Difference between revisions of "Take 6 Transcription Programme: The Butterworth Archive, MS 7a"

From Folkopedia
Jump to navigation Jump to search
 
(11 intermediate revisions by the same user not shown)
Line 1: Line 1:
 
Go to [[Take 6 Transcription Programme]] Home Page
 
Go to [[Take 6 Transcription Programme]] Home Page
 +
 +
 +
'''For playback, abc files, and midi files, of these transcriptions that are linked to their original MSS enter the filenames [LEB/2/1/1 or whatever] in the search box here. [[http://www.vwml.org/]]'''
  
  
Line 29: Line 32:
 
'''abc notation'''
 
'''abc notation'''
  
−
X:1
+
X:1<br>
−
T:GB/7a/1 Isle of France Version 1 of 3
+
T:GB/7a/1 Isle of France Version 1 of 3<br>
−
C:Dick Antony (c. 40), Stanford Bishop, Herefordshire, IX. 07
+
C:Dick Antony (c. 40), Stanford Bishop, Herefordshire, IX. 07<br>
−
L:1/8
+
Z:Transcribed by Simon Furey and Lewis Jones<br>
−
M:3/2
+
L:1/8<br>
−
I:linebreak $
+
M:3/2<br>
−
K:D
+
I:linebreak $<br>
−
DE | F2 A2 F4 B,3 C | D2 D2 D6 A2 | B2 c2 d4 c3 B | ABcA B6 A2 |$ B2 c2 d4 c3 A | ABcA B4 D3 E |  
+
K:D<br>
−
F2 dc B3 A B,3 C | D2 D2 D6 |]  
+
DE | F2 A2 F4 B,3 C | D2 D2 D6 A2 | B2 c2 d4 c3 B | ABcA B6 A2 |$ B2 c2 d4 c3 A | ABcA B4 D3 E |<br>
 +
F2 dc B3 A B,3 C | D2 D2 D6 |]<br>
  
  
Line 50: Line 54:
 
'''abc notation'''
 
'''abc notation'''
  
−
X:1A
+
X:1<br>
−
T:GB/7a/1A Isle of France Version 2 of 3
+
T:GB/7a/1A Isle of France Version 2 of 3<br>
−
C:William Smith (c.40), Stoke Lacey, Herefordshire, IX. 07
+
C:William Smith (c.40), Stoke Lacey, Herefordshire, IX. 07<br>
−
L:1/8
+
Z:Transcribed by Simon Furey and Lewis Jones<br>
−
M:3/2
+
L:1/8<br>
−
I:linebreak $
+
M:3/2<br>
−
K:D
+
I:linebreak $<br>
−
DE | F2 B2 F4 B,3 C | D2 D2 D6 A2 | B2 c2 d4 c3 B | AB c2 B6 A2 |$ B2 e2 d4 c3 B | A2 c2 B6 DE |  
+
K:D<br>
−
F2 B2 F4 B,3 C | D2 D2 D6 |]  
+
DE | F2 B2 F4 B,3 C | D2 D2 D6 A2 | B2 c2 d4 c3 B | AB c2 B6 A2 |$ B2 e2 d4 c3 B | A2 c2 B6 DE |<br>
 +
F2 B2 F4 B,3 C | D2 D2 D6 |]<br>
  
  
Line 71: Line 76:
 
'''abc notation'''
 
'''abc notation'''
  
−
X:1B
+
X:1<br>
−
T:GB/7a/1B Isle of France Version 3 of 3
+
T:GB/7a/1B Isle of France Version 3 of 3<br>
−
C:Mr "Skinner" Crow, Filby, Norfolk, IV. 10
+
C:Mr "Skinner" Crow, Filby, Norfolk, IV. 10<br>
−
P:FW J(ekyll) & GSK B(utterworth)
+
P:FW J(ekyll) & GSK B(utterworth)<br>
−
L:1/8
+
Z:Transcribed by Simon Furey and Lewis Jones<br>
−
M:3/2
+
L:1/8<br>
−
I:linebreak $
+
M:3/2<br>
−
K:Dmix
+
I:linebreak $<br>
−
D3 E | F2 A2 G2 ED CD E2 | D2 D2 D6 D2 |"^(a)" FGAB c4 AB c2 | d2 dc A6 D2 |$ FGAB c2 A2 B2 c2 |  
+
K:Dmix<br>
−
"^(b)" d2 dc A6 D2 | FG A2 G2 ED CD E2 | D2 D2 D4 |]$"^(a) var. 1" F2 AB c2 A2 B2 c2 ||  
+
D3 E | F2 A2 G2 ED CD E2 | D2 D2 D6 D2 |"^(a)" FGAB c4 AB c2 | d2 dc A6 D2 |$ FGAB c2 A2 B2 c2 |<br>
−
"^(a) var. 2" FGAB c2 A2 B2 c2 | d2 d2 A6 D2 ||"^(b) var. 1" dcBc A6 D2 ||  
+
"^(b)" d2 dc A6 D2 | FG A2 G2 ED CD E2 | D2 D2 D4 |]$"^(a) var. 1" F2 AB c2 A2 B2 c2 ||<br>
−
"^(b) var. 2" d2 dc A6 DE ||  
+
"^(a) var. 2" FGAB c2 A2 B2 c2 | d2 d2 A6 D2 ||"^(b) var. 1" dcBc A6 D2 ||<br>
 +
"^(b) var. 2" d2 dc A6 DE ||<br>
  
  
Line 95: Line 101:
 
'''abc notation'''
 
'''abc notation'''
  
−
X:2
+
X:2<br>
−
T:GB/7a/2 Jolly Fellows that Follow the Plough
+
T:GB/7a/2 Jolly Fellows that Follow the Plough<br>
−
T:Version 1 of 2
+
T:Version 1 of 2<br>
−
C:Mr. Ede (c. 40), Bosham, Sussex IV. 07
+
C:Mr. Ede (c. 40), Bosham, Sussex IV. 07<br>
−
L:1/4
+
Z:Transcribed by Simon Furey and Lewis Jones<br>
−
Q:1/4=132
+
L:1/4<br>
−
M:3/4
+
Q:1/4=132<br>
−
I:linebreak $
+
M:3/4<br>
−
K:F
+
I:linebreak $<br>
−
c | F G A | B d d | c F F | F2 F | F G A | B A B | G c d | c2 c |$ d d c | d f d | c A c | f e f |  
+
K:F<br>
−
d c A | G c B | A F F | F2 |]  
+
c | F G A | B d d | c F F | F2 F | F G A | B A B | G c d | c2 c |$ d d c | d f d | c A c | f e f |<br>
 +
d c A | G c B | A F F | F2 |]<br>
  
  
Line 118: Line 125:
 
'''abc notation'''
 
'''abc notation'''
  
−
X:2A
+
X:2<br>
−
T:GB/7a/2A Jolly Fellows that Follow the Plough
+
T:GB/7a/2A Jolly Fellows that Follow the Plough<br>
−
T:Version 2 of 2
+
T:Version 2 of 2<br>
−
C:Mr. Richard Newton
+
C:Mr. Richard Newton<br>
−
P:Noted by FW J(ekyll)
+
P:Noted by FW J(ekyll)<br>
−
L:1/4
+
Z:Transcribed by Simon Furey and Lewis Jones<br>
−
M:3/4
+
L:1/4<br>
−
I:linebreak $
+
M:3/4<br>
−
K:F
+
I:linebreak $<br>
−
F | A A A | c B G | G F F | F2 A | B A B | c f f | _e c d | c2 c |$ c A c | d/e/ f d | c B c |  
+
K:F<br>
−
F G A | B A B | c B G | A F F | F2 |]  
+
F | A A A | c B G | G F F | F2 A | B A B | c f f | _e c d | c2 c |$ c A c | d/e/ f d | c B c |<br>
 +
F G A | B A B | c B G | A F F | F2 |]<br>
  
  
Line 141: Line 149:
 
'''abc notation'''
 
'''abc notation'''
  
−
X:3
+
X:3<br>
−
T:GB/7a/3 American King, The
+
T:GB/7a/3 American King, The<br>
−
C:Mrs. Cranstone (c.50), Wood Dale, Billingshurst, VII. 07.
+
C:Mrs. Cranstone (c.50), Wood Dale, Billingshurst, VII. 07.<br>
−
L:1/8
+
Z:Transcribed by Simon Furey and Lewis Jones<br>
−
M:3/4
+
L:1/8<br>
−
I:linebreak $
+
M:3/4<br>
−
K:G
+
I:linebreak $<br>
−
GA | B2 B2 cB | A2 A2 BA | G2 E2 F2 | G4 :| GB | d2 d2 ed |$ dB G2 GB | d2 B2 d2 | A4 GA |  
+
K:G<br>
−
B3 d cB | AG E2 GE | D2 G2 A2 | G6 |]  
+
GA | B2 B2 cB | A2 A2 BA | G2 E2 F2 | G4 :| GB | d2 d2 ed |$ dB G2 GB | d2 B2 d2 | A4 GA |<br>
 +
B3 d cB | AG E2 GE | D2 G2 A2 | G6 |]<br>
  
  
Line 162: Line 171:
 
'''abc notation'''
 
'''abc notation'''
  
−
X:4
+
X:4<br>
−
T:GB/7a/4 Green Mossy Banks of the Lea Version 1 of 4
+
T:GB/7a/4 Green Mossy Banks of the Lea Version 1 of 4<br>
−
C:Mr Nappin (c. 50), Stanton St. John, Oxon. V. 07
+
C:Mr Nappin (c. 50), Stanton St. John, Oxon. V. 07<br>
−
L:1/4
+
Z:Transcribed by Simon Furey and Lewis Jones<br>
−
M:3/4
+
L:1/4<br>
−
I:linebreak $
+
M:3/4<br>
−
K:Daeo
+
I:linebreak $<br>
−
D | F A A | F G E | C D E | F G A | F G E | D2 :| D | F G A | B G B | c F2- | F2 F |$ B A B |  
+
K:Daeo<br>
−
c B c | d3- | d2 d | c B A | G A G/F/ | D E F | G A A | F G E | D2 |]  
+
D | F A A | F G E | C D E | F G A | F G E | D2 :| D | F G A | B G B | c F2- | F2 F |$ B A B |<br>
 +
c B c | d3- | d2 d | c B A | G A G/F/ | D E F | G A A | F G E | D2 |]<br>
  
  
Line 183: Line 193:
 
'''abc notation'''
 
'''abc notation'''
  
−
X:4A
+
X:4<br>
−
T:GB/7a/4A Green Mossy Banks of the Lea Version 2 of 4
+
T:GB/7a/4A Green Mossy Banks of the Lea Version 2 of 4<br>
−
C:Sung by Mr Lockly (c. 80); sexton at High Ercall, Salop. III. 08
+
C:Sung by Mr Lockly (c. 80); sexton at High Ercall, Salop. III. 08<br>
−
L:1/4
+
Z:Transcribed by Simon Furey and Lewis Jones<br>
−
M:3/4
+
L:1/4<br>
−
I:linebreak $
+
M:3/4<br>
−
K:Ddor
+
I:linebreak $<br>
−
A, | D D E | F G/F/ D | C !fermata!D F/G/ | A c A | G E/D/ C | D2 :| A | c B A | A/G/ E ^F |  
+
K:Ddor<br>
−
G !fermata!A A/G/ |$ F E D | D A, B, | C2 (3A,/B,/C/ | D D E | F G/F/ D | C !fermata!D F/G/ |  
+
A, | D D E | F G/F/ D | C !fermata!D F/G/ | A c A | G E/D/ C | D2 :| A | c B A | A/G/ E ^F |<br>
−
A c A | G E/D/ C | D2 |]  
+
G !fermata!A A/G/ |$ F E D | D A, B, | C2 (3A,/B,/C/ | D D E | F G/F/ D | C !fermata!D F/G/ |<br>
 +
A c A | G E/D/ C | D2 |]<br>
  
  
Line 205: Line 216:
 
'''abc notation'''
 
'''abc notation'''
  
−
X:4B
+
X:4<br>
−
T:GB/7a/4B Green Mossy Banks of the Lea
+
T:GB/7a/4B Green Mossy Banks of the Lea<br>
−
T:Version 3 of 4
+
T:Version 3 of 4<br>
−
C:Mr James Landamore (c. 70) Wroxham, Norfolk IV. 10
+
C:Mr James Landamore (c. 70) Wroxham, Norfolk IV. 10<br>
−
P:FW J(ekyll) & GSK B(utterworth)
+
P:FW J(ekyll) & GSK B(utterworth)<br>
−
L:1/4
+
Z:Transcribed by Simon Furey and Lewis Jones<br>
−
M:3/4
+
L:1/4<br>
−
I:linebreak $
+
M:3/4<br>
−
K:Ddor
+
I:linebreak $<br>
−
D | F A A | G F D | C !fermata!D D | F A A |$ G F E | D2 :| D | F G A | c A A |$ d !fermata!d D |  
+
K:Ddor<br>
−
F G A | c A c | d2 d | c A A |$ G F D | C !fermata!D D/E/ | F D E | A, D3/2 C/ | D2 |]  
+
D | F A A | G F D | C !fermata!D D | F A A |$ G F E | D2 :| D | F G A | c A A |$ d !fermata!d D |<br>
 +
F G A | c A c | d2 d | c A A |$ G F D | C !fermata!D D/E/ | F D E | A, D3/2 C/ | D2 |]<br>
  
  
Line 228: Line 240:
 
'''abc notation'''
 
'''abc notation'''
  
−
X:4C
+
X:4<br>
−
T:GB/7a/4C Green Mossy Banks of the Lea
+
T:GB/7a/4C Green Mossy Banks of the Lea<br>
−
T:Version 4 of 4
+
T:Version 4 of 4<br>
−
C:Mr George Locke (c. 70) Rollesby, Norfolk X. 10
+
C:Mr George Locke (c. 70) Rollesby, Norfolk X. 10<br>
−
P:R V(aughan) W(illiams) & GSK B(utterworth)
+
P:R V(aughan) W(illiams) & GSK B(utterworth)<br>
−
L:1/4
+
Z:Transcribed by Simon Furey and Lewis Jones<br>
−
M:3/4
+
L:1/4<br>
−
I:linebreak $
+
M:3/4<br>
−
K:Ddor
+
I:linebreak $<br>
−
D/E/ |"^(a)" F G A | c A c | d D2- | D2 D/E/ | F G A/>B/ |"^(b)" c/B/ A/B/ c |$ d2 d |  
+
K:Ddor<br>
−
"^(c)" c B A | F G A | C D D/>E/ | A A/B/ c | F G/F/ E | D2 |]$"^(a) var. 1" F E D | c/B/ A/B/ c ||  
+
D/E/ |"^(a)" F G A | c A c | d D2- | D2 D/E/ | F G A/>B/ |"^(b)" c/B/ A/B/ c |$ d2 d |<br>
−
"^(a) var. 2" F/E/ D A/B/ ||"^(b) var." c/B/ A c | d2 d/>B/ ||$"^(c) var. 1" d B A/G/ | G A G/E/ ||  
+
"^(c)" c B A | F G A | C D D/>E/ | A A/B/ c | F G/F/ E | D2 |]$"^(a) var. 1" F E D | c/B/ A/B/ c ||<br>
−
"^(c) var. 2" d B A | G A G/E/ ||"^(c) var. 3" c B A/G/ | F A G/E/ ||  
+
"^(a) var. 2" F/E/ D A/B/ ||"^(b) var." c/B/ A c | d2 d/>B/ ||$"^(c) var. 1" d B A/G/ | G A G/E/ ||<br>
 +
"^(c) var. 2" d B A | G A G/E/ ||"^(c) var. 3" c B A/G/ | F A G/E/ ||<br>
  
  
Line 253: Line 266:
 
'''abc notation'''
 
'''abc notation'''
  
−
X:5
+
X:5<br>
−
T:GB/7a/5 'Twas of a Brisk and Lively Lad Version 1 of 3
+
T:GB/7a/5 'Twas of a Brisk and Lively Lad Version 1 of 3<br>
−
C:Mr Ned Harding (c. 50), Lower Beeding, Sussex VI. 07
+
C:Mr Ned Harding (c. 50), Lower Beeding, Sussex VI. 07<br>
−
L:1/4
+
Z:Transcribed by Simon Furey and Lewis Jones<br>
−
M:4/4
+
L:1/4<br>
−
I:linebreak $
+
M:4/4<br>
−
K:A
+
I:linebreak $<br>
−
E | E A G A | B c/d/ e e | B/c/ d B B | A3 :| c/d/ | e f e3/2 A/ |$ A F E (3c/d/e/ | f e d/c/ B |  
+
K:A<br>
−
A G E F/G/ | A3/2 F/ G A | B c/d/ e e | B/c/ d B B | A3 |]  
+
E | E A G A | B c/d/ e e | B/c/ d B B | A3 :| c/d/ | e f e3/2 A/ |$ A F E (3c/d/e/ | f e d/c/ B |<br>
 +
A G E F/G/ | A3/2 F/ G A | B c/d/ e e | B/c/ d B B | A3 |]<br>
  
  
Line 274: Line 288:
 
'''abc notation'''
 
'''abc notation'''
  
−
X:6
+
X:6<br>
−
T:GB/7a/6 'Twas of a Brisk and Lively Lad
+
T:GB/7a/6 'Twas of a Brisk and Lively Lad<br>
−
T:Version 2 of 3
+
T:Version 2 of 3<br>
−
C:Mr. Cranstone (c. 50) and Mrs. Cranstone (see GB/7a/3), Billingshurst VI. 07
+
C:Mr. Cranstone (c. 50) and Mrs. Cranstone (see GB/7a/3), Billingshurst VI. 07<br>
−
L:1/8
+
Z:Transcribed by Simon Furey and Lewis Jones<br>
−
M:4/4
+
L:1/8<br>
−
I:linebreak $
+
M:4/4<br>
−
K:A
+
I:linebreak $<br>
−
A2 | d3 d c2 B2 | c2 AG F2 z c | d2 BG A2 BG | E4 EFGE |$ A3 F G2 A2 |"^(a)" B4 c2 e2 |  
+
K:A<br>
−
d2 c2 B2 B2 | A6 |]"^(a) var." B2 cB A2 ce |  
+
A2 | d3 d c2 B2 | c2 AG F2 z c | d2 BG A2 BG | E4 EFGE |$ A3 F G2 A2 |"^(a)" B4 c2 e2 |<br>
 +
d2 c2 B2 B2 | A6 |]"^(a) var." B2 cB A2 ce |<br>
  
  
Line 296: Line 311:
 
'''abc notation'''
 
'''abc notation'''
  
