c f d/c/ | B c2"^(c) var." f | d3/2 c/ d G |<br>
 +
F2 G3/2 A/ |"^(d) var." d d/c/ A !fermata!G |]<br>
  
 
''Notes on GB/7b/16'' The version of the "Blacksmith" in the ''Penguin Book of English Folk Songs'' is from Mrs. Powell in Herefordshire and has a melody closely related to that used by Mrs. Verrall for the "Valiant Sailor"; this latter was collected by Ralph Vaughan Williams and used as the hymn tune "Monks Gate"/"To be a Pilgrim." This version of the "Blacksmith" from Mrs. Verrall clearly belongs to the same tune family but is quite distinguishable from her "Valiant Sailor."
 
''Notes on GB/7b/16'' The version of the "Blacksmith" in the ''Penguin Book of English Folk Songs'' is from Mrs. Powell in Herefordshire and has a melody closely related to that used by Mrs. Verrall for the "Valiant Sailor"; this latter was collected by Ralph Vaughan Williams and used as the hymn tune "Monks Gate"/"To be a Pilgrim." This version of the "Blacksmith" from Mrs. Verrall clearly belongs to the same tune family but is quite distinguishable from her "Valiant Sailor."
Line 369: Line 875:
  
 
[[File:GB-7b-17.xml]]
 
[[File:GB-7b-17.xml]]
 +
 +
'''abc notation'''
 +
 +
X:17<br>
 +
T:GB/7b/17 Flora and Henry<br>
 +
C:Mrs. Verrall (Journal), Horsham, 08<br>
 +
P:F.W. J(ekyll)<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:3/4<br>
 +
I:linebreak $<br>
 +
K:G<br>
 +
D | G B d | g f g | e c A | G F G | A A B | c d e | A B c | d2 f/g/ |$ a f e | e !fermata!A g/f/ |<br>
 +
e c A | G !fermata!F G/B/ | d B/c/ d | e/f/ g d | e/c/ B A | G2 |]<br>
  
  
Line 378: Line 898:
  
 
[[File:GB-7b-18i.xml]]
 
[[File:GB-7b-18i.xml]]
 +
 +
'''abc notation'''
 +
 +
X:18<br>
 +
T:GB/7b/18i Fourteen Years of Age Version 1 of 2<br>
 +
C:Mr. Verrall (Journal) Horsham, VI. 09<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:Gmix<br>
 +
D2 |"^(a)" G2 G3/2 G/ G2 d2 | (cB) AA G2 z G |$ c2 d e f2 g2 | d4 z2 c c | d2 g g f2"^(b)" (df) |$<br>
 +
w: Good|morn- ing to you my|fair * prett- y maid Come|sing me an- oth- er|song For it|is my int- ent- tion *|<br>
 +
e d cB (cd) e f | d2 B d (cB) A G | G6 ||$ D2 |"^(a) var." GABc d2 e2 | dc A2 G2 z G |<br>
 +
w: for to marr- y you * and her|ans- wer it was * I'm too|young.||||<br>
 +
c2 dg"^(a-i)" fd fe | d6 cc |$ d2 gg f2"^(b) var." (3def | edcB cdef | d2 Bd cB AG | G6 ||$ D2 |<br>
 +
w: |||||||<br>
 +
GABc d2 e2 | dc A2 G2 z G | c2 dg"^(a-i) var." f2 g2 | d6 cc |$ d2 gg f2 (3def | edcB cdef |<br>
 +
w: ||||||<br>
 +
d2 Bd cB AG | G6 |]<br>
 +
w: ||<br>
  
 
''Notes on GB/7b/18i'' In the Take 6 Catalogue this is the first of two tunes listed as GB/7b/18.
 
''Notes on GB/7b/18i'' In the Take 6 Catalogue this is the first of two tunes listed as GB/7b/18.
Line 390: Line 931:
 
[[File:GB-7b-18ii.xml]]
 
[[File:GB-7b-18ii.xml]]
  
−
''Notes on GB/7b/18i'' In the Take 6 Catalogue this is the second of two tunes listed as GB/7b/18.
+
'''abc notation'''
 +
 
 +
X:18<br>
 +
T:GB/7b/18ii Fourteen Years of Age Version 2 of 2<br>
 +
C:Verrall<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:Eaeo<br>
 +
BG | EFGA B2 d^c | B2 AF E3 A | B2 ^c2"^(a)" e2 dc | B6 B2 |$ B2 e2 d2 Bd | ^cBA^G ABcd |<br>
 +
B2 GB AGFD | E6 ||$ BG | EFGA B2 d^c | B2 AF E3 A | B2 ^c2"^(a) var." Bede | B6 B2 |$<br>
 +
B2 e2 d2 Bd | ^cBA^G ABcd | B2 GB AGFD | E6 |]<br>
 +
 
 +
''Notes on GB/7b/18ii'' In the Take 6 Catalogue this is the second of two tunes listed as GB/7b/18.
  
  
Line 400: Line 955:
  
 
[[File:GB-7b-19.xml]]
 
