Difference between revisions of "Take 6 Transcription Programme: The Butterworth Archive, MS 7a"

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Line 29: Line 29:
 
'''abc notation'''
 
'''abc notation'''
  
−
X:1
+
X:1<br>
−
T:GB/7a/1 Isle of France Version 1 of 3
+
T:GB/7a/1 Isle of France Version 1 of 3<br>
−
C:Dick Antony (c. 40), Stanford Bishop, Herefordshire, IX. 07
+
C:Dick Antony (c. 40), Stanford Bishop, Herefordshire, IX. 07<br>
−
L:1/8
+
L:1/8<br>
−
M:3/2
+
M:3/2<br>
−
I:linebreak $
+
I:linebreak $<br>
−
K:D
+
K:D<br>
−
DE | F2 A2 F4 B,3 C | D2 D2 D6 A2 | B2 c2 d4 c3 B | ABcA B6 A2 |$ B2 c2 d4 c3 A | ABcA B4 D3 E |  
+
DE | F2 A2 F4 B,3 C | D2 D2 D6 A2 | B2 c2 d4 c3 B | ABcA B6 A2 |$ B2 c2 d4 c3 A | ABcA B4 D3 E |<br>
−
F2 dc B3 A B,3 C | D2 D2 D6 |]  
+
F2 dc B3 A B,3 C | D2 D2 D6 |]<br>
  
  
Line 50: Line 50:
 
'''abc notation'''
 
'''abc notation'''
  
−
X:1A
+
X:1A<br>
−
T:GB/7a/1A Isle of France Version 2 of 3
+
T:GB/7a/1A Isle of France Version 2 of 3<br>
−
C:William Smith (c.40), Stoke Lacey, Herefordshire, IX. 07
+
C:William Smith (c.40), Stoke Lacey, Herefordshire, IX. 07<br>
−
L:1/8
+
L:1/8<br>
−
M:3/2
+
M:3/2<br>
−
I:linebreak $
+
I:linebreak $<br>
−
K:D
+
K:D<br>
−
DE | F2 B2 F4 B,3 C | D2 D2 D6 A2 | B2 c2 d4 c3 B | AB c2 B6 A2 |$ B2 e2 d4 c3 B | A2 c2 B6 DE |  
+
DE | F2 B2 F4 B,3 C | D2 D2 D6 A2 | B2 c2 d4 c3 B | AB c2 B6 A2 |$ B2 e2 d4 c3 B | A2 c2 B6 DE |<br>
−
F2 B2 F4 B,3 C | D2 D2 D6 |]  
+
F2 B2 F4 B,3 C | D2 D2 D6 |]<br>
  
  
Line 71: Line 71:
 
'''abc notation'''
 
'''abc notation'''
  
−
X:1B
+
X:1<br>
−
T:GB/7a/1B Isle of France Version 3 of 3
+
T:GB/7a/1B Isle of France Version 3 of 3<br>
−
C:Mr "Skinner" Crow, Filby, Norfolk, IV. 10
+
C:Mr "Skinner" Crow, Filby, Norfolk, IV. 10<br>
−
P:FW J(ekyll) & GSK B(utterworth)
+
P:FW J(ekyll) & GSK B(utterworth)<br>
−
L:1/8
+
L:1/8<br>
−
M:3/2
+
M:3/2<br>
−
I:linebreak $
+
I:linebreak $<br>
−
K:Dmix
+
K:Dmix<br>
−
D3 E | F2 A2 G2 ED CD E2 | D2 D2 D6 D2 |"^(a)" FGAB c4 AB c2 | d2 dc A6 D2 |$ FGAB c2 A2 B2 c2 |  
+
D3 E | F2 A2 G2 ED CD E2 | D2 D2 D6 D2 |"^(a)" FGAB c4 AB c2 | d2 dc A6 D2 |$ FGAB c2 A2 B2 c2 |<br>
−
"^(b)" d2 dc A6 D2 | FG A2 G2 ED CD E2 | D2 D2 D4 |]$"^(a) var. 1" F2 AB c2 A2 B2 c2 ||  
+
"^(b)" d2 dc A6 D2 | FG A2 G2 ED CD E2 | D2 D2 D4 |]$"^(a) var. 1" F2 AB c2 A2 B2 c2 ||<br>
−
"^(a) var. 2" FGAB c2 A2 B2 c2 | d2 d2 A6 D2 ||"^(b) var. 1" dcBc A6 D2 ||  
+
"^(a) var. 2" FGAB c2 A2 B2 c2 | d2 d2 A6 D2 ||"^(b) var. 1" dcBc A6 D2 ||<br>
−
"^(b) var. 2" d2 dc A6 DE ||  
+
"^(b) var. 2" d2 dc A6 DE ||<br>
  
  
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'''abc notation'''
 
'''abc notation'''
  
−
X:2
+
X:2<br>
−
T:GB/7a/2 Jolly Fellows that Follow the Plough
+
T:GB/7a/2 Jolly Fellows that Follow the Plough<br>
−
T:Version 1 of 2
+
T:Version 1 of 2<br>
−
C:Mr. Ede (c. 40), Bosham, Sussex IV. 07
+
C:Mr. Ede (c. 40), Bosham, Sussex IV. 07<br>
−
L:1/4
+
L:1/4<br>
−
Q:1/4=132
+
Q:1/4=132<br>
−
M:3/4
+
M:3/4<br>
−
I:linebreak $
+
I:linebreak $<br>
−
K:F
+
K:F<br>
−
c | F G A | B d d | c F F | F2 F | F G A | B A B | G c d | c2 c |$ d d c | d f d | c A c | f e f |  
+
c | F G A | B d d | c F F | F2 F | F G A | B A B | G c d | c2 c |$ d d c | d f d | c A c | f e f |<br>
−
d c A | G c B | A F F | F2 |]  
+
d c A | G c B | A F F | F2 |]<br>
  
  
Line 118: Line 118:
 
'''abc notation'''
 
'''abc notation'''
  
−
X:2A
+
X:2<br>
−
T:GB/7a/2A Jolly Fellows that Follow the Plough
+
T:GB/7a/2A Jolly Fellows that Follow the Plough<br>
−
T:Version 2 of 2
+
T:Version 2 of 2<br>
−
C:Mr. Richard Newton
+
C:Mr. Richard Newton<br>
−
P:Noted by FW J(ekyll)
+
P:Noted by FW J(ekyll)<br>
−
L:1/4
+
L:1/4<br>
−
M:3/4
+
M:3/4<br>
−
I:linebreak $
+
I:linebreak $<br>
−
K:F
+
K:F<br>
−
F | A A A | c B G | G F F | F2 A | B A B | c f f | _e c d | c2 c |$ c A c | d/e/ f d | c B c |  
+
F | A A A | c B G | G F F | F2 A | B A B | c f f | _e c d | c2 c |$ c A c | d/e/ f d | c B c |<br>
−
F G A | B A B | c B G | A F F | F2 |]  
+
F G A | B A B | c B G | A F F | F2 |]<br>
  
  
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'''abc notation'''
 
'''abc notation'''
  
−
X:3
+
X:3<br>
−
T:GB/7a/3 American King, The
+
T:GB/7a/3 American King, The<br>
−
C:Mrs. Cranstone (c.50), Wood Dale, Billingshurst, VII. 07.
+
C:Mrs. Cranstone (c.50), Wood Dale, Billingshurst, VII. 07.<br>
−
L:1/8
+
L:1/8<br>
−
M:3/4
+
M:3/4<br>
−
I:linebreak $
+
I:linebreak $<br>
−
K:G
+
K:G<br>
−
GA | B2 B2 cB | A2 A2 BA | G2 E2 F2 | G4 :| GB | d2 d2 ed |$ dB G2 GB | d2 B2 d2 | A4 GA |  
+
GA | B2 B2 cB | A2 A2 BA | G2 E2 F2 | G4 :| GB | d2 d2 ed |$ dB G2 GB | d2 B2 d2 | A4 GA |<br>
−
B3 d cB | AG E2 GE | D2 G2 A2 | G6 |]  
+
B3 d cB | AG E2 GE | D2 G2 A2 | G6 |]<br>
  
  
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'''abc notation'''
 
'''abc notation'''
  
−
X:4
+
X:4<br>
−
T:GB/7a/4 Green Mossy Banks of the Lea Version 1 of 4
+
T:GB/7a/4 Green Mossy Banks of the Lea Version 1 of 4<br>
−
C:Mr Nappin (c. 50), Stanton St. John, Oxon. V. 07
+
C:Mr Nappin (c. 50), Stanton St. John, Oxon. V. 07<br>
−
L:1/4
+
L:1/4<br>
−
M:3/4
+
M:3/4<br>
−
I:linebreak $
+
I:linebreak $<br>
−
K:Daeo
+
K:Daeo<br>
−
D | F A A | F G E | C D E | F G A | F G E | D2 :| D | F G A | B G B | c F2- | F2 F |$ B A B |  
+
D | F A A | F G E | C D E | F G A | F G E | D2 :| D | F G A | B G B | c F2- | F2 F |$ B A B |<br>
−
c B c | d3- | d2 d | c B A | G A G/F/ | D E F | G A A | F G E | D2 |]  
+
c B c | d3- | d2 d | c B A | G A G/F/ | D E F | G A A | F G E | D2 |]<br>
  
  
Line 183: Line 183:
 
'''abc notation'''
 
'''abc notation'''
  
−
X:4A
+
X:4<br>
−
T:GB/7a/4A Green Mossy Banks of the Lea Version 2 of 4
+
T:GB/7a/4A Green Mossy Banks of the Lea Version 2 of 4<br>
−
C:Sung by Mr Lockly (c. 80); sexton at High Ercall, Salop. III. 08
+
C:Sung by Mr Lockly (c. 80); sexton at High Ercall, Salop. III. 08<br>
−
L:1/4
+
L:1/4<br>
−
M:3/4
+
M:3/4<br>
−
I:linebreak $
+
I:linebreak $<br>
−
K:Ddor
+
K:Ddor<br>
−
A, | D D E | F G/F/ D | C !fermata!D F/G/ | A c A | G E/D/ C | D2 :| A | c B A | A/G/ E ^F |  
+
A, | D D E | F G/F/ D | C !fermata!D F/G/ | A c A | G E/D/ C | D2 :| A | c B A | A/G/ E ^F |<br>
−
G !fermata!A A/G/ |$ F E D | D A, B, | C2 (3A,/B,/C/ | D D E | F G/F/ D | C !fermata!D F/G/ |  
+
G !fermata!A A/G/ |$ F E D | D A, B, | C2 (3A,/B,/C/ | D D E | F G/F/ D | C !fermata!D F/G/ |<br>
−
A c A | G E/D/ C | D2 |]  
+
A c A | G E/D/ C | D2 |]<br>
  
  
Line 205: Line 205:
 
'''abc notation'''
 
'''abc notation'''
  
−
X:4B
+
X:4<br>
−
T:GB/7a/4B Green Mossy Banks of the Lea
+
T:GB/7a/4B Green Mossy Banks of the Lea<br>
−
T:Version 3 of 4
+
T:Version 3 of 4<br>
−
C:Mr James Landamore (c. 70) Wroxham, Norfolk IV. 10
+
C:Mr James Landamore (c. 70) Wroxham, Norfolk IV. 10<br>
−
P:FW J(ekyll) & GSK B(utterworth)
+
P:FW J(ekyll) & GSK B(utterworth)<br>
−
L:1/4
+
L:1/4<br>
−
M:3/4
+
M:3/4<br>
−
I:linebreak $
+
I:linebreak $<br>
−
K:Ddor
+
K:Ddor<br>
−
D | F A A | G F D | C !fermata!D D | F A A |$ G F E | D2 :| D | F G A | c A A |$ d !fermata!d D |  
+
D | F A A | G F D | C !fermata!D D | F A A |$ G F E | D2 :| D | F G A | c A A |$ d !fermata!d D |<br>
−
F G A | c A c | d2 d | c A A |$ G F D | C !fermata!D D/E/ | F D E | A, D3/2 C/ | D2 |]  
+
F G A | c A c | d2 d | c A A |$ G F D | C !fermata!D D/E/ | F D E | A, D3/2 C/ | D2 |]<br>
  