−
X:7
+
X:7<br>
 
T:GB/7a/7 'Twas of a Brisk and Lively Lad Version 3 of 3
 
T:GB/7a/7 'Twas of a Brisk and Lively Lad Version 3 of 3
−
C:Mr Edwin Spooner (c. 70), Midhurst Union, XI. 08
+
C:Mr Edwin Spooner (c. 70), Midhurst Union, XI. 08<br>
−
P:GSK B(utterworth) & FW J(ekyll)
+
P:GSK B(utterworth) & FW J(ekyll)<br>
−
L:1/4
+
Z:Transcribed by Simon Furey and Lewis Jones<br>
−
M:4/4
+
L:1/4<br>
−
I:linebreak $
+
M:4/4<br>
−
K:A
+
I:linebreak $<br>
−
E | A3/2 F/ G A | B3/2 c/ A !fermata!e | d c B B | A3 :| A | e3/2 d/ !fermata!c B |$  
+
K:A<br>
−
"^(a)" c A/G/ !fermata!F c/e/ | d c B/A/ B | E2 E F/G/ | A2 F G/A/ | B2 c e | d c B/A/ B | A3 |]  
+
E | A3/2 F/ G A | B3/2 c/ A !fermata!e | d c B B | A3 :| A | e3/2 d/ !fermata!c B |$<br>
−
"^(a) var." c A/G/ !fermata!F c |  
+
"^(a)" c A/G/ !fermata!F c/e/ | d c B/A/ B | E2 E F/G/ | A2 F G/A/ | B2 c e | d c B/A/ B | A3 |]<br>
 +
"^(a) var." c A/G/ !fermata!F c |<br>
  
  
Line 319: Line 335:
 
'''abc notation'''
 
'''abc notation'''
  
−
X:8
+
X:8<br>
−
T:GB/7a/8 Just As the Tide Was Flowing
+
T:GB/7a/8 Just As the Tide Was Flowing<br>
−
T:Version 1 of 3
+
T:Version 1 of 3<br>
−
C:Mr Weekes (c. 80) Ticehurst, Kent IV, 07
+
C:Mr Weekes (c. 80) Ticehurst, Kent IV, 07<br>
−
L:1/8
+
Z:Transcribed by Simon Furey and Lewis Jones<br>
−
M:4/4
+
L:1/8<br>
−
I:linebreak $
+
M:4/4<br>
−
K:F
+
I:linebreak $<br>
−
AG | F2 D2 D2 C2 | F2 F2 G2 FG | A2 c2 BAGF | D3 E F2 :| AB | c3 A d3 A |$ B2 G2 c3 B |  
+
K:F<br>
−
A2 A2 G2 FG | A2 C2 !fermata!C2 AG | F2 D2 D2 C2 | F2 F2 G2 F2 | A2 c2 BAGF | D3 E F2 |]  
+
AG | F2 D2 D2 C2 | F2 F2 G2 FG | A2 c2 BAGF | D3 E F2 :| AB | c3 A d3 A |$ B2 G2 c3 B |<br>
 +
A2 A2 G2 FG | A2 C2 !fermata!C2 AG | F2 D2 D2 C2 | F2 F2 G2 F2 | A2 c2 BAGF | D3 E F2 |]<br>
  
  
Line 341: Line 358:
 
'''abc notation'''
 
'''abc notation'''
  
−
X:9
+
X:9<br>
−
T:GB/7a/9 Just as the Tide was Flowing Version 2 of 3
+
T:GB/7a/9 Just as the Tide was Flowing Version 2 of 3<br>
−
C:Mr Standing (c. 70), Washington, Sussex XII. 07
+
C:Mr Standing (c. 70), Washington, Sussex XII. 07<br>
−
L:1/8
+
Z:Transcribed by Simon Furey and Lewis Jones<br>
−
M:4/4
+
L:1/8<br>
−
I:linebreak $
+
M:4/4<br>
−
K:F
+
I:linebreak $<br>
−
AG | GF D2 C2 DE |"^(a)" F2 F2 G2 F2 | d2 dc A2 GF | D3 E F2 :| c2 | c2 c2 dcAG |  
+
K:F<br>
−
FA c2 !fermata!d2 dc |$ A2 A2 G2 AG | GF D2 !fermata!C2 AG | GF D2 C2 DE | F2 F2 G2 FG |  
+
AG | GF D2 C2 DE |"^(a)" F2 F2 G2 F2 | d2 dc A2 GF | D3 E F2 :| c2 | c2 c2 dcAG |<br>
−
d2 dc A2 GF | D3 E F2 |]"^(a) var." F2 F2 G2 FG |  
+
FA c2 !fermata!d2 dc |$ A2 A2 G2 AG | GF D2 !fermata!C2 AG | GF D2 C2 DE | F2 F2 G2 FG |<br>
 +
d2 dc A2 GF | D3 E F2 |]"^(a) var." F2 F2 G2 FG |<br>
  
  
Line 363: Line 381:
 
'''abc notation'''
 
'''abc notation'''
  
−
X:10
+
X:10<br>
−
T:GB/7a/10 Just As the Tide Was Flowing
+
T:GB/7a/10 Just As the Tide Was Flowing<br>
−
T:Version 3 of 3
+
T:Version 3 of 3<br>
−
C:Mr George Locke (c. 70) Rollerby, Norfolk, X. 10
+
C:Mr George Locke (c. 70) Rollerby, Norfolk, X. 10<br>
−
P:R V(aughan) W(illiams) & GSK B(utterworth)
+
P:R V(aughan) W(illiams) & GSK B(utterworth)<br>
−
L:1/8
+
Z:Transcribed by Simon Furey and Lewis Jones<br>
−
M:2/4
+
L:1/8<br>
−
I:linebreak $
+
M:2/4<br>
−
K:F
+
I:linebreak $<br>
−
"^(a)" A3 G |[M:4/4] F2 E2 D2 C2 |"^(b)" F2 F2 GA B2 |"^(c)" c3 B AGFE |"^(d)" D3 E F2 A2 |  
+
K:F<br>
−
G2 F2 D2 C2 |$ FE F2 G2 AB | c3 B AGFE | D3 E F2"^(e)" z F | F2 A2 cA F2 | d2 c2 !fermata!c2 c2 |  
+
"^(a)" A3 G |[M:4/4] F2 E2 D2 C2 |"^(b)" F2 F2 GA B2 |"^(c)" c3 B AGFE |"^(d)" D3 E F2 A2 |<br>
−
d2 c2 AG F2 |$ AG"^(f)" A2 D4 |[M:2/4] A3 G |[M:4/4] F2 E2 D2 C2 | F2 F2 GA B2 | c3 B AGFc |  
+
G2 F2 D2 C2 |$ FE F2 G2 AB | c3 B AGFE | D3 E F2"^(e)" z F | F2 A2 cA F2 | d2 c2 !fermata!c2 c2 |<br>
−
"^(g)" c2 c2 cA !fermata!F2 |]$[M:2/8]"^(a) var." AG ||[M:4/4]"^(b) var." G2 AB GA B2 ||  
+
d2 c2 AG F2 |$ AG"^(f)" A2 D4 |[M:2/4] A3 G |[M:4/4] F2 E2 D2 C2 | F2 F2 GA B2 | c3 B AGFc |<br>
−
"^(c) var." c2 c2 A2 F2 ||"^(d) var." DE F2 F2 A2 ||$"^(e) var." D3 E F2 c2 | c2 c2 cA F2 ||  
+
"^(g)" c2 c2 cA !fermata!F2 |]$[M:2/8]"^(a) var." AG ||[M:4/4]"^(b) var." G2 AB GA B2 ||<br>
−
"^(f) var." AGAF D4 ||"^(g) var." c3 c cA !fermata!F2 ||  
+
"^(c) var." c2 c2 A2 F2 ||"^(d) var." DE F2 F2 A2 ||$"^(e) var." D3 E F2 c2 | c2 c2 cA F2 ||<br>
 +
"^(f) var." AGAF D4 ||"^(g) var." c3 c cA !fermata!F2 ||<br>
  
 
''Notes on GB/7a/10'' There is some uncertainty over this transcription, which was derived from the scanned image on the ''Take 6'' website. Further reference to the original MS is needed, since part of the scan is illegible and/or unclear.
 
''Notes on GB/7a/10'' There is some uncertainty over this transcription, which was derived from the scanned image on the ''Take 6'' website. Further reference to the original MS is needed, since part of the scan is illegible and/or unclear.
Line 392: Line 411:
 
'''abc notation'''
 
'''abc notation'''
  
−
X:11
+
X:11<br>
−
T: GB/7a/11 God Rest You Merry
+
T: GB/7a/11 God Rest You Merry<br>
−
T: Version 1 of 2
+
T: Version 1 of 2<br>
−
C: Mr. Lockly (c.80), High Ercall, Salop, III. 08
+
C: Mr. Lockly (c.80), High Ercall, Salop, III. 08<br>
−
P: GSK B(utterworth)
+
P: GSK B(utterworth)<br>
−
W: There are slight variations in the notation and the headers, but the melody is identical to that of GB/6a/74.
+
Z:Transcribed by Simon Furey and Lewis Jones<br>
−
W: There, however, the informant's surname is spelt "Lockley."
+
W: There are slight variations in the notation and the headers, but the melody is identical to that of GB/6a/74.<br>
−
L:1/4
+
W: There, however, the informant's surname is spelt "Lockley."<br>
−
M:4/4
+
L:1/4<br>
−
I:linebreak $
+
M:4/4<br>
−
K:Edor
+
I:linebreak $<br>
−
D | E B B A | G F E D | A A A/B/ ^c | B3 :| d | c/B/ A A B/c/ | d c A B/A/ | F E E/F/ G |$  
+
K:Edor<br>
−
A2 G A | e2 d e | B A G F | E2 E/F/ G | A2 F/G/ A | e2 d e | B A G F | E3 |]  
+
D | E B B A | G F E D | A A A/B/ ^c | B3 :| d | c/B/ A A B/c/ | d c A B/A/ | F E E/F/ G |$<br>
 +
A2 G A | e2 d e | B A G F | E2 E/F/ G | A2 F/G/ A | e2 d e | B A G F | E3 |]<br>
  
  
Line 420: Line 440:
 
T:GB/7a/12 God Rest You Merry Version 2 of 2<br>
 
T:GB/7a/12 God Rest You Merry Version 2 of 2<br>
 
C:Mrs Cranstone, August, 1911<br>
 
C:Mrs Cranstone, August, 1911<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 
Q:1/4=120<br>
 
Q:1/4=120<br>
 
M:C<br>
 
M:C<br>
Line 426: Line 447:
 
E2 |E2 B2 B2 A2 |G2 F2 E2 D2 |E2 F2 G2 A2 |B6 :|Bc |<br>
 
E2 |E2 B2 B2 A2 |G2 F2 E2 D2 |E2 F2 G2 A2 |B6 :|Bc |<br>
 
d3 F F2 G2 |A2 A2 G2 A2 |d2 d2 F2 G2 |A4 G2 A2 |B2 d2 cB A2 |B2 A2 G2 F2 |<br>
 
d3 F F2 G2 |A2 A2 G2 A2 |d2 d2 F2 G2 |A4 G2 A2 |B2 d2 cB A2 |B2 A2 G2 F2 |<br>
−
E2 F2 G2 E2 |A4 G2 A2 |B2 d2 cB A2 |B2 A2 G2 F2 |E6 |]
+
E2 F2 G2 E2 |A4 G2 A2 |B2 d2 cB A2 |B2 A2 G2 F2 |E6 |]<br>
  
  
Line 438: Line 459:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:13<br>
 +
T:GB/7a/13 The Bold Thresherman Version 1 of 3<br>
 +
C:Mr. Ned Harding, (c.50) Lower Beeding Sussex, VI. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:Fdor<br>
 +
F | F c B G | E2 F G | B2 A G | F3 F | B2 c d |$ e2 c c | c f e d | c3 F | B2 c d | e2 c c |<br>
 +
c f e d |$ c B G F | B2 A F | E2 F G | B2 A G | F4 |]<br>
  
  
Line 449: Line 481:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:14<br>
 +
T:GB/7a/14 The Bold Thresherman Version 2 of 3<br>
 +
C:Mr. Netley (c.60) Nutbourne, Sussex, VI. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:Fmix<br>
 +
c | c2 B G | E2 F G | B2 G A/G/ | F3 F | B A B c/d/ |$ e2 c c | f f e d | c3 F | B A B c/d/ |<br>
 +
e2 c c |$ f f e f | c B A F | c2 B G | E2 F G/A/ | B2 G A/G/ | F3 |]<br>
  
  
Line 460: Line 503:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:15<br>
 +
T:GB/7a/15 The Bold Thresherman Version 3 of 3<br>
 +
C:Mrs Verrall, to 'Polly Oliver' X. 10<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:Gmix<br>
 +
G | d2 c A | F2 G B | c2 A B | G3 G | G2 B c |$ d2 e f |"^(a)" g2 f g | d3 G | A2 B c | d2 e f |<br>
 +
g2 f g |$ d c B c | d2 c A | F2 G A | c c B A | G3 |$"^(a) var." g2 e f |]<br>
  
  
Line 471: Line 525:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:16<br>
 +
T:GB/7a/16 Come All You Little Irish Girls<br>
 +
T:Version 1 of 2<br>
 +
C:Mr Knight (c. 60) Horsham, IV. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
M:3/4<br>
 +
I:linebreak $<br>
 +
K:G<br>
 +
D2 | G2 B2 dd | cc B2 AG | FD G2 AB | G4 :| AB |[M:4/4] c>B c4 BG | B>B B4 GB |$<br>
 +
[M:3/4] d2 dd c>B | A>B c2 BA |[M:4/4] GG D4 dd |[M:3/4] cc BB AG | FD G2 AB | G4 |]<br>
  
  
Line 482: Line 548:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:17<br>
 +
T:GB/7a/17 Come All You Little Irish Girls<br>
 +
T:Version 2 of 2<br>
 +
C:Mr Tom Anstey, Beckley, Oxon., V. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
M:3/4<br>
 +
I:linebreak $<br>
 +
K:G<br>
 +
D2 | G2 D2 Bd | dd c2 BB | A>G E2 F2 | G4 :| (3GAB |[M:4/4] c>B c4 D2 | B>A B4 G>B |$<br>
 +
[M:3/4] d2 c2 B2 | A>B c2 B>A |[M:4/4] GG D4 B>d |[M:3/4] de c2 BA | AG E2 F2 | G4 |]<br>
  
  
Line 493: Line 571:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:18<br>
 +
T:GB/7a/18 Murder of Maria Marten<br>
 +
T:Version 1 of 2<br>
 +
C:Mr Jim Wharton (c. 60) Stanton St. John, Oxon. V. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:Faeo<br>
 +
cd | e2 c2 cB A2 | B2 B2 c2 Bd | c2 B2 BA F2 | E6 AG |$ F2 F2 FEFG | A2 A2 B2 AB | c3 A BA FE |<br>
 +
F6 |]<br>
  
  
Line 504: Line 594:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:19<br>
 +
T:GB/7a/19 Murder of Maria Marten<br>
 +
T:Version 2 of 2<br>
 +
C:Mrs Keble (84) Shadingfield, Suffolk. X. 10<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:Faeo<br>
 +
c/d/ | e c c/B/ A | B B c B | c F F/E/ C/D/ | E3 C |$ F F F E | A A B A/B/ | c3/2 A/ B/A/ F |<br>
 +
F3 |]<br>
  
  
Line 515: Line 617:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:20<br>
 +
T:GB/7a/20 Green Bushes Version 1 of 3<br>
 +
C:Mr Puttock (c. 80), Sutton, Pulborough, VII. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:3/4<br>
 +
I:linebreak $<br>
 +
K:Fdor<br>
 +
A/G/ | F F G/F/ | E F G | c c/B/ G | E F G | F F G/F/ | E F G | c e d | c2 B |$ c c f | c e d/c/ |<br>
 +
B F G | E F G | F3/2 A/ G | E F (3G/A/B/ | c c/B/ G | F2 |]<br>
  
 
''Notes on GB/7a/20'' The key signature has changed, but the tune is identical to that of GB/6a/79.  
 
''Notes on GB/7a/20'' The key signature has changed, but the tune is identical to that of GB/6a/79.  
Line 528: Line 641:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:21<br>
 +
T:GB/7a/21 Green Bushes Version 2 of 3<br>
 +
C:Mr Cranstone (c. 50), Wood Dale, Billingshurst, VII. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:3/4<br>
 +
I:linebreak $<br>
 +
K:Fdor<br>
 +
C | F F G/F/ | E F c | c c/B/ G | F2 C | F F G/F/ | E F c | c d/c/ B | c2 B |$ c c f | c d e |<br>
 +
G B G | E F G | F3/2 G/ A | E F G | c c/B/ G | F2 |]<br>
  
 
''Notes on GB/7a/21'' The key signature has changed, but the tune is identical to that of GB/6a/80.
 
''Notes on GB/7a/21'' The key signature has changed, but the tune is identical to that of GB/6a/80.
Line 541: Line 665:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:22<br>
 +
T:GB/7a/22 Green Bushes Version 3 of 3<br>
 +
C:Mr Spooner (c.70) Midhurst Union, XI. 08<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:3/4<br>
 +
I:linebreak $<br>
 +
K:Fmix<br>
 +
C | F F G | E F A/B/ | c c/B/ G | E F G/E/ | F F G/F/ | E F A/B/ | c e d | c2 A/B/ |$ c c f |<br>
 +
c d e | G B G/F/ | E F G/E/ | F3/2 F/ G/F/ | E F A/B/ | c c/B/ G | F2 |]<br>
  
 
''Notes on GB/7a/22'' The key signature has changed, but the tune is identical to that of GB/6a/82.
 
''Notes on GB/7a/22'' The key signature has changed, but the tune is identical to that of GB/6a/82.
Line 554: Line 689:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:23<br>
 +
T:GB/7a/23 Spanish Ladies Version 1 of 3<br>
 +
C:Mr Cooper (c.40), Washington, Sussex, XII. 07<br>
 +
P:F.W. J(ekyll) & G.S.K. B(utterworth)<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:3/4<br>
 +
I:linebreak $<br>
 +
K:Aaeo<br>
 +
E | A A E | A2 A/B/ | c B A |"^(a)" A !fermata!E E | A A E | A2 A/B/ | c d B | A2 A |$ c B c |<br>
 +
d c d | e c A | A !fermata!E !fermata!e/ d/ | c B A | A/G/ E D | E c B | A2"^(a) var." |]<br>
 +
G !fermata!E E |<br>
  
  
Line 565: Line 713:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:24<br>
 +
T:GB/7a/24 Spanish Ladies Version 2 of 3<br>
 +
C:Mr. Verral (Journal 8) Horsham,l VI. 09<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:3/4<br>
 +
I:linebreak $<br>
 +
K:G<br>
 +
A |: E A3/2 G/ | A2 A/B/ |1 c B A || A/G/ E A :|2 c d B || A2 A/B/ | c B A |$ d c d | e A3/2 B/ |<br>
 +
A/G/ E2 | z !fermata!e3/2 d/ | c B A | G F D | E c B | A2 |]<br>
  
 
''Notes on GB/7a/24'' The key signature has changed, but the tune is identical to that of GB/6a/159.
 