[[File:GB-7b-19.xml]]
 +
 +
'''abc notation'''
 +
 +
X:19<br>
 +
T:GB/7b/19 It's of a Farmer All in this Town<br>
 +
C:Mr. Smith (p. 1), Stoke Lacy, Herefordshire, IX. 07<br>
 +
P:F.W. J(ekyll) & G.S.K. B(utterworth)<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:3/2<br>
 +
I:linebreak $<br>
 +
K:Ddor<br>p
 +
D/E/ | F G F2 A, A, | C D C3 G | G E C2 F3/2 G/ | A G A3 C |$ F E F3 G | A G A d z d |<br>
 +
A/G/ A F2 D3/2 E/ | D D D3 |]<br>
 +
 +
 +
'''GB/7b/20 Jack and the Game Version 1 of 3'''
 +
 +
[[File:GB-7b-20.mid]]
 +
 +
[[File:GB-7b-20.pdf]]
 +
 +
[[File:GB-7b-20.xml]]
 +
 +
'''abc notation'''
 +
 +
X:20<br>
 +
T:GB/7b/20 Jack and the Game Version 1 of 3<br>
 +
C:Stanton St. John, Oxon., V. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
M:6/8<br>
 +
I:linebreak $<br>
 +
K:D<br>
 +
d | dcB AFE | DA>G F!fermata!D D | DEF GFE | DA>A A2 A |$ FED d2 f | f>ed e!fermata!d d |<br>
 +
AGF B>AG | A2 A D2 |]<br>
 +
 +
 +
'''GB/7b/20A Jack and the Game Version 2 of 3'''
 +
 +
[[File:GB-7b-20A.mid]]
 +
 +
[[File:GB-7b-20A.pdf]]
 +
 +
[[File:GB-7b-20A.xml]]
 +
 +
'''abc notation'''
 +
 +
X:20<br>
 +
T:GB/7b/20A Jack and the Game Version 2 of 3<br>
 +
C:Mr. Lockly (c. 80), High Ercall, Salop., IV. 08<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
M:6/8<br>
 +
I:linebreak $<br>
 +
K:Ddor<br>
 +
d | dcB AGE | GGF E!fermata!D D | DDE FGA | BAG A2 D |$ FGA cBA | d>ed c!fermata!d A | FED FGA |<br>
 +
GFD D2 |]<br>
 +
 +
 +
'''GB/7b/20B Jack and the Game Version 3 of 3'''
 +
 +
[[File:GB-7b-20B.mid]]
 +
 +
[[File:GB-7b-20B.pdf]]
 +
 +
[[File:GB-7b-20B.xml]]
 +
 +
'''abc notation'''
 +
 +
X:20<br>
 +
T:GB/7b/20B Jack and the Game Version 3 of 3<br>
 +
C:Mr. Golds (c. 80), Washington, Sussex, XII. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
M:6/8<br>
 +
I:linebreak $<br>
 +
K:Dmix<br>
 +
A | dBA FED | BAG F!fermata!D D | GFG A2 B | cdB A2 D |$ DFA d2 e |<br>
 +
[M:9/8] fed e!fermata!d z d2 F |[M:6/8] GFE B2 B | A>AA D2 |]<br>
 +
 +
 +
'''GB/7b/21 Constant Billy (Dance)'''
 +
 +
[[File:GB-7b-21.mid]]
 +
 +
[[File:GB-7b-21.pdf]]
 +
 +
[[File:GB-7b-21.xml]]
 +
 +
'''abc notation'''
 +
 +
X:21<br>
 +
T:GB/7b/21 Constant Billy (Dance)<br>
 +
C:Played on the violin by Mr. Sims (c. 50), Oxford, V. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
Q:1/4=120<br>
 +
M:6/8<br>
 +
I:linebreak $<br>
 +
K:F<br>
 +
F | A2 A A>GA | B2 G E>DC | A>GF D2 D | C>DE F2 :|$ z | A>Bc def | G>AB AGF | A>Bc def |<br>
 +
c>cd c2 B |$ A2 A A>GA | B2 G E>DC | A>GF D2 D | C>DE F2 |]<br>
 +
 +
''Notes on GB/7b/21'' This violin tune differs from ''Constant Billy (Filkins Morris Dance)'' (GB/2/4).
 +
 +
 +
'''GB/7b/21B (No Title Given)'''
 +
 +
[[File:GB-7b-21B.mid]]
 +
 +
[[File:GB-7b-21B.pdf]]
 +
 +
[[File:GB-7b-21B.xml]]
 +
 +
'''abc notation'''
 +
 +
X:21<br>
 +
T:GB/7b/21B (No title given)<br>
 +
C:Played on the violin by Mr. Sims (c. 50), Oxford, V. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
Q:1/4=120<br>
 +
M:6/8<br>
 +
I:linebreak $<br>
 +
K:F<br>
 +
C | F2 G A2 B | cAf e2 d | c2 A F2 F | GBA G2 G | c>=Bc def |$ ege c2 f | e>dc GA=B | c3 c2 || e |<br>
 +
g2 e gec | B>cB A2 c | f2 c f2 c |$ B>cB A2 c | d2 e f2 e | dcB ABc | d2 d d2 G | AGF D2 E |<br>
 +
F2 F FAc |$ d2 e f2 d | c>AF GAG | D2 E F2 G | A2 f A>BG | F3 F3 |]<br>
 +
 +
''Notes on GB/7b/21B'' This violin tune is a version of ''Jockey to the Fair''.
 +
 +
 +
'''GB/7b/21C (No Title Given)'''
 +
 +
[[File:GB-7b-21C.mid]]
 +
 +
[[File:GB-7b-21C.pdf]]
 +
 +
[[File:GB-7b-21C.xml]]
 +
 +
'''abc notation'''
 +
 +
X:21<br>
 +
T:GB/7b/21C (No title given)<br>
 +
P:Played on the violin by Mr. Sims (c. 50), Oxford, V. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
Q:1/4=120<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:F<br>
 +
A>B c>A B2 B2 | A>B c>A G2 G2 | A>B c>A B2 A>B | c2 C2 F4 ||$ A2 F2 B4 | A2 F2 G4 |<br>
 +
A>B c>A B2 A>B | c2 C2 F4 |]<br>
 +
 +
''Notes on GB/7b/21C'' This violin tune is a version of ''Trunkles''.
 +
 +
 +
 +
'''GB/7b/22 The Rambling Sailor'''
 +
 +
[[File:GB-7b-22.mid]]
 +
 +
[[File:GB-7b-22.pdf]]
 +
 +
[[File:GB-7b-22.xml]]
 +
 +
'''abc notation'''
 +
 +
X:22<br>
 +
T:GB/7b/22 The Rambling Sailor<br>
 +
C:Mr. Verrall (Journal), Horsham, VII. 09<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:Fmix<br>
 +
c | F c B/A/ G | F F e f | B e/d/ c/B/ G | B3/2 A/ F :| B | c d/e/ f3/2 B/ |$ c/d/e/c/ f3/2 f/ |<br>
 +
e d c B | e f !fermata!c c | F c B/A/ G | F F e f | B e/d/ c/B/ G | B3/2 A/ F |]<br>
 +
 +
 +
'''GB/7b/23 '''
 +
 +
[[File:GB-7b-23.mid]]
 +
 +
[[File:GB-7b-23.pdf]]
 +
 +
[[File:GB-7b-23.xml]]
 +
 +
'''abc notation'''
 +
 +
X:23<br>
 +
T:GB/7b/23 Shule Agra<br>
 +
C:Mr. Smith (p.1), Stoke Lacy, Herefordshire, IX. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
Q:1/4=120<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:Ador<br>
 +
AB | c4 A4 | AGEF G4 | G3 E G2 B2 | AG A2 !fermata!E2 CD |$ E2 ED CDEF | G2 AG E4 | c3 A B2 e2 |<br>
 +
A4 A2 |]<br>
 +
 +
 +
'''GB/7b/24 Jack Williams'''
 +
 +
[[File:GB-7b-24.mid]]
 +
 +
[[File:GB-7b-24.pdf]]
 +
 +
[[File:GB-7b-24.xml]]
 +
 +
'''abc notation'''
 +
 +
X:24<br>
 +
T:GB/7b/24 Jack Williams<br>
 +
C:Mr. Hoare (c. 80), Houghton, Sussex, VII. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:Cmix<br>
 +
G | c d/c/ c E | F F G c/B/ | G G/F/ D/C/ D | C3 :| G/A/ | B G F F |$ G c/B/ G G | c c/d/ e/c/ d |<br>
 +
c3 G | c d/c/ c E | F F G c/B/ | G G/F/ D/C/ D | C3 |]<br>
 +
 +
 +
'''GB/7b/25 A Lawyer He Rode Out Version 1 of 2'''
 +
 +
[[File:GB-7b-25.mid]]
 +
 +
[[File:GB-7b-25.pdf]]
 +
 +
[[File:GB-7b-25.xml]]
 +
 +
'''abc notation'''
 +
 +
X:25<br>
 +
T:GB/7b/25 A Lawyer He Rode Out<br>
 +
T:Version 1 of 2<br>
 +
C:Mrs. Cranstone (p. 4), Billingshurst, VII. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
M:6/8<br>
 +
I:linebreak $<br>
 +
K:C<br>
 +
G | c2 c cBA | GE G C2 C | c2 c edc | A2 B c3 | c2 d edc |$ d3 c3 | AG A E2 D | C2 G GEG |<br>
 +
GE G A2 B | c3- c2 |]<br>
 +
 +
''Notes on GB/7b/25'' The sixth full bar, crossed out and marked as "wrongly barred" in the MS, has been omitted from the transcription.
 +
 +
 +
'''GB/7b/25A A Lawyer He Rode Out Version 2 of 2'''
 +
 +
[[File:GB-7b-25A.mid]]
 +
 +
[[File:GB-7b-25A.pdf]]
 +
 +
[[File:GB-7b-25A.xml]]
 +
 +
'''abc notation'''
 +
 +
X:25<br>
 +
T:GB/7b/25A A Lawyer He Rode Out<br>
 +
T:Version 2 of 2<br>
 +
C:Mrs. Verrall (Journal) Horsham 08<br>
 +
P:F.W. J(ekyll)<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
M:6/8<br>
 +
I:linebreak $<br>
 +
K:Aaeo<br>
 +
E | A2 B c2 A | G2 E C2 G | c2"^(a)" d e2 c |[M:9/8] B2 c d3 c2 d | e2 c d3 c2 B |$<br>
 +
ABc E2 D C2 D |[M:6/8] E E E E2 D | A2 G A2 || E | A2 B c2 A | G2 E C2 G | c2"^(a) var." c e2 c |$<br>
 +
[M:9/8] B2 c d3 c2 d | e2 c d3 c2 B | ABc E2 D C2 D |[M:6/8] E E E E2 D | A2 G A2 |]<br>
 +
 +
 +
'''GB/7b/26 Little Brown Jug'''
 +
 +
[[File:GB-7b-26.mid]]
 +
 +
[[File:GB-7b-26.pdf]]
 +
 +
[[File:GB-7b-26.xml]]
 +
 +
'''abc notation'''
 +
 +
X:26<br>
 +
T:GB/7b/26 Little Brown Jug<br>
 +
C:Mr. Smith (p. 1), Stoke Lacy, Herefordshire, IX. 07<br>
 +
P:F.W. J(ekyll) & G.S.K. B(utterworth)<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:Eaeo<br>
 +
B3/2 A/ | G E E B,/C/ | D D D2 | E E G A | B A"^(a)" A3/2 G/ |$ B"^(b)" B d B | A A A G/A/ |<br>
 +
B"^(c)" B B/A/ G | A A"^(d)" B3/2 A/ | G E E B,/C/ |$ D D D3/2 D/ | G/A/B/c/ d B/A/ | G E E2 ||<br>
 +
B3/2 A/ | G E E B,/C/ | D D D2 |$ E E G A | B A"^(a) var." A G/A/ | B"^(b) var." B/c/ d/c/ B |<br>
 +
A A A G/A/ | B"^(c) var." B/c/ B/A/ G |$ A A"^(d) var." B B/A/ | G E E B,/C/ | D D D3/2 D/ |<br>
 +
G/A/B/c/ d B/A/ | G E E2 |]<br>
 +
 +
 +
'''GB/7b/27 Whilst Old Engeland's A-Going Down the Hill'''
 +
 +
[[File:GB-7b-27.mid]]
 +
 +
[[File:GB-7b-27.pdf]]
 +
 +
[[File:GB-7b-27.xml]]
 +
 +
'''abc notation'''
 +
 +
X:27<br>
 +
T:GB/7b/27 Whilst Old Engeland's A-Going Down the Hill<br>
 +
C:Mr. Verrall (Journal), Horsham, VII. 09<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
M:6/8<br>
 +
I:linebreak $<br>
 +
K:Gdor<br>
 +
d2 d | G2 A B2 c | d2 e f2 e | d2 c A2 B | G3- G2 G | c3 def | g3 f2 e |$ d3 c3 | d2 e f2 d |<br>
 +
g3 f2 g | d2 c B2 G | F3"^(a)" G2 A | B2 G g2 g | d2 c A2 A | !fermata!G3 ||$ d2 d | G2 A B2 c |<br>
 +
d2 e f2 e | d2 c A2 B | G3- G2 G | c3 def | g3 f2 e |$ d3 c3 | d2 e f2 d | g3 f2 g | d2 c B2 G |<br>
 +
F3"^(a) var." D2 D | G2 A B2 c | d2 d G2 F | !fermata!G3 |]<br>
 +
 +
''Notes on GB/7b/27'' 'The Orphan Boy'/'Little Town’s Boy' sometimes has the last line of some verses ‘Whilst old England...’ The Roud Index (No. 5695) has a number of versions. See also Cecil J. Sharp and Maud Karpeles (1974) ''Cecil Sharp's Collection of English Folk Songs,'' Volume 2, pp. 564-7.
 +
 +
 +
'''GB/7b/28 Thomas Hegan and Sally Blair'''
 +
 +
[[File:GB-7b-28.mid]]
 +
 +
[[File:GB-7b-28.pdf]]
 +
 +
[[File:GB-7b-28.xml]]
 +
 +
'''abc notation'''
 +
 +
X:28<br>
 +
T:GB/7b/28 Thomas Hegan and Sally Blair<br>
 +
C:Mr. Verrall (Journal), Horsham, VII. 09<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:3/4<br>
 +
I:linebreak $<br>
 +
K:Gmix<br>
 +
"^(a)" D | G G D | B c d | c/B/ G G | G2 :| B/c/ | d d g |$ d/e/ f A | c"^(b)" c A/G/ |<br>
 +
F2"^(c)" B/A/ | G G D | B c d | c/B/ G G | G2 ||$"^(a) var." B/A/ | G G D | B c d | c/B/ G G |<br>
 +
G2 :| B/c/ | d d g |$ d/e/ f A | c"^(b) var." c/B/ A/G/ | F2"^(c) var." D | G G D | B c d |<br>
 +
c/B/ G G | G2 |]<br>
 +
 +
 +
'''GB/7b/29 Johnny Harte'''
 +
 +
[[File:GB-7b-29.mid]]
 +
 +
[[File:GB-7b-29.pdf]]
 +
 +
[[File:GB-7b-29.xml]]
 +
 +
'''abc notation'''
 +
 +
X:29<br>
 +
T:GB/7b/29 Johnny Harte<br>
 +
C:Mr. Smith (p. 1) Stoke Lacy, Herefordshire, IX. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
M:6/8<br>
 +
I:linebreak $<br>
 +
K:Ddor<br>
 +
C | D2 D G2 G | A2 B c2 E | G2 E E2 D | C2 z2 z C | D D D G2 G |$ A2 B c2 E | FDE D2 D |<br>
 +
D3- D2 G | A2 G ABc | d3 c2 A |$ G2 E E2 D | C2 z2 z C | D2 D G2 G | A2 B c2 E | FDE D2 D |<br>
 +
D3- D2 z |]<br>
  