  
Line 228: Line 228:
 
'''abc notation'''
 
'''abc notation'''
  
−
X:4C
+
X:4<br>
−
T:GB/7a/4C Green Mossy Banks of the Lea
+
T:GB/7a/4C Green Mossy Banks of the Lea<br>
−
T:Version 4 of 4
+
T:Version 4 of 4<br>
−
C:Mr George Locke (c. 70) Rollesby, Norfolk X. 10
+
C:Mr George Locke (c. 70) Rollesby, Norfolk X. 10<br>
−
P:R V(aughan) W(illiams) & GSK B(utterworth)
+
P:R V(aughan) W(illiams) & GSK B(utterworth)<br>
−
L:1/4
+
L:1/4<br>
−
M:3/4
+
M:3/4<br>
−
I:linebreak $
+
I:linebreak $<br>
−
K:Ddor
+
K:Ddor<br>
−
D/E/ |"^(a)" F G A | c A c | d D2- | D2 D/E/ | F G A/>B/ |"^(b)" c/B/ A/B/ c |$ d2 d |  
+
D/E/ |"^(a)" F G A | c A c | d D2- | D2 D/E/ | F G A/>B/ |"^(b)" c/B/ A/B/ c |$ d2 d |<br>
−
"^(c)" c B A | F G A | C D D/>E/ | A A/B/ c | F G/F/ E | D2 |]$"^(a) var. 1" F E D | c/B/ A/B/ c ||  
+
"^(c)" c B A | F G A | C D D/>E/ | A A/B/ c | F G/F/ E | D2 |]$"^(a) var. 1" F E D | c/B/ A/B/ c ||<br>
−
"^(a) var. 2" F/E/ D A/B/ ||"^(b) var." c/B/ A c | d2 d/>B/ ||$"^(c) var. 1" d B A/G/ | G A G/E/ ||  
+
"^(a) var. 2" F/E/ D A/B/ ||"^(b) var." c/B/ A c | d2 d/>B/ ||$"^(c) var. 1" d B A/G/ | G A G/E/ ||<br>
−
"^(c) var. 2" d B A | G A G/E/ ||"^(c) var. 3" c B A/G/ | F A G/E/ ||  
+
"^(c) var. 2" d B A | G A G/E/ ||"^(c) var. 3" c B A/G/ | F A G/E/ ||<br>
  
  
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'''abc notation'''
 
'''abc notation'''
  
−
X:5
+
X:5<br>
−
T:GB/7a/5 'Twas of a Brisk and Lively Lad Version 1 of 3
+
T:GB/7a/5 'Twas of a Brisk and Lively Lad Version 1 of 3<br>
−
C:Mr Ned Harding (c. 50), Lower Beeding, Sussex VI. 07
+
C:Mr Ned Harding (c. 50), Lower Beeding, Sussex VI. 07<br>
−
L:1/4
+
L:1/4<br>
−
M:4/4
+
M:4/4<br>
−
I:linebreak $
+
I:linebreak $<br>
−
K:A
+
K:A<br>
−
E | E A G A | B c/d/ e e | B/c/ d B B | A3 :| c/d/ | e f e3/2 A/ |$ A F E (3c/d/e/ | f e d/c/ B |  
+
E | E A G A | B c/d/ e e | B/c/ d B B | A3 :| c/d/ | e f e3/2 A/ |$ A F E (3c/d/e/ | f e d/c/ B |<br>
−
A G E F/G/ | A3/2 F/ G A | B c/d/ e e | B/c/ d B B | A3 |]  
+
A G E F/G/ | A3/2 F/ G A | B c/d/ e e | B/c/ d B B | A3 |]<br>
  
  
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'''abc notation'''
 
'''abc notation'''
  
−
X:6
+
X:6<br>
−
T:GB/7a/6 'Twas of a Brisk and Lively Lad
+
T:GB/7a/6 'Twas of a Brisk and Lively Lad<br>
−
T:Version 2 of 3
+
T:Version 2 of 3<br>
−
C:Mr. Cranstone (c. 50) and Mrs. Cranstone (see GB/7a/3), Billingshurst VI. 07
+
C:Mr. Cranstone (c. 50) and Mrs. Cranstone (see GB/7a/3), Billingshurst VI. 07<br>
−
L:1/8
+
L:1/8<br>
−
M:4/4
+
M:4/4<br>
−
I:linebreak $
+
I:linebreak $<br>
−
K:A
+
K:A<br>
−
A2 | d3 d c2 B2 | c2 AG F2 z c | d2 BG A2 BG | E4 EFGE |$ A3 F G2 A2 |"^(a)" B4 c2 e2 |  
+
A2 | d3 d c2 B2 | c2 AG F2 z c | d2 BG A2 BG | E4 EFGE |$ A3 F G2 A2 |"^(a)" B4 c2 e2 |<br>
−
d2 c2 B2 B2 | A6 |]"^(a) var." B2 cB A2 ce |  
+
d2 c2 B2 B2 | A6 |]"^(a) var." B2 cB A2 ce |<br>
  
  
Line 296: Line 296:
 
'''abc notation'''
 
'''abc notation'''
  
−
X:7
+
X:7<br>
 
T:GB/7a/7 'Twas of a Brisk and Lively Lad Version 3 of 3
 
T:GB/7a/7 'Twas of a Brisk and Lively Lad Version 3 of 3
−
C:Mr Edwin Spooner (c. 70), Midhurst Union, XI. 08
+
C:Mr Edwin Spooner (c. 70), Midhurst Union, XI. 08<br>
−
P:GSK B(utterworth) & FW J(ekyll)
+
P:GSK B(utterworth) & FW J(ekyll)<br>
−
L:1/4
+
L:1/4<br>
−
M:4/4
+
M:4/4<br>
−
I:linebreak $
+
I:linebreak $<br>
−
K:A
+
K:A<br>
−
E | A3/2 F/ G A | B3/2 c/ A !fermata!e | d c B B | A3 :| A | e3/2 d/ !fermata!c B |$  
+
E | A3/2 F/ G A | B3/2 c/ A !fermata!e | d c B B | A3 :| A | e3/2 d/ !fermata!c B |$<br>
−
"^(a)" c A/G/ !fermata!F c/e/ | d c B/A/ B | E2 E F/G/ | A2 F G/A/ | B2 c e | d c B/A/ B | A3 |]  
+
"^(a)" c A/G/ !fermata!F c/e/ | d c B/A/ B | E2 E F/G/ | A2 F G/A/ | B2 c e | d c B/A/ B | A3 |]<br>
−
"^(a) var." c A/G/ !fermata!F c |  
+
"^(a) var." c A/G/ !fermata!F c |<br>
  
  
Line 319: Line 319:
 
'''abc notation'''
 
'''abc notation'''
  
−
X:8
+
X:8<br>
−
T:GB/7a/8 Just As the Tide Was Flowing
+
T:GB/7a/8 Just As the Tide Was Flowing<br>
−
T:Version 1 of 3
+
T:Version 1 of 3<br>
−
C:Mr Weekes (c. 80) Ticehurst, Kent IV, 07
+
C:Mr Weekes (c. 80) Ticehurst, Kent IV, 07<br>
−
L:1/8
+
L:1/8<br>
−
M:4/4
+
M:4/4<br>
−
I:linebreak $
+
I:linebreak $<br>
−
K:F
+
K:F<br>
−
AG | F2 D2 D2 C2 | F2 F2 G2 FG | A2 c2 BAGF | D3 E F2 :| AB | c3 A d3 A |$ B2 G2 c3 B |  
+
AG | F2 D2 D2 C2 | F2 F2 G2 FG | A2 c2 BAGF | D3 E F2 :| AB | c3 A d3 A |$ B2 G2 c3 B |<br>
−
A2 A2 G2 FG | A2 C2 !fermata!C2 AG | F2 D2 D2 C2 | F2 F2 G2 F2 | A2 c2 BAGF | D3 E F2 |]  
+
A2 A2 G2 FG | A2 C2 !fermata!C2 AG | F2 D2 D2 C2 | F2 F2 G2 F2 | A2 c2 BAGF | D3 E F2 |]<br>
  
  
Line 341: Line 341:
 
'''abc notation'''
 
'''abc notation'''
  
−
X:9
+
X:9<br>
−
T:GB/7a/9 Just as the Tide was Flowing Version 2 of 3
+
T:GB/7a/9 Just as the Tide was Flowing Version 2 of 3<br>
−
C:Mr Standing (c. 70), Washington, Sussex XII. 07
+
C:Mr Standing (c. 70), Washington, Sussex XII. 07<br>
−
L:1/8
+
L:1/8<br>
−
M:4/4
+
M:4/4<br>
−
I:linebreak $
+
I:linebreak $<br>
−
K:F
+
K:F<br>
−
AG | GF D2 C2 DE |"^(a)" F2 F2 G2 F2 | d2 dc A2 GF | D3 E F2 :| c2 | c2 c2 dcAG |  
+
AG | GF D2 C2 DE |"^(a)" F2 F2 G2 F2 | d2 dc A2 GF | D3 E F2 :| c2 | c2 c2 dcAG |<br>
−
FA c2 !fermata!d2 dc |$ A2 A2 G2 AG | GF D2 !fermata!C2 AG | GF D2 C2 DE | F2 F2 G2 FG |  
+
FA c2 !fermata!d2 dc |$ A2 A2 G2 AG | GF D2 !fermata!C2 AG | GF D2 C2 DE | F2 F2 G2 FG |<br>
−
d2 dc A2 GF | D3 E F2 |]"^(a) var." F2 F2 G2 FG |  
+
d2 dc A2 GF | D3 E F2 |]"^(a) var." F2 F2 G2 FG |<br>
  
  
Line 363: Line 363:
 
'''abc notation'''
 
'''abc notation'''
  
−
X:10
+
X:10<br>
−
T:GB/7a/10 Just As the Tide Was Flowing
+
T:GB/7a/10 Just As the Tide Was Flowing<br>
−
T:Version 3 of 3
+
T:Version 3 of 3<br>
−
C:Mr George Locke (c. 70) Rollerby, Norfolk, X. 10
+
C:Mr George Locke (c. 70) Rollerby, Norfolk, X. 10<br>
−
P:R V(aughan) W(illiams) & GSK B(utterworth)
+
P:R V(aughan) W(illiams) & GSK B(utterworth)<br>
−
L:1/8
+
L:1/8<br>
−
M:2/4
+
M:2/4<br>
−
I:linebreak $
+
I:linebreak $<br>
−
K:F
+
K:F<br>
−
"^(a)" A3 G |[M:4/4] F2 E2 D2 C2 |"^(b)" F2 F2 GA B2 |"^(c)" c3 B AGFE |"^(d)" D3 E F2 A2 |  
+
"^(a)" A3 G |[M:4/4] F2 E2 D2 C2 |"^(b)" F2 F2 GA B2 |"^(c)" c3 B AGFE |"^(d)" D3 E F2 A2 |<br>
−
G2 F2 D2 C2 |$ FE F2 G2 AB | c3 B AGFE | D3 E F2"^(e)" z F | F2 A2 cA F2 | d2 c2 !fermata!c2 c2 |  
+
G2 F2 D2 C2 |$ FE F2 G2 AB | c3 B AGFE | D3 E F2"^(e)" z F | F2 A2 cA F2 | d2 c2 !fermata!c2 c2 |<br>
−
d2 c2 AG F2 |$ AG"^(f)" A2 D4 |[M:2/4] A3 G |[M:4/4] F2 E2 D2 C2 | F2 F2 GA B2 | c3 B AGFc |  
+
d2 c2 AG F2 |$ AG"^(f)" A2 D4 |[M:2/4] A3 G |[M:4/4] F2 E2 D2 C2 | F2 F2 GA B2 | c3 B AGFc |<br>
−
"^(g)" c2 c2 cA !fermata!F2 |]$[M:2/8]"^(a) var." AG ||[M:4/4]"^(b) var." G2 AB GA B2 ||  
+
"^(g)" c2 c2 cA !fermata!F2 |]$[M:2/8]"^(a) var." AG ||[M:4/4]"^(b) var." G2 AB GA B2 ||<br>
−
"^(c) var." c2 c2 A2 F2 ||"^(d) var." DE F2 F2 A2 ||$"^(e) var." D3 E F2 c2 | c2 c2 cA F2 ||  
+
"^(c) var." c2 c2 A2 F2 ||"^(d) var." DE F2 F2 A2 ||$"^(e) var." D3 E F2 c2 | c2 c2 cA F2 ||<br>
−
"^(f) var." AGAF D4 ||"^(g) var." c3 c cA !fermata!F2 ||  
+
"^(f) var." AGAF D4 ||"^(g) var." c3 c cA !fermata!F2 ||<br>
  
 
''Notes on GB/7a/10'' There is some uncertainty over this transcription, which was derived from the scanned image on the ''Take 6'' website. Further reference to the original MS is needed, since part of the scan is illegible and/or unclear.
 