''Notes on GB/7a/24'' The key signature has changed, but the tune is identical to that of GB/6a/159.
Line 578: Line 737:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:25<br>
 +
T:GB/7a/25 Spanish Ladies Version 3 of 3<br>
 +
C:At Winterton, Norfolk, 3.13, by a young sailor<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:3/4<br>
 +
I:linebreak $<br>
 +
K:Aaeo<br>
 +
(3E/F/G/ | A A B | A ^G A/>B/ | c d B | A/>=G/ !fermata!E (3E/F/G/ | A A B |$ A2 A/>B/ |<br>
 +
c d c/A/ | B2 A/B/ | c B A | d ^c d/>"^?"^f/ | e A B |$ A/>G/ !fermata!E !fermata!e/>d/ | c B A |<br>
 +
B E D | E c B | A2 |]<br>
  
  
Line 589: Line 760:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:26<br>
 +
T:GB/7a/26 As I Roamed Out One Midsummer's Morning<br>
 +
T:Version 1 of 2<br>
 +
C:Mrs. Whiting (see p. 1 Newport, Mon. IV. 08)<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:Dm<br>
 +
"^Rather fast" A, | D3/2 C/ D E |"^(a)" F G E D | G F G/A/ B | A2 D A, | D C D E |$ F2 E D |<br>
 +
G3/2 F/ G B | A3 A | d2 c A | G2 F/G/A/=B/ | c =B c/B/A/G/ |$ F D C A, |"^(b)" D3/2 F/ D E |<br>
 +
F A c d/c/ | A3/2 G/ F/D/ E | D3 |]$"^variants (a)" F2 F A | c =B c/B/A/G/ | F D C"^Etc" A, ||<br>
 +
"^(b)" D3/2 F/ E D | c c d/c/A/G/ | F D E F/E/ | D3 |]<br>
  
 
''Notes on GB/7a/26'' The key signature has changed, and there are minor notational differences, but the tune is identical to that of GB/6a/5.
 
''Notes on GB/7a/26'' The key signature has changed, and there are minor notational differences, but the tune is identical to that of GB/6a/5.
Line 602: Line 787:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:27<br>
 +
T:GB/7a/27 As I Roamed Out One Midsummer's Morning<br>
 +
T:Version 2 of 2<br>
 +
C:Mr. Smith (see p. 1) Newport, Mon. IV. 08.<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:Daeo<br>
 +
"^Slower (i.e. than GB/7a/26) Free rhythm" D | D3/2 C/ D E | F G E D | G3/2 F/ G B |<br>
 +
A2 !fermata!D D | D3/2 C/ D E |$ F G E D | G3/2 F/ G B | A3 A | d2 c A | G2 F A | c e d/c/A/G/ |$<br>
 +
F A !fermata!C C | D3/2 C/ D E | F A c d | A G F E | D3 |]<br>
  
 
''Notes on GB/7a/27'' The tune is described here as in "free rhythm" but is otherwise identical to that of GB/6a/6.
 
''Notes on GB/7a/27'' The tune is described here as in "free rhythm" but is otherwise identical to that of GB/6a/6.
Line 615: Line 813:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:28<br>
 +
T:GB/7a/28 Banks of Sweet Primroses, The<br>
 +
T:Version 1 of 2<br>
 +
C:Battle Workhouse, Sussex, IV. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
M:3/2<br>
 +
I:linebreak $<br>
 +
K:G<br>
 +
D2 | G2 D2 G6 AB | cBAG G4 D2 B2 | d2 e2 d4 G3 E | F2 G2 A4 z2 AB |$"^(a)" cded d4 G3 A |<br>
 +
B2 A2 G4 D2 A2 | GFED G2 B2 d2 c2 | B2 A2 G6 |]$"^(a) var." c2 e2 d4 G3 A |<br>
  
  
Line 626: Line 836:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:29<br>
 +
T:GB/7a/29 Banks of Sweet Primroses, The<br>
 +
T:Version 2 of 2<br>
 +
C:Shoreham Workhouse, Sussex, I. 09<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:3/2<br>
 +
I:linebreak $<br>
 +
K:G<br>
 +
D | G F G3 A/B/ | c A F D z B | c c B3/2 A/ G E | F G A2 z B |$ c e d2 G A | B A G2 D A/G/ |<br>
 +
[M:5/4] F D G d c |[M:3/4] B/G/ A A | G2 |]<br>
  
  
Line 637: Line 859:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:30<br>
 +
T:GB/7a/30 Henry Martin Version 1 of 3<br>
 +
C:Mr Jack Feast (c. 50), Lower Beeding, Sussex, VI. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:3/4<br>
 +
I:linebreak $<br>
 +
K:Dmix<br>
 +
G | A2 B | G2 A | G E F | D2 G |"^(a)" A B c | d c d | A2 G |$ A d d | c2 B | c B A | G3/2 E/ D |<br>
 +
c d B | A G E/F/ | D2 |]$"^(a) var." G | A c B | c d B | A2 |<br>
  
 
''Notes on GB/7a/30'' The key signature has changed, but the tune is identical to that of GB/6a/87.
 
''Notes on GB/7a/30'' The key signature has changed, but the tune is identical to that of GB/6a/87.
Line 650: Line 883:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:31<br>
 +
T:GB/7a/31 Henry Martin Version 2 of 3<br>
 +
C:Mr Henry Akhurst (c. 70), Lower Beeding, Sussex, VI. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:3/4<br>
 +
I:linebreak $<br>
 +
K:D<br>
 +
A | D2 B | A2 B | A E F/E/ | D2 D | F G A | d c B | A2 A | d A B |$ =c B A | A D E | F3/2 E/ D |<br>
 +
G3/2 A/ B | A2 F/G/ | A d A/B/ | A F E | D2 |]<br>
  
 
''Notes on GB/7a/31'' The tune is identical to that of GB/6a/88.
 
''Notes on GB/7a/31'' The tune is identical to that of GB/6a/88.
Line 663: Line 907:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:32<br>
 +
T:GB/7a/32 Henry Martin Version 3 of 3<br>
 +
C:Mr G. Hillman, Shoreham Workhouse, Sussex, I. 09<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:3/4<br>
 +
I:linebreak $<br>
 +
K:Ddor<br>
 +
A | F E D | A3/2 B/ A | G E C | D2 G |"^(a)" A2 A | c B G | A3- | A2 G |$ A A d | c B A | A D E |<br>
 +
F2 F | G3- | G2 F/G/ |"^(b)" A3/2 c/ A | G F E | D2 |]$"^(a) var.i" A B c | d c B | A3 ||<br>
 +
"^(a) var.ii" A B c | d B c | A3 ||"^(b) var." A3/2 B/ A | G E F | D2 ||<br>
  
 
''Notes on GB/7a/32'' The key signature has changed, but the tune is identical to that of GB/6a/90.
 
''Notes on GB/7a/32'' The key signature has changed, but the tune is identical to that of GB/6a/90.
Line 676: Line 932:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:33<br>
 +
T:GB/7a/33 Tarry Trowsers Version 1 of 2<br>
 +
C:Mrs Verrall (Journal 8) Horsham XI. 08<br>
 +
P:F.W. J(ekyll).<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:2/2<br>
 +
I:linebreak $<br>
 +
K:Edor<br>
 +
E E B B | G E F D | E E/F/ G G | A A B2 | B B/c/ d e |"^(a)" A/A/A/A/ c d | G E d B | A B E2 |]$<br>
 +
"^(a) var." A A c d |<br>
  
  
Line 687: Line 955:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:33<br>
 +
T:GB/7a/33B Salisbury Plain Version 3 of 3<br>
 +
C:Mr Ruff (c. 60), Sutton, Petworth, VII. 09<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:Ddor<br>
 +
F/G/ | A F E D | A2 G/F/ E | D2 A3/2 B/ | c A F A/B/ | c2 d c | A2 A B |$ c A F A |"^(a)" c2 d E |<br>
 +
F E D C | c c d c | A2 G F | D3 |]$"^(a) var." c2 d D |<br>
  
 
''Notes on GB/7a/33B'' The key signature has changed, but the tune is identical to that of GB/6a/147. For Versions 1 and 2 of Salisbury Plain see GB/7a/72 and GB/7a/73 below.
 
''Notes on GB/7a/33B'' The key signature has changed, but the tune is identical to that of GB/6a/147. For Versions 1 and 2 of Salisbury Plain see GB/7a/72 and GB/7a/73 below.
Line 700: Line 979:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:34<br>
 +
T:GB/7a/34 Tarry Trowsers<br>
 +
C:Mrs Powell, Minster, Sheppey, VIII.10<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
Q:1/4=90<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:Em<br>
 +
E | E2 B>B B>AG>A | B2 (3BAG A>GE>E | A3 B AG EF | G2 A2 B4 |"^(a)" E>F G>A Be !fermata!e>d |$<br>
 +
A2 A>G FA !fermata!d2 | G2 FE (3B2 B2 A2 | G2 F2 E4 || E | E2 B>B B>AG>A | B2 (3BAG A>GE>E |$<br>
 +
A3 B AG EF | G2 A2 B4 |"^(a) var." E>F G>A Be !fermata!e/d/^c | A2 A>G FA !fermata!d2 |<br>
 +
G2 FE (3B2 B2 A2 | G2 F2 E4 |]<br>
  
  
Line 711: Line 1,004:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:35<br>
 +
T:GB/7a/35 Banks of Green Willow Version 1 of 2<br>
 +
C:Mr. and Mrs. Cranstone (p. 4), Billingshurst, VI. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
M:3/4<br>
 +
I:linebreak $<br>
 +
K:A<br>
 +
AB | c3 d B>c | A>B E2 AG | F2 D2 B2 |"^(a)" BG !fermata!E2 EA |$ A2 E2 C>B, | A,>C E2 E2 |<br>
 +
F2 d2 B2 | cB A2 |]$"^(a) var." BG !fermata!E2 FG |<br>
  
  
Line 722: Line 1,026:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:36<br>
 +
T:GB/7a/36 Banks of Green Willow Version 2 of 2<br>
 +
T:Mr. Cornford, East Chiltington, Sussex, VII. 08<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
M:3/4<br>
 +
I:linebreak $<br>
 +
K:A<br>
 +
A>B | c2 A2 B2 | A>G E>F =G>A | F>E D>F A2 | A2 E2 (3EF=G |$ A3 =G E>D | B,>C D2 D>D | E2 B3 E |<br>
 +
FG A2 |]<br>
  
 
''Notes on GB/7a/36'' The tune is identical to that of GB/6a/10.
 
''Notes on GB/7a/36'' The tune is identical to that of GB/6a/10.
Line 735: Line 1,050:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:37<br>
 +
T:GB/7a/37 Barbara Allen Version 1 of 3<br>
 +
C:Mr. Morley, Wartling, Sussex, IV. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:5/4<br>
 +
I:linebreak $<br>
 +
K:G<br>
 +
D | B B B2 A | G A E2 D | G B d2 B | c d z z d | e e d2 B |$<br>
 +
c d/c/ G2"^For the love of  Barbara            Allen        Allen          for        love" A/ A/ |<br>
 +
B c A2 D |[M:3/2] G A B d z c |[M:5/4] B c A2 D | G G- G2 |]<br>
  
  
Line 746: Line 1,073:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:38<br>
 +
T:GB/7a/38 Barbara Allen Version 2 of 3<br>
 +
C:Mr. Henry Webb (c. 70), Stanton St. John, Oxon. V. 07.<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:5/4<br>
 +
I:linebreak $<br>
 +
K:G<br>
 +
G | G B d2 B | B A G2 d | e a g2 e | f d z z d |$ g f e2 d | e d B c d | e d B2 G | A G- G2 |]<br>
  
  
Line 757: Line 1,094:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:39<br>
 +
T:GB/7a/39 Barbara Allen Version 3 of 3<br>
 +
C:Mr. Dearling (c. 50), West Burton, Sussex, XII. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:5/4<br>
 +
I:linebreak $<br>
 +
K:G<br>
 +
D | G B A2 D | G B A2 G/A/ | B B B A G | B/c/ d z z d |$ e d B A G/A/ | B G/F/ E2 F/G/ |<br>
 +
A A F E D | E/F/ G- G2 |]<br>
  
  
Line 768: Line 1,116:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:40<br>
 +
T:GB/7a/40 The Bold Fisherman Version 1 of 3<br>
 +
T:Mr. Spooner c. 70), Midhurst Workhouse XII. 08<br>
 +
T:F.W. J(ekyll) & G.S.K. B(utterworth)<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:5/4<br>
 +
I:linebreak $<br>
 +
K:G<br>
 +
D | G G E F G | A A D2 D | G G A G A |[M:3/4] B2 B/c/ |$[M:5/4] d B A G A | B B E F G |<br>
 +
A A D F A | G2- G2 D | G G A G A |$[M:3/4] B2 B/c/ |[M:5/4] d B A G A | B B E F G | A A D F A |<br>
 +
G2- G2 |]<br>
  
 
''Notes on GB/7a/40'' The tune is identical to that of GB/6a/23.
 
''Notes on GB/7a/40'' The tune is identical to that of GB/6a/23.
Line 781: Line 1,142:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:41<br>
 +
T:GB/7a/41 The Bold Fisherman Version 2 of 3<br>
 +
C:Mr. Locke (c. 70) Rollesby, Norfolk, IV. 10<br>
 +
P:F.W. (Jekyll) & G.S.K. B(utterworth)<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
M:5/4<br>
 +
I:linebreak $<br>
 +
K:G<br>
 +
D2 | B2 B2 (3BcB A2 G2 | E2 E2 E4 D2 |[M:4/4]"^(a)" G3 A BABc |[M:3/4] d4 d2 |$<br>
 +
[M:5/4] e2 d2 (3BcB A2 G2 | d2 c2 E3 F G2 | c2 B2 D3 E F2 | G4- G4 |]$"^(a) var." G3 A BG Bd |<br>
  
  
Line 792: Line 1,165:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:42<br>
 +
T:GB/7a/42 The Bold Fisherman Version 3 of 3<br>
 +
C:Workhouse, Minster, Kent, IX. 10<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:5/4<br>
 +
I:linebreak $<br>
 +
K:G<br>
 +
D |"^(a)" G G E F G | A A D2 D | G G A G A |[M:3/4] B2 B/c/ |[M:5/4] d B A G A |$<br>
 +
B/A/ G E !fermata!D G | A/B/ c D F A |[M:3/4] G2 D |[M:5/4] G G A G A |[M:3/4] B2 B/c/ |$<br>
 +
[M:5/4] d B A G A | B/A/G/F/ E !fermata!D G | A/B/ c D F A | G2- G2 |]$"^(a) var." G G/F/ E F G |]<br>
  
  
Line 803: Line 1,188:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:43<br>
 +
T:GB/7a/43 You Seamen Bold that Plough the Ocean<br>
 +
T:Version 1 of 4<br>
 +
C:Mr H. Akhurst (c. 70), Lower Beeding, Sussex VI. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:5/4<br>
 +
I:linebreak $<br>
 +
K:G<br>
 +
d | G F G A B | c B A B c | d e =f d3/2 c/ | B A G2 d | G F G A B |$ c B A B c | d g d3/2 c/ B |<br>
 +
A A G2 G | d e =f2 d |[M:6/4] =f g f/e/ d z g |[M:5/4] =f e d3/2 c/ B |$ c d A2 d | G F G A B |<br>
 +
c B A B c | d g d3/2 c/ B | A A G2 |]<br>
  
  
Line 814: Line 1,212:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:44<br>
 +
T:GB/7a/44 You Seamen Bold that Plough the Ocean<br>
 +
T:Version 2 of 4<br>
 +
C:Mr. Harwood, Watersfield, Pulborough, VII. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:5/4<br>
 +
I:linebreak $<br>
 +
K:Gdor<br>
 +
d | G F G2 A |[M:6/4] B G !breath!A B- B c | d g f2 d3/2 c/ | A B G2 :| G/A/ |$[M:5/4] B f f2 d |<br>
 +
[M:6/4] g g !breath!f d- d d |[M:5/4] g g f e d | d/c/B/c/ d2 d |$ G F G2 A |<br>
 +
[M:6/4] B G !breath!A B- B c | d g f2 d3/2 c/ | B A G2 |]<br>
  
  
Line 825: Line 1,236:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:45<br>
 +
T:GB/7a/45 You Seamen Bold that Plough the Ocean<br>
 +
T:Version 3 of 4<br>
 +
C:Mr Dearling (c. 50), West Burton, Sussex, VII. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:5/4<br>
 +
I:linebreak $<br>
 +
K:Gdor<br>
 +
d | G F G2 G/A/ | B G A B c | d g f d c/B/ | A B G2 :| G/A/ |$ B/c/d/e/ f2 d |<br>
 +
[M:6/4] g g f/e/ d- d g |[M:5/4] g g f e d |[M:4/4] d B/c/ d d |$[M:5/4] G F G2 G/A/ |<br>
 +
[M:4/4] B A/G/ A/B/ c | d g f d/c/ | A B G2 |]<br>
  
  
Line 836: Line 1,260:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:46<br>
 +
T:GB/7a/46 You Seamen Bold Who Plough the Ocean<br>
 +
T:Version 4 of 4<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:5/4<br>
 +
I:linebreak $<br>
 +
K:G<br>
 +
D | G F G2 G/A/ |"^? " B c/B/ A B c | d g d2 c/B/ | A B G2 :| c |$ d e =f e d |<br>
 +
[M:6/4] g g !breath!f (d3/2 e/) =f |[M:5/4] g g =f e d | c/d/ e d2 D |$ G F G2 G/A/ |<br>
 +
B c/B/ A B c | d g d2 c/B/ | A B G2 |]<br>
  
  
Line 847: Line 1,283:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:47<br>
 +
T:GB/7a/47 The Trees They Do Grow High<br>
 +
T:Version 1 of 3<br>
 +
C:Mr Cranstone (c.50) Billingshurst, VI.07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
Q:1/4=60<br>
 +
M:2/4<br>
 +
I:linebreak $<br>
 +
K:A<br>
 +
"^Slow" D2 | A2 AB | c2 B>G | A>G ED | E3 F | =GF GA | B2 A>F | D2 E>D | E3 E | c2 BA |$<br>
 +
c/d/e- ed |[M:3/4] ce A3 B | AG E3 F |[M:2/4] =GA GE | D2 DD | E A3- | A4- | A2 |]<br>
  
  
Line 862: Line 1,311:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:48<br>
 +
T:GB/7a/48 The Trees They Do Grow High<br>
 +
T:Version 2 of 3<br>
 +
C:Mr William Smith, Stoke Lacey, Herefordshire, IX.07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
Q:1/4=80<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:Ador<br>
 +
"^Slow, freely" E2 | E3 A A2 B2 | c2 d4 G2 | A3 B AG E2 | G6 E2 | G2 E2 G3 E | GA B4 G2 |$<br>
 +
A3 B AG F2 | E6 DD |"^(a)" E4 e2 d2 | GB d4 e2 | AB c2 BA G2 | E6 EF |$ G3 A GF E2 |<br>
 +
[M:3/4] DD D3 D |[M:4/4] E A3- A4- | A2 z2 z2 || E2 | E3 A A2 B2 | c2 d4 G2 |$ A3 B AG E2 | G6 E2 |<br>
 +
G2 E2 G3 E | GA B4 G2 | A3 B AG F2 | E6 DD |$"^(a) var. 1" E2 e2 d3 B | GB d4 e2 | AB c2 BA G2 |<br>
 +
E6 EF | G3 A GF E2 |[M:3/4] DD D3 D |$[M:4/4] E A3- A4- | A2 z2 z2 || E2 | E3 A A2 B2 | c2 d4 G2 |<br>
 +
A3 B AG E2 | G6 E2 |$ G2 E2 G3 E | GA B4 G2 | A3 B AG F2 | E6 DD |[M:3/4]"^(a) var. 2" D4 DD |<br>
 +
[M:4/4] GB d4 e2 |$ AB c2 BA G2 | E6 EF | G3 A GF E2 |[M:3/4] DD D3 D |[M:4/4] E A3- A4- |<br>
 +
A2 z2 z2 |]<br>
  
 
''Notes on GB/7a/48'' The MIDI file ''GB-7a-48.mid'' plays out all the variants in full; the PDF file ''GB-7a-48-var.pdf'' displays all the variants in full; and the MusicXML file ''GB-7a-48-var.xml'' contains the full musical notation for all the variants.
 