  
Line 409: Line 1,337:
  
 
[[File:GB-7b-30.xml]]
 
[[File:GB-7b-30.xml]]
 +
 +
'''abc notation'''
 +
 +
X:30<br>
 +
T:GB/7b/30 The Tinker<br>
 +
C:Mr. James Landamore, Wroxham, Norfolk, IV. 10<br>
 +
P:F.W. J(ekyll) & G.S.K. B(utterworth)<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
M:6/8<br>
 +
I:linebreak $<br>
 +
K:Fmix<br>
 +
C2 D | E2 E C2"^(a)" C | ED E C2 z | F=E F GAB | A2 G !fermata!F2 G | c2 B"^(b)" c2 A |<br>
 +
BA G c2 B |$ c2 F F2 G | F2 E C2 D | ED E C2 D | ED E C2 z | F=E F GAB |"^(c)" A2 G !fermata!F3 ||<br>
 +
C2 D |$ E2 E C2"^(a) var." D | ED E C2 z | F=E F GAB | A2 G !fermata!F2 G | c2 B"^(b) var." cBA |<br>
 +
B2 G c2 B | c2 F F2 G |$ F2 E C2 D | ED E C2 D | ED E C2 z | F=E F GAB |<br>
 +
"^(c) var." AG A !fermata!F3 |]<br>
  
  
Line 418: Line 1,363:
  
 
[[File:GB-7b-31.xml]]
 
[[File:GB-7b-31.xml]]
 +
 +
'''abc notation'''
 +
 +
X:31<br>
 +
T:GB/7b/31 Twankydillo<br>
 +
C:Mr. Cranstone (c. 50), Billingshurst, VII. 09<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
M:3/4<br>
 +
I:linebreak $<br>
 +
K:G<br>
 +
d>c | B2 B2 A>A | G2 G2 D2 | E2 F2 G2 | !fermata!A4 G>A | B2 B2 G>B | c2 c2 d>c | B2 A2 G2 |<br>
 +
d4 d>c |$ B2 B2 A>A | G2 G2 DD | EE FF GG | A2 !fermata!A2 G>A | B2 B2 G>B | c2 c2 d>c | B3 c d2 |<br>
 +
G4 |]<br>
  
  
Line 427: Line 1,386:
  
 
[[File:GB-7b-32.xml]]
 
[[File:GB-7b-32.xml]]
 +
 +
'''abc notation'''
 +
 +
X:32<br>
 +
T:GB/7b/32 The Lads of Kilkenny<br>
 +
C:Mr. Bill Wix, Billingshurst, VII. 09<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:3/4<br>
 +
I:linebreak $<br>
 +
K:Dmix<br>
 +
A | A A G/F/ | E/F/ G A | D =F E | D2 :| A/B/ | c c/B/ A |$ c c/B/ A/ A/ | d A D | G2 F/G/ |<br>
 +
A A G/F/ | E/F/ G A | D =F E | D2 |]<br>

Latest revision as of 13:48, 20 April 2016

Link to Take 6 Transcription Programme Home Page


For playback, abc files, and midi files, of these transcriptions that are linked to their original MSS enter the filenames [LEB/2/1/1 or whatever] in the search box here. [[1]]


GB/7b/1 Oxford City

File:GB-7b-1.mid

File:GB-7b-1.pdf

File:GB-7b-1.xml

abc notation

X:1
T:GB/7b/1 Oxford City
C:Mr H. Webb (c. 70), Stanton St. John, Oxon., V. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:3/2
I:linebreak $
K:Dmix
D | G A G2 D3/2 E/ | =F G E D z D | G F G2 A B | c d A2 z G |$ A B/c/ d2 c B | A D E/F/ G z A |
B c A2 G2 | D D D3 |]

Notes on GB/7b/1 The tune is similar to that of GB/6a/132.


GB/7b/2 The Seeds of Love Version 1 of 2

File:GB-7b-2.mid

File:GB-7b-2.pdf

File:GB-7b-2.xml

abc notation

X:2
T:GB/7b/2 Seeds of Love Version 1 of 2
C:Sung by Mrs Cranstone (p. 4), Billingshurst, VI. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:4/4
I:linebreak $
K:F
EF | G2 EF G2 A2 | F6 c2 | d2 cB A2 FA | c6 c2 |$ d2 cB A2 FA | c2 AF D2 EF | GBAG C2 G2 | F6 |]


GB/7b/2A The Seeds of Love Version 2 of 2

File:GB-7b-2A.mid

File:GB-7b-2A.pdf

File:GB-7b-2A.xml

abc notation

X:2
T:GB/7b/2A The Seeds of Love Version 2 of 2
C:Mrs Golds (c. 60), Washington, Sussex, XII. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:4/4
I:linebreak $
K:F
C2 | F2 EF G2 FG | F6 c2 | d2 cB A2 FA | c6 c2 |$ d2 cB A2 FA | c2 AF D2 EF | GBAG C2 EG | F6 |]

Notes on GB/7b/2A The tune is identical to that of GB/6a/149.


GB/7b/3 The Dark-Eyed Sailor Version 1 of 3

File:GB-7b-3.mid

File:GB-7b-3.pdf

File:GB-7b-3.xml

abc notation

X:3
T:GB/7b/3 The Dark-Eyed Sailor Version 1 of 3
C:Mr. Knight (c. 60), Horsham, IV. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:3/2
I:linebreak $
K:F
F | A A A2 G A | F G D3 C | F A c2 d3/2 c/ | B c A3 A | c c F2 E D |$[M:4/4] G A B2 |
A3/2 G/ A F | D C2 z | F3/2 G/ A/B/ c | d c d B | A G F E | F3 |]


GB/7b/3A The Dark-Eyed Sailor Version 2 of 3

File:GB-7b-3A.mid

File:GB-7b-3A.pdf

File:GB-7b-3A.xml

abc notation

X:3
T:GB/7b/3A The Dark-Eyed Sailor Version 2 of 3
C:"Chummy," Filby, Norfolk, IV. 10
P:F.W. J(ekyll) & G.S.K. B(utterworth)
Z:Transcribed by Simon Furey and Lewis Jones
M:3/2
L:1/8
K:FLyd
C2 | A2 A2 A4 G2 F2 | G2 A2 D6 DE | FGAB c4 d3 c | B2 cB A4 d4 | c2 AG F4 E2 D2 | [M:4/4]G2 A2 _B4 |
A3 G A2 D2 | [M:3/4]D2 C4 | [M:4/4]F3 G AB c2 | d2 c2 d2 AB | c2 A2 G2 G2 | F6 |]

Notes on GB/7b/3A This tune is in the rare Lydian, or to be precise Hypolydian, mode except for one note: the single instance of a B flat in the sixth full bar when all of the other Bs are natural.