''Notes on GB/7a/10'' There is some uncertainty over this transcription, which was derived from the scanned image on the ''Take 6'' website. Further reference to the original MS is needed, since part of the scan is illegible and/or unclear.
Line 392: Line 392:
 
'''abc notation'''
 
'''abc notation'''
  
−
X:11
+
X:11<br>
−
T: GB/7a/11 God Rest You Merry
+
T: GB/7a/11 God Rest You Merry<br>
−
T: Version 1 of 2
+
T: Version 1 of 2<br>
−
C: Mr. Lockly (c.80), High Ercall, Salop, III. 08
+
C: Mr. Lockly (c.80), High Ercall, Salop, III. 08<br>
−
P: GSK B(utterworth)
+
P: GSK B(utterworth)<br>
−
W: There are slight variations in the notation and the headers, but the melody is identical to that of GB/6a/74.
+
W: There are slight variations in the notation and the headers, but the melody is identical to that of GB/6a/74.<br>
−
W: There, however, the informant's surname is spelt "Lockley."
+
W: There, however, the informant's surname is spelt "Lockley."<br>
−
L:1/4
+
L:1/4<br>
−
M:4/4
+
M:4/4<br>
−
I:linebreak $
+
I:linebreak $<br>
−
K:Edor
+
K:Edor<br>
−
D | E B B A | G F E D | A A A/B/ ^c | B3 :| d | c/B/ A A B/c/ | d c A B/A/ | F E E/F/ G |$  
+
D | E B B A | G F E D | A A A/B/ ^c | B3 :| d | c/B/ A A B/c/ | d c A B/A/ | F E E/F/ G |$<br>
−
A2 G A | e2 d e | B A G F | E2 E/F/ G | A2 F/G/ A | e2 d e | B A G F | E3 |]  
+
A2 G A | e2 d e | B A G F | E2 E/F/ G | A2 F/G/ A | e2 d e | B A G F | E3 |]<br>
  
  
Line 426: Line 426:
 
E2 |E2 B2 B2 A2 |G2 F2 E2 D2 |E2 F2 G2 A2 |B6 :|Bc |<br>
 
E2 |E2 B2 B2 A2 |G2 F2 E2 D2 |E2 F2 G2 A2 |B6 :|Bc |<br>
 
d3 F F2 G2 |A2 A2 G2 A2 |d2 d2 F2 G2 |A4 G2 A2 |B2 d2 cB A2 |B2 A2 G2 F2 |<br>
 
d3 F F2 G2 |A2 A2 G2 A2 |d2 d2 F2 G2 |A4 G2 A2 |B2 d2 cB A2 |B2 A2 G2 F2 |<br>
−
E2 F2 G2 E2 |A4 G2 A2 |B2 d2 cB A2 |B2 A2 G2 F2 |E6 |]
+
E2 F2 G2 E2 |A4 G2 A2 |B2 d2 cB A2 |B2 A2 G2 F2 |E6 |]<br>
  
  

Revision as of 09:29, 3 June 2014

Go to Take 6 Transcription Programme Home Page


Sheet Music Tune Book of Melodies from Butterworth MS 7a

File:Butterworth MS 7a Tune Book.pdf



Book of Incipits of Melodies from Butterworth MS 7a

File:Butterworth MS 7a incipits.pdf



GB/7a/1 Isle of France Version 1 of 3

File:GB-7a-1.mid

File:GB-7a-1.pdf

File:GB-7a-1.xml

abc notation

X:1
T:GB/7a/1 Isle of France Version 1 of 3
C:Dick Antony (c. 40), Stanford Bishop, Herefordshire, IX. 07
L:1/8
M:3/2
I:linebreak $
K:D
DE | F2 A2 F4 B,3 C | D2 D2 D6 A2 | B2 c2 d4 c3 B | ABcA B6 A2 |$ B2 c2 d4 c3 A | ABcA B4 D3 E |
F2 dc B3 A B,3 C | D2 D2 D6 |]


GB/7a/1A Isle of France Version 2 of 3

File:GB-7a-1A.mid

File:GB-7a-1A.pdf

File:GB-7a-1A.xml

abc notation

X:1A
T:GB/7a/1A Isle of France Version 2 of 3
C:William Smith (c.40), Stoke Lacey, Herefordshire, IX. 07
L:1/8
M:3/2
I:linebreak $
K:D
DE | F2 B2 F4 B,3 C | D2 D2 D6 A2 | B2 c2 d4 c3 B | AB c2 B6 A2 |$ B2 e2 d4 c3 B | A2 c2 B6 DE |
F2 B2 F4 B,3 C | D2 D2 D6 |]


GB/7a/1B Isle of France Version 3 of 3

File:GB-7a-1B.mid

File:GB-7a-1B.pdf

File:GB-7a-1B.xml

abc notation

X:1
T:GB/7a/1B Isle of France Version 3 of 3
C:Mr "Skinner" Crow, Filby, Norfolk, IV. 10
P:FW J(ekyll) & GSK B(utterworth)
L:1/8
M:3/2
I:linebreak $
K:Dmix
D3 E | F2 A2 G2 ED CD E2 | D2 D2 D6 D2 |"^(a)" FGAB c4 AB c2 | d2 dc A6 D2 |$ FGAB c2 A2 B2 c2 |
"^(b)" d2 dc A6 D2 | FG A2 G2 ED CD E2 | D2 D2 D4 |]$"^(a) var. 1" F2 AB c2 A2 B2 c2 ||
"^(a) var. 2" FGAB c2 A2 B2 c2 | d2 d2 A6 D2 ||"^(b) var. 1" dcBc A6 D2 ||
"^(b) var. 2" d2 dc A6 DE ||


GB/7a/2 Jolly Fellows that Follow the Plough Version 1 of 2

File:GB-7a-2.mid

File:GB-7a-2.pdf

File:GB-7a-2.xml

abc notation

X:2
T:GB/7a/2 Jolly Fellows that Follow the Plough
T:Version 1 of 2
C:Mr. Ede (c. 40), Bosham, Sussex IV. 07
L:1/4
Q:1/4=132
M:3/4
I:linebreak $
K:F
c | F G A | B d d | c F F | F2 F | F G A | B A B | G c d | c2 c |$ d d c | d f d | c A c | f e f |
d c A | G c B | A F F | F2 |]


GB/7a/2A Jolly Fellows that Follow the Plough Version 2 of 2

File:GB-7a-2A.mid

File:GB-7a-2A.pdf

File:GB-7a-2A.xml

abc notation

X:2
T:GB/7a/2A Jolly Fellows that Follow the Plough
T:Version 2 of 2
C:Mr. Richard Newton
P:Noted by FW J(ekyll)
L:1/4
M:3/4
I:linebreak $
K:F
F | A A A | c B G | G F F | F2 A | B A B | c f f | _e c d | c2 c |$ c A c | d/e/ f d | c B c |
F G A | B A B | c B G | A F F | F2 |]


GB/7a/3 American King, The

File:GB-7a-3.MID

File:GB-7a-3.pdf

File:GB-7a-3.xml

abc notation

X:3
T:GB/7a/3 American King, The
C:Mrs. Cranstone (c.50), Wood Dale, Billingshurst, VII. 07.
L:1/8
M:3/4
I:linebreak $
K:G
GA | B2 B2 cB | A2 A2 BA | G2 E2 F2 | G4 :| GB | d2 d2 ed |$ dB G2 GB | d2 B2 d2 | A4 GA |
B3 d cB | AG E2 GE | D2 G2 A2 | G6 |]


GB/7a/4 Green Mossy Banks of the Lea Version 1 of 4

File:GB-7a-4.mid

File:GB-7a-4.pdf

File:GB-7a-4.xml

abc notation

X:4
T:GB/7a/4 Green Mossy Banks of the Lea Version 1 of 4
C:Mr Nappin (c. 50), Stanton St. John, Oxon. V. 07
L:1/4
M:3/4
I:linebreak $
K:Daeo
D | F A A | F G E | C D E | F G A | F G E | D2 :| D | F G A | B G B | c F2- | F2 F |$ B A B |
c B c | d3- | d2 d | c B A | G A G/F/ | D E F | G A A | F G E | D2 |]


GB/7a/4A Green Mossy Banks of the Lea Version 2 of 4

File:GB-7a-4A.mid

File:GB-7a-4A.pdf

File:GB-7a-4A.xml

abc notation

X:4
T:GB/7a/4A Green Mossy Banks of the Lea Version 2 of 4
C:Sung by Mr Lockly (c. 80); sexton at High Ercall, Salop. III. 08
L:1/4
M:3/4
I:linebreak $
K:Ddor
A, | D D E | F G/F/ D | C !fermata!D F/G/ | A c A | G E/D/ C | D2 :| A | c B A | A/G/ E ^F |
G !fermata!A A/G/ |$ F E D | D A, B, | C2 (3A,/B,/C/ | D D E | F G/F/ D | C !fermata!D F/G/ |
A c A | G E/D/ C | D2 |]


GB7a/4B Green Mossy Banks of the Lea Version 3 of 4

File:GB-7a-4B.mid

File:GB-7a-4B.pdf

File:GB-7a-4B.xml

abc notation

X:4
T:GB/7a/4B Green Mossy Banks of the Lea
T:Version 3 of 4
C:Mr James Landamore (c. 70) Wroxham, Norfolk IV. 10
P:FW J(ekyll) & GSK B(utterworth)
L:1/4
M:3/4
I:linebreak $
K:Ddor
D | F A A | G F D | C !fermata!D D | F A A |$ G F E | D2 :| D | F G A | c A A |$ d !fermata!d D |
F G A | c A c | d2 d | c A A |$ G F D | C !fermata!D D/E/ | F D E | A, D3/2 C/ | D2 |]