''Notes on GB/7a/48'' The MIDI file ''GB-7a-48.mid'' plays out all the variants in full; the PDF file ''GB-7a-48-var.pdf'' displays all the variants in full; and the MusicXML file ''GB-7a-48-var.xml'' contains the full musical notation for all the variants.
Line 879: Line 1,347:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:49<br>
 +
T:GB/7a/49 The Trees They Do Grow High<br>
 +
T:Version 3 of 3<br>
 +
C:Mrs Whiting (p1) Newport, Mon. IV.08<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
Q:1/4=150<br>
 +
M:6/8<br>
 +
I:linebreak $<br>
 +
K:Ador<br>
 +
"^Rather fast" A2 G | E2 A A2 B |"^(a)" c3 B2 B | A2 B AGE | G3- G2 E | G2 E G2 E | G2 A B2 B |$<br>
 +
"^(b)" A2 G AGE | E3- E2 D | E3 e2 d | G2 B d2 e | AB c BAB |"^(c)" E3- E2 F | G2 A AGE |$<br>
 +
D3 C2 D | E A2- A3- | A3 || A2 G | E2 A A2 B |"^(a) var." c3 BAG | AB A AGE | G3- G2 E |$<br>
 +
G2 E G2 E | G2 A B2 B |"^(b) var." A2 G E2 D | E3- E2 D | E3 e2 d | G2 B d2 e | AB c BAB |$<br>
 +
"^(c) var." BA B E2 F | G2 A AGE | D3 C2 D | E A2- A3- | A3 |]<br>
  
 
''Notes on GB/7a/49'' The MIDI file ''GB-7a-49.mid'' plays out all the variants in full; the PDF file ''GB-7a-49-var.pdf'' displays all the variants in full; and the MusicXML file ''GB-7a-49-var.xml'' contains the full musical notation for all the variants.
 
''Notes on GB/7a/49'' The MIDI file ''GB-7a-49.mid'' plays out all the variants in full; the PDF file ''GB-7a-49-var.pdf'' displays all the variants in full; and the MusicXML file ''GB-7a-49-var.xml'' contains the full musical notation for all the variants.
Line 896: Line 1,380:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:50<br>
 +
T:GB/7a/50 The True Lover's Farewell<br>
 +
C:Mrs Cranstone (p.4) Billingshurst, VII.07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
Q:1/4=174<br>
 +
M:12/8<br>
 +
I:linebreak $<br>
 +
K:Ador<br>
 +
"^Rather fast" A2 B | c3 B2 c A2 B c2 E | E2 F G2 E D3 A2 B | c3 B2 A G2 A B3 | A6- A3 A2 B |<br>
 +
"^(a)" c3 B2 c A2 B c2 E |$ E2 F G2 E D3 C2 C | D3 c3 B2 A G2 B | A3 A3 C2 B, C2 D |<br>
 +
E3 c3 B2 A G2 B | A6- A3 || A2 B |$ c3 B2 c A2 B c2 E | E2 F G2 E D3 A2 B | c3 B2 A G2 A B3 |<br>
 +
A6- A3 A2 B |"^(a) var." c3 B2 c e2 B c2 E |$ E2 F G2 E D3 C2 C | D3 c3 B2 A G2 B |<br>
 +
A3 A3 C2 B, C2 D | E3 c3 B2 A G2 B | A6- A3 |]<br>
  
 
''Notes on GB/7a/50'' The MIDI file ''GB-7a-50.mid'' plays out all the variants in full; the PDF file ''GB-7a-50-var.pdf'' displays all the variants in full; and the MusicXML file ''GB-7a-50-var.xml'' contains the full musical notation for all the variants.
 
''Notes on GB/7a/50'' The MIDI file ''GB-7a-50.mid'' plays out all the variants in full; the PDF file ''GB-7a-50-var.pdf'' displays all the variants in full; and the MusicXML file ''GB-7a-50-var.xml'' contains the full musical notation for all the variants.
Line 909: Line 1,408:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:51<br>
 +
T:GB/7a/51 Erin's Lovely Home Version 1 of 3<br>
 +
C:Mr. Dick Anthony (c. 40), Stanford Bishop, Herefordshire, IX. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:Eaeo<br>
 +
G/A/ | B B A B/A/ | G E A E | D F E E | E3 |: E/F/ | G E G A | B e d e/d/ |$ B B/A/ G A | B3 :|<br>
 +
G/A/ | B B A B/A/ | G E A E | D F E E | E3 |]<br>
  
  
Line 924: Line 1,434:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:52<br>
 +
T:GB/7a/52 Erin's Lovely Home Version 2 of 3<br>
 +
C:Mr. Spooner (c. 70), Midhurst Workhouse, XI. 08<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:Edor<br>
 +
G | B B A B | G B A/G/ E | D G E D | E3 |: E | G G F E | e2 !fermata!d e |$"^(a)" B/c/ d B A |<br>
 +
B3 :| G | B B A B | G B A/G/ E | D G E D | E3 || G |$ B B A B | G B A/G/ E | D G E D | E3 |: E |<br>
 +
G G F E | e2 !fermata!d e |"^(a) var." B d B A |$ B3 :| G | B B A B | G B A/G/ E | D G E D | E3 |]<br>
  
 
''Notes on GB/7a/52'' The MIDI file ''GB-7a-52.mid'' plays out all the variants in full; the PDF file ''GB-7a-52var.pdf'' displays all the variants in full; and the MusicXML file ''GB-7a-52var.xml'' contains the full musical notation for all the variants.
 
''Notes on GB/7a/52'' The MIDI file ''GB-7a-52.mid'' plays out all the variants in full; the PDF file ''GB-7a-52var.pdf'' displays all the variants in full; and the MusicXML file ''GB-7a-52var.xml'' contains the full musical notation for all the variants.
Line 938: Line 1,460:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:53<br>
 +
T:GB/7a/53 Erin's Lovely Home Version 3 of 3<br>
 +
C:Mr. Fletcher, Credenhill, 1906<br>
 +
P:F.W. J(ekyll) & G.S.K. B(utterworth)<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:Eaeo<br>
 +
G/A/ | B B A B | G G A/G/ E | D D E E | E3 |: E | G E G B | e2 d B |$ G G A A | B3 :| G/A/ |<br>
 +
B B A B | G G A/G/ E | D D E E | E3 |]<br>
  
  
Line 949: Line 1,483:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:54<br>
 +
T:GB/7a/54 Down In Our Village Version 1 of 2<br>
 +
C:Mrs. Verrall (Journal 8), Horsham, XII. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:5/4<br>
 +
I:linebreak $<br>
 +
K:G<br>
 +
D | G A B2 G | A B c A d | G A B2 G | B A z z D |$ G B d2 B | c d e2 B | c c D F A | B G- G2 |]<br>
  
  
Line 960: Line 1,504:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:55<br>
 +
T:GB/7a/55 Down In Our Village Version 2 of 2<br>
 +
C:Mr. Standing (c. 70), Washington, Sussex, XII. 07<br>
 +
P:F.W. J(ekyll) & G.S.K. B(utterworth)<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:5/4<br>
 +
I:linebreak $<br>
 +
K:G<br>
 +
D | G G B2 G | F A c2 A | G G B2 G | F A z z D | G B d2 d |$ c c E3/2 F/ G | A A D2 F |<br>
 +
A G z z"^Chorus" D | G G G B G | F A c B A |$ G G G B G | F A z z D | G B d2 d | c c E3/2 F/ G |<br>
 +
A A D F A | A G- G2 |]<br>
  
  
Line 971: Line 1,528:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:56<br>
 +
T:GB/7a/56 On Christmas Night All Christians Sing<br>
 +
T:Version 1 of 2<br>
 +
P:Mr Knight (c. 60), Horsham, IV. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:6/4<br>
 +
I:linebreak $<br>
 +
K:C<br>
 +
E | G2 G F2 F | E2 E D C B, | C2 C D E F | E2 D C3 | E3 D2 C | D E F G F E |$ D6 | G3 A3 |<br>
 +
w: ||||||||news of|<br>
 +
(G2 E) F3 | G3 C2 C | D E F E2 D | C4- C |]<br>
 +
w: news * of|news of our|mer- ci- ful sav- iour's|birth *|<br>
  
 
''Notes on GB/7a/56'' The tune is identical to that of GB/6a/125.
 
''Notes on GB/7a/56'' The tune is identical to that of GB/6a/125.
Line 986: Line 1,557:
  
 
''Notes on GB/7a/57'' The tune is identical to that of GB/6a/126.
 
''Notes on GB/7a/57'' The tune is identical to that of GB/6a/126.
 +
 +
X:57<br>
 +
T:GB/7a/57 On Christmas Night All Christians Sing<br>
 +
T:Version 2 of 2<br>
 +
C:Mrs Cranstone (p. 4), Billingshurst, VI. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:6/4<br>
 +
I:linebreak $<br>
 +
K:Cmix<br>
 +
C | D2 C D E F | G2 G D2 C | D2 C D E F | G2 G D3 |$ G2 B A3 | G3 F E D | G2 G C2 C | D E F E2 D |<br>
 +
C4- C |]<br>
  
  
Line 997: Line 1,580:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:58<br>
 +
T:GB/7a/58 Bonny Blooming Highland Jane<br>
 +
C:Mrs. Whiting (p. 1) Newport, Mon., IV. 08<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
M:5/4<br>
 +
I:linebreak $<br>
 +
K:Fdor<br>
 +
cB | BA F2 F2 E2 FG | A2 A2 B4 AB | c2 !fermata!c2 B2 c3 B | BA F2 E4 !fermata!cB |$<br>
 +
BAFG F2 E2 FG | AG A2 B4 AB | c f2 e ce c3 B | BA FG F4 cd |$ e2 e2 f2 e2 cB | ABcd e4 c2 |<br>
 +
fecd c2 B2 AB | cBAF E4 !fermata!cB |$ BAFG F2 E2 FG | A2 A2 B4 AB | c f2 g fe c3 B | BAFG F4 |]<br>
  
 
''Notes on GB/7a/58'' The tune is similar to that of GB/6a/30.
 
''Notes on GB/7a/58'' The tune is similar to that of GB/6a/30.
Line 1,010: Line 1,605:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:59<br>
 +
T:GB/7a/59 Dabbling in the Dew Version 1 of 3<br>
 +
C:Mrs. Cranstone (p. 4), Billingshurst, VI. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:Fmix<br>
 +
F2 F>G A>G F2 | B2 c>B A>G F2 | B2 B>B c2 c2 | f2 f2 c4 |$ c2 c>d e2 e2 | f2 c>B A>G F>F |<br>
 +
G>A B>B c2 c>B | A2 G2 F4 |]<br>
  
 
''Notes on GB/7a/59'' The tune is similar to that of GB/6a/62 but in a different key and at a different pitch.
 
''Notes on GB/7a/59'' The tune is similar to that of GB/6a/62 but in a different key and at a different pitch.
Line 1,023: Line 1,629:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:60<br>
 +
T:GB/7a/60 Dabbling in the Dew Version 2 of 3<br>
 +
C:Mrs. Verrall (Journal), Horsham, XII. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:F<br>
 +
c2 | F2 A>B c2 f2 |[M:5/4] c2 c>B BG F2 c>c |[M:4/4] F>G A>B c2 f>f | e2 c2 c3 c |$<br>
 +
f2 f>g f>e c2 | B2 B>d c>A B>G | F>G A>B c2"^(a)" _e>d | cB G2 F2 |]$"^(a) var." d>c | c2 F2 F2 |]<br>
  
 
''Notes on GB/7a/60'' The tune is similar to that of GB/6a/63 but in a different key and at a different pitch. The MIDI file ''GB-7a-60.mid'' plays out the variant in full.
 
''Notes on GB/7a/60'' The tune is similar to that of GB/6a/63 but in a different key and at a different pitch. The MIDI file ''GB-7a-60.mid'' plays out the variant in full.
Line 1,036: Line 1,653:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:61<br>
 +
T:GB/7a/61 Dabbling in the Dew Version 3 of 3<br>
 +
C:(Mrs. Verrall),  Ticehurst, Kent, 1906<br>
 +
P:F.W. J(ekyll)<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:Fmix<br>
 +
F F{/G} E{/D} C | F G{/B} A F | B{/c} A{/B} c f |"^(a)"{/d} e c c z |$ f f{/g} e{/d} c |<br>
 +
{/d} F{/F} A{/B} c c |{/B} E{/E} G{/_A} B e |{/d} c{/B} G F2 |]$"^(a) var."{/e} c c c z |<br>
  
 
''Notes on GB/7a/61'' The tune is similar to that of GB/6a/64 but in a different key and at a different pitch.
 
''Notes on GB/7a/61'' The tune is similar to that of GB/6a/64 but in a different key and at a different pitch.
Line 1,049: Line 1,678:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:62<br>
 +
T:GB/7a/62 Yonder Stands a Lovely Creature<br>
 +
T:Version 1 of 2<br>
 +
C:Mr Martin (c. 60), Fletching, Sussex, II. 09<br>
 +
P:F.W. J(ekyll)<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:Dmix<br>
 +
G G A B | d d c/B/ A | d A A F | G A E2 |$ E F/G/ A B | A D B, D | E F/G/ A B |<br>
 +
"^(a)" A/G/ E D2 |]$"^(a) var." A E D2 |<br>
  
 
''Notes on GB/7a/62'' In the Take 6 Catalogue the title is recorded as "Younder ...etc." The tune is similar to that of GB/6a/180 but in a different key and at a different pitch. This version also adds a variant in the last bar. The MIDI file ''GB-7a-62.mid'' plays out the variant in full
 
''Notes on GB/7a/62'' In the Take 6 Catalogue the title is recorded as "Younder ...etc." The tune is similar to that of GB/6a/180 but in a different key and at a different pitch. This version also adds a variant in the last bar. The MIDI file ''GB-7a-62.mid'' plays out the variant in full
Line 1,062: Line 1,704:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:63<br>
 +
T:GB/7a/63 Yonder Stands a Lovely Creature<br>
 +
T:Version 2 of 2<br>
 +
C:Heygate, Rusper, II. 10<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:G<br>
 +
G2 G2 GA Bc | d2 d2 cB G2 | g3 e a3 g | f2 e2 d4 |$ d3 d d2 B2 | g2 e2 d2 GA | B3 c d2 A2 |<br>
 +
c2 BA G4 |]<br>
  
  
Line 1,073: Line 1,727:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:64<br>
 +
T:GB/7a/64 Pretty Ploughboy<br>
 +
C:Mr G. Hillman (c. 70), Shoreham Workhouse, III.09<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:Ddor<br>
 +
D | G G F G | A2 D E/F/ | G2 F E | D3 D | G ^F G A/B/ | c c d c/B/ | A3 G |$ A G A/B/ c |<br>
 +
d2 c d/c/ | A A G/F/E/D/ | C2 D E | F G A A | G F E F/E/ | D3 |]<br>
  
 
''Notes on GB/7a/64'' The tune is identical to that of GB/6a/142.
 
''Notes on GB/7a/64'' The tune is identical to that of GB/6a/142.
Line 1,086: Line 1,751:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:65<br>
 +
T:GB/7a/65 Come All You Little Streamers<br>
 +
C:Mr.Spooner (c.70), Midhurst Workhouse, XI. 08<br>
 +
P:F.W. J(ekyll)<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
M:6/8<br>
 +
I:linebreak $<br>
 +
K:C<br>
 +
B2 d | d2 c AGF | A2 G E2 F | G2 G A2 B | c3- c2 |: c | G2 G !fermata!e2 c | d3 ede |$<br>
 +
c2 c E2 F |1 G3- G2 :|2 G3 B2 d || d2 c AGF | A2 G E2 F | G2 G A2 B | !fermata!c3 |]<br>
  
 
''Notes on GB/7a/65'' The tune is similar to that of GB/6a/48 but there is a minor variation in the fifth full bar.
 
''Notes on GB/7a/65'' The tune is similar to that of GB/6a/48 but there is a minor variation in the fifth full bar.
Line 1,099: Line 1,776:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:66<br>
 +
T:GB/7a/66 Come My Own One Version 1 of 4<br>
 +
C:Mr. H. Webb (c. 70), Stanton St. John, Oxon. V. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
Q:1/4=112<br>
 +
M:3/4<br>
 +
I:linebreak $<br>
 +
K:F<br>
 +
E>F | G>E C2 G>G | A2 F2 c>f | d2 c2 A>F | G4 c>c |$ d2 c2 B2 | c>A F2 A>c | B>B C2 E>G | F4 |]<br>
  
 
''Notes on GB/7a/66'' The tune is identical to that of GB/6a/51.
 
''Notes on GB/7a/66'' The tune is identical to that of GB/6a/51.
Line 1,112: Line 1,800:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:67<br>
 +
T:GB/7a/67 Come My Own One Version 2 of 4<br>
 +
C:Young children of Mr. Walter Searle, Amberley, Sussex, VI. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
M:3/4<br>
 +
I:linebreak $<br>
 +
K:F<br>
 +
A>A | B2 C2 G>F | A2 C2 C>B, | A,>C F>A c>c | G4 c>c |$ d2 c2 A>F | c>A F2 c>c | B2 C>E G2 | F4 |]<br>
  
 
''Notes on GB/7a/67'' The tune is identical to that of GB/6a/52.
 
''Notes on GB/7a/67'' The tune is identical to that of GB/6a/52.
Line 1,125: Line 1,823:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:68<br>
 +
T:GB/7a/68 Come My Own One Version 3 of 4<br>
 +
C:"Worcester Peg" (c.70), Stoke Lacy, Herefordshire, IX. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
M:3/4<br>
 +
I:linebreak $<br>
 +
K:F<br>
 +
F>F | GE C2 B>B | AG F2 FA | d2 c2 (3AGF | G4 FA |$ d2 c2 (3AGF | Ac F2 Ac | B>B C2 DE | F4 |]<br>
  
 
''Notes on GB/7a/68'' The tune is similar to that of GB/6a/53.
 
''Notes on GB/7a/68'' The tune is similar to that of GB/6a/53.
Line 1,138: Line 1,846:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:69<br>
 +
T:GB/7a/69 Come My Own One Version 4 of 4<br>
 +
C:Mr. Chalcraft (c. 80), Petworth, XII. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
M:3/4<br>
 +
I:linebreak $<br>
 +
K:F<br>
 +
F>G | A2 C2 F>G | A2 F2 F>A | c3 d cA | G4 Ac |$ d2 c2 A>F | c>A F2 A>c | B>B C>E G>G | F4 |]<br>
  
 
''Notes on GB/7a/69'' The tune is similar to that of GB/6a/54.
 