GB/7b/3B The Dark-Eyed Sailor Version 3 of 3

File:GB-7b-3B.mid

File:GB-7b-3B.pdf

File:GB-7b-3B.xml

abc notation

X:3
T:GB/7b/3B The Dark-Eyed Sailor Version 3 of 3
C:Mr. Locke (c. 70), Rollerby, Norfolk, IV 10
P:F.W. J(ekyll) & G.S. K. B(utterworth)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:3/2
I:linebreak $
K:F
C2 | A2 A2 (3ABA G2 F2 G2 | AGFE D6 C2 | FGAB c4 d3 c | B2 cB A6 d2 |$ cBAG F2 E2 D2 C2 |
[M:4/4] G2 A2 B4 | c3 B AGFE | D2 C6 |$ F3 G AB c2 | d2 c2 dc B2 | cB G2 F2 E2 | F6 |]


GB/7b/4 The Bonny Bunch of Roses, O Version 1 of 5

File:GB-7b-4.mid

File:GB-7b-4.pdf

File:GB-7b-4.xml

abc notation

X:4
T:GB/7b/4 The Bonny Bunch of Roses,O
T:Version 1 of 5
T:Mr. Nappin (c. 50), Stanton St. John. Oxon. V. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:C
E | F E F G/A/ | _B A !fermata!G G | c d e d/c/ | d c/B/ !fermata!c G |$ c3/2 d/ e d/c/ | c2 G E |
F G/A/ _B/A/G/F/ | G C C |]


GB/7b/4A The Bonny Bunch of Roses, O Version 2 of 5

File:GB-7b-4A.MID

File:GB-7b-4A.pdf

File:GB-7b-4A.xml

abc notation

X:4
T:GB/7b/4A The Bonny Bunch of Roses,O
T:Version 2 of 5
C:Mr. Hoare (c. 80), Houghton, Sussex, VI. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:4/4
I:linebreak $
K:C
C2 | E2 D2 EFGA | BA G4 G2 | c3 d e2 dc | _B2 d2 !fermata!c2 G2 |$ c3 d e2 d2 | c2 cB G2 E2 |
F2 GA BAGF | FE C2 C2 |]

Notes on GB/7b/4A The tune is identical to that of GB/6a/35. In the library catalogue record for GB/6a/35 Mr. Hoare's name is unclear and/or incorrectly recorded.


GB/7b/4B The Bonny Bunch of Roses, O Version 3 of 5

File:GB-7b-4B.MID

File:GB-7b-4B.pdf

File:GB-7b-4B.xml

abc notation

X:4
T:GB/7b/4B The Bonny Bunch of Roses,O
T:Version 3 of 5
C:Mr. and Mrs. Cranstone (p. 4), Billingshurst, VI. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:4/4
I:linebreak $
K:Cdor
G2 | c3 d e2 d2 | c3 B G4 | c2 cd e2 d2 | c2 BA G2 G2 |$ c3 B G2 FE | F2 G2 C2 DE | F2 GA BAGF |
G2 C2 C2 |]

Notes on GB/7b/4B The key signature is different but the tune is identical to, and at the same pitch as, that of GB/6a/36.


GB/7b/4C The Bonny Bunch of Roses, O Version 1 of 5

File:GB-7b-4C.MID

File:GB-7b-4C.pdf

File:GB-7b-4C.xml

abc notation

X:4
T:GB/7b/4C The Bonny Bunch of Roses,O
T:Version 4 of 5
C:Mr. Whitehead (c. 50), Heslington, Yorks., VII. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:4/4
I:linebreak $
K:C
G2 | c2 f2 e2 d2 | cB G4 E2 | F2 GA BAGF | FE C2 C2 :| C2 | F3 E F2 GA | _B2 A2 G3 F |$
G2 f2 e2 d2 | c6 G2 | c2 f2 e2 d2 | cB G4 E2 | F2 GA BAGF | FE C2 C2 |]

Notes on GB/7b/4C The tune is identical to that of GB/6a/37.


GB/7b/4D The Bonny Bunch of Roses, O Version 5 of 5

File:GB-7b-4D.mid

File:GB-7b-4D.pdf

File:GB-7b-4D.xml

abc notation

X:4
T:GB/7b/4D The Bonny Bunch of Roses,O
T:Version 5 of 5
C:Mr.James Landamore (c. 70), Wroxham, Norfolk, IV. 10
P:F.W. J(ekyll) & G.S. K. B(utterworth)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:Cdor
G | c3/2 d/ e d | c3/2 B/ G C | F G B A | G C C :| C |$"^(a)" E F G A | B A !fermata!G G |
c3/2 d/ e d | c G !fermata!c G | c3/2 d/ e d | c3/2 B/ G C |$ F G/>A/ B/>G/ A/>F/ | G C C |: G |
c3/2 d/ e d | c3/2 B/ G C | F G B A |$ G C C :| C |"^(a) var." E D E F | B A !fermata!G G |
c3/2 d/ e d | c G !fermata!c G |$ c3/2 d/ e d | c3/2 B/ G C | F G/>A/ B/>G/ A/>F/ | G C C |]


GB/7b/5 Seventeen Come Sunday Version 1 of 5

File:GB-7b-5.mid

File:GB-7b-5.pdf

File:GB-7b-5.xml

abc notation

X:5
T:GB/7b/5 Seventeen Come Sunday Version 1 of 5
C:Mr. Webb (c. 70), Stanton St. John, Oxon., VI. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:Edor
"^Variation 1" B3/2 A/ | G E F D | E E E F/G/ | A F D F | A2 !fermata!B A | B e d e | B A G F |$
E F G B | A F D E/F/ | G E E2 | F/G/A/F/ D2 | E3/2 F/ G/A/ B/>B/ | A2 E2 |]$
"^Variation 2" B3/2 A/ | G E F D | E E E F/G/ | A F D F | A2 !fermata!B A |[M:3/2] B e d2 e2 |
[M:4/4] d B d ^c/d/ |$ e B A G | A F D E/F/ | G E E2 | F/G/A/F/ D2 | E3/2 F/ G/A/ B/>B/ | A2 E2 |]


GB/7b/5A Seventeen Come Sunday Version 2 of 5

File:GB-7b-5A.mid

File:GB-7b-5A.pdf

File:GB-7b-5A.xml

abc notation

X:5
T:GB/7b/5A Seventeen Come Sunday Version 2 of 5
C:Mr. Hoare (c. 80), Houghton, Sussex, VI. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:Edor
B3/2 A/ | G E F D | E E E F/G/ | A G F G | A2 B B/c/ |[M:3/2] d B d2 e2 |[M:4/4] d c B A |$
B G F E | B c d F | G E E2 | E/F/G/F/ E2 | E F G A/G/ | E D E2 |]


GB/7b/5B Seventeen Come Sunday Version 3 of 5

File:GB-7b-5B.mid

File:GB-7b-5B.pdf

File:GB-7b-5B.xml

abc notation

X:5
T:GB/7b/5B Seventeen Come Sunday Version 3 of 5
C:Mr. Leatham (c. 70), Askam Bryan, Yorks., VII. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:Edor
B3/2 A/ | G E F D | E E E F/G/ | A F D F | A2 B3/2 A/ | G A F E/D/ |$ E E E F/G/ | A F D F |
[M:3/2] A2 B2 B3/2 c/ | d B d2 e2 | d B/c/ d3 c |[M:4/4] B G F E |$ B B B B | A F/D/ E2 |
A F/E/ D2 | E B/ B/ A F | E2 E2 |]


GB/7b/5C Seventeen Come Sunday Version 4 of 5

File:GB-7b-5C.mid

File:GB-7b-5C.pdf

File:GB-7b-5C.xml

abc notation

X:5
T:GB/7b/5C Seventeen Come Sunday Version 4 of 5
C:Mrs Verral (Journal), Horsham, XII. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:Edor
B3/2 A/ | G E F D | E E E F/G/ | A F D F/G/ |[M:3/2] A2 B2 B3/2 c/ | d B d2 e2 |$ d B d2 c B |
[M:4/4] B A F E | B c d F | F E E2 | F/G/A/F/ D2 | E B B/A/G/F/ | E3/2 D/ E2 |]


GB/7b/5D Seventeen Come Sunday Version 5 of 5

File:GB-7b-5D.mid

File:GB-7b-5D.pdf

File:GB-7b-5D.xml

abc notation

X:5
T:GB/7b/5D Seventeen Come Sunday Version 5 of 5
T:Another Tune
C:Mrs. Cranstone
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:2/2
I:linebreak $
K:Bbmix
B | B G E G | B B F F | B B c e |[M:3/2] d3/2 c/ B2 d3/2 e/ |[M:2/2] f f e e |$
[M:3/2] f f B2 F3/2 G/ |[M:2/2] A A B G/F/ | E2 F2 | B G E2 | B B/G/ F2 | B B c (3d/e/c/ |
d3/2 c/ B |]