GB/7a/4C Green Mossy Banks of the Lea Version 4 of 4

File:GB-7a-4C.mid

File:GB-7a-4C.pdf

File:GB-7a-4C.xml

abc notation

X:4
T:GB/7a/4C Green Mossy Banks of the Lea
T:Version 4 of 4
C:Mr George Locke (c. 70) Rollesby, Norfolk X. 10
P:R V(aughan) W(illiams) & GSK B(utterworth)
L:1/4
M:3/4
I:linebreak $
K:Ddor
D/E/ |"^(a)" F G A | c A c | d D2- | D2 D/E/ | F G A/>B/ |"^(b)" c/B/ A/B/ c |$ d2 d |
"^(c)" c B A | F G A | C D D/>E/ | A A/B/ c | F G/F/ E | D2 |]$"^(a) var. 1" F E D | c/B/ A/B/ c ||
"^(a) var. 2" F/E/ D A/B/ ||"^(b) var." c/B/ A c | d2 d/>B/ ||$"^(c) var. 1" d B A/G/ | G A G/E/ ||
"^(c) var. 2" d B A | G A G/E/ ||"^(c) var. 3" c B A/G/ | F A G/E/ ||


GB/7a/5 'Twas of a Brisk and Lively Lad Version 1 of 3

File:GB-7a-5.mid

File:GB-7a-5.pdf

File:GB-7a-5.xml

abc notation

X:5
T:GB/7a/5 'Twas of a Brisk and Lively Lad Version 1 of 3
C:Mr Ned Harding (c. 50), Lower Beeding, Sussex VI. 07
L:1/4
M:4/4
I:linebreak $
K:A
E | E A G A | B c/d/ e e | B/c/ d B B | A3 :| c/d/ | e f e3/2 A/ |$ A F E (3c/d/e/ | f e d/c/ B |
A G E F/G/ | A3/2 F/ G A | B c/d/ e e | B/c/ d B B | A3 |]


GB/7a/6 'Twas of a Brisk and Lively Lad Version 2 of 3

File:GB-7a-6.mid

File:GB-7a-6.pdf

File:GB-7a-6.xml

abc notation

X:6
T:GB/7a/6 'Twas of a Brisk and Lively Lad
T:Version 2 of 3
C:Mr. Cranstone (c. 50) and Mrs. Cranstone (see GB/7a/3), Billingshurst VI. 07
L:1/8
M:4/4
I:linebreak $
K:A
A2 | d3 d c2 B2 | c2 AG F2 z c | d2 BG A2 BG | E4 EFGE |$ A3 F G2 A2 |"^(a)" B4 c2 e2 |
d2 c2 B2 B2 | A6 |]"^(a) var." B2 cB A2 ce |


GB/7a/7 'Twas of a Brisk and Lively Lad Version 3 of 3

File:GB-7a-7.mid

File:GB-7a-7.pdf

File:GB-7a-7.xml

abc notation

X:7
T:GB/7a/7 'Twas of a Brisk and Lively Lad Version 3 of 3 C:Mr Edwin Spooner (c. 70), Midhurst Union, XI. 08
P:GSK B(utterworth) & FW J(ekyll)
L:1/4
M:4/4
I:linebreak $
K:A
E | A3/2 F/ G A | B3/2 c/ A !fermata!e | d c B B | A3 :| A | e3/2 d/ !fermata!c B |$
"^(a)" c A/G/ !fermata!F c/e/ | d c B/A/ B | E2 E F/G/ | A2 F G/A/ | B2 c e | d c B/A/ B | A3 |]
"^(a) var." c A/G/ !fermata!F c |


GB/7a/8 Just as the Tide Was Flowing Version 1 of 3

File:GB-7a-8.mid

File:GB-7a-8.pdf

File:GB-7a-8.xml

abc notation

X:8
T:GB/7a/8 Just As the Tide Was Flowing
T:Version 1 of 3
C:Mr Weekes (c. 80) Ticehurst, Kent IV, 07
L:1/8
M:4/4
I:linebreak $
K:F
AG | F2 D2 D2 C2 | F2 F2 G2 FG | A2 c2 BAGF | D3 E F2 :| AB | c3 A d3 A |$ B2 G2 c3 B |
A2 A2 G2 FG | A2 C2 !fermata!C2 AG | F2 D2 D2 C2 | F2 F2 G2 F2 | A2 c2 BAGF | D3 E F2 |]


GB/7a/9 Just as the Tide Was Flowing Version 2 of 3

File:GB-7a-9.mid

File:GB-7a-9.pdf

File:GB-7a-9.xml

abc notation

X:9
T:GB/7a/9 Just as the Tide was Flowing Version 2 of 3
C:Mr Standing (c. 70), Washington, Sussex XII. 07
L:1/8
M:4/4
I:linebreak $
K:F
AG | GF D2 C2 DE |"^(a)" F2 F2 G2 F2 | d2 dc A2 GF | D3 E F2 :| c2 | c2 c2 dcAG |
FA c2 !fermata!d2 dc |$ A2 A2 G2 AG | GF D2 !fermata!C2 AG | GF D2 C2 DE | F2 F2 G2 FG |
d2 dc A2 GF | D3 E F2 |]"^(a) var." F2 F2 G2 FG |


GB/7a/10 Just as the Tide Was Flowing Version 3 of 3

File:GB-7a-10.mid

File:GB-7a-10.pdf

File:GB-7a-10.xml

abc notation

X:10
T:GB/7a/10 Just As the Tide Was Flowing
T:Version 3 of 3
C:Mr George Locke (c. 70) Rollerby, Norfolk, X. 10
P:R V(aughan) W(illiams) & GSK B(utterworth)
L:1/8
M:2/4
I:linebreak $
K:F
"^(a)" A3 G |[M:4/4] F2 E2 D2 C2 |"^(b)" F2 F2 GA B2 |"^(c)" c3 B AGFE |"^(d)" D3 E F2 A2 |
G2 F2 D2 C2 |$ FE F2 G2 AB | c3 B AGFE | D3 E F2"^(e)" z F | F2 A2 cA F2 | d2 c2 !fermata!c2 c2 |
d2 c2 AG F2 |$ AG"^(f)" A2 D4 |[M:2/4] A3 G |[M:4/4] F2 E2 D2 C2 | F2 F2 GA B2 | c3 B AGFc |
"^(g)" c2 c2 cA !fermata!F2 |]$[M:2/8]"^(a) var." AG ||[M:4/4]"^(b) var." G2 AB GA B2 ||
"^(c) var." c2 c2 A2 F2 ||"^(d) var." DE F2 F2 A2 ||$"^(e) var." D3 E F2 c2 | c2 c2 cA F2 ||
"^(f) var." AGAF D4 ||"^(g) var." c3 c cA !fermata!F2 ||

Notes on GB/7a/10 There is some uncertainty over this transcription, which was derived from the scanned image on the Take 6 website. Further reference to the original MS is needed, since part of the scan is illegible and/or unclear.


GB/7a/11 God Rest You Merry Version 1 of 2

File:GB-7a-11.mid

File:GB-7a-11.pdf

File:GB-7a-11.xml

abc notation

X:11
T: GB/7a/11 God Rest You Merry
T: Version 1 of 2
C: Mr. Lockly (c.80), High Ercall, Salop, III. 08
P: GSK B(utterworth)
W: There are slight variations in the notation and the headers, but the melody is identical to that of GB/6a/74.
W: There, however, the informant's surname is spelt "Lockley."
L:1/4
M:4/4
I:linebreak $
K:Edor
D | E B B A | G F E D | A A A/B/ ^c | B3 :| d | c/B/ A A B/c/ | d c A B/A/ | F E E/F/ G |$
A2 G A | e2 d e | B A G F | E2 E/F/ G | A2 F/G/ A | e2 d e | B A G F | E3 |]


GB/7a/12 God Rest You Merry Version 2 of 2

File:GB-7a-12.mid

File:GB-7a-12.pdf

File:GB-7a-12.xml

abc notation:

X:12
T:GB/7a/12 God Rest You Merry Version 2 of 2
C:Mrs Cranstone, August, 1911
Q:1/4=120
M:C
L:1/8
K:Edor
E2 |E2 B2 B2 A2 |G2 F2 E2 D2 |E2 F2 G2 A2 |B6 :|Bc |
d3 F F2 G2 |A2 A2 G2 A2 |d2 d2 F2 G2 |A4 G2 A2 |B2 d2 cB A2 |B2 A2 G2 F2 |
E2 F2 G2 E2 |A4 G2 A2 |B2 d2 cB A2 |B2 A2 G2 F2 |E6 |]


GB/7a/13 The Bold Thresherman Version 1 of 3

File:GB-7a-13.MID

File:GB-7a-13.pdf

File:GB-7a-13.xml

abc notation

X:13 T:GB/7a/13 The Bold Thresherman Version 1 of 3 C:Mr. Ned Harding, (c.50) Lower Beeding Sussex, VI. 07 L:1/4 M:4/4 I:linebreak $ K:Fdor F | F c B G | E2 F G | B2 A G | F3 F | B2 c d |$ e2 c c | c f e d | c3 F | B2 c d | e2 c c | c f e d |$ c B G F | B2 A F | E2 F G | B2 A G | F4 |]


GB/7a/14 The Bold Thresherman Version 2 of 3

File:GB-7a-14.MID

File:GB-7a-14.pdf

File:GB-7a-14.xml

abc notation

X:14 T:GB/7a/14 The Bold Thresherman Version 2 of 3 C:Mr. Netley (c.60) Nutbourne, Sussex, VI. 07 L:1/4 M:4/4 I:linebreak $ K:Fmix c | c2 B G | E2 F G | B2 G A/G/ | F3 F | B A B c/d/ |$ e2 c c | f f e d | c3 F | B A B c/d/ | e2 c c |$ f f e f | c B A F | c2 B G | E2 F G/A/ | B2 G A/G/ | F3 |]


GB/7a/15 The Bold Thresherman Version 3 of 3

File:GB-7a-15.mid

File:GB-7a-15.pdf

File:GB-7a-15.xml

abc notation

X:15 T:GB/7a/15 The Bold Thresherman Version 3 of 3 C:Mrs Verrall, to 'Polly Oliver' X. 10 L:1/4 M:4/4 I:linebreak $ K:Gmix G | d2 c A | F2 G B | c2 A B | G3 G | G2 B c |$ d2 e f |"^(a)" g2 f g | d3 G | A2 B c | d2 e f | g2 f g |$ d c B c | d2 c A | F2 G A | c c B A | G3 |$"^(a) var." g2 e f |]


GB/7a/16 Come All You Little Irish Girls Version 1 of 2

File:GB-7a-16.mid

File:GB-7a-16.pdf

File:GB-7a-16.xml

abc notation

X:16 T:GB/7a/16 Come All You Little Irish Girls T:Version 1 of 2 C:Mr Knight (c. 60) Horsham, IV. 07 L:1/8 M:3/4 I:linebreak $ K:G D2 | G2 B2 dd | cc B2 AG | FD G2 AB | G4 :| AB |[M:4/4] c>B c4 BG | B>B B4 GB |$ [M:3/4] d2 dd c>B | A>B c2 BA |[M:4/4] GG D4 dd |[M:3/4] cc BB AG | FD G2 AB | G4 |]


GB/7a/17 Come All You Little Irish Girls Version 2 of 2

File:GB-7a-17.mid

File:GB-7a-17.pdf

File:GB-7a-17.xml

abc notation

X:17 T:GB/7a/17 Come All You Little Irish Girls T:Version 2 of 2 C:Mr Tom Anstey, Beckley, Oxon., V. 07 L:1/8 M:3/4 I:linebreak $ K:G D2 | G2 D2 Bd | dd c2 BB | A>G E2 F2 | G4 :| (3GAB |[M:4/4] c>B c4 D2 | B>A B4 G>B |$ [M:3/4] d2 c2 B2 | A>B c2 B>A |[M:4/4] GG D4 B>d |[M:3/4] de c2 BA | AG E2 F2 | G4 |]


GB/7a/18 Murder of Maria Martin Version 1 of 2

File:GB-7a-18.mid

File:GB-7a-18.pdf

File:GB-7a-18.xml

abc notation

X:18 T:GB/7a/18 Murder of Maria Marten T:Version 1 of 2 C:Mr Jim Wharton (c. 60) Stanton St. John, Oxon. V. 07 L:1/8 M:4/4 I:linebreak $ K:Faeo cd | e2 c2 cB A2 | B2 B2 c2 Bd | c2 B2 BA F2 | E6 AG |$ F2 F2 FEFG | A2 A2 B2 AB | c3 A BA FE | F6 |]


GB/7a/19 Murder of Maria Martin Version 2 of 2

File:GB-7a-19.mid

File:GB-7a-19.pdf

File:GB-7a-19.xml

abc notation

X:19 T:GB/7a/19 Murder of Maria Marten T:Version 2 of 2 C:Mrs Keble (84) Shadingfield, Suffolk. X. 10 L:1/4 M:4/4 I:linebreak $ K:Faeo c/d/ | e c c/B/ A | B B c B | c F F/E/ C/D/ | E3 C |$ F F F E | A A B A/B/ | c3/2 A/ B/A/ F | F3 |]


GB/7a/20 Green Bushes Version 1 of 3

File:GB-7a-20.mid

File:GB-7a-20.pdf

File:GB-7a-20.xml

abc notation

X:20 T:GB/7a/20 Green Bushes Version 1 of 3 C:Mr Puttock (c. 80), Sutton, Pulborough, VII. 07 L:1/4 M:3/4 I:linebreak $ K:Fdor A/G/ | F F G/F/ | E F G | c c/B/ G | E F G | F F G/F/ | E F G | c e d | c2 B |$ c c f | c e d/c/ | B F G | E F G | F3/2 A/ G | E F (3G/A/B/ | c c/B/ G | F2 |]

Notes on GB/7a/20 The key signature has changed, but the tune is identical to that of GB/6a/79.