''Notes on GB/7a/69'' The tune is similar to that of GB/6a/54.
Line 1,151: Line 1,869:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:70<br>
 +
T:GB/7a/70 All Round My Hat Version 1 of 2<br>
 +
C:Mr. Edmund Knight (c. 70), Washington, Sussex. XII. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
M:6/8<br>
 +
I:linebreak $<br>
 +
K:Gmix<br>
 +
D | G3 AGF | G3 ABc | d2 d edc | d2 c A2 A | G3 AGF |$ G3 ABc | d3 edc | d3- d2 d | de c c2 e |<br>
 +
d2 c A2 B | c2 A d2 G |$ G2 F !fermata!D2 D | G3 AGF | G3 ABc | d2 d c2 B | G3- G2 |]<br>
  
 
''Notes on GB/7a/70'' The tune is identical to that of GB/6a/1.
 
''Notes on GB/7a/70'' The tune is identical to that of GB/6a/1.
Line 1,164: Line 1,893:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:71<br>
 +
T:GB/7a/71 All Around My Hat Version 2 of 2<br>
 +
C:Collected from Mr. Verrall, Horsham, Sussex, July, 1909<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/8<br>
 +
Q:1/4=120<br>
 +
M:6/8<br>
 +
I:linebreak $<br>
 +
K:G<br>
 +
D | G3 A2 F | G3 B2 c | d3 c2 B | G2 F D3 | G3 A2 F |$ G3 B2 c | d2 d =f2 e | d3- d2 d |<br>
 +
e2 c c2 e | d2 c A2 B | c2 A d2 G |$ G2 F D2 D | G3 A2 F | G3 B2 c | d3 c2 B | G3- G2 |]<br>
  
  
Line 1,175: Line 1,916:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:72<br>
 +
T:GB/7a/72 Salisbury Plain Version 1 of 3<br>
 +
C:Mr H. Akhurst (c. 70), Lower Beeding, Sussex VI. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:Ddor<br>
 +
A | A F E D | A2 G/F/ E | D2 A3/2 B/ | c A G A/B/ | c2 d/c/ B | A2 A3/2 B/ |$ c A G A/B/ |<br>
 +
c2 d E | F E D D | A/B/ c d/c/ B | A2 G/F/ E | D3 |]<br>
  
 
''Notes on GB/7a/72'' The tune is identical to that of GB/6a/145.
 
''Notes on GB/7a/72'' The tune is identical to that of GB/6a/145.
Line 1,188: Line 1,940:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:73<br>
 +
T:GB/67a/73 Salisbury Plain Version 2 of 3<br>
 +
C:Mr Harwood (c. 60), Watersfield, Pulborough VII. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:4/4<br>
 +
I:linebreak $<br>
 +
K:Ddor<br>
 +
A2 | D A G A | G2 A E | D2 A3/2 B/ | c A F A | c2 d c | A3 A/B/ |$ c A F A | c2 d D | F E D C |<br>
 +
c c d c | A2 G3/2 F/ | D2 |]<br>
  
 
''Notes on GB/7a/73'' The tune is identical to that of GB/6a/146. For Version 3 of Salisbury Plain see GB/7a/33B above.
 
''Notes on GB/7a/73'' The tune is identical to that of GB/6a/146. For Version 3 of Salisbury Plain see GB/7a/33B above.
Line 1,201: Line 1,964:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:74<br>
 +
T:GB/7a/74 Sovay Version 1 of 2<br>
 +
C:Mrs Cranstone (p. 4), Billingshurst, XII. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:3/2<br>
 +
I:linebreak $<br>
 +
K:G<br>
 +
D | G F G2 A2 | G E D3 D | G F G3 A/B/ | c d A2 G3/2 G/ |$ A/B/ c d2 c c | B A G3/2 F/ D E |<br>
 +
=F G F3/2 E/ !fermata!D C | D D d3/2 e/ d c | B A G3 |]<br>
  
 
''Notes on GB/7a/74'' The tune is similar to that of GB/6a/154.
 
''Notes on GB/7a/74'' The tune is similar to that of GB/6a/154.
Line 1,214: Line 1,988:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:75<br>
 +
T:GB/7a/75 Sovay Version 2 of 2<br>
 +
C:Mr Welfare (c.60), East Chiltington, Sussex, VII. 08<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
Q:1/4=120<br>
 +
M:3/2<br>
 +
I:linebreak $<br>
 +
K:G<br>
 +
D |"^(a)" G F G2 A2 | G E D3 G | G F G2 G/A/ B | c B A2 B3/2 c/ |$ d d/B/ c2 d G | A F/E/ D3 D |<br>
 +
G3/2 A/ B3/2 A/ !fermata!G G |[M:5/4] G d c B A |$[M:3/2] B B/A/ G3 || D |<br>
 +
"^(a) var." G F G2 A3/2 G/ | F E D3 G | G F G2 G/A/ B |$ c B A2 B3/2 c/ | d d/B/ c2 d G |<br>
 +
A F/E/ D3 D |$ G3/2 A/ B3/2 A/ !fermata!G G |[M:5/4] G d c B A |[M:3/2] B B/A/ G3 |]<br>
  
 
''Notes on GB/7a/75'' The tune is similar to that of GB/6a/155.
 
''Notes on GB/7a/75'' The tune is similar to that of GB/6a/155.
Line 1,227: Line 2,015:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:76<br>
 +
T:GB/7a/76 The Cruel Father and Affectionate Lovers<br>
 +
T:Version 1 of 3<br>
 +
C:Mr. George Knight (c. 60), Horsham, IV. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:5/4<br>
 +
I:linebreak $<br>
 +
K:G<br>
 +
D | G E D G G | A A A B B/c/ |[M:6/4] d d c2 B3/2 G/ |[M:5/4] A A G2 :|$ B | c d e c A |<br>
 +
[M:6/4] B c d B z d |[M:5/4] c B A G E | F G D2 D |$ G E D G G | A A A B B/c/ |<br>
 +
[M:6/4] d d c2 B3/2 G/ |[M:5/4] A A G2 |]<br>
  
 
''Notes on GB/7a/76'' The tune is similar to that of GB/6a/56.
 
''Notes on GB/7a/76'' The tune is similar to that of GB/6a/56.
Line 1,240: Line 2,041:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:76<br>
 +
T:GB/7a/76A The Cruel Father & Affectionate Lovers<br>
 +
T:Version 2 of 3<br>
 +
C:Mr. Walter Searle (c. 40), Amberley, Sussex, VI. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
W:Note: This tune is crossed out in the original MS. The reason why is unknown.<br>
 +
L:1/4<br>
 +
M:5/4<br>
 +
I:linebreak $<br>
 +
K:G<br>
 +
D | G E D G G | A A A B B/c/ | d e c/B/ A d | G F G2 :| B |$[M:6/4] c d e2 c3/2 A/ |<br>
 +
[M:4/4] B/c/ d2 d | c2 B A |[M:5/4] G G B/c/ d G | A A D2 D |$ G E D G G | A A A B B/c/ |<br>
 +
d e c/B/ A d |[M:4/4] A G2 |]<br>
  
 
''Notes on GB/7a/76A'' The tune is similar to that of GB/6a/57. For unknown reasons this tune is crossed out in the original MS; it is also unrecorded in the catalogue and the number "76A" has been added by the transcribers.
 
''Notes on GB/7a/76A'' The tune is similar to that of GB/6a/57. For unknown reasons this tune is crossed out in the original MS; it is also unrecorded in the catalogue and the number "76A" has been added by the transcribers.
Line 1,253: Line 2,068:
  
 
'''abc notation'''
 
'''abc notation'''
 +
 +
X:77<br>
 +
T:GB/7a/77 The Cruel Father and Affectionate Lovers<br>
 +
T:Version 3 of 3<br>
 +
C:Mrs. Cranstone (p. 4), Billingshurst, VII. 07<br>
 +
Z:Transcribed by Simon Furey and Lewis Jones<br>
 +
L:1/4<br>
 +
M:5/4<br>
 +
I:linebreak $<br>
 +
K:G<br>
 +
D | G G D F A | d d G B d |[M:6/4] c B B3/2 A/ G3/2 E/ |[M:5/4] A A D2 D |$ G G D F A |<br>
 +
d d G B d |[M:6/4] c B B3/2 G/ A A | G4 |]<br>
  
 
''Notes on GB/7a/77'' The tune is identical to that of GB/6a/58.
 
''Notes on GB/7a/77'' The tune is identical to that of GB/6a/58.

Latest revision as of 13:47, 20 April 2016

Go to Take 6 Transcription Programme Home Page


For playback, abc files, and midi files, of these transcriptions that are linked to their original MSS enter the filenames [LEB/2/1/1 or whatever] in the search box here. [[1]]


Sheet Music Tune Book of Melodies from Butterworth MS 7a

File:Butterworth MS 7a Tune Book.pdf



Book of Incipits of Melodies from Butterworth MS 7a

File:Butterworth MS 7a incipits.pdf



GB/7a/1 Isle of France Version 1 of 3

File:GB-7a-1.mid

File:GB-7a-1.pdf

File:GB-7a-1.xml

abc notation

X:1
T:GB/7a/1 Isle of France Version 1 of 3
C:Dick Antony (c. 40), Stanford Bishop, Herefordshire, IX. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:3/2
I:linebreak $
K:D
DE | F2 A2 F4 B,3 C | D2 D2 D6 A2 | B2 c2 d4 c3 B | ABcA B6 A2 |$ B2 c2 d4 c3 A | ABcA B4 D3 E |
F2 dc B3 A B,3 C | D2 D2 D6 |]


GB/7a/1A Isle of France Version 2 of 3

File:GB-7a-1A.mid

File:GB-7a-1A.pdf

File:GB-7a-1A.xml

abc notation

X:1
T:GB/7a/1A Isle of France Version 2 of 3
C:William Smith (c.40), Stoke Lacey, Herefordshire, IX. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:3/2
I:linebreak $
K:D
DE | F2 B2 F4 B,3 C | D2 D2 D6 A2 | B2 c2 d4 c3 B | AB c2 B6 A2 |$ B2 e2 d4 c3 B | A2 c2 B6 DE |
F2 B2 F4 B,3 C | D2 D2 D6 |]


GB/7a/1B Isle of France Version 3 of 3

File:GB-7a-1B.mid

File:GB-7a-1B.pdf

File:GB-7a-1B.xml

abc notation

X:1
T:GB/7a/1B Isle of France Version 3 of 3
C:Mr "Skinner" Crow, Filby, Norfolk, IV. 10
P:FW J(ekyll) & GSK B(utterworth)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:3/2
I:linebreak $
K:Dmix
D3 E | F2 A2 G2 ED CD E2 | D2 D2 D6 D2 |"^(a)" FGAB c4 AB c2 | d2 dc A6 D2 |$ FGAB c2 A2 B2 c2 |
"^(b)" d2 dc A6 D2 | FG A2 G2 ED CD E2 | D2 D2 D4 |]$"^(a) var. 1" F2 AB c2 A2 B2 c2 ||
"^(a) var. 2" FGAB c2 A2 B2 c2 | d2 d2 A6 D2 ||"^(b) var. 1" dcBc A6 D2 ||
"^(b) var. 2" d2 dc A6 DE ||


GB/7a/2 Jolly Fellows that Follow the Plough Version 1 of 2

File:GB-7a-2.mid

File:GB-7a-2.pdf

File:GB-7a-2.xml

abc notation

X:2
T:GB/7a/2 Jolly Fellows that Follow the Plough
T:Version 1 of 2
C:Mr. Ede (c. 40), Bosham, Sussex IV. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
Q:1/4=132
M:3/4
I:linebreak $
K:F
c | F G A | B d d | c F F | F2 F | F G A | B A B | G c d | c2 c |$ d d c | d f d | c A c | f e f |
d c A | G c B | A F F | F2 |]


GB/7a/2A Jolly Fellows that Follow the Plough Version 2 of 2

File:GB-7a-2A.mid

File:GB-7a-2A.pdf

File:GB-7a-2A.xml

abc notation

X:2
T:GB/7a/2A Jolly Fellows that Follow the Plough
T:Version 2 of 2
C:Mr. Richard Newton
P:Noted by FW J(ekyll)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:3/4
I:linebreak $
K:F
F | A A A | c B G | G F F | F2 A | B A B | c f f | _e c d | c2 c |$ c A c | d/e/ f d | c B c |
F G A | B A B | c B G | A F F | F2 |]


GB/7a/3 American King, The

File:GB-7a-3.MID

File:GB-7a-3.pdf

File:GB-7a-3.xml

abc notation

X:3
T:GB/7a/3 American King, The
C:Mrs. Cranstone (c.50), Wood Dale, Billingshurst, VII. 07.
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:3/4
I:linebreak $
K:G
GA | B2 B2 cB | A2 A2 BA | G2 E2 F2 | G4 :| GB | d2 d2 ed |$ dB G2 GB | d2 B2 d2 | A4 GA |
B3 d cB | AG E2 GE | D2 G2 A2 | G6 |]


GB/7a/4 Green Mossy Banks of the Lea Version 1 of 4

File:GB-7a-4.mid

File:GB-7a-4.pdf

File:GB-7a-4.xml

abc notation

X:4
T:GB/7a/4 Green Mossy Banks of the Lea Version 1 of 4
C:Mr Nappin (c. 50), Stanton St. John, Oxon. V. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:3/4
I:linebreak $
K:Daeo
D | F A A | F G E | C D E | F G A | F G E | D2 :| D | F G A | B G B | c F2- | F2 F |$ B A B |
c B c | d3- | d2 d | c B A | G A G/F/ | D E F | G A A | F G E | D2 |]


GB/7a/4A Green Mossy Banks of the Lea Version 2 of 4

File:GB-7a-4A.mid

File:GB-7a-4A.pdf

File:GB-7a-4A.xml

abc notation

X:4
T:GB/7a/4A Green Mossy Banks of the Lea Version 2 of 4
C:Sung by Mr Lockly (c. 80); sexton at High Ercall, Salop. III. 08
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:3/4
I:linebreak $
K:Ddor
A, | D D E | F G/F/ D | C !fermata!D F/G/ | A c A | G E/D/ C | D2 :| A | c B A | A/G/ E ^F |
G !fermata!A A/G/ |$ F E D | D A, B, | C2 (3A,/B,/C/ | D D E | F G/F/ D | C !fermata!D F/G/ |
A c A | G E/D/ C | D2 |]


GB7a/4B Green Mossy Banks of the Lea Version 3 of 4

File:GB-7a-4B.mid

File:GB-7a-4B.pdf

File:GB-7a-4B.xml

abc notation

X:4
T:GB/7a/4B Green Mossy Banks of the Lea
T:Version 3 of 4
C:Mr James Landamore (c. 70) Wroxham, Norfolk IV. 10
P:FW J(ekyll) & GSK B(utterworth)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:3/4
I:linebreak $
K:Ddor
D | F A A | G F D | C !fermata!D D | F A A |$ G F E | D2 :| D | F G A | c A A |$ d !fermata!d D |
F G A | c A c | d2 d | c A A |$ G F D | C !fermata!D D/E/ | F D E | A, D3/2 C/ | D2 |]


GB/7a/4C Green Mossy Banks of the Lea Version 4 of 4

File:GB-7a-4C.mid

File:GB-7a-4C.pdf

File:GB-7a-4C.xml

abc notation

X:4
T:GB/7a/4C Green Mossy Banks of the Lea
T:Version 4 of 4
C:Mr George Locke (c. 70) Rollesby, Norfolk X. 10
P:R V(aughan) W(illiams) & GSK B(utterworth)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:3/4
I:linebreak $
K:Ddor
D/E/ |"^(a)" F G A | c A c | d D2- | D2 D/E/ | F G A/>B/ |"^(b)" c/B/ A/B/ c |$ d2 d |
"^(c)" c B A | F G A | C D D/>E/ | A A/B/ c | F G/F/ E | D2 |]$"^(a) var. 1" F E D | c/B/ A/B/ c ||
"^(a) var. 2" F/E/ D A/B/ ||"^(b) var." c/B/ A c | d2 d/>B/ ||$"^(c) var. 1" d B A/G/ | G A G/E/ ||
"^(c) var. 2" d B A | G A G/E/ ||"^(c) var. 3" c B A/G/ | F A G/E/ ||


GB/7a/5 'Twas of a Brisk and Lively Lad Version 1 of 3

File:GB-7a-5.mid

File:GB-7a-5.pdf

File:GB-7a-5.xml

abc notation

X:5
T:GB/7a/5 'Twas of a Brisk and Lively Lad Version 1 of 3
C:Mr Ned Harding (c. 50), Lower Beeding, Sussex VI. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:A
E | E A G A | B c/d/ e e | B/c/ d B B | A3 :| c/d/ | e f e3/2 A/ |$ A F E (3c/d/e/ | f e d/c/ B |
A G E F/G/ | A3/2 F/ G A | B c/d/ e e | B/c/ d B B | A3 |]


GB/7a/6 'Twas of a Brisk and Lively Lad Version 2 of 3

File:GB-7a-6.mid

File:GB-7a-6.pdf

File:GB-7a-6.xml

abc notation

X:6
T:GB/7a/6 'Twas of a Brisk and Lively Lad
T:Version 2 of 3
C:Mr. Cranstone (c. 50) and Mrs. Cranstone (see GB/7a/3), Billingshurst VI. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:4/4
I:linebreak $
K:A
A2 | d3 d c2 B2 | c2 AG F2 z c | d2 BG A2 BG | E4 EFGE |$ A3 F G2 A2 |"^(a)" B4 c2 e2 |
d2 c2 B2 B2 | A6 |]"^(a) var." B2 cB A2 ce |


GB/7a/7 'Twas of a Brisk and Lively Lad Version 3 of 3

File:GB-7a-7.mid

File:GB-7a-7.pdf

File:GB-7a-7.xml

abc notation

X:7
T:GB/7a/7 'Twas of a Brisk and Lively Lad Version 3 of 3 C:Mr Edwin Spooner (c. 70), Midhurst Union, XI. 08
P:GSK B(utterworth) & FW J(ekyll)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:A
E | A3/2 F/ G A | B3/2 c/ A !fermata!e | d c B B | A3 :| A | e3/2 d/ !fermata!c B |$
"^(a)" c A/G/ !fermata!F c/e/ | d c B/A/ B | E2 E F/G/ | A2 F G/A/ | B2 c e | d c B/A/ B | A3 |]
"^(a) var." c A/G/ !fermata!F c |


GB/7a/8 Just as the Tide Was Flowing Version 1 of 3

File:GB-7a-8.mid

File:GB-7a-8.pdf

File:GB-7a-8.xml

abc notation

X:8
T:GB/7a/8 Just As the Tide Was Flowing
T:Version 1 of 3
C:Mr Weekes (c. 80) Ticehurst, Kent IV, 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:4/4
I:linebreak $
K:F
AG | F2 D2 D2 C2 | F2 F2 G2 FG | A2 c2 BAGF | D3 E F2 :| AB | c3 A d3 A |$ B2 G2 c3 B |
A2 A2 G2 FG | A2 C2 !fermata!C2 AG | F2 D2 D2 C2 | F2 F2 G2 F2 | A2 c2 BAGF | D3 E F2 |]


GB/7a/9 Just as the Tide Was Flowing Version 2 of 3

File:GB-7a-9.mid

File:GB-7a-9.pdf

File:GB-7a-9.xml

abc notation

X:9
T:GB/7a/9 Just as the Tide was Flowing Version 2 of 3
C:Mr Standing (c. 70), Washington, Sussex XII. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:4/4
I:linebreak $
K:F
AG | GF D2 C2 DE |"^(a)" F2 F2 G2 F2 | d2 dc A2 GF | D3 E F2 :| c2 | c2 c2 dcAG |
FA c2 !fermata!d2 dc |$ A2 A2 G2 AG | GF D2 !fermata!C2 AG | GF D2 C2 DE | F2 F2 G2 FG |
d2 dc A2 GF | D3 E F2 |]"^(a) var." F2 F2 G2 FG |


GB/7a/10 Just as the Tide Was Flowing Version 3 of 3

File:GB-7a-10.mid

File:GB-7a-10.pdf

File:GB-7a-10.xml

abc notation

X:10
T:GB/7a/10 Just As the Tide Was Flowing
T:Version 3 of 3
C:Mr George Locke (c. 70) Rollerby, Norfolk, X. 10
P:R V(aughan) W(illiams) & GSK B(utterworth)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:2/4
I:linebreak $
K:F
"^(a)" A3 G |[M:4/4] F2 E2 D2 C2 |"^(b)" F2 F2 GA B2 |"^(c)" c3 B AGFE |"^(d)" D3 E F2 A2 |
G2 F2 D2 C2 |$ FE F2 G2 AB | c3 B AGFE | D3 E F2"^(e)" z F | F2 A2 cA F2 | d2 c2 !fermata!c2 c2 |
d2 c2 AG F2 |$ AG"^(f)" A2 D4 |[M:2/4] A3 G |[M:4/4] F2 E2 D2 C2 | F2 F2 GA B2 | c3 B AGFc |
"^(g)" c2 c2 cA !fermata!F2 |]$[M:2/8]"^(a) var." AG ||[M:4/4]"^(b) var." G2 AB GA B2 ||
"^(c) var." c2 c2 A2 F2 ||"^(d) var." DE F2 F2 A2 ||$"^(e) var." D3 E F2 c2 | c2 c2 cA F2 ||
"^(f) var." AGAF D4 ||"^(g) var." c3 c cA !fermata!F2 ||

Notes on GB/7a/10 There is some uncertainty over this transcription, which was derived from the scanned image on the Take 6 website. Further reference to the original MS is needed, since part of the scan is illegible and/or unclear.