GB/7b/6 A Brisk Young Sailor Courted Me Version 1 of 2

File:GB-7b-6.mid

File:GB-7b-6.pdf

File:GB-7b-6.xml

abc notation

X:6
T:GB/7b/6 A Brisk Young Sailor Courted Me
T:Version 1 of 2
C:Mr. Ford, Scaynes Hill, Sussex, 08
P:F.W. J(ekyll)
Z:Transcribed by Simon Furey and Lewis Jones
W:For a version of this song in 6/8 time see GB/6a/44A.
L:1/4
M:6/4
I:linebreak $
K:E
G | B2 B F G A | G2 F E2 B | e2 e B c e | d2 c B2 B |$ B c d e d e | c B c G F E | F2 G B c B |
G2 F E2 |]


GB/7b/6A A Brisk Young Sailor Courted Me Version 2 of 2

File:GB-7b-6A.mid

File:GB-7b-6A.pdf

File:GB-7b-6A.xml

abc notation

X:6
T:GB/7b/6A A Brisk Young Sailor Courted Me
T:Version 2 of 2
C:Mrs. Cranstone (p. 4), Billingshurst, VII. 09
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:6/4
I:linebreak $
K:E
E | F2 E F G A | D2 F E2 B | e2 e d c B | d2 c B2 B |$ c2 c e d c | B2 G c2 c | B2 G G F E |
G2 F E2 |]


GB/7b/7 William the Waterboy Version 1 of 2

File:GB-7b-7.mid

File:GB-7b-7.pdf

File:GB-7b-7.xml

abc notation

X:7
T:GB/7b/7 William the Waterboy Version 1 of 2
C:Mr Smith (p. 1), Stoke Lacy, Herefordshire, IX.07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
Q:1/4=66
M:3/2
I:linebreak $
K:Cdor
"^Slow" C | C C/D/ E E z C |[M:4/4] B B2 D | F/D/ C2 F |[M:3/2] G G c3 d/c/ | c/B/ G c3 B/c/ |$
d/c/B/G/ c3 B/G/ | F D/E/ F G z c |[M:4/4] c2 B c | G F C3/2 D/ | C C C2 |]


GB/7b/7A William the Waterboy Version 2 of 2

File:GB-7b-7A.mid

File:GB-7b-7A.pdf

File:GB-7b-7A.xml

abc notation

X:7
T:GB/7b/7A William the Waterboy Version 2 of 2
C:Mrs Whiting (p.1), Newport, Mon., IV. 08
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
Q:1/4=120
M:3/2
I:linebreak $
K:Cdor
"^Faster (i.e. than GB/7b/7)" FD | C2 DE F2 D D B B !fermata!D2 |[M:4/4] FD C4 F2 |
[M:3/2] G2 c2 d2 c2 B2 G2 | cB G2 c6 Bc |$ dcBG c6 BG | FEDE F2 G2 z4 |[M:4/4] c3 =A B2 cB |
G3 F DC D2 | ED CD C4 |]


GB/7b/8 The Undaunted Female

File:GB-7b-8.mid

File:GB-7b-8.pdf

File:GB-7b-8.xml

abc notation

X:8
T:GB/7b/8 The Undaunted Female
C:Abingdon, X. 06
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:D
"^Variant 1" A | D D E F | G2 A A | G F D D | D3 A | A d B B | c B A A | E E F G | A3 A |$
A d B B | c A B G | E E d B | A3 A | D D E F | G2 A A | G F D D | D3 |]$"^Vaiant 2" A | D D E F |
G2 A A | E F D D | D3 A | A d B B | c B A A | E E F G | A3 A |$ A d B B | c A B G | E E d B |
A3 A | D D E F | G2 A A | G F D D | D3 |]

Notes on GB/7b/8 The tune is identical to that of GB/6a/171.


GB/7b/9 William Taylor Version 1 of 3

File:GB-7b-9.mid

File:GB-7b-9.pdf

File:GB-7b-9.xml

abc notation

X:9
T:GB/7b/9 William Taylor Version 1 of 3
C:Mr Whitehead (c. 50), Heslington, Yorks., VII. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:Dmix
D | F F/E/ F G/A/ | B3/2 A/ F D | A3/2 F/ G A | d d A3/2 A/ |$ d d F B | A A F/E/D/E/ | F F G A |
B A D |]

Notes on GB/7b/9 The tune is identical to that of GB/6a/178.


GB/7b/9A William Taylor Version 2 of 3

File:GB-7b-9A.mid

File:GB-7b-9A.pdf

File:GB-7b-9A.xml

abc notation

X:9
T:GB/7b/9A William Taylor Version 2 of 3
C:Mr. Jim Bull (c. 50), Bishop's Frome, Herefordshire IX. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:none
I:linebreak $
K:Dmix
D | G F E F/G/ | B A F !fermata!D | G F G A/B/ | c B !fermata!A (3A/B/c/ | d d G"^(a)" B/d/ |$
c A F D/D/ | G3/2 F/ E/F/G/A/ | B A !fermata!D || D | G F E F/G/ | B A F !fermata!D |
G F G A/B/ |$ c B !fermata!A (3A/B/c/ | d d G"^(a) var." A/B/ | c A F D/D/ | G3/2 F/ E/F/G/A/ |
B A !fermata!D |]


GB/7b/9B William Taylor Version 3 of 3

File:GB-7b-9B.mid

File:GB-7b-9B.pdf

File:GB-7b-9B.xml

abc notation

X:9
T:GB/7b/9B William Taylor Version 3 of 3
C:Ipswich VI. 12
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $ K:C
C | E E F G | A G"^(a)" E !fermata!C | G3/2 E/ G3/2 A/ | B G !fermata!c G | c c F G/A/ |$
_B A G/E/ !fermata!C | E3/2 E/ D F | A G !fermata!C || C | E E F G |
A G"^(a) var." E/D/ !fermata!C | G3/2 E/ G3/2 A/ |$ B G !fermata!c G | c c F G/A/ |
_B A G/E/ !fermata!C | E3/2 E/ D F | A G !fermata!C |]


GB/7b/10 Cupid the Ploughboy Version 1 of 2

File:GB-7b-10.mid

File:GB-7b-10.pdf

File:GB-7b-10.xml

abc notation

X:10
T:GB/7b/10 Cupid the Ploughboy Version 1 of 2
C:Mr. Jim Jillson (c. 60), Askham Bryan, Yorks, VII. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:6/4
I:linebreak $
K:Gdor
D | G2 G G2 A | B2 A B2 D | G2 G G2 A | B3 A2 D | G2 G A B c | d2 d d2 G | A B c A G F |
G3 G2 f |$ f2 d d c B | c3 d2 c | B2 G G2 A | B3- B2 D | G2 G A B c | d3 d2 G | A B c A G F |
G3- G2 |]

Notes on GB/7b/10 The tune is similar to that of GB/6a/59.


GB/7b/10A Cupid the Ploughboy Version 2 of 2

File:GB-7b-10A.mid

File:GB-7b-10A.pdf

File:GB-7b-10A.xml

abc notation

X:10
T:GB/7b/10A Cupid the Ploughboy Version 2 of 2
C:Mr. Young (c. 70), Bilborough, Yorks, III. 08
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:6/4
I:linebreak $
K:Gaeo
D | G2 G G2 A | B2 B A2 D | G2 G G2 A | B2 c/B/ A2 A | G2 F G A B |$ d2 d d2 c | B2 G c B A |
G3- G2 d | f2 d d c B | c2 e d2 c | d2 G G2 A |$ B2 c/B/ A2 D | G2 G A B c | d2 e d2 c |
B2 G c B A | G3- G2 |]

Notes on GB/7b/10A The tune is identical to that of GB/6a/61.


GB/7b/11 Our Captain Calls Version 1 of 2

File:GB-7b-11.mid

File:GB-7b-11.pdf

File:GB-7b-11.xml

abc notation

X:11
T:GB/7b/11 Our Captain Calls Version 1 of 2
C:Mrs Cranstone (p.4), Billingshurst, VII. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:D
D | F D F G |[M:3/4] A2 F |[M:6/4] G E F/G/ A z A |[M:4/4] d d e d | B A2 F |$
[M:6/4] G E F/G/ A z A |[M:4/4] d d e d | B A2 F |[M:6/4] G E F/G/ A z A |$[M:4/4] d A B/A/G/F/ |
[M:3/4] E F G/B/ |[M:4/4] A D C !fermata!D |]

Notes on GB/7b/11 The tune is similar to that of GB/6a/130.


GB/7b/11A Our Captain Calls Version 2 of 2

File:GB-7b-11A.mid

File:GB-7b-11A.pdf

File:GB-7b-11A.xml

abc notation

X:11
T:GB/7b/11A Our Captain Calls Version 2 of 2
C:Mrs Golds (c. 60), Washington, Sussex, XII. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:D
D | F D F/G/ A |[M:6/4] B2 B A2 D |[M:4/4] C D z A | d B c d/c/ |$ B2 A2 |
[M:6/4] F/E/ D F/G/ A z A |[M:4/4] d B c d/c/ | B2 A2 |$[M:6/4] F/E/ D F/G/ A z A |
[M:4/4] !fermata!d A B/A/G/F/ |[M:3/4] E F G/B/ | A2 D | C D2 |]

Notes on GB/7b/11A The tune is similar to that of GB/6a/131.