GB/7a/21 Green Bushes Version 2 of 3

File:GB-7a-21.mid

File:GB-7a-21.pdf

File:GB-7a-21.xml

abc notation

X:21 T:GB/7a/21 Green Bushes Version 2 of 3 C:Mr Cranstone (c. 50), Wood Dale, Billingshurst, VII. 07 L:1/4 M:3/4 I:linebreak $ K:Fdor C | F F G/F/ | E F c | c c/B/ G | F2 C | F F G/F/ | E F c | c d/c/ B | c2 B |$ c c f | c d e | G B G | E F G | F3/2 G/ A | E F G | c c/B/ G | F2 |]

Notes on GB/7a/21 The key signature has changed, but the tune is identical to that of GB/6a/80.


GB/7a/22 Green Bushes Version 3 of 3

File:GB-7a-22.mid

File:GB-7a-22.pdf

File:GB-7a-22.xml

abc notation

X:22 T:GB/7a/22 Green Bushes Version 3 of 3 C:Mr Spooner (c.70) Midhurst Union, XI. 08 L:1/4 M:3/4 I:linebreak $ K:Fmix C | F F G | E F A/B/ | c c/B/ G | E F G/E/ | F F G/F/ | E F A/B/ | c e d | c2 A/B/ |$ c c f | c d e | G B G/F/ | E F G/E/ | F3/2 F/ G/F/ | E F A/B/ | c c/B/ G | F2 |]

Notes on GB/7a/22 The key signature has changed, but the tune is identical to that of GB/6a/82.


GB/7a/23 Spanish Ladies Version 1 of 3

File:GB-7a-23.mid

File:GB-7a-23.pdf

File:GB-7a-23.xml

abc notation

X:23 T:GB/7a/23 Spanish Ladies Version 1 of 3 C:Mr Cooper (c.40), Washington, Sussex, XII. 07 P:F.W. J(ekyll) & G.S.K. B(utterworth) L:1/4 M:3/4 I:linebreak $ K:Aaeo E | A A E | A2 A/B/ | c B A |"^(a)" A !fermata!E E | A A E | A2 A/B/ | c d B | A2 A |$ c B c | d c d | e c A | A !fermata!E !fermata!e/ d/ | c B A | A/G/ E D | E c B | A2"^(a) var." |] G !fermata!E E |


GB/7a/24 Spanish Ladies Version 2 of 3

File:GB-7a-24.mid

File:GB-7a-24.pdf

File:GB-7a-24.xml

abc notation

X:24 T:GB/7a/24 Spanish Ladies Version 2 of 3 C:Mr. Verral (Journal 8) Horsham,l VI. 09 L:1/4 M:3/4 I:linebreak $ K:G A |: E A3/2 G/ | A2 A/B/ |1 c B A || A/G/ E A :|2 c d B || A2 A/B/ | c B A |$ d c d | e A3/2 B/ | A/G/ E2 | z !fermata!e3/2 d/ | c B A | G F D | E c B | A2 |]

Notes on GB/7a/24 The key signature has changed, but the tune is identical to that of GB/6a/159.


GB/7a/25 Spanish Ladies Version 3 of 3

File:GB-7a-25.mid

File:GB-7a-25.pdf

File:GB-7a-25.xml

abc notation

X:25 T:GB/7a/25 Spanish Ladies Version 3 of 3 C:At Winterton, Norfolk, 3.13, by a young sailor L:1/4 M:3/4 I:linebreak $ K:Aaeo (3E/F/G/ | A A B | A ^G A/>B/ | c d B | A/>=G/ !fermata!E (3E/F/G/ | A A B |$ A2 A/>B/ | c d c/A/ | B2 A/B/ | c B A | d ^c d/>"^?"^f/ | e A B |$ A/>G/ !fermata!E !fermata!e/>d/ | c B A | B E D | E c B | A2 |]


GB/7a/26 As I Roamed Out One Midsummer's Morning Version 1 of 2

File:GB-7a-26.MID

File:GB-7a-26.pdf

File:GB-7a-26.xml

abc notation

X:26 T:GB/7a/26 As I Roamed Out One Midsummer's Morning T:Version 1 of 2 C:Mrs. Whiting (see p. 1 Newport, Mon. IV. 08) L:1/4 M:4/4 I:linebreak $ K:Dm "^Rather fast" A, | D3/2 C/ D E |"^(a)" F G E D | G F G/A/ B | A2 D A, | D C D E |$ F2 E D | G3/2 F/ G B | A3 A | d2 c A | G2 F/G/A/=B/ | c =B c/B/A/G/ |$ F D C A, |"^(b)" D3/2 F/ D E | F A c d/c/ | A3/2 G/ F/D/ E | D3 |]$"^variants (a)" F2 F A | c =B c/B/A/G/ | F D C"^Etc" A, || "^(b)" D3/2 F/ E D | c c d/c/A/G/ | F D E F/E/ | D3 |]

Notes on GB/7a/26 The key signature has changed, and there are minor notational differences, but the tune is identical to that of GB/6a/5.


GB/7a/27 As I Roamed Out One Midsummer's Morning Version 2 of 2

File:GB-7a-27.MID

File:GB-7a-27.pdf

File:GB-7a-27.xml

abc notation

X:27 T:GB/7a/27 As I Roamed Out One Midsummer's Morning T:Version 2 of 2 C:Mr. Smith (see p. 1) Newport, Mon. IV. 08. L:1/4 M:4/4 I:linebreak $ K:Daeo "^Slower (i.e. than GB/7a/26) Free rhythm" D | D3/2 C/ D E | F G E D | G3/2 F/ G B | A2 !fermata!D D | D3/2 C/ D E |$ F G E D | G3/2 F/ G B | A3 A | d2 c A | G2 F A | c e d/c/A/G/ |$ F A !fermata!C C | D3/2 C/ D E | F A c d | A G F E | D3 |]

Notes on GB/7a/27 The tune is described here as in "free rhythm" but is otherwise identical to that of GB/6a/6.


GB/7a/28 The Banks of Sweet Primroses Version 1 of 2

File:GB-7a-28.mid

File:GB-7a-28.pdf

File:GB-7a-28.xml

abc notation

X:28 T:GB/7a/28 Banks of Sweet Primroses, The T:Version 1 of 2 C:Battle Workhouse, Sussex, IV. 07 L:1/8 M:3/2 I:linebreak $ K:G D2 | G2 D2 G6 AB | cBAG G4 D2 B2 | d2 e2 d4 G3 E | F2 G2 A4 z2 AB |$"^(a)" cded d4 G3 A | B2 A2 G4 D2 A2 | GFED G2 B2 d2 c2 | B2 A2 G6 |]$"^(a) var." c2 e2 d4 G3 A |


GB/7a/29 The Banks of Sweet Primroses Version 2 of 2

File:GB-7a-29.mid

File:GB-7a-29.pdf

File:GB-7a-29.xml

abc notation

X:29 T:GB/7a/29 Banks of Sweet Primroses, The T:Version 2 of 2 C:Shoreham Workhouse, Sussex, I. 09 L:1/4 M:3/2 I:linebreak $ K:G D | G F G3 A/B/ | c A F D z B | c c B3/2 A/ G E | F G A2 z B |$ c e d2 G A | B A G2 D A/G/ | [M:5/4] F D G d c |[M:3/4] B/G/ A A | G2 |]


GB/7a/30 Henry Martin Version 1 of 3

File:GB-7a-30.mid

File:GB-7a-30.pdf

File:GB-7a-30.xml

abc notation

X:30 T:GB/7a/30 Henry Martin Version 1 of 3 C:Mr Jack Feast (c. 50), Lower Beeding, Sussex, VI. 07 L:1/4 M:3/4 I:linebreak $ K:Dmix G | A2 B | G2 A | G E F | D2 G |"^(a)" A B c | d c d | A2 G |$ A d d | c2 B | c B A | G3/2 E/ D | c d B | A G E/F/ | D2 |]$"^(a) var." G | A c B | c d B | A2 |

Notes on GB/7a/30 The key signature has changed, but the tune is identical to that of GB/6a/87.


GB/7a/31 Henry Martin Version 2 of 3

File:GB-7a-31.mid

File:GB-7a-31.pdf

File:GB-7a-31.xml

abc notation

X:31 T:GB/7a/31 Henry Martin Version 2 of 3 C:Mr Henry Akhurst (c. 70), Lower Beeding, Sussex, VI. 07 L:1/4 M:3/4 I:linebreak $ K:D A | D2 B | A2 B | A E F/E/ | D2 D | F G A | d c B | A2 A | d A B |$ =c B A | A D E | F3/2 E/ D | G3/2 A/ B | A2 F/G/ | A d A/B/ | A F E | D2 |]

Notes on GB/7a/31 The tune is identical to that of GB/6a/88.


GB/7a/32 Henry Martin Version 3 of 3

File:GB-7a-32.mid

File:GB-7a-32.pdf

File:GB-7a-32.xml

abc notation

X:32 T:GB/7a/32 Henry Martin Version 3 of 3 C:Mr G. Hillman, Shoreham Workhouse, Sussex, I. 09 L:1/4 M:3/4 I:linebreak $ K:Ddor A | F E D | A3/2 B/ A | G E C | D2 G |"^(a)" A2 A | c B G | A3- | A2 G |$ A A d | c B A | A D E | F2 F | G3- | G2 F/G/ |"^(b)" A3/2 c/ A | G F E | D2 |]$"^(a) var.i" A B c | d c B | A3 || "^(a) var.ii" A B c | d B c | A3 ||"^(b) var." A3/2 B/ A | G E F | D2 ||

Notes on GB/7a/32 The key signature has changed, but the tune is identical to that of GB/6a/90.