GB/7a/11 God Rest You Merry Version 1 of 2

File:GB-7a-11.mid

File:GB-7a-11.pdf

File:GB-7a-11.xml

abc notation

X:11
T: GB/7a/11 God Rest You Merry
T: Version 1 of 2
C: Mr. Lockly (c.80), High Ercall, Salop, III. 08
P: GSK B(utterworth)
Z:Transcribed by Simon Furey and Lewis Jones
W: There are slight variations in the notation and the headers, but the melody is identical to that of GB/6a/74.
W: There, however, the informant's surname is spelt "Lockley."
L:1/4
M:4/4
I:linebreak $
K:Edor
D | E B B A | G F E D | A A A/B/ ^c | B3 :| d | c/B/ A A B/c/ | d c A B/A/ | F E E/F/ G |$
A2 G A | e2 d e | B A G F | E2 E/F/ G | A2 F/G/ A | e2 d e | B A G F | E3 |]


GB/7a/12 God Rest You Merry Version 2 of 2

File:GB-7a-12.mid

File:GB-7a-12.pdf

File:GB-7a-12.xml

abc notation:

X:12
T:GB/7a/12 God Rest You Merry Version 2 of 2
C:Mrs Cranstone, August, 1911
Z:Transcribed by Simon Furey and Lewis Jones
Q:1/4=120
M:C
L:1/8
K:Edor
E2 |E2 B2 B2 A2 |G2 F2 E2 D2 |E2 F2 G2 A2 |B6 :|Bc |
d3 F F2 G2 |A2 A2 G2 A2 |d2 d2 F2 G2 |A4 G2 A2 |B2 d2 cB A2 |B2 A2 G2 F2 |
E2 F2 G2 E2 |A4 G2 A2 |B2 d2 cB A2 |B2 A2 G2 F2 |E6 |]


GB/7a/13 The Bold Thresherman Version 1 of 3

File:GB-7a-13.MID

File:GB-7a-13.pdf

File:GB-7a-13.xml

abc notation

X:13
T:GB/7a/13 The Bold Thresherman Version 1 of 3
C:Mr. Ned Harding, (c.50) Lower Beeding Sussex, VI. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:Fdor
F | F c B G | E2 F G | B2 A G | F3 F | B2 c d |$ e2 c c | c f e d | c3 F | B2 c d | e2 c c |
c f e d |$ c B G F | B2 A F | E2 F G | B2 A G | F4 |]


GB/7a/14 The Bold Thresherman Version 2 of 3

File:GB-7a-14.MID

File:GB-7a-14.pdf

File:GB-7a-14.xml

abc notation

X:14
T:GB/7a/14 The Bold Thresherman Version 2 of 3
C:Mr. Netley (c.60) Nutbourne, Sussex, VI. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:Fmix
c | c2 B G | E2 F G | B2 G A/G/ | F3 F | B A B c/d/ |$ e2 c c | f f e d | c3 F | B A B c/d/ |
e2 c c |$ f f e f | c B A F | c2 B G | E2 F G/A/ | B2 G A/G/ | F3 |]


GB/7a/15 The Bold Thresherman Version 3 of 3

File:GB-7a-15.mid

File:GB-7a-15.pdf

File:GB-7a-15.xml

abc notation

X:15
T:GB/7a/15 The Bold Thresherman Version 3 of 3
C:Mrs Verrall, to 'Polly Oliver' X. 10
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:Gmix
G | d2 c A | F2 G B | c2 A B | G3 G | G2 B c |$ d2 e f |"^(a)" g2 f g | d3 G | A2 B c | d2 e f |
g2 f g |$ d c B c | d2 c A | F2 G A | c c B A | G3 |$"^(a) var." g2 e f |]


GB/7a/16 Come All You Little Irish Girls Version 1 of 2

File:GB-7a-16.mid

File:GB-7a-16.pdf

File:GB-7a-16.xml

abc notation

X:16
T:GB/7a/16 Come All You Little Irish Girls
T:Version 1 of 2
C:Mr Knight (c. 60) Horsham, IV. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:3/4
I:linebreak $
K:G
D2 | G2 B2 dd | cc B2 AG | FD G2 AB | G4 :| AB |[M:4/4] c>B c4 BG | B>B B4 GB |$
[M:3/4] d2 dd c>B | A>B c2 BA |[M:4/4] GG D4 dd |[M:3/4] cc BB AG | FD G2 AB | G4 |]


GB/7a/17 Come All You Little Irish Girls Version 2 of 2

File:GB-7a-17.mid

File:GB-7a-17.pdf

File:GB-7a-17.xml

abc notation

X:17
T:GB/7a/17 Come All You Little Irish Girls
T:Version 2 of 2
C:Mr Tom Anstey, Beckley, Oxon., V. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:3/4
I:linebreak $
K:G
D2 | G2 D2 Bd | dd c2 BB | A>G E2 F2 | G4 :| (3GAB |[M:4/4] c>B c4 D2 | B>A B4 G>B |$
[M:3/4] d2 c2 B2 | A>B c2 B>A |[M:4/4] GG D4 B>d |[M:3/4] de c2 BA | AG E2 F2 | G4 |]


GB/7a/18 Murder of Maria Martin Version 1 of 2

File:GB-7a-18.mid

File:GB-7a-18.pdf

File:GB-7a-18.xml

abc notation

X:18
T:GB/7a/18 Murder of Maria Marten
T:Version 1 of 2
C:Mr Jim Wharton (c. 60) Stanton St. John, Oxon. V. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:4/4
I:linebreak $
K:Faeo
cd | e2 c2 cB A2 | B2 B2 c2 Bd | c2 B2 BA F2 | E6 AG |$ F2 F2 FEFG | A2 A2 B2 AB | c3 A BA FE |
F6 |]


GB/7a/19 Murder of Maria Martin Version 2 of 2

File:GB-7a-19.mid

File:GB-7a-19.pdf

File:GB-7a-19.xml

abc notation

X:19
T:GB/7a/19 Murder of Maria Marten
T:Version 2 of 2
C:Mrs Keble (84) Shadingfield, Suffolk. X. 10
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:Faeo
c/d/ | e c c/B/ A | B B c B | c F F/E/ C/D/ | E3 C |$ F F F E | A A B A/B/ | c3/2 A/ B/A/ F |
F3 |]


GB/7a/20 Green Bushes Version 1 of 3

File:GB-7a-20.mid

File:GB-7a-20.pdf

File:GB-7a-20.xml

abc notation

X:20
T:GB/7a/20 Green Bushes Version 1 of 3
C:Mr Puttock (c. 80), Sutton, Pulborough, VII. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:3/4
I:linebreak $
K:Fdor
A/G/ | F F G/F/ | E F G | c c/B/ G | E F G | F F G/F/ | E F G | c e d | c2 B |$ c c f | c e d/c/ |
B F G | E F G | F3/2 A/ G | E F (3G/A/B/ | c c/B/ G | F2 |]

Notes on GB/7a/20 The key signature has changed, but the tune is identical to that of GB/6a/79.


GB/7a/21 Green Bushes Version 2 of 3

File:GB-7a-21.mid

File:GB-7a-21.pdf

File:GB-7a-21.xml

abc notation

X:21
T:GB/7a/21 Green Bushes Version 2 of 3
C:Mr Cranstone (c. 50), Wood Dale, Billingshurst, VII. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:3/4
I:linebreak $
K:Fdor
C | F F G/F/ | E F c | c c/B/ G | F2 C | F F G/F/ | E F c | c d/c/ B | c2 B |$ c c f | c d e |
G B G | E F G | F3/2 G/ A | E F G | c c/B/ G | F2 |]

Notes on GB/7a/21 The key signature has changed, but the tune is identical to that of GB/6a/80.


GB/7a/22 Green Bushes Version 3 of 3

File:GB-7a-22.mid

File:GB-7a-22.pdf

File:GB-7a-22.xml

abc notation

X:22
T:GB/7a/22 Green Bushes Version 3 of 3
C:Mr Spooner (c.70) Midhurst Union, XI. 08
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:3/4
I:linebreak $
K:Fmix
C | F F G | E F A/B/ | c c/B/ G | E F G/E/ | F F G/F/ | E F A/B/ | c e d | c2 A/B/ |$ c c f |
c d e | G B G/F/ | E F G/E/ | F3/2 F/ G/F/ | E F A/B/ | c c/B/ G | F2 |]

Notes on GB/7a/22 The key signature has changed, but the tune is identical to that of GB/6a/82.


GB/7a/23 Spanish Ladies Version 1 of 3

File:GB-7a-23.mid

File:GB-7a-23.pdf

File:GB-7a-23.xml

abc notation

X:23
T:GB/7a/23 Spanish Ladies Version 1 of 3
C:Mr Cooper (c.40), Washington, Sussex, XII. 07
P:F.W. J(ekyll) & G.S.K. B(utterworth)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:3/4
I:linebreak $
K:Aaeo
E | A A E | A2 A/B/ | c B A |"^(a)" A !fermata!E E | A A E | A2 A/B/ | c d B | A2 A |$ c B c |
d c d | e c A | A !fermata!E !fermata!e/ d/ | c B A | A/G/ E D | E c B | A2"^(a) var." |]
G !fermata!E E |


GB/7a/24 Spanish Ladies Version 2 of 3

File:GB-7a-24.mid

File:GB-7a-24.pdf

File:GB-7a-24.xml

abc notation

X:24
T:GB/7a/24 Spanish Ladies Version 2 of 3
C:Mr. Verral (Journal 8) Horsham,l VI. 09
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:3/4
I:linebreak $
K:G
A |: E A3/2 G/ | A2 A/B/ |1 c B A || A/G/ E A :|2 c d B || A2 A/B/ | c B A |$ d c d | e A3/2 B/ |
A/G/ E2 | z !fermata!e3/2 d/ | c B A | G F D | E c B | A2 |]

Notes on GB/7a/24 The key signature has changed, but the tune is identical to that of GB/6a/159.


GB/7a/25 Spanish Ladies Version 3 of 3

File:GB-7a-25.mid

File:GB-7a-25.pdf

File:GB-7a-25.xml

abc notation

X:25
T:GB/7a/25 Spanish Ladies Version 3 of 3
C:At Winterton, Norfolk, 3.13, by a young sailor
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:3/4
I:linebreak $
K:Aaeo
(3E/F/G/ | A A B | A ^G A/>B/ | c d B | A/>=G/ !fermata!E (3E/F/G/ | A A B |$ A2 A/>B/ |
c d c/A/ | B2 A/B/ | c B A | d ^c d/>"^?"^f/ | e A B |$ A/>G/ !fermata!E !fermata!e/>d/ | c B A |
B E D | E c B | A2 |]


GB/7a/26 As I Roamed Out One Midsummer's Morning Version 1 of 2

File:GB-7a-26.MID

File:GB-7a-26.pdf

File:GB-7a-26.xml

abc notation

X:26
T:GB/7a/26 As I Roamed Out One Midsummer's Morning
T:Version 1 of 2
C:Mrs. Whiting (see p. 1 Newport, Mon. IV. 08)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:Dm
"^Rather fast" A, | D3/2 C/ D E |"^(a)" F G E D | G F G/A/ B | A2 D A, | D C D E |$ F2 E D |
G3/2 F/ G B | A3 A | d2 c A | G2 F/G/A/=B/ | c =B c/B/A/G/ |$ F D C A, |"^(b)" D3/2 F/ D E |
F A c d/c/ | A3/2 G/ F/D/ E | D3 |]$"^variants (a)" F2 F A | c =B c/B/A/G/ | F D C"^Etc" A, ||
"^(b)" D3/2 F/ E D | c c d/c/A/G/ | F D E F/E/ | D3 |]

Notes on GB/7a/26 The key signature has changed, and there are minor notational differences, but the tune is identical to that of GB/6a/5.


GB/7a/27 As I Roamed Out One Midsummer's Morning Version 2 of 2

File:GB-7a-27.MID

File:GB-7a-27.pdf

File:GB-7a-27.xml

abc notation

X:27
T:GB/7a/27 As I Roamed Out One Midsummer's Morning
T:Version 2 of 2
C:Mr. Smith (see p. 1) Newport, Mon. IV. 08.
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:Daeo
"^Slower (i.e. than GB/7a/26) Free rhythm" D | D3/2 C/ D E | F G E D | G3/2 F/ G B |
A2 !fermata!D D | D3/2 C/ D E |$ F G E D | G3/2 F/ G B | A3 A | d2 c A | G2 F A | c e d/c/A/G/ |$
F A !fermata!C C | D3/2 C/ D E | F A c d | A G F E | D3 |]

Notes on GB/7a/27 The tune is described here as in "free rhythm" but is otherwise identical to that of GB/6a/6.


GB/7a/28 The Banks of Sweet Primroses Version 1 of 2

File:GB-7a-28.mid

File:GB-7a-28.pdf

File:GB-7a-28.xml

abc notation

X:28
T:GB/7a/28 Banks of Sweet Primroses, The
T:Version 1 of 2
C:Battle Workhouse, Sussex, IV. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:3/2
I:linebreak $
K:G
D2 | G2 D2 G6 AB | cBAG G4 D2 B2 | d2 e2 d4 G3 E | F2 G2 A4 z2 AB |$"^(a)" cded d4 G3 A |
B2 A2 G4 D2 A2 | GFED G2 B2 d2 c2 | B2 A2 G6 |]$"^(a) var." c2 e2 d4 G3 A |


GB/7a/29 The Banks of Sweet Primroses Version 2 of 2

File:GB-7a-29.mid

File:GB-7a-29.pdf

File:GB-7a-29.xml

abc notation

X:29
T:GB/7a/29 Banks of Sweet Primroses, The
T:Version 2 of 2
C:Shoreham Workhouse, Sussex, I. 09
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:3/2
I:linebreak $
K:G
D | G F G3 A/B/ | c A F D z B | c c B3/2 A/ G E | F G A2 z B |$ c e d2 G A | B A G2 D A/G/ |
[M:5/4] F D G d c |[M:3/4] B/G/ A A | G2 |]


GB/7a/30 Henry Martin Version 1 of 3

File:GB-7a-30.mid

File:GB-7a-30.pdf

File:GB-7a-30.xml

abc notation

X:30
T:GB/7a/30 Henry Martin Version 1 of 3
C:Mr Jack Feast (c. 50), Lower Beeding, Sussex, VI. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:3/4
I:linebreak $
K:Dmix
G | A2 B | G2 A | G E F | D2 G |"^(a)" A B c | d c d | A2 G |$ A d d | c2 B | c B A | G3/2 E/ D |
c d B | A G E/F/ | D2 |]$"^(a) var." G | A c B | c d B | A2 |

Notes on GB/7a/30 The key signature has changed, but the tune is identical to that of GB/6a/87.


GB/7a/31 Henry Martin Version 2 of 3

File:GB-7a-31.mid

File:GB-7a-31.pdf

File:GB-7a-31.xml

abc notation

X:31
T:GB/7a/31 Henry Martin Version 2 of 3
C:Mr Henry Akhurst (c. 70), Lower Beeding, Sussex, VI. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:3/4
I:linebreak $
K:D
A | D2 B | A2 B | A E F/E/ | D2 D | F G A | d c B | A2 A | d A B |$ =c B A | A D E | F3/2 E/ D |
G3/2 A/ B | A2 F/G/ | A d A/B/ | A F E | D2 |]

Notes on GB/7a/31 The tune is identical to that of GB/6a/88.


GB/7a/32 Henry Martin Version 3 of 3

File:GB-7a-32.mid

File:GB-7a-32.pdf

File:GB-7a-32.xml

abc notation

X:32
T:GB/7a/32 Henry Martin Version 3 of 3
C:Mr G. Hillman, Shoreham Workhouse, Sussex, I. 09
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:3/4
I:linebreak $
K:Ddor
A | F E D | A3/2 B/ A | G E C | D2 G |"^(a)" A2 A | c B G | A3- | A2 G |$ A A d | c B A | A D E |
F2 F | G3- | G2 F/G/ |"^(b)" A3/2 c/ A | G F E | D2 |]$"^(a) var.i" A B c | d c B | A3 ||
"^(a) var.ii" A B c | d B c | A3 ||"^(b) var." A3/2 B/ A | G E F | D2 ||

Notes on GB/7a/32 The key signature has changed, but the tune is identical to that of GB/6a/90.