GB/7b/12 The Basket of Eggs Version 1 of 2

File:GB-7b-12.mid

File:GB-7b-12.pdf

File:GB-7b-12.xml

abc notation

X:12
T:GB/7b/12 The Basket of Eggs, Version 1 of 2
C:Mr. Spooner (c. 70), Midhurst Workhouse, XII.08
P:FW J(ekyll) & GSK B(utterworth)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:3/2
I:linebreak $
K:Edor
B | e e d B z A | B e d B z B/c/ |[M:5/4] d d G F E | A c B2 B |$ E E/F/ G F E | A A/G/ F G A |
[M:3/2] B e d2 B3/2 A/ | G F E3 |]

Notes on GB/7b/12 The tune is similar to that of GB/6a/18.


GB/7b/12A The Basket of Eggs Version 2 of 2

File:GB-7b-12A.mid

File:GB-7b-12A.pdf

File:GB-7b-12A.xml

abc notation

X:12
T:GB/7b/12A The Basket of Eggs Version 2 of 2
C:Heygate, Rusper, 11.10.
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:5/4
I:linebreak $
K:Gmix
G |:"^(a)" G E D G G | A G A B c | d g d2 c/B/ | A A G2 G :|$ c | d e f e d |
[M:6/4] d g f d2 e/f/ |[M:5/4] f f A G F | c c d2 d |$ G E D G G | A G A B c | d g d2 c/B/ |
A A G2 ||$ G |:"^(a) var." G E D G A | B c A B c | d g d2 c/B/ | A A G2 G :|$ c | d e f e d |
[M:6/4] d g f d2 e/f/ |[M:5/4] f f A G F | c c d2 d |$ G E D G G | A G A B c | d g d2 c/B/ |
A A G2 |]


GB/7b/13 New Garden Fields Version 1 of 2

File:GB-7b-13.mid

File:GB-7b-13.pdf

File:GB-7b-13.xml

abc notation

X:13
T:GB/7b/13 New Garden Fields Version 1 of 2
C:Mr. Locke (c. 70), Rollesby, Norfolk, IV. 10.
P:F.W. J(ekyll) & G.S.K. B(utterworth)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:3/4
I:linebreak $
K:Ddor
A2 | GF E2 D2 | C2 D2 FE | A2 D2 E2 | D4 FG | ABcB A2 |$"^(a)" dc d2 ed |"^(b)" c2 B2 A2 | G4 AB |
"^(c)" c2 cB G2 | d2 d2 ed | cBAG D2 |$ G4 FG |"^(d)" AB c2 d2 | GF D2 cB |"^(e)" A2 DF E2 | D4 ||$
A2 | GF E2 D2 | C2 D2 FE | A2 D2 E2 | D4 FG | ABcB A2 |$"^(a) var." d2 d2 ed |
"^(b) var." cBAG A2 | G4 AB |"^(c) var." cB A2 G2 | d2 d2 ed | cBAG D2 |$ G4 FG |
"^(d) var." AB cA d2 | GF D2 cB |"^(e) var." A2 DF EC | D4 |]


GB/7b/13A New Garden Fields Version 2 of 2

File:GB-7b-13A.mid

File:GB-7b-13A.pdf

File:GB-7b-13A.xml

abc notation

X:13
T:GB/7b/13A New Garden Fields Version 2 of 2
T:The same (i.e. New Garden Fields Version 1 of 2), from phonograph record (x. 10)
P:R. V(aughan) W(illiams) & G.S.K.B(utterworth)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:3/4
I:linebreak $
K:Ddor
A2 | G2 D2 E>D | C2 D2 G>B | A2 D>F E>"^?"^C | D4 ^FG | ABcB A2 | d2 d2 e>d | c2 B2 A2 |$
G4"^G" ^FG | AB c2 G>G | d2 !fermata!d2 d>"^C"B | c2 A>"^or G?"^F D2 | G4 ^FG | ABcA d2 |
G>F D2"^(a)" c>B |$ A2 D>F E>"^?"^C | !fermata!D4 A>A | G2 D2 ED | C2 D2 G>E | A2 D2 D^C |
D4 ^FG | ABcB A2 |$ d>^c d2 ed | c2 A2 ^F2 | G4"^G" ^FG | AB cB G2 | d2 !fermata!d2"^(b)" e>d |
c>B A>^F D2 | G4 ^FG |$ AB cA d2 | GF D2 c>B | A>"^G"^F D>F E^C | !fermata!D4 A2 | GF D2 ED |
C2 D2 GE | A2 D2 E^C |$ D4 ^FG | AB cB G2 | d2 d2 ed | c2 B2 A2 | G4 ^FG | ABcB G2 |
d2 !fermata!d2 e>d | c>B A>^F D2 |$ G4 ^FG | AB cA d2 | G^F D2 c>B |"^(c)" A2 D^F E>^C | D4 ||
A2 | G2 D2 E>D | C2 D2 G>B |$ A2 D>F E>"^?"^C | D4 ^FG | ABcB A2 | d2 d2 e>d | c2 B2 A2 |
G4"^G" ^FG | AB c2 G>G | d2 !fermata!d2 d>"^C"B |$ c2 A>"^or G?"^F D2 | G4 ^FG | ABcA d2 |
"^(a) var." G>F D2 cB | A2 D>F E>"^?"^C | !fermata!D4 A>A | G2 D2 ED |$ C2 D2 G>E | A2 D2 D^C |
D4 ^FG | ABcB A2 | d>^c d2 ed | c2 A2 ^F2 | G4"^G" ^FG | AB cB G2 |$
"^(b) var." d2 !fermata!d2 ed | c>B A>^F D2 | G4 ^FG | AB cA d2 | GF D2 c>B | A>"^G"^F D>F E^C |
!fermata!D4 A2 |$ GF D2 ED | C2 D2 GE | A2 D2 E^C | D4 ^FG | AB cB G2 | d2 d2 ed | c2 B2 A2 |
G4 ^FG |$ ABcB G2 | d2 !fermata!d2 e>d | c>B A>^F D2 | G4 ^FG | AB cA d2 | G^F D2 c>B |
"^(c) var." A2 D>F E2 | D4 |]

Notes on GB/7b/13A For anyone trying to learn/perform this piece it is important to note the exact words of George Butterworth as transcribed onto the PDF file (GB-7b-13A.pdf posted above). In particular his words "the same, from phonograph record" are important because the MS gives wonderful evidence of (a) the difficulty of notating source singers and (b) the differences between a field notation (GB/7b/13 above) and a field recording of what is allegedly the same thing (this tune, GB/7b/13A). The comment immediately below the sheet music that "most of the F's lie between sharp and natural--& the same often with the C's" is also very illuminating. The piece is longer than average because Butterworth and Vaughan Williams transcribed many (but not all) of the variants in full. This transcribed version also includes the rest of the variants; it needs to be checked against the original MS, which is unclear in places.


GB/7b/14 A Sailor in the North Countree

File:GB-7b-14.mid

File:GB-7b-14.pdf

File:GB-7b-14.xml

abc notation

X:14
T:GB/7b/14 A Sailor in the North Countree
C:Mr. "Skinner" Crow (c. 60), Filby, Norfolk, IV. 10
P:F.W. J(ekyll) & G.S.K. B(utterworth)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:Fmix
F | B2 c d | B3/2 A/ G G | F3 F | B A B c | f2 e d | c3 c |$ c B A c | f2 c/d/ e | d c B G |
F E F/G/ A | B3/2 G/ e f | c3/2 B/ G G | F3 |]

Notes on GB/7b/14 This possibly belongs to the same tune family as "The Curragh of Kildare."


GB/7b/15 Admiral Benbow

File:GB-7b-15.mid

File:GB-7b-15.pdf

File:GB-7b-15.xml

abc notation

X:15
T:GB/7b/15 Admiral Benbow
C:Mr. "Skinner" Crow (c. 60), Filby, Norfolk, IV. 10
P:F.W. J(ekyll) & G.S.K. B(utterworth)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:G
D/E/"^(a)" =F/D/ | G B A A | G2 A/B/ c | d2 c B | A c B A | G B A G | F D G/F/ E | D2 B B/c/ |$
d B/A/ G G | G B d d | c B A"^(b)" A/F/ | D F A A | G3/2"^(c)" A/ G F | E D B, C | D c B A |
G2 ||$ D/E/"^(a) correction III. 13" ^F | G B A A | G2 A/B/ c | d2 c B | A c B A | G B A G |
F D G/F/ E | D2 B B/c/ |$ d B/A/ G G | G B d d | c B A"^(b) var." A | D F A A |
G3/2"^(c) correction III. 13" G/ G G | E D B, C | D c B A | G2 |]


GB/7b/16 The Blacksmith

File:GB-7b-16.mid

File:GB-7b-16.pdf

File:GB-7b-16.xml

abc notation

X:16
T:GB/7b/16 The Blacksmith
C:Mrs. Verrall (Journal) Horsham, VI. 09
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:Gdor
"^(a)" d3/2 c/ | B G c c | F2 G3/2 A/ | d d/c/ A G |[M:2/4] z d/c/ |[M:4/4] B G c c | F2 G3/2 A/ |
d d/c/ A G |$[M:2/4] z F |[M:4/4]"^(b)" G G f g | d3 G/A/ | B c f d/c/ | B c2"^(c)" f/=e/ |
d3/2 c/ d G | F2 G3/2 A/ |"^(d)" d3/2 c/ A !fermata!G ||$"^(a) var." z d/c/ | B G c c |
F2 G3/2 A/ | d d/c/ A G |[M:2/4] z d/c/ |[M:4/4] B G c c | F2 G3/2 A/ | d d/c/ A G |$[M:2/4] z F |
[M:4/4]"^(b) var." G/F/ G f g | d3 G/A/ | B c f d/c/ | B c2"^(c) var." f | d3/2 c/ d G |
F2 G3/2 A/ |"^(d) var." d d/c/ A !fermata!G |]

Notes on GB/7b/16 The version of the "Blacksmith" in the Penguin Book of English Folk Songs is from Mrs. Powell in Herefordshire and has a melody closely related to that used by Mrs. Verrall for the "Valiant Sailor"; this latter was collected by Ralph Vaughan Williams and used as the hymn tune "Monks Gate"/"To be a Pilgrim." This version of the "Blacksmith" from Mrs. Verrall clearly belongs to the same tune family but is quite distinguishable from her "Valiant Sailor."