GB/7a/33 Tarry Trowsers Version 1 of 2

File:GB-7a-33.mid

File:GB-7a-33.pdf

File:GB-7a-33.xml

abc notation

X:33 T:GB/7a/33 Tarry Trowsers Version 1 of 2 C:Mrs Verrall (Journal 8) Horsham XI. 08 P:F.W. J(ekyll). L:1/4 M:2/2 I:linebreak $ K:Edor E E B B | G E F D | E E/F/ G G | A A B2 | B B/c/ d e |"^(a)" A/A/A/A/ c d | G E d B | A B E2 |]$ "^(a) var." A A c d |


GB/7a/33B Salisbury Plain Version 3 of 3 (Out of Sequence in EFDSS Catalogue)

File:GB-7a-33B.mid

File:GB-7a-33B.pdf

File:GB-7a-33B.xml

abc notation

X:33 T:GB/7a/33B Salisbury Plain Version 3 of 3 C:Mr Ruff (c. 60), Sutton, Petworth, VII. 09 L:1/4 M:4/4 I:linebreak $ K:Ddor F/G/ | A F E D | A2 G/F/ E | D2 A3/2 B/ | c A F A/B/ | c2 d c | A2 A B |$ c A F A |"^(a)" c2 d E | F E D C | c c d c | A2 G F | D3 |]$"^(a) var." c2 d D |

Notes on GB/7a/33B The key signature has changed, but the tune is identical to that of GB/6a/147. For Versions 1 and 2 of Salisbury Plain see GB/7a/72 and GB/7a/73 below.


GB/7a/34 Tarry Trowsers Version 2 of 2

File:GB-7a-34.mid

File:GB-7a-34.pdf

File:GB-7a-34.xml

abc notation

X:34 T:GB/7a/34 Tarry Trowsers C:Mrs Powell, Minster, Sheppey, VIII.10 L:1/8 Q:1/4=90 M:4/4 I:linebreak $ K:Em E | E2 B>B B>AG>A | B2 (3BAG A>GE>E | A3 B AG EF | G2 A2 B4 |"^(a)" E>F G>A Be !fermata!e>d |$ A2 A>G FA !fermata!d2 | G2 FE (3B2 B2 A2 | G2 F2 E4 || E | E2 B>B B>AG>A | B2 (3BAG A>GE>E |$ A3 B AG EF | G2 A2 B4 |"^(a) var." E>F G>A Be !fermata!e/d/^c | A2 A>G FA !fermata!d2 | G2 FE (3B2 B2 A2 | G2 F2 E4 |]


GB/7a/35 Banks of Green Willow Version 1 of 2

File:GB-7a-35.mid

File:GB-7a-35.pdf

File:GB-7a-35.xml

abc notation

X:35 T:GB/7a/35 Banks of Green Willow Version 1 of 2 C:Mr. and Mrs. Cranstone (p. 4), Billingshurst, VI. 07 L:1/8 M:3/4 I:linebreak $ K:A AB | c3 d B>c | A>B E2 AG | F2 D2 B2 |"^(a)" BG !fermata!E2 EA |$ A2 E2 C>B, | A,>C E2 E2 | F2 d2 B2 | cB A2 |]$"^(a) var." BG !fermata!E2 FG |


GB/7a/36 Banks of Green Willow Version 2 of 2

File:GB-7a-36.MID

File:GB-7a-36.pdf

File:GB-7a-36.xml

abc notation

X:36 T:GB/7a/36 Banks of Green Willow Version 2 of 2 T:Mr. Cornford, East Chiltington, Sussex, VII. 08 L:1/8 M:3/4 I:linebreak $ K:A A>B | c2 A2 B2 | A>G E>F =G>A | F>E D>F A2 | A2 E2 (3EF=G |$ A3 =G E>D | B,>C D2 D>D | E2 B3 E | FG A2 |]

Notes on GB/7a/36 The tune is identical to that of GB/6a/10.


GB/7a/37 Barbara Allen Version 1 of 3

File:GB-7a-37.mid

File:GB-7a-37.pdf

File:GB-7a-37.xml

abc notation

X:37 T:GB/7a/37 Barbara Allen Version 1 of 3 C:Mr. Morley, Wartling, Sussex, IV. 07 L:1/4 M:5/4 I:linebreak $ K:G D | B B B2 A | G A E2 D | G B d2 B | c d z z d | e e d2 B |$ c d/c/ G2"^For the love of Barbara Allen Allen for love" A/ A/ | B c A2 D |[M:3/2] G A B d z c |[M:5/4] B c A2 D | G G- G2 |]


GB/7a/38 Barbara Allen Version 2 of 3

File:GB-7a-38.mid

File:GB-7a-38.pdf

File:GB-7a-38.xml

abc notation

X:38 T:GB/7a/38 Barbara Allen Version 2 of 3 C:Mr. Henry Webb (c. 70), Stanton St. John, Oxon. V. 07. L:1/4 M:5/4 I:linebreak $ K:G G | G B d2 B | B A G2 d | e a g2 e | f d z z d |$ g f e2 d | e d B c d | e d B2 G | A G- G2 |]


GB/7a/39 Barbara Allen Version 3 of 3

File:GB-7a-39.mid

File:GB-7a-39.pdf

File:GB-7a-39.xml

abc notation

X:39 T:GB/7a/39 Barbara Allen Version 3 of 3 C:Mr. Dearling (c. 50), West Burton, Sussex, XII. 07 L:1/4 M:5/4 I:linebreak $ K:G D | G B A2 D | G B A2 G/A/ | B B B A G | B/c/ d z z d |$ e d B A G/A/ | B G/F/ E2 F/G/ | A A F E D | E/F/ G- G2 |]


GB/7a/40 Bold Fisherman Version 1 of 3

File:GB-7a-40.MID

File:GB-7a-40.pdf

File:GB-7a-40.xml

abc notation

X:40 T:GB/7a/40 The Bold Fisherman Version 1 of 3 T:Mr. Spooner c. 70), Midhurst Workhouse XII. 08 T:F.W. J(ekyll) & G.S.K. B(utterworth) L:1/4 M:5/4 I:linebreak $ K:G D | G G E F G | A A D2 D | G G A G A |[M:3/4] B2 B/c/ |$[M:5/4] d B A G A | B B E F G | A A D F A | G2- G2 D | G G A G A |$[M:3/4] B2 B/c/ |[M:5/4] d B A G A | B B E F G | A A D F A | G2- G2 |]

Notes on GB/7a/40 The tune is identical to that of GB/6a/23.


GB/7a/41 Bold Fisherman Version 2 of 3

File:GB-7a-41.mid

File:GB-7a-41.pdf

File:GB-7a-41.xml

abc notation

X:41 T:GB/7a/41 The Bold Fisherman Version 2 of 3 C:Mr. Locke (c. 70) Rollesby, Norfolk, IV. 10 P:F.W. (Jekyll) & G.S.K. B(utterworth) L:1/8 M:5/4 I:linebreak $ K:G D2 | B2 B2 (3BcB A2 G2 | E2 E2 E4 D2 |[M:4/4]"^(a)" G3 A BABc |[M:3/4] d4 d2 |$ [M:5/4] e2 d2 (3BcB A2 G2 | d2 c2 E3 F G2 | c2 B2 D3 E F2 | G4- G4 |]$"^(a) var." G3 A BG Bd |


GB/7a/42 Bold Fisherman Version 3 of 3

File:GB-7a-42.mid

File:GB-7a-42.pdf

File:GB-7a-42.xml

abc notation

X:42 T:GB/7a/42 The Bold Fisherman Version 3 of 3 C:Workhouse, Minster, Kent, IX. 10 L:1/4 M:5/4 I:linebreak $ K:G D |"^(a)" G G E F G | A A D2 D | G G A G A |[M:3/4] B2 B/c/ |[M:5/4] d B A G A |$ B/A/ G E !fermata!D G | A/B/ c D F A |[M:3/4] G2 D |[M:5/4] G G A G A |[M:3/4] B2 B/c/ |$ [M:5/4] d B A G A | B/A/G/F/ E !fermata!D G | A/B/ c D F A | G2- G2 |]$"^(a) var." G G/F/ E F G |]


GB/7a/43 You Seamen Bold that Plough the Ocean Version 1 of 4

File:GB-7a-43.mid

File:GB-7a-43.pdf

File:GB-7a-43.xml

abc notation

X:43 T:GB/7a/43 You Seamen Bold that Plough the Ocean T:Version 1 of 4 C:Mr H. Akhurst (c. 70), Lower Beeding, Sussex VI. 07 L:1/4 M:5/4 I:linebreak $ K:G d | G F G A B | c B A B c | d e =f d3/2 c/ | B A G2 d | G F G A B |$ c B A B c | d g d3/2 c/ B | A A G2 G | d e =f2 d |[M:6/4] =f g f/e/ d z g |[M:5/4] =f e d3/2 c/ B |$ c d A2 d | G F G A B | c B A B c | d g d3/2 c/ B | A A G2 |]


GB/7a/44 You Seamen Bold that Plough the Ocean Version 2 of 4

File:GB-7a-44.mid

File:GB-7a-44.pdf

File:GB-7a-44.xml

abc notation

X:44 T:GB/7a/44 You Seamen Bold that Plough the Ocean T:Version 2 of 4 C:Mr. Harwood, Watersfield, Pulborough, VII. 07 L:1/4 M:5/4 I:linebreak $ K:Gdor d | G F G2 A |[M:6/4] B G !breath!A B- B c | d g f2 d3/2 c/ | A B G2 :| G/A/ |$[M:5/4] B f f2 d | [M:6/4] g g !breath!f d- d d |[M:5/4] g g f e d | d/c/B/c/ d2 d |$ G F G2 A | [M:6/4] B G !breath!A B- B c | d g f2 d3/2 c/ | B A G2 |]


GB/7a/45 You Seamen Bold that Plough the Ocean Version 3 of 4

File:GB-7a-45.mid

File:GB-7a-45.pdf

File:GB-7a-45.xml

abc notation

X:45 T:GB/7a/45 You Seamen Bold that Plough the Ocean T:Version 3 of 4 C:Mr Dearling (c. 50), West Burton, Sussex, VII. 07 L:1/4 M:5/4 I:linebreak $ K:Gdor d | G F G2 G/A/ | B G A B c | d g f d c/B/ | A B G2 :| G/A/ |$ B/c/d/e/ f2 d | [M:6/4] g g f/e/ d- d g |[M:5/4] g g f e d |[M:4/4] d B/c/ d d |$[M:5/4] G F G2 G/A/ | [M:4/4] B A/G/ A/B/ c | d g f d/c/ | A B G2 |]


GB/7a/46 You Seamen Bold that Plough the Ocean Version 4 of 4

File:GB-7a-46.mid

File:GB-7a-46.pdf

File:GB-7a-46.xml

abc notation

X:46 T:GB/7a/46 You Seamen Bold Who Plough the Ocean T:Version 4 of 4 L:1/4 M:5/4 I:linebreak $ K:G D | G F G2 G/A/ |"^? " B c/B/ A B c | d g d2 c/B/ | A B G2 :| c |$ d e =f e d | [M:6/4] g g !breath!f (d3/2 e/) =f |[M:5/4] g g =f e d | c/d/ e d2 D |$ G F G2 G/A/ | B c/B/ A B c | d g d2 c/B/ | A B G2 |]


GB/7a/47 The Trees They Do Grow High Version 1 of 3

File:GB-7a-47.mid

File:GB-7a-47.pdf

File:GB-7a-47.xml

abc notation

X:47 T:GB/7a/47 The Trees They Do Grow High T:Version 1 of 3 C:Mr Cranstone (c.50) Billingshurst, VI.07 L:1/8 Q:1/4=60 M:2/4 I:linebreak $ K:A "^Slow" D2 | A2 AB | c2 B>G | A>G ED | E3 F | =GF GA | B2 A>F | D2 E>D | E3 E | c2 BA |$ c/d/e- ed |[M:3/4] ce A3 B | AG E3 F |[M:2/4] =GA GE | D2 DD | E A3- | A4- | A2 |]