GB/7a/33 Tarry Trowsers Version 1 of 2

File:GB-7a-33.mid

File:GB-7a-33.pdf

File:GB-7a-33.xml

abc notation

X:33
T:GB/7a/33 Tarry Trowsers Version 1 of 2
C:Mrs Verrall (Journal 8) Horsham XI. 08
P:F.W. J(ekyll).
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:2/2
I:linebreak $
K:Edor
E E B B | G E F D | E E/F/ G G | A A B2 | B B/c/ d e |"^(a)" A/A/A/A/ c d | G E d B | A B E2 |]$
"^(a) var." A A c d |


GB/7a/33B Salisbury Plain Version 3 of 3 (Out of Sequence in EFDSS Catalogue)

File:GB-7a-33B.mid

File:GB-7a-33B.pdf

File:GB-7a-33B.xml

abc notation

X:33
T:GB/7a/33B Salisbury Plain Version 3 of 3
C:Mr Ruff (c. 60), Sutton, Petworth, VII. 09
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:Ddor
F/G/ | A F E D | A2 G/F/ E | D2 A3/2 B/ | c A F A/B/ | c2 d c | A2 A B |$ c A F A |"^(a)" c2 d E |
F E D C | c c d c | A2 G F | D3 |]$"^(a) var." c2 d D |

Notes on GB/7a/33B The key signature has changed, but the tune is identical to that of GB/6a/147. For Versions 1 and 2 of Salisbury Plain see GB/7a/72 and GB/7a/73 below.


GB/7a/34 Tarry Trowsers Version 2 of 2

File:GB-7a-34.mid

File:GB-7a-34.pdf

File:GB-7a-34.xml

abc notation

X:34
T:GB/7a/34 Tarry Trowsers
C:Mrs Powell, Minster, Sheppey, VIII.10
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
Q:1/4=90
M:4/4
I:linebreak $
K:Em
E | E2 B>B B>AG>A | B2 (3BAG A>GE>E | A3 B AG EF | G2 A2 B4 |"^(a)" E>F G>A Be !fermata!e>d |$
A2 A>G FA !fermata!d2 | G2 FE (3B2 B2 A2 | G2 F2 E4 || E | E2 B>B B>AG>A | B2 (3BAG A>GE>E |$
A3 B AG EF | G2 A2 B4 |"^(a) var." E>F G>A Be !fermata!e/d/^c | A2 A>G FA !fermata!d2 |
G2 FE (3B2 B2 A2 | G2 F2 E4 |]


GB/7a/35 Banks of Green Willow Version 1 of 2

File:GB-7a-35.mid

File:GB-7a-35.pdf

File:GB-7a-35.xml

abc notation

X:35
T:GB/7a/35 Banks of Green Willow Version 1 of 2
C:Mr. and Mrs. Cranstone (p. 4), Billingshurst, VI. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:3/4
I:linebreak $
K:A
AB | c3 d B>c | A>B E2 AG | F2 D2 B2 |"^(a)" BG !fermata!E2 EA |$ A2 E2 C>B, | A,>C E2 E2 |
F2 d2 B2 | cB A2 |]$"^(a) var." BG !fermata!E2 FG |


GB/7a/36 Banks of Green Willow Version 2 of 2

File:GB-7a-36.MID

File:GB-7a-36.pdf

File:GB-7a-36.xml

abc notation

X:36
T:GB/7a/36 Banks of Green Willow Version 2 of 2
T:Mr. Cornford, East Chiltington, Sussex, VII. 08
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:3/4
I:linebreak $
K:A
A>B | c2 A2 B2 | A>G E>F =G>A | F>E D>F A2 | A2 E2 (3EF=G |$ A3 =G E>D | B,>C D2 D>D | E2 B3 E |
FG A2 |]

Notes on GB/7a/36 The tune is identical to that of GB/6a/10.


GB/7a/37 Barbara Allen Version 1 of 3

File:GB-7a-37.mid

File:GB-7a-37.pdf

File:GB-7a-37.xml

abc notation

X:37
T:GB/7a/37 Barbara Allen Version 1 of 3
C:Mr. Morley, Wartling, Sussex, IV. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:5/4
I:linebreak $
K:G
D | B B B2 A | G A E2 D | G B d2 B | c d z z d | e e d2 B |$
c d/c/ G2"^For the love of Barbara Allen Allen for love" A/ A/ |
B c A2 D |[M:3/2] G A B d z c |[M:5/4] B c A2 D | G G- G2 |]


GB/7a/38 Barbara Allen Version 2 of 3

File:GB-7a-38.mid

File:GB-7a-38.pdf

File:GB-7a-38.xml

abc notation

X:38
T:GB/7a/38 Barbara Allen Version 2 of 3
C:Mr. Henry Webb (c. 70), Stanton St. John, Oxon. V. 07.
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:5/4
I:linebreak $
K:G
G | G B d2 B | B A G2 d | e a g2 e | f d z z d |$ g f e2 d | e d B c d | e d B2 G | A G- G2 |]


GB/7a/39 Barbara Allen Version 3 of 3

File:GB-7a-39.mid

File:GB-7a-39.pdf

File:GB-7a-39.xml

abc notation

X:39
T:GB/7a/39 Barbara Allen Version 3 of 3
C:Mr. Dearling (c. 50), West Burton, Sussex, XII. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:5/4
I:linebreak $
K:G
D | G B A2 D | G B A2 G/A/ | B B B A G | B/c/ d z z d |$ e d B A G/A/ | B G/F/ E2 F/G/ |
A A F E D | E/F/ G- G2 |]


GB/7a/40 Bold Fisherman Version 1 of 3

File:GB-7a-40.MID

File:GB-7a-40.pdf

File:GB-7a-40.xml

abc notation

X:40
T:GB/7a/40 The Bold Fisherman Version 1 of 3
T:Mr. Spooner c. 70), Midhurst Workhouse XII. 08
T:F.W. J(ekyll) & G.S.K. B(utterworth)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:5/4
I:linebreak $
K:G
D | G G E F G | A A D2 D | G G A G A |[M:3/4] B2 B/c/ |$[M:5/4] d B A G A | B B E F G |
A A D F A | G2- G2 D | G G A G A |$[M:3/4] B2 B/c/ |[M:5/4] d B A G A | B B E F G | A A D F A |
G2- G2 |]

Notes on GB/7a/40 The tune is identical to that of GB/6a/23.


GB/7a/41 Bold Fisherman Version 2 of 3

File:GB-7a-41.mid

File:GB-7a-41.pdf

File:GB-7a-41.xml

abc notation

X:41
T:GB/7a/41 The Bold Fisherman Version 2 of 3
C:Mr. Locke (c. 70) Rollesby, Norfolk, IV. 10
P:F.W. (Jekyll) & G.S.K. B(utterworth)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:5/4
I:linebreak $
K:G
D2 | B2 B2 (3BcB A2 G2 | E2 E2 E4 D2 |[M:4/4]"^(a)" G3 A BABc |[M:3/4] d4 d2 |$
[M:5/4] e2 d2 (3BcB A2 G2 | d2 c2 E3 F G2 | c2 B2 D3 E F2 | G4- G4 |]$"^(a) var." G3 A BG Bd |


GB/7a/42 Bold Fisherman Version 3 of 3

File:GB-7a-42.mid

File:GB-7a-42.pdf

File:GB-7a-42.xml

abc notation

X:42
T:GB/7a/42 The Bold Fisherman Version 3 of 3
C:Workhouse, Minster, Kent, IX. 10
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:5/4
I:linebreak $
K:G
D |"^(a)" G G E F G | A A D2 D | G G A G A |[M:3/4] B2 B/c/ |[M:5/4] d B A G A |$
B/A/ G E !fermata!D G | A/B/ c D F A |[M:3/4] G2 D |[M:5/4] G G A G A |[M:3/4] B2 B/c/ |$
[M:5/4] d B A G A | B/A/G/F/ E !fermata!D G | A/B/ c D F A | G2- G2 |]$"^(a) var." G G/F/ E F G |]


GB/7a/43 You Seamen Bold that Plough the Ocean Version 1 of 4

File:GB-7a-43.mid

File:GB-7a-43.pdf

File:GB-7a-43.xml

abc notation

X:43
T:GB/7a/43 You Seamen Bold that Plough the Ocean
T:Version 1 of 4
C:Mr H. Akhurst (c. 70), Lower Beeding, Sussex VI. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:5/4
I:linebreak $
K:G
d | G F G A B | c B A B c | d e =f d3/2 c/ | B A G2 d | G F G A B |$ c B A B c | d g d3/2 c/ B |
A A G2 G | d e =f2 d |[M:6/4] =f g f/e/ d z g |[M:5/4] =f e d3/2 c/ B |$ c d A2 d | G F G A B |
c B A B c | d g d3/2 c/ B | A A G2 |]


GB/7a/44 You Seamen Bold that Plough the Ocean Version 2 of 4

File:GB-7a-44.mid

File:GB-7a-44.pdf

File:GB-7a-44.xml

abc notation

X:44
T:GB/7a/44 You Seamen Bold that Plough the Ocean
T:Version 2 of 4
C:Mr. Harwood, Watersfield, Pulborough, VII. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:5/4
I:linebreak $
K:Gdor
d | G F G2 A |[M:6/4] B G !breath!A B- B c | d g f2 d3/2 c/ | A B G2 :| G/A/ |$[M:5/4] B f f2 d |
[M:6/4] g g !breath!f d- d d |[M:5/4] g g f e d | d/c/B/c/ d2 d |$ G F G2 A |
[M:6/4] B G !breath!A B- B c | d g f2 d3/2 c/ | B A G2 |]


GB/7a/45 You Seamen Bold that Plough the Ocean Version 3 of 4

File:GB-7a-45.mid

File:GB-7a-45.pdf

File:GB-7a-45.xml

abc notation

X:45
T:GB/7a/45 You Seamen Bold that Plough the Ocean
T:Version 3 of 4
C:Mr Dearling (c. 50), West Burton, Sussex, VII. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:5/4
I:linebreak $
K:Gdor
d | G F G2 G/A/ | B G A B c | d g f d c/B/ | A B G2 :| G/A/ |$ B/c/d/e/ f2 d |
[M:6/4] g g f/e/ d- d g |[M:5/4] g g f e d |[M:4/4] d B/c/ d d |$[M:5/4] G F G2 G/A/ |
[M:4/4] B A/G/ A/B/ c | d g f d/c/ | A B G2 |]


GB/7a/46 You Seamen Bold that Plough the Ocean Version 4 of 4

File:GB-7a-46.mid

File:GB-7a-46.pdf

File:GB-7a-46.xml

abc notation

X:46
T:GB/7a/46 You Seamen Bold Who Plough the Ocean
T:Version 4 of 4
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:5/4
I:linebreak $
K:G
D | G F G2 G/A/ |"^? " B c/B/ A B c | d g d2 c/B/ | A B G2 :| c |$ d e =f e d |
[M:6/4] g g !breath!f (d3/2 e/) =f |[M:5/4] g g =f e d | c/d/ e d2 D |$ G F G2 G/A/ |
B c/B/ A B c | d g d2 c/B/ | A B G2 |]


GB/7a/47 The Trees They Do Grow High Version 1 of 3

File:GB-7a-47.mid

File:GB-7a-47.pdf

File:GB-7a-47.xml

abc notation

X:47
T:GB/7a/47 The Trees They Do Grow High
T:Version 1 of 3
C:Mr Cranstone (c.50) Billingshurst, VI.07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
Q:1/4=60
M:2/4
I:linebreak $
K:A
"^Slow" D2 | A2 AB | c2 B>G | A>G ED | E3 F | =GF GA | B2 A>F | D2 E>D | E3 E | c2 BA |$
c/d/e- ed |[M:3/4] ce A3 B | AG E3 F |[M:2/4] =GA GE | D2 DD | E A3- | A4- | A2 |]


GB/7a/48 The Trees They Do Grow High Version 2 of 3

File:GB-7a-48.mid

File:GB-7a-48.pdf

File:GB-7a-48-var.pdf

File:GB-7a-48.xml

File:GB-7a-48-var.xml

abc notation

X:48
T:GB/7a/48 The Trees They Do Grow High
T:Version 2 of 3
C:Mr William Smith, Stoke Lacey, Herefordshire, IX.07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
Q:1/4=80
M:4/4
I:linebreak $
K:Ador
"^Slow, freely" E2 | E3 A A2 B2 | c2 d4 G2 | A3 B AG E2 | G6 E2 | G2 E2 G3 E | GA B4 G2 |$
A3 B AG F2 | E6 DD |"^(a)" E4 e2 d2 | GB d4 e2 | AB c2 BA G2 | E6 EF |$ G3 A GF E2 |
[M:3/4] DD D3 D |[M:4/4] E A3- A4- | A2 z2 z2 || E2 | E3 A A2 B2 | c2 d4 G2 |$ A3 B AG E2 | G6 E2 |
G2 E2 G3 E | GA B4 G2 | A3 B AG F2 | E6 DD |$"^(a) var. 1" E2 e2 d3 B | GB d4 e2 | AB c2 BA G2 |
E6 EF | G3 A GF E2 |[M:3/4] DD D3 D |$[M:4/4] E A3- A4- | A2 z2 z2 || E2 | E3 A A2 B2 | c2 d4 G2 |
A3 B AG E2 | G6 E2 |$ G2 E2 G3 E | GA B4 G2 | A3 B AG F2 | E6 DD |[M:3/4]"^(a) var. 2" D4 DD |
[M:4/4] GB d4 e2 |$ AB c2 BA G2 | E6 EF | G3 A GF E2 |[M:3/4] DD D3 D |[M:4/4] E A3- A4- |
A2 z2 z2 |]

Notes on GB/7a/48 The MIDI file GB-7a-48.mid plays out all the variants in full; the PDF file GB-7a-48-var.pdf displays all the variants in full; and the MusicXML file GB-7a-48-var.xml contains the full musical notation for all the variants.


GB/7a/49 The Trees They Do Grow High Version 3 of 3

File:GB-7a-49.mid

File:GB-7a-49.pdf

File:GB-7a-49-var.pdf

File:GB-7a-49.xml

File:GB-7a-49-var.xml

abc notation

X:49
T:GB/7a/49 The Trees They Do Grow High
T:Version 3 of 3
C:Mrs Whiting (p1) Newport, Mon. IV.08
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
Q:1/4=150
M:6/8
I:linebreak $
K:Ador
"^Rather fast" A2 G | E2 A A2 B |"^(a)" c3 B2 B | A2 B AGE | G3- G2 E | G2 E G2 E | G2 A B2 B |$
"^(b)" A2 G AGE | E3- E2 D | E3 e2 d | G2 B d2 e | AB c BAB |"^(c)" E3- E2 F | G2 A AGE |$
D3 C2 D | E A2- A3- | A3 || A2 G | E2 A A2 B |"^(a) var." c3 BAG | AB A AGE | G3- G2 E |$
G2 E G2 E | G2 A B2 B |"^(b) var." A2 G E2 D | E3- E2 D | E3 e2 d | G2 B d2 e | AB c BAB |$
"^(c) var." BA B E2 F | G2 A AGE | D3 C2 D | E A2- A3- | A3 |]

Notes on GB/7a/49 The MIDI file GB-7a-49.mid plays out all the variants in full; the PDF file GB-7a-49-var.pdf displays all the variants in full; and the MusicXML file GB-7a-49-var.xml contains the full musical notation for all the variants.


GB/7a/50 The True Lover's Farewell

File:GB-7a-50.mid

File:GB-7a-50.pdf

File:GB-7a-50-var.pdf

File:GB-7a-50.xml

File:GB-7a-50-var.xml

abc notation

X:50
T:GB/7a/50 The True Lover's Farewell
C:Mrs Cranstone (p.4) Billingshurst, VII.07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
Q:1/4=174
M:12/8
I:linebreak $
K:Ador
"^Rather fast" A2 B | c3 B2 c A2 B c2 E | E2 F G2 E D3 A2 B | c3 B2 A G2 A B3 | A6- A3 A2 B |
"^(a)" c3 B2 c A2 B c2 E |$ E2 F G2 E D3 C2 C | D3 c3 B2 A G2 B | A3 A3 C2 B, C2 D |
E3 c3 B2 A G2 B | A6- A3 || A2 B |$ c3 B2 c A2 B c2 E | E2 F G2 E D3 A2 B | c3 B2 A G2 A B3 |
A6- A3 A2 B |"^(a) var." c3 B2 c e2 B c2 E |$ E2 F G2 E D3 C2 C | D3 c3 B2 A G2 B |
A3 A3 C2 B, C2 D | E3 c3 B2 A G2 B | A6- A3 |]

Notes on GB/7a/50 The MIDI file GB-7a-50.mid plays out all the variants in full; the PDF file GB-7a-50-var.pdf displays all the variants in full; and the MusicXML file GB-7a-50-var.xml contains the full musical notation for all the variants.


GB/7a/51 Erin's Lovely Home Version 1 of 3

File:GB-7a-51.mid

File:GB-7a-51.pdf

File:GB-7a-51.xml

abc notation

X:51
T:GB/7a/51 Erin's Lovely Home Version 1 of 3
C:Mr. Dick Anthony (c. 40), Stanford Bishop, Herefordshire, IX. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:Eaeo
G/A/ | B B A B/A/ | G E A E | D F E E | E3 |: E/F/ | G E G A | B e d e/d/ |$ B B/A/ G A | B3 :|
G/A/ | B B A B/A/ | G E A E | D F E E | E3 |]


GB/7a/52 Erin's Lovely Home Version 2 of 3

File:GB-7a-52.mid

File:GB-7a-52.pdf

File:GB-7a-52var.pdf

File:GB-7a-52.xml

File:GB-7a-52var.xml

abc notation

X:52
T:GB/7a/52 Erin's Lovely Home Version 2 of 3
C:Mr. Spooner (c. 70), Midhurst Workhouse, XI. 08
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:Edor
G | B B A B | G B A/G/ E | D G E D | E3 |: E | G G F E | e2 !fermata!d e |$"^(a)" B/c/ d B A |
B3 :| G | B B A B | G B A/G/ E | D G E D | E3 || G |$ B B A B | G B A/G/ E | D G E D | E3 |: E |
G G F E | e2 !fermata!d e |"^(a) var." B d B A |$ B3 :| G | B B A B | G B A/G/ E | D G E D | E3 |]

Notes on GB/7a/52 The MIDI file GB-7a-52.mid plays out all the variants in full; the PDF file GB-7a-52var.pdf displays all the variants in full; and the MusicXML file GB-7a-52var.xml contains the full musical notation for all the variants.