GB/7b/17 Flora and Henry

File:GB-7b-17.mid

File:GB-7b-17.pdf

File:GB-7b-17.xml

abc notation

X:17
T:GB/7b/17 Flora and Henry
C:Mrs. Verrall (Journal), Horsham, 08
P:F.W. J(ekyll)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:3/4
I:linebreak $
K:G
D | G B d | g f g | e c A | G F G | A A B | c d e | A B c | d2 f/g/ |$ a f e | e !fermata!A g/f/ |
e c A | G !fermata!F G/B/ | d B/c/ d | e/f/ g d | e/c/ B A | G2 |]


GB/7b/18i Fourteen Years of Age Version 1 of 2

File:GB-7b-18i.mid

File:GB-7b-18i.pdf

File:GB-7b-18i.xml

abc notation

X:18
T:GB/7b/18i Fourteen Years of Age Version 1 of 2
C:Mr. Verrall (Journal) Horsham, VI. 09
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:4/4
I:linebreak $
K:Gmix
D2 |"^(a)" G2 G3/2 G/ G2 d2 | (cB) AA G2 z G |$ c2 d e f2 g2 | d4 z2 c c | d2 g g f2"^(b)" (df) |$
w: Good|morn- ing to you my|fair * prett- y maid Come|sing me an- oth- er|song For it|is my int- ent- tion *|
e d cB (cd) e f | d2 B d (cB) A G | G6 ||$ D2 |"^(a) var." GABc d2 e2 | dc A2 G2 z G |
w: for to marr- y you * and her|ans- wer it was * I'm too|young.||||
c2 dg"^(a-i)" fd fe | d6 cc |$ d2 gg f2"^(b) var." (3def | edcB cdef | d2 Bd cB AG | G6 ||$ D2 |
w: |||||||
GABc d2 e2 | dc A2 G2 z G | c2 dg"^(a-i) var." f2 g2 | d6 cc |$ d2 gg f2 (3def | edcB cdef |
w: ||||||
d2 Bd cB AG | G6 |]
w: ||

Notes on GB/7b/18i In the Take 6 Catalogue this is the first of two tunes listed as GB/7b/18.


GB/7b/18ii Fourteen Years of Age Version 2 of 2

File:GB-7b-18ii.mid

File:GB-7b-18ii.pdf

File:GB-7b-18ii.xml

abc notation

X:18
T:GB/7b/18ii Fourteen Years of Age Version 2 of 2
C:Verrall
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:4/4
I:linebreak $
K:Eaeo
BG | EFGA B2 d^c | B2 AF E3 A | B2 ^c2"^(a)" e2 dc | B6 B2 |$ B2 e2 d2 Bd | ^cBA^G ABcd |
B2 GB AGFD | E6 ||$ BG | EFGA B2 d^c | B2 AF E3 A | B2 ^c2"^(a) var." Bede | B6 B2 |$
B2 e2 d2 Bd | ^cBA^G ABcd | B2 GB AGFD | E6 |]

Notes on GB/7b/18ii In the Take 6 Catalogue this is the second of two tunes listed as GB/7b/18.


GB/7b/19 It's of a Farmer All In This Town

File:GB-7b-19.mid

File:GB-7b-19.pdf

File:GB-7b-19.xml

abc notation

X:19
T:GB/7b/19 It's of a Farmer All in this Town
C:Mr. Smith (p. 1), Stoke Lacy, Herefordshire, IX. 07
P:F.W. J(ekyll) & G.S.K. B(utterworth)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:3/2
I:linebreak $
K:Ddor
p D/E/ | F G F2 A, A, | C D C3 G | G E C2 F3/2 G/ | A G A3 C |$ F E F3 G | A G A d z d |
A/G/ A F2 D3/2 E/ | D D D3 |]


GB/7b/20 Jack and the Game Version 1 of 3

File:GB-7b-20.mid

File:GB-7b-20.pdf

File:GB-7b-20.xml

abc notation

X:20
T:GB/7b/20 Jack and the Game Version 1 of 3
C:Stanton St. John, Oxon., V. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:6/8
I:linebreak $
K:D
d | dcB AFE | DA>G F!fermata!D D | DEF GFE | DA>A A2 A |$ FED d2 f | f>ed e!fermata!d d |
AGF B>AG | A2 A D2 |]


GB/7b/20A Jack and the Game Version 2 of 3

File:GB-7b-20A.mid

File:GB-7b-20A.pdf

File:GB-7b-20A.xml

abc notation

X:20
T:GB/7b/20A Jack and the Game Version 2 of 3
C:Mr. Lockly (c. 80), High Ercall, Salop., IV. 08
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:6/8
I:linebreak $
K:Ddor
d | dcB AGE | GGF E!fermata!D D | DDE FGA | BAG A2 D |$ FGA cBA | d>ed c!fermata!d A | FED FGA |
GFD D2 |]


GB/7b/20B Jack and the Game Version 3 of 3

File:GB-7b-20B.mid

File:GB-7b-20B.pdf

File:GB-7b-20B.xml

abc notation

X:20
T:GB/7b/20B Jack and the Game Version 3 of 3
C:Mr. Golds (c. 80), Washington, Sussex, XII. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:6/8
I:linebreak $
K:Dmix
A | dBA FED | BAG F!fermata!D D | GFG A2 B | cdB A2 D |$ DFA d2 e |
[M:9/8] fed e!fermata!d z d2 F |[M:6/8] GFE B2 B | A>AA D2 |]


GB/7b/21 Constant Billy (Dance)

File:GB-7b-21.mid

File:GB-7b-21.pdf

File:GB-7b-21.xml

abc notation

X:21
T:GB/7b/21 Constant Billy (Dance)
C:Played on the violin by Mr. Sims (c. 50), Oxford, V. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
Q:1/4=120
M:6/8
I:linebreak $
K:F
F | A2 A A>GA | B2 G E>DC | A>GF D2 D | C>DE F2 :|$ z | A>Bc def | G>AB AGF | A>Bc def |
c>cd c2 B |$ A2 A A>GA | B2 G E>DC | A>GF D2 D | C>DE F2 |]

Notes on GB/7b/21 This violin tune differs from Constant Billy (Filkins Morris Dance) (GB/2/4).


GB/7b/21B (No Title Given)

File:GB-7b-21B.mid

File:GB-7b-21B.pdf

File:GB-7b-21B.xml

abc notation

X:21
T:GB/7b/21B (No title given)
C:Played on the violin by Mr. Sims (c. 50), Oxford, V. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
Q:1/4=120
M:6/8
I:linebreak $
K:F
C | F2 G A2 B | cAf e2 d | c2 A F2 F | GBA G2 G | c>=Bc def |$ ege c2 f | e>dc GA=B | c3 c2 || e |
g2 e gec | B>cB A2 c | f2 c f2 c |$ B>cB A2 c | d2 e f2 e | dcB ABc | d2 d d2 G | AGF D2 E |
F2 F FAc |$ d2 e f2 d | c>AF GAG | D2 E F2 G | A2 f A>BG | F3 F3 |]

Notes on GB/7b/21B This violin tune is a version of Jockey to the Fair.


GB/7b/21C (No Title Given)

File:GB-7b-21C.mid

File:GB-7b-21C.pdf

File:GB-7b-21C.xml

abc notation

X:21
T:GB/7b/21C (No title given)
P:Played on the violin by Mr. Sims (c. 50), Oxford, V. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
Q:1/4=120
M:4/4
I:linebreak $
K:F
A>B c>A B2 B2 | A>B c>A G2 G2 | A>B c>A B2 A>B | c2 C2 F4 ||$ A2 F2 B4 | A2 F2 G4 |
A>B c>A B2 A>B | c2 C2 F4 |]

Notes on GB/7b/21C This violin tune is a version of Trunkles.