GB/7a/48 The Trees They Do Grow High Version 2 of 3

File:GB-7a-48.mid

File:GB-7a-48.pdf

File:GB-7a-48-var.pdf

File:GB-7a-48.xml

File:GB-7a-48-var.xml

abc notation

X:48 T:GB/7a/48 The Trees They Do Grow High T:Version 2 of 3 C:Mr William Smith, Stoke Lacey, Herefordshire, IX.07 L:1/8 Q:1/4=80 M:4/4 I:linebreak $ K:Ador "^Slow, freely" E2 | E3 A A2 B2 | c2 d4 G2 | A3 B AG E2 | G6 E2 | G2 E2 G3 E | GA B4 G2 |$ A3 B AG F2 | E6 DD |"^(a)" E4 e2 d2 | GB d4 e2 | AB c2 BA G2 | E6 EF |$ G3 A GF E2 | [M:3/4] DD D3 D |[M:4/4] E A3- A4- | A2 z2 z2 || E2 | E3 A A2 B2 | c2 d4 G2 |$ A3 B AG E2 | G6 E2 | G2 E2 G3 E | GA B4 G2 | A3 B AG F2 | E6 DD |$"^(a) var. 1" E2 e2 d3 B | GB d4 e2 | AB c2 BA G2 | E6 EF | G3 A GF E2 |[M:3/4] DD D3 D |$[M:4/4] E A3- A4- | A2 z2 z2 || E2 | E3 A A2 B2 | c2 d4 G2 | A3 B AG E2 | G6 E2 |$ G2 E2 G3 E | GA B4 G2 | A3 B AG F2 | E6 DD |[M:3/4]"^(a) var. 2" D4 DD | [M:4/4] GB d4 e2 |$ AB c2 BA G2 | E6 EF | G3 A GF E2 |[M:3/4] DD D3 D |[M:4/4] E A3- A4- | A2 z2 z2 |]

Notes on GB/7a/48 The MIDI file GB-7a-48.mid plays out all the variants in full; the PDF file GB-7a-48-var.pdf displays all the variants in full; and the MusicXML file GB-7a-48-var.xml contains the full musical notation for all the variants.


GB/7a/49 The Trees They Do Grow High Version 3 of 3

File:GB-7a-49.mid

File:GB-7a-49.pdf

File:GB-7a-49-var.pdf

File:GB-7a-49.xml

File:GB-7a-49-var.xml

abc notation

X:49 T:GB/7a/49 The Trees They Do Grow High T:Version 3 of 3 C:Mrs Whiting (p1) Newport, Mon. IV.08 L:1/8 Q:1/4=150 M:6/8 I:linebreak $ K:Ador "^Rather fast" A2 G | E2 A A2 B |"^(a)" c3 B2 B | A2 B AGE | G3- G2 E | G2 E G2 E | G2 A B2 B |$ "^(b)" A2 G AGE | E3- E2 D | E3 e2 d | G2 B d2 e | AB c BAB |"^(c)" E3- E2 F | G2 A AGE |$ D3 C2 D | E A2- A3- | A3 || A2 G | E2 A A2 B |"^(a) var." c3 BAG | AB A AGE | G3- G2 E |$ G2 E G2 E | G2 A B2 B |"^(b) var." A2 G E2 D | E3- E2 D | E3 e2 d | G2 B d2 e | AB c BAB |$ "^(c) var." BA B E2 F | G2 A AGE | D3 C2 D | E A2- A3- | A3 |]

Notes on GB/7a/49 The MIDI file GB-7a-49.mid plays out all the variants in full; the PDF file GB-7a-49-var.pdf displays all the variants in full; and the MusicXML file GB-7a-49-var.xml contains the full musical notation for all the variants.


GB/7a/50 The True Lover's Farewell

File:GB-7a-50.mid

File:GB-7a-50.pdf

File:GB-7a-50-var.pdf

File:GB-7a-50.xml

File:GB-7a-50-var.xml

abc notation

X:50 T:GB/7a/50 The True Lover's Farewell C:Mrs Cranstone (p.4) Billingshurst, VII.07 L:1/8 Q:1/4=174 M:12/8 I:linebreak $ K:Ador "^Rather fast" A2 B | c3 B2 c A2 B c2 E | E2 F G2 E D3 A2 B | c3 B2 A G2 A B3 | A6- A3 A2 B | "^(a)" c3 B2 c A2 B c2 E |$ E2 F G2 E D3 C2 C | D3 c3 B2 A G2 B | A3 A3 C2 B, C2 D | E3 c3 B2 A G2 B | A6- A3 || A2 B |$ c3 B2 c A2 B c2 E | E2 F G2 E D3 A2 B | c3 B2 A G2 A B3 | A6- A3 A2 B |"^(a) var." c3 B2 c e2 B c2 E |$ E2 F G2 E D3 C2 C | D3 c3 B2 A G2 B | A3 A3 C2 B, C2 D | E3 c3 B2 A G2 B | A6- A3 |]

Notes on GB/7a/50 The MIDI file GB-7a-50.mid plays out all the variants in full; the PDF file GB-7a-50-var.pdf displays all the variants in full; and the MusicXML file GB-7a-50-var.xml contains the full musical notation for all the variants.


GB/7a/51 Erin's Lovely Home Version 1 of 3

File:GB-7a-51.mid

File:GB-7a-51.pdf

File:GB-7a-51.xml

abc notation

X:51 T:GB/7a/51 Erin's Lovely Home Version 1 of 3 C:Mr. Dick Anthony (c. 40), Stanford Bishop, Herefordshire, IX. 07 L:1/4 M:4/4 I:linebreak $ K:Eaeo G/A/ | B B A B/A/ | G E A E | D F E E | E3 |: E/F/ | G E G A | B e d e/d/ |$ B B/A/ G A | B3 :| G/A/ | B B A B/A/ | G E A E | D F E E | E3 |]


GB/7a/52 Erin's Lovely Home Version 2 of 3

File:GB-7a-52.mid

File:GB-7a-52.pdf

File:GB-7a-52var.pdf

File:GB-7a-52.xml

File:GB-7a-52var.xml

abc notation

X:52 T:GB/7a/52 Erin's Lovely Home Version 2 of 3 C:Mr. Spooner (c. 70), Midhurst Workhouse, XI. 08 L:1/4 M:4/4 I:linebreak $ K:Edor G | B B A B | G B A/G/ E | D G E D | E3 |: E | G G F E | e2 !fermata!d e |$"^(a)" B/c/ d B A | B3 :| G | B B A B | G B A/G/ E | D G E D | E3 || G |$ B B A B | G B A/G/ E | D G E D | E3 |: E | G G F E | e2 !fermata!d e |"^(a) var." B d B A |$ B3 :| G | B B A B | G B A/G/ E | D G E D | E3 |]

Notes on GB/7a/52 The MIDI file GB-7a-52.mid plays out all the variants in full; the PDF file GB-7a-52var.pdf displays all the variants in full; and the MusicXML file GB-7a-52var.xml contains the full musical notation for all the variants.


GB/7a/53 Erin's Lovely Home Version 3 of 3

File:GB-7a-53.mid

File:GB-7a-53.pdf

File:GB-7a-53.xml

abc notation

X:53 T:GB/7a/53 Erin's Lovely Home Version 3 of 3 C:Mr. Fletcher, Credenhill, 1906 P:F.W. J(ekyll) & G.S.K. B(utterworth) L:1/4 M:4/4 I:linebreak $ K:Eaeo G/A/ | B B A B | G G A/G/ E | D D E E | E3 |: E | G E G B | e2 d B |$ G G A A | B3 :| G/A/ | B B A B | G G A/G/ E | D D E E | E3 |]


GB/7a/54 Down In Our Village Version 1 of 2

File:GB-7a-54.mid

File:GB-7a-54.pdf

File:GB-7a-54.xml

abc notation

X:54 T:GB/7a/54 Down In Our Village Version 1 of 2 C:Mrs. Verrall (Journal 8), Horsham, XII. 07 L:1/4 M:5/4 I:linebreak $ K:G D | G A B2 G | A B c A d | G A B2 G | B A z z D |$ G B d2 B | c d e2 B | c c D F A | B G- G2 |]


GB/7a/55 Down in Our Village Version 2 of 2

File:GB-7a-55.mid

File:GB-7a-55.pdf

File:GB-7a-55.xml

abc notation

X:55 T:GB/7a/55 Down In Our Village Version 2 of 2 C:Mr. Standing (c. 70), Washington, Sussex, XII. 07 P:F.W. J(ekyll) & G.S.K. B(utterworth) L:1/4 M:5/4 I:linebreak $ K:G D | G G B2 G | F A c2 A | G G B2 G | F A z z D | G B d2 d |$ c c E3/2 F/ G | A A D2 F | A G z z"^Chorus" D | G G G B G | F A c B A |$ G G G B G | F A z z D | G B d2 d | c c E3/2 F/ G | A A D F A | A G- G2 |]


GB/7a/56 On Christmas Night All Christians Sing Version 1 of 2

File:GB-7a-56.mid

File:GB-7a-56.pdf

File:GB-7a-56.xml

abc notation

X:56 T:GB/7a/56 On Christmas Night All Christians Sing T:Version 1 of 2 P:Mr Knight (c. 60), Horsham, IV. 07 L:1/4 M:6/4 I:linebreak $ K:C E | G2 G F2 F | E2 E D C B, | C2 C D E F | E2 D C3 | E3 D2 C | D E F G F E |$ D6 | G3 A3 | w: ||||||||news of| (G2 E) F3 | G3 C2 C | D E F E2 D | C4- C |] w: news * of|news of our|mer- ci- ful sav- iour's|birth *|

Notes on GB/7a/56 The tune is identical to that of GB/6a/125.


GB/7a/57 On Christmas Night All Christians Sing Version 2 of 2

File:GB-7a-57.mid

File:GB-7a-57.pdf

File:GB-7a-57.xml

abc notation

Notes on GB/7a/57 The tune is identical to that of GB/6a/126.

X:57 T:GB/7a/57 On Christmas Night All Christians Sing T:Version 2 of 2 C:Mrs Cranstone (p. 4), Billingshurst, VI. 07 L:1/4 M:6/4 I:linebreak $ K:Cmix C | D2 C D E F | G2 G D2 C | D2 C D E F | G2 G D3 |$ G2 B A3 | G3 F E D | G2 G C2 C | D E F E2 D | C4- C |]


GB/7a/58 Bonny Blooming Highland Jane

File:GB-7a-58.mid

File:GB-7a-58.pdf

File:GB-7a-58.xml

abc notation

X:58 T:GB/7a/58 Bonny Blooming Highland Jane C:Mrs. Whiting (p. 1) Newport, Mon., IV. 08 L:1/8 M:5/4 I:linebreak $ K:Fdor cB | BA F2 F2 E2 FG | A2 A2 B4 AB | c2 !fermata!c2 B2 c3 B | BA F2 E4 !fermata!cB |$ BAFG F2 E2 FG | AG A2 B4 AB | c f2 e ce c3 B | BA FG F4 cd |$ e2 e2 f2 e2 cB | ABcd e4 c2 | fecd c2 B2 AB | cBAF E4 !fermata!cB |$ BAFG F2 E2 FG | A2 A2 B4 AB | c f2 g fe c3 B | BAFG F4 |]

Notes on GB/7a/58 The tune is similar to that of GB/6a/30.


GB/7a/59 Dabbling in the Dew Version 1 of 3

File:GB-7a-59.mid

File:GB-7a-59.pdf

File:GB-7a-59.xml

abc notation

X:59 T:GB/7a/59 Dabbling in the Dew Version 1 of 3 C:Mrs. Cranstone (p. 4), Billingshurst, VI. 07 L:1/8 M:4/4 I:linebreak $ K:Fmix F2 F>G A>G F2 | B2 c>B A>G F2 | B2 B>B c2 c2 | f2 f2 c4 |$ c2 c>d e2 e2 | f2 c>B A>G F>F | G>A B>B c2 c>B | A2 G2 F4 |]

Notes on GB/7a/59 The tune is similar to that of GB/6a/62 but in a different key and at a different pitch.