GB/7a/53 Erin's Lovely Home Version 3 of 3

File:GB-7a-53.mid

File:GB-7a-53.pdf

File:GB-7a-53.xml

abc notation

X:53
T:GB/7a/53 Erin's Lovely Home Version 3 of 3
C:Mr. Fletcher, Credenhill, 1906
P:F.W. J(ekyll) & G.S.K. B(utterworth)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:Eaeo
G/A/ | B B A B | G G A/G/ E | D D E E | E3 |: E | G E G B | e2 d B |$ G G A A | B3 :| G/A/ |
B B A B | G G A/G/ E | D D E E | E3 |]


GB/7a/54 Down In Our Village Version 1 of 2

File:GB-7a-54.mid

File:GB-7a-54.pdf

File:GB-7a-54.xml

abc notation

X:54
T:GB/7a/54 Down In Our Village Version 1 of 2
C:Mrs. Verrall (Journal 8), Horsham, XII. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:5/4
I:linebreak $
K:G
D | G A B2 G | A B c A d | G A B2 G | B A z z D |$ G B d2 B | c d e2 B | c c D F A | B G- G2 |]


GB/7a/55 Down in Our Village Version 2 of 2

File:GB-7a-55.mid

File:GB-7a-55.pdf

File:GB-7a-55.xml

abc notation

X:55
T:GB/7a/55 Down In Our Village Version 2 of 2
C:Mr. Standing (c. 70), Washington, Sussex, XII. 07
P:F.W. J(ekyll) & G.S.K. B(utterworth)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:5/4
I:linebreak $
K:G
D | G G B2 G | F A c2 A | G G B2 G | F A z z D | G B d2 d |$ c c E3/2 F/ G | A A D2 F |
A G z z"^Chorus" D | G G G B G | F A c B A |$ G G G B G | F A z z D | G B d2 d | c c E3/2 F/ G |
A A D F A | A G- G2 |]


GB/7a/56 On Christmas Night All Christians Sing Version 1 of 2

File:GB-7a-56.mid

File:GB-7a-56.pdf

File:GB-7a-56.xml

abc notation

X:56
T:GB/7a/56 On Christmas Night All Christians Sing
T:Version 1 of 2
P:Mr Knight (c. 60), Horsham, IV. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:6/4
I:linebreak $
K:C
E | G2 G F2 F | E2 E D C B, | C2 C D E F | E2 D C3 | E3 D2 C | D E F G F E |$ D6 | G3 A3 |
w: ||||||||news of|
(G2 E) F3 | G3 C2 C | D E F E2 D | C4- C |]
w: news * of|news of our|mer- ci- ful sav- iour's|birth *|

Notes on GB/7a/56 The tune is identical to that of GB/6a/125.


GB/7a/57 On Christmas Night All Christians Sing Version 2 of 2

File:GB-7a-57.mid

File:GB-7a-57.pdf

File:GB-7a-57.xml

abc notation

Notes on GB/7a/57 The tune is identical to that of GB/6a/126.

X:57
T:GB/7a/57 On Christmas Night All Christians Sing
T:Version 2 of 2
C:Mrs Cranstone (p. 4), Billingshurst, VI. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:6/4
I:linebreak $
K:Cmix
C | D2 C D E F | G2 G D2 C | D2 C D E F | G2 G D3 |$ G2 B A3 | G3 F E D | G2 G C2 C | D E F E2 D |
C4- C |]


GB/7a/58 Bonny Blooming Highland Jane

File:GB-7a-58.mid

File:GB-7a-58.pdf

File:GB-7a-58.xml

abc notation

X:58
T:GB/7a/58 Bonny Blooming Highland Jane
C:Mrs. Whiting (p. 1) Newport, Mon., IV. 08
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:5/4
I:linebreak $
K:Fdor
cB | BA F2 F2 E2 FG | A2 A2 B4 AB | c2 !fermata!c2 B2 c3 B | BA F2 E4 !fermata!cB |$
BAFG F2 E2 FG | AG A2 B4 AB | c f2 e ce c3 B | BA FG F4 cd |$ e2 e2 f2 e2 cB | ABcd e4 c2 |
fecd c2 B2 AB | cBAF E4 !fermata!cB |$ BAFG F2 E2 FG | A2 A2 B4 AB | c f2 g fe c3 B | BAFG F4 |]

Notes on GB/7a/58 The tune is similar to that of GB/6a/30.


GB/7a/59 Dabbling in the Dew Version 1 of 3

File:GB-7a-59.mid

File:GB-7a-59.pdf

File:GB-7a-59.xml

abc notation

X:59
T:GB/7a/59 Dabbling in the Dew Version 1 of 3
C:Mrs. Cranstone (p. 4), Billingshurst, VI. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:4/4
I:linebreak $
K:Fmix
F2 F>G A>G F2 | B2 c>B A>G F2 | B2 B>B c2 c2 | f2 f2 c4 |$ c2 c>d e2 e2 | f2 c>B A>G F>F |
G>A B>B c2 c>B | A2 G2 F4 |]

Notes on GB/7a/59 The tune is similar to that of GB/6a/62 but in a different key and at a different pitch.


GB/7a/60 Dabbling in the Dew Version 2 of 3

File:GB-7a-60.mid

File:GB-7a-60.pdf

File:GB-7a-60.xml

abc notation

X:60
T:GB/7a/60 Dabbling in the Dew Version 2 of 3
C:Mrs. Verrall (Journal), Horsham, XII. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:4/4
I:linebreak $
K:F
c2 | F2 A>B c2 f2 |[M:5/4] c2 c>B BG F2 c>c |[M:4/4] F>G A>B c2 f>f | e2 c2 c3 c |$
f2 f>g f>e c2 | B2 B>d c>A B>G | F>G A>B c2"^(a)" _e>d | cB G2 F2 |]$"^(a) var." d>c | c2 F2 F2 |]

Notes on GB/7a/60 The tune is similar to that of GB/6a/63 but in a different key and at a different pitch. The MIDI file GB-7a-60.mid plays out the variant in full.


GB/7a/61 Dabbling in the Dew Version 3 of 3

File:GB-7a-61.mid

File:GB-7a-61.pdf

File:GB-7a-61.xml

abc notation

X:61
T:GB/7a/61 Dabbling in the Dew Version 3 of 3
C:(Mrs. Verrall), Ticehurst, Kent, 1906
P:F.W. J(ekyll)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:Fmix
F F{/G} E{/D} C | F G{/B} A F | B{/c} A{/B} c f |"^(a)"{/d} e c c z |$ f f{/g} e{/d} c |
{/d} F{/F} A{/B} c c |{/B} E{/E} G{/_A} B e |{/d} c{/B} G F2 |]$"^(a) var."{/e} c c c z |

Notes on GB/7a/61 The tune is similar to that of GB/6a/64 but in a different key and at a different pitch.


GB/7a/62 Yonder Stands a Lovey Creature Version 1 of 2

File:GB-7a-62.mid

File:GB-7a-62.pdf

File:GB-7a-62.xml

abc notation

X:62
T:GB/7a/62 Yonder Stands a Lovely Creature
T:Version 1 of 2
C:Mr Martin (c. 60), Fletching, Sussex, II. 09
P:F.W. J(ekyll)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:Dmix
G G A B | d d c/B/ A | d A A F | G A E2 |$ E F/G/ A B | A D B, D | E F/G/ A B |
"^(a)" A/G/ E D2 |]$"^(a) var." A E D2 |

Notes on GB/7a/62 In the Take 6 Catalogue the title is recorded as "Younder ...etc." The tune is similar to that of GB/6a/180 but in a different key and at a different pitch. This version also adds a variant in the last bar. The MIDI file GB-7a-62.mid plays out the variant in full


GB/7a/63 Yonder Stands a Lovely Creature Version 2 of 2

File:GB-7a-63.mid

File:GB-7a-63.pdf

File:GB-7a-63.xml

abc notation

X:63
T:GB/7a/63 Yonder Stands a Lovely Creature
T:Version 2 of 2
C:Heygate, Rusper, II. 10
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:4/4
I:linebreak $
K:G
G2 G2 GA Bc | d2 d2 cB G2 | g3 e a3 g | f2 e2 d4 |$ d3 d d2 B2 | g2 e2 d2 GA | B3 c d2 A2 |
c2 BA G4 |]


GB/7a/64 Pretty Ploughboy

File:GB-7a-64.mid

File:GB-7a-64.pdf

File:GB-7a-64.xml

abc notation

X:64
T:GB/7a/64 Pretty Ploughboy
C:Mr G. Hillman (c. 70), Shoreham Workhouse, III.09
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:Ddor
D | G G F G | A2 D E/F/ | G2 F E | D3 D | G ^F G A/B/ | c c d c/B/ | A3 G |$ A G A/B/ c |
d2 c d/c/ | A A G/F/E/D/ | C2 D E | F G A A | G F E F/E/ | D3 |]

Notes on GB/7a/64 The tune is identical to that of GB/6a/142.


GB/7a/65 Come All You Little Streamers

File:GB-7a-65.mid

File:GB-7a-65.pdf

File:GB-7a-65.xml

abc notation

X:65
T:GB/7a/65 Come All You Little Streamers
C:Mr.Spooner (c.70), Midhurst Workhouse, XI. 08
P:F.W. J(ekyll)
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:6/8
I:linebreak $
K:C
B2 d | d2 c AGF | A2 G E2 F | G2 G A2 B | c3- c2 |: c | G2 G !fermata!e2 c | d3 ede |$
c2 c E2 F |1 G3- G2 :|2 G3 B2 d || d2 c AGF | A2 G E2 F | G2 G A2 B | !fermata!c3 |]

Notes on GB/7a/65 The tune is similar to that of GB/6a/48 but there is a minor variation in the fifth full bar.


GB/7a/66 Come My Own One Version 1 of 4

File:GB-7a-66.mid

File:GB-7a-66.pdf

File:GB-7a-66.xml

abc notation

X:66
T:GB/7a/66 Come My Own One Version 1 of 4
C:Mr. H. Webb (c. 70), Stanton St. John, Oxon. V. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
Q:1/4=112
M:3/4
I:linebreak $
K:F
E>F | G>E C2 G>G | A2 F2 c>f | d2 c2 A>F | G4 c>c |$ d2 c2 B2 | c>A F2 A>c | B>B C2 E>G | F4 |]

Notes on GB/7a/66 The tune is identical to that of GB/6a/51.


GB/7a/67 Come My Own One Version 2 of 4

File:GB-7a-67.mid

File:GB-7a-67.pdf

File:GB-7a-67.xml

abc notation

X:67
T:GB/7a/67 Come My Own One Version 2 of 4
C:Young children of Mr. Walter Searle, Amberley, Sussex, VI. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:3/4
I:linebreak $
K:F
A>A | B2 C2 G>F | A2 C2 C>B, | A,>C F>A c>c | G4 c>c |$ d2 c2 A>F | c>A F2 c>c | B2 C>E G2 | F4 |]

Notes on GB/7a/67 The tune is identical to that of GB/6a/52.


GB/7a/68 Come My Own One Version 3 of 4

File:GB-7a-68.mid

File:GB-7a-68.pdf

File:GB-7a-68.xml

abc notation

X:68
T:GB/7a/68 Come My Own One Version 3 of 4
C:"Worcester Peg" (c.70), Stoke Lacy, Herefordshire, IX. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:3/4
I:linebreak $
K:F
F>F | GE C2 B>B | AG F2 FA | d2 c2 (3AGF | G4 FA |$ d2 c2 (3AGF | Ac F2 Ac | B>B C2 DE | F4 |]

Notes on GB/7a/68 The tune is similar to that of GB/6a/53.


GB/7a/69 Come My Own One Version 4 of 4

File:GB-7a-69.mid

File:GB-7a-69.pdf

File:GB-7a-69.xml

abc notation

X:69
T:GB/7a/69 Come My Own One Version 4 of 4
C:Mr. Chalcraft (c. 80), Petworth, XII. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:3/4
I:linebreak $
K:F
F>G | A2 C2 F>G | A2 F2 F>A | c3 d cA | G4 Ac |$ d2 c2 A>F | c>A F2 A>c | B>B C>E G>G | F4 |]

Notes on GB/7a/69 The tune is similar to that of GB/6a/54.


GB/7a/70 All Round My Hat Version 1 of 2

File:GB-7a-70.MID

File:GB-7a-70.pdf

File:GB-7a-70.xml

abc notation

X:70
T:GB/7a/70 All Round My Hat Version 1 of 2
C:Mr. Edmund Knight (c. 70), Washington, Sussex. XII. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
M:6/8
I:linebreak $
K:Gmix
D | G3 AGF | G3 ABc | d2 d edc | d2 c A2 A | G3 AGF |$ G3 ABc | d3 edc | d3- d2 d | de c c2 e |
d2 c A2 B | c2 A d2 G |$ G2 F !fermata!D2 D | G3 AGF | G3 ABc | d2 d c2 B | G3- G2 |]

Notes on GB/7a/70 The tune is identical to that of GB/6a/1.


GB/7a/71 All Round My Hat Version 2 of 2

File:GB-7a-71.MID

File:GB-7a-71.pdf

File:GB-7a-71.xml

abc notation

X:71
T:GB/7a/71 All Around My Hat Version 2 of 2
C:Collected from Mr. Verrall, Horsham, Sussex, July, 1909
Z:Transcribed by Simon Furey and Lewis Jones
L:1/8
Q:1/4=120
M:6/8
I:linebreak $
K:G
D | G3 A2 F | G3 B2 c | d3 c2 B | G2 F D3 | G3 A2 F |$ G3 B2 c | d2 d =f2 e | d3- d2 d |
e2 c c2 e | d2 c A2 B | c2 A d2 G |$ G2 F D2 D | G3 A2 F | G3 B2 c | d3 c2 B | G3- G2 |]


GB/7a/72 Salisbury Plain Version 1 of 3

File:GB-7a-72.mid

File:GB-7a-72.pdf

File:GB-7a-72.xml

abc notation

X:72
T:GB/7a/72 Salisbury Plain Version 1 of 3
C:Mr H. Akhurst (c. 70), Lower Beeding, Sussex VI. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:Ddor
A | A F E D | A2 G/F/ E | D2 A3/2 B/ | c A G A/B/ | c2 d/c/ B | A2 A3/2 B/ |$ c A G A/B/ |
c2 d E | F E D D | A/B/ c d/c/ B | A2 G/F/ E | D3 |]

Notes on GB/7a/72 The tune is identical to that of GB/6a/145.


GB/7a/73 Salisbury Plain Version 2 of 3

File:GB-7a-73.mid

File:GB-7a-73.pdf

File:GB-7a-73.xml

abc notation

X:73
T:GB/67a/73 Salisbury Plain Version 2 of 3
C:Mr Harwood (c. 60), Watersfield, Pulborough VII. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:4/4
I:linebreak $
K:Ddor
A2 | D A G A | G2 A E | D2 A3/2 B/ | c A F A | c2 d c | A3 A/B/ |$ c A F A | c2 d D | F E D C |
c c d c | A2 G3/2 F/ | D2 |]

Notes on GB/7a/73 The tune is identical to that of GB/6a/146. For Version 3 of Salisbury Plain see GB/7a/33B above.


GB/7a/74 Sovay Version 1 of 2

File:GB-7a-74.mid

File:GB-7a-74.pdf

File:GB-7a-74.xml

abc notation

X:74
T:GB/7a/74 Sovay Version 1 of 2
C:Mrs Cranstone (p. 4), Billingshurst, XII. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:3/2
I:linebreak $
K:G
D | G F G2 A2 | G E D3 D | G F G3 A/B/ | c d A2 G3/2 G/ |$ A/B/ c d2 c c | B A G3/2 F/ D E |
=F G F3/2 E/ !fermata!D C | D D d3/2 e/ d c | B A G3 |]

Notes on GB/7a/74 The tune is similar to that of GB/6a/154.


GB/7a/75 Sovay Version 2 of 2

File:GB-7a-75.mid

File:GB-7a-75.pdf

File:GB-7a-75.xml

abc notation

X:75
T:GB/7a/75 Sovay Version 2 of 2
C:Mr Welfare (c.60), East Chiltington, Sussex, VII. 08
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
Q:1/4=120
M:3/2
I:linebreak $
K:G
D |"^(a)" G F G2 A2 | G E D3 G | G F G2 G/A/ B | c B A2 B3/2 c/ |$ d d/B/ c2 d G | A F/E/ D3 D |
G3/2 A/ B3/2 A/ !fermata!G G |[M:5/4] G d c B A |$[M:3/2] B B/A/ G3 || D |
"^(a) var." G F G2 A3/2 G/ | F E D3 G | G F G2 G/A/ B |$ c B A2 B3/2 c/ | d d/B/ c2 d G |
A F/E/ D3 D |$ G3/2 A/ B3/2 A/ !fermata!G G |[M:5/4] G d c B A |[M:3/2] B B/A/ G3 |]

Notes on GB/7a/75 The tune is similar to that of GB/6a/155.


GB/7a/76 The Cruel Father and Affectionate Lovers Version 1 of 3

File:GB-7a-76.mid

File:GB-7a-76.pdf

File:GB-7a-76.xml

abc notation

X:76
T:GB/7a/76 The Cruel Father and Affectionate Lovers
T:Version 1 of 3
C:Mr. George Knight (c. 60), Horsham, IV. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:5/4
I:linebreak $
K:G
D | G E D G G | A A A B B/c/ |[M:6/4] d d c2 B3/2 G/ |[M:5/4] A A G2 :|$ B | c d e c A |
[M:6/4] B c d B z d |[M:5/4] c B A G E | F G D2 D |$ G E D G G | A A A B B/c/ |
[M:6/4] d d c2 B3/2 G/ |[M:5/4] A A G2 |]

Notes on GB/7a/76 The tune is similar to that of GB/6a/56.


GB/7a/76A The Cruel Father and Affectionate Lovers Version 2 of 3

File:GB-7a-76A.mid

File:GB-7a-76A.pdf

File:GB-7a-76A.xml

abc notation

X:76
T:GB/7a/76A The Cruel Father & Affectionate Lovers
T:Version 2 of 3
C:Mr. Walter Searle (c. 40), Amberley, Sussex, VI. 07
Z:Transcribed by Simon Furey and Lewis Jones
W:Note: This tune is crossed out in the original MS. The reason why is unknown.
L:1/4
M:5/4
I:linebreak $
K:G
D | G E D G G | A A A B B/c/ | d e c/B/ A d | G F G2 :| B |$[M:6/4] c d e2 c3/2 A/ |
[M:4/4] B/c/ d2 d | c2 B A |[M:5/4] G G B/c/ d G | A A D2 D |$ G E D G G | A A A B B/c/ |
d e c/B/ A d |[M:4/4] A G2 |]

Notes on GB/7a/76A The tune is similar to that of GB/6a/57. For unknown reasons this tune is crossed out in the original MS; it is also unrecorded in the catalogue and the number "76A" has been added by the transcribers.


GB/7a/77 The Cruel Father and Affectionate Lovers Version 3 of 3

File:GB-7a-77.mid

File:GB-7a-77.pdf

File:GB-7a-77.xml

abc notation

X:77
T:GB/7a/77 The Cruel Father and Affectionate Lovers
T:Version 3 of 3
C:Mrs. Cranstone (p. 4), Billingshurst, VII. 07
Z:Transcribed by Simon Furey and Lewis Jones
L:1/4
M:5/4
I:linebreak $
K:G
D | G G D F A | d d G B d |[M:6/4] c B B3/2 A/ G3/2 E/ |[M:5/4] A A D2 D |$ G G D F A |
d d G B d |[M:6/4] c B B3/2 G/ A A | G4 |]

Notes on GB/7a/77 The tune is identical to that of GB/6a/58.

Retrieved from "https://folkopedia.info/index.php?title=Take_6_Transcription_Programme:_The_Butterworth_Archive,_MS_7a&oldid=11474"