GB/7b/22 The Rambling Sailor

File:GB-7b-22.mid

File:GB-7b-22.pdf

File:GB-7b-22.xml

abc notation

X:22
T:GB/7b/22 The Rambling Sailor
C:Mr. Verrall (Journal), Horsham, VII. 09
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:Fmix
c | F c B/A/ G | F F e f | B e/d/ c/B/ G | B3/2 A/ F :| B | c d/e/ f3/2 B/ |$ c/d/e/c/ f3/2 f/ |
e d c B | e f !fermata!c c | F c B/A/ G | F F e f | B e/d/ c/B/ G | B3/2 A/ F |]


GB/7b/23

File:GB-7b-23.mid

File:GB-7b-23.pdf

File:GB-7b-23.xml

abc notation

X:23
T:GB/7b/23 Shule Agra
C:Mr. Smith (p.1), Stoke Lacy, Herefordshire, IX. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
Q:1/4=120
M:4/4
I:linebreak $
K:Ador
AB | c4 A4 | AGEF G4 | G3 E G2 B2 | AG A2 !fermata!E2 CD |$ E2 ED CDEF | G2 AG E4 | c3 A B2 e2 |
A4 A2 |]


GB/7b/24 Jack Williams

File:GB-7b-24.mid

File:GB-7b-24.pdf

File:GB-7b-24.xml

abc notation

X:24
T:GB/7b/24 Jack Williams
C:Mr. Hoare (c. 80), Houghton, Sussex, VII. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:Cmix
G | c d/c/ c E | F F G c/B/ | G G/F/ D/C/ D | C3 :| G/A/ | B G F F |$ G c/B/ G G | c c/d/ e/c/ d |
c3 G | c d/c/ c E | F F G c/B/ | G G/F/ D/C/ D | C3 |]


GB/7b/25 A Lawyer He Rode Out Version 1 of 2

File:GB-7b-25.mid

File:GB-7b-25.pdf

File:GB-7b-25.xml

abc notation

X:25
T:GB/7b/25 A Lawyer He Rode Out
T:Version 1 of 2
C:Mrs. Cranstone (p. 4), Billingshurst, VII. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:6/8
I:linebreak $
K:C
G | c2 c cBA | GE G C2 C | c2 c edc | A2 B c3 | c2 d edc |$ d3 c3 | AG A E2 D | C2 G GEG |
GE G A2 B | c3- c2 |]

Notes on GB/7b/25 The sixth full bar, crossed out and marked as "wrongly barred" in the MS, has been omitted from the transcription.


GB/7b/25A A Lawyer He Rode Out Version 2 of 2

File:GB-7b-25A.mid

File:GB-7b-25A.pdf

File:GB-7b-25A.xml

abc notation

X:25
T:GB/7b/25A A Lawyer He Rode Out
T:Version 2 of 2
C:Mrs. Verrall (Journal) Horsham 08
P:F.W. J(ekyll)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:6/8
I:linebreak $
K:Aaeo
E | A2 B c2 A | G2 E C2 G | c2"^(a)" d e2 c |[M:9/8] B2 c d3 c2 d | e2 c d3 c2 B |$
ABc E2 D C2 D |[M:6/8] E E E E2 D | A2 G A2 || E | A2 B c2 A | G2 E C2 G | c2"^(a) var." c e2 c |$
[M:9/8] B2 c d3 c2 d | e2 c d3 c2 B | ABc E2 D C2 D |[M:6/8] E E E E2 D | A2 G A2 |]


GB/7b/26 Little Brown Jug

File:GB-7b-26.mid

File:GB-7b-26.pdf

File:GB-7b-26.xml

abc notation

X:26
T:GB/7b/26 Little Brown Jug
C:Mr. Smith (p. 1), Stoke Lacy, Herefordshire, IX. 07
P:F.W. J(ekyll) & G.S.K. B(utterworth)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:Eaeo
B3/2 A/ | G E E B,/C/ | D D D2 | E E G A | B A"^(a)" A3/2 G/ |$ B"^(b)" B d B | A A A G/A/ |
B"^(c)" B B/A/ G | A A"^(d)" B3/2 A/ | G E E B,/C/ |$ D D D3/2 D/ | G/A/B/c/ d B/A/ | G E E2 ||
B3/2 A/ | G E E B,/C/ | D D D2 |$ E E G A | B A"^(a) var." A G/A/ | B"^(b) var." B/c/ d/c/ B |
A A A G/A/ | B"^(c) var." B/c/ B/A/ G |$ A A"^(d) var." B B/A/ | G E E B,/C/ | D D D3/2 D/ |
G/A/B/c/ d B/A/ | G E E2 |]


GB/7b/27 Whilst Old Engeland's A-Going Down the Hill

File:GB-7b-27.mid

File:GB-7b-27.pdf

File:GB-7b-27.xml

abc notation

X:27
T:GB/7b/27 Whilst Old Engeland's A-Going Down the Hill
C:Mr. Verrall (Journal), Horsham, VII. 09
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:6/8
I:linebreak $
K:Gdor
d2 d | G2 A B2 c | d2 e f2 e | d2 c A2 B | G3- G2 G | c3 def | g3 f2 e |$ d3 c3 | d2 e f2 d |
g3 f2 g | d2 c B2 G | F3"^(a)" G2 A | B2 G g2 g | d2 c A2 A | !fermata!G3 ||$ d2 d | G2 A B2 c |
d2 e f2 e | d2 c A2 B | G3- G2 G | c3 def | g3 f2 e |$ d3 c3 | d2 e f2 d | g3 f2 g | d2 c B2 G |
F3"^(a) var." D2 D | G2 A B2 c | d2 d G2 F | !fermata!G3 |]

Notes on GB/7b/27 'The Orphan Boy'/'Little Town’s Boy' sometimes has the last line of some verses ‘Whilst old England...’ The Roud Index (No. 5695) has a number of versions. See also Cecil J. Sharp and Maud Karpeles (1974) Cecil Sharp's Collection of English Folk Songs, Volume 2, pp. 564-7.


GB/7b/28 Thomas Hegan and Sally Blair

File:GB-7b-28.mid

File:GB-7b-28.pdf

File:GB-7b-28.xml

abc notation

X:28
T:GB/7b/28 Thomas Hegan and Sally Blair
C:Mr. Verrall (Journal), Horsham, VII. 09
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:3/4
I:linebreak $
K:Gmix
"^(a)" D | G G D | B c d | c/B/ G G | G2 :| B/c/ | d d g |$ d/e/ f A | c"^(b)" c A/G/ |
F2"^(c)" B/A/ | G G D | B c d | c/B/ G G | G2 ||$"^(a) var." B/A/ | G G D | B c d | c/B/ G G |
G2 :| B/c/ | d d g |$ d/e/ f A | c"^(b) var." c/B/ A/G/ | F2"^(c) var." D | G G D | B c d |
c/B/ G G | G2 |]


GB/7b/29 Johnny Harte

File:GB-7b-29.mid

File:GB-7b-29.pdf

File:GB-7b-29.xml

abc notation

X:29
T:GB/7b/29 Johnny Harte
C:Mr. Smith (p. 1) Stoke Lacy, Herefordshire, IX. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:6/8
I:linebreak $
K:Ddor
C | D2 D G2 G | A2 B c2 E | G2 E E2 D | C2 z2 z C | D D D G2 G |$ A2 B c2 E | FDE D2 D |
D3- D2 G | A2 G ABc | d3 c2 A |$ G2 E E2 D | C2 z2 z C | D2 D G2 G | A2 B c2 E | FDE D2 D |
D3- D2 z |]


GB/7b/30 The Tinker

File:GB-7b-30.mid

File:GB-7b-30.pdf

File:GB-7b-30.xml

abc notation

X:30
T:GB/7b/30 The Tinker
C:Mr. James Landamore, Wroxham, Norfolk, IV. 10
P:F.W. J(ekyll) & G.S.K. B(utterworth)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:6/8
I:linebreak $
K:Fmix
C2 D | E2 E C2"^(a)" C | ED E C2 z | F=E F GAB | A2 G !fermata!F2 G | c2 B"^(b)" c2 A |
BA G c2 B |$ c2 F F2 G | F2 E C2 D | ED E C2 D | ED E C2 z | F=E F GAB |"^(c)" A2 G !fermata!F3 ||
C2 D |$ E2 E C2"^(a) var." D | ED E C2 z | F=E F GAB | A2 G !fermata!F2 G | c2 B"^(b) var." cBA |
B2 G c2 B | c2 F F2 G |$ F2 E C2 D | ED E C2 D | ED E C2 z | F=E F GAB |
"^(c) var." AG A !fermata!F3 |]


GB/7b/31 Twankydillo

File:GB-7b-31.mid

File:GB-7b-31.pdf

File:GB-7b-31.xml

abc notation

X:31
T:GB/7b/31 Twankydillo
C:Mr. Cranstone (c. 50), Billingshurst, VII. 09
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:3/4
I:linebreak $
K:G
d>c | B2 B2 A>A | G2 G2 D2 | E2 F2 G2 | !fermata!A4 G>A | B2 B2 G>B | c2 c2 d>c | B2 A2 G2 |
d4 d>c |$ B2 B2 A>A | G2 G2 DD | EE FF GG | A2 !fermata!A2 G>A | B2 B2 G>B | c2 c2 d>c | B3 c d2 |
G4 |]


GB/7b/32 The Lads of Kilkenny

File:GB-7b-32.mid

File:GB-7b-32.pdf

File:GB-7b-32.xml

abc notation

X:32
T:GB/7b/32 The Lads of Kilkenny
C:Mr. Bill Wix, Billingshurst, VII. 09
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:3/4
I:linebreak $
K:Dmix
A | A A G/F/ | E/F/ G A | D =F E | D2 :| A/B/ | c c/B/ A |$ c c/B/ A/ A/ | d A D | G2 F/G/ |
A A G/F/ | E/F/ G A | D =F E | D2 |]

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