GB/7a/60 Dabbling in the Dew Version 2 of 3

File:GB-7a-60.mid

File:GB-7a-60.pdf

File:GB-7a-60.xml

abc notation

X:60 T:GB/7a/60 Dabbling in the Dew Version 2 of 3 C:Mrs. Verrall (Journal), Horsham, XII. 07 L:1/8 M:4/4 I:linebreak $ K:F c2 | F2 A>B c2 f2 |[M:5/4] c2 c>B BG F2 c>c |[M:4/4] F>G A>B c2 f>f | e2 c2 c3 c |$ f2 f>g f>e c2 | B2 B>d c>A B>G | F>G A>B c2"^(a)" _e>d | cB G2 F2 |]$"^(a) var." d>c | c2 F2 F2 |]

Notes on GB/7a/60 The tune is similar to that of GB/6a/63 but in a different key and at a different pitch. The MIDI file GB-7a-60.mid plays out the variant in full.


GB/7a/61 Dabbling in the Dew Version 3 of 3

File:GB-7a-61.mid

File:GB-7a-61.pdf

File:GB-7a-61.xml

abc notation

X:61 T:GB/7a/61 Dabbling in the Dew Version 3 of 3 C:(Mrs. Verrall), Ticehurst, Kent, 1906 P:F.W. J(ekyll) L:1/4 M:4/4 I:linebreak $ K:Fmix F F{/G} E{/D} C | F G{/B} A F | B{/c} A{/B} c f |"^(a)"{/d} e c c z |$ f f{/g} e{/d} c | {/d} F{/F} A{/B} c c |{/B} E{/E} G{/_A} B e |{/d} c{/B} G F2 |]$"^(a) var."{/e} c c c z |

Notes on GB/7a/61 The tune is similar to that of GB/6a/64 but in a different key and at a different pitch.


GB/7a/62 Yonder Stands a Lovey Creature Version 1 of 2

File:GB-7a-62.mid

File:GB-7a-62.pdf

File:GB-7a-62.xml

abc notation

X:62 T:GB/7a/62 Yonder Stands a Lovely Creature T:Version 1 of 2 C:Mr Martin (c. 60), Fletching, Sussex, II. 09 P:F.W. J(ekyll) L:1/4 M:4/4 I:linebreak $ K:Dmix G G A B | d d c/B/ A | d A A F | G A E2 |$ E F/G/ A B | A D B, D | E F/G/ A B | "^(a)" A/G/ E D2 |]$"^(a) var." A E D2 |

Notes on GB/7a/62 In the Take 6 Catalogue the title is recorded as "Younder ...etc." The tune is similar to that of GB/6a/180 but in a different key and at a different pitch. This version also adds a variant in the last bar. The MIDI file GB-7a-62.mid plays out the variant in full


GB/7a/63 Yonder Stands a Lovely Creature Version 2 of 2

File:GB-7a-63.mid

File:GB-7a-63.pdf

File:GB-7a-63.xml

abc notation

X:63 T:GB/7a/63 Yonder Stands a Lovely Creature T:Version 2 of 2 C:Heygate, Rusper, II. 10 L:1/8 M:4/4 I:linebreak $ K:G G2 G2 GA Bc | d2 d2 cB G2 | g3 e a3 g | f2 e2 d4 |$ d3 d d2 B2 | g2 e2 d2 GA | B3 c d2 A2 | c2 BA G4 |]


GB/7a/64 Pretty Ploughboy

File:GB-7a-64.mid

File:GB-7a-64.pdf

File:GB-7a-64.xml

abc notation

X:64 T:GB/7a/64 Pretty Ploughboy C:Mr G. Hillman (c. 70), Shoreham Workhouse, III.09 L:1/4 M:4/4 I:linebreak $ K:Ddor D | G G F G | A2 D E/F/ | G2 F E | D3 D | G ^F G A/B/ | c c d c/B/ | A3 G |$ A G A/B/ c | d2 c d/c/ | A A G/F/E/D/ | C2 D E | F G A A | G F E F/E/ | D3 |]

Notes on GB/7a/64 The tune is identical to that of GB/6a/142.


GB/7a/65 Come All You Little Streamers

File:GB-7a-65.mid

File:GB-7a-65.pdf

File:GB-7a-65.xml

abc notation

X:65 T:GB/7a/65 Come All You Little Streamers C:Mr.Spooner (c.70), Midhurst Workhouse, XI. 08 P:F.W. J(ekyll) L:1/8 M:6/8 I:linebreak $ K:C B2 d | d2 c AGF | A2 G E2 F | G2 G A2 B | c3- c2 |: c | G2 G !fermata!e2 c | d3 ede |$ c2 c E2 F |1 G3- G2 :|2 G3 B2 d || d2 c AGF | A2 G E2 F | G2 G A2 B | !fermata!c3 |]

Notes on GB/7a/65 The tune is similar to that of GB/6a/48 but there is a minor variation in the fifth full bar.


GB/7a/66 Come My Own One Version 1 of 4

File:GB-7a-66.mid

File:GB-7a-66.pdf

File:GB-7a-66.xml

abc notation

X:66 T:GB/7a/66 Come My Own One Version 1 of 4 C:Mr. H. Webb (c. 70), Stanton St. John, Oxon. V. 07 L:1/8 Q:1/4=112 M:3/4 I:linebreak $ K:F E>F | G>E C2 G>G | A2 F2 c>f | d2 c2 A>F | G4 c>c |$ d2 c2 B2 | c>A F2 A>c | B>B C2 E>G | F4 |]

Notes on GB/7a/66 The tune is identical to that of GB/6a/51.


GB/7a/67 Come My Own One Version 2 of 4

File:GB-7a-67.mid

File:GB-7a-67.pdf

File:GB-7a-67.xml

abc notation

X:67 T:GB/7a/67 Come My Own One Version 2 of 4 C:Young children of Mr. Walter Searle, Amberley, Sussex, VI. 07 L:1/8 M:3/4 I:linebreak $ K:F A>A | B2 C2 G>F | A2 C2 C>B, | A,>C F>A c>c | G4 c>c |$ d2 c2 A>F | c>A F2 c>c | B2 C>E G2 | F4 |]

Notes on GB/7a/67 The tune is identical to that of GB/6a/52.


GB/7a/68 Come My Own One Version 3 of 4

File:GB-7a-68.mid

File:GB-7a-68.pdf

File:GB-7a-68.xml

abc notation

X:68 T:GB/7a/68 Come My Own One Version 3 of 4 C:"Worcester Peg" (c.70), Stoke Lacy, Herefordshire, IX. 07 L:1/8 M:3/4 I:linebreak $ K:F F>F | GE C2 B>B | AG F2 FA | d2 c2 (3AGF | G4 FA |$ d2 c2 (3AGF | Ac F2 Ac | B>B C2 DE | F4 |]

Notes on GB/7a/68 The tune is similar to that of GB/6a/53.


GB/7a/69 Come My Own One Version 4 of 4

File:GB-7a-69.mid

File:GB-7a-69.pdf

File:GB-7a-69.xml

abc notation

X:69 T:GB/7a/69 Come My Own One Version 4 of 4 C:Mr. Chalcraft (c. 80), Petworth, XII. 07 L:1/8 M:3/4 I:linebreak $ K:F F>G | A2 C2 F>G | A2 F2 F>A | c3 d cA | G4 Ac |$ d2 c2 A>F | c>A F2 A>c | B>B C>E G>G | F4 |]

Notes on GB/7a/69 The tune is similar to that of GB/6a/54.


GB/7a/70 All Round My Hat Version 1 of 2

File:GB-7a-70.MID

File:GB-7a-70.pdf

File:GB-7a-70.xml

abc notation

X:70 T:GB/7a/70 All Round My Hat Version 1 of 2 C:Mr. Edmund Knight (c. 70), Washington, Sussex. XII. 07 L:1/8 M:6/8 I:linebreak $ K:Gmix D | G3 AGF | G3 ABc | d2 d edc | d2 c A2 A | G3 AGF |$ G3 ABc | d3 edc | d3- d2 d | de c c2 e | d2 c A2 B | c2 A d2 G |$ G2 F !fermata!D2 D | G3 AGF | G3 ABc | d2 d c2 B | G3- G2 |]

Notes on GB/7a/70 The tune is identical to that of GB/6a/1.


GB/7a/71 All Round My Hat Version 2 of 2

File:GB-7a-71.MID

File:GB-7a-71.pdf

File:GB-7a-71.xml

abc notation

X:71 T:GB/7a/71 All Around My Hat Version 2 of 2 C:Collected from Mr. Verrall, Horsham, Sussex, July, 1909 L:1/8 Q:1/4=120 M:6/8 I:linebreak $ K:G D | G3 A2 F | G3 B2 c | d3 c2 B | G2 F D3 | G3 A2 F |$ G3 B2 c | d2 d =f2 e | d3- d2 d | e2 c c2 e | d2 c A2 B | c2 A d2 G |$ G2 F D2 D | G3 A2 F | G3 B2 c | d3 c2 B | G3- G2 |]


GB/7a/72 Salisbury Plain Version 1 of 3

File:GB-7a-72.mid

File:GB-7a-72.pdf

File:GB-7a-72.xml

abc notation

X:72 T:GB/7a/72 Salisbury Plain Version 1 of 3 C:Mr H. Akhurst (c. 70), Lower Beeding, Sussex VI. 07 L:1/4 M:4/4 I:linebreak $ K:Ddor A | A F E D | A2 G/F/ E | D2 A3/2 B/ | c A G A/B/ | c2 d/c/ B | A2 A3/2 B/ |$ c A G A/B/ | c2 d E | F E D D | A/B/ c d/c/ B | A2 G/F/ E | D3 |]

Notes on GB/7a/72 The tune is identical to that of GB/6a/145.


GB/7a/73 Salisbury Plain Version 2 of 3

File:GB-7a-73.mid

File:GB-7a-73.pdf

File:GB-7a-73.xml

abc notation

X:73 T:GB/67a/73 Salisbury Plain Version 2 of 3 C:Mr Harwood (c. 60), Watersfield, Pulborough VII. 07 L:1/4 M:4/4 I:linebreak $ K:Ddor A2 | D A G A | G2 A E | D2 A3/2 B/ | c A F A | c2 d c | A3 A/B/ |$ c A F A | c2 d D | F E D C | c c d c | A2 G3/2 F/ | D2 |]

Notes on GB/7a/73 The tune is identical to that of GB/6a/146. For Version 3 of Salisbury Plain see GB/7a/33B above.


GB/7a/74 Sovay Version 1 of 2

File:GB-7a-74.mid

File:GB-7a-74.pdf

File:GB-7a-74.xml

abc notation

X:74 T:GB/7a/74 Sovay Version 1 of 2 C:Mrs Cranstone (p. 4), Billingshurst, XII. 07 L:1/4 M:3/2 I:linebreak $ K:G D | G F G2 A2 | G E D3 D | G F G3 A/B/ | c d A2 G3/2 G/ |$ A/B/ c d2 c c | B A G3/2 F/ D E | =F G F3/2 E/ !fermata!D C | D D d3/2 e/ d c | B A G3 |]

Notes on GB/7a/74 The tune is similar to that of GB/6a/154.


GB/7a/75 Sovay Version 2 of 2

File:GB-7a-75.mid

File:GB-7a-75.pdf

File:GB-7a-75.xml

abc notation

X:75 T:GB/7a/75 Sovay Version 2 of 2 C:Mr Welfare (c.60), East Chiltington, Sussex, VII. 08 L:1/4 Q:1/4=120 M:3/2 I:linebreak $ K:G D |"^(a)" G F G2 A2 | G E D3 G | G F G2 G/A/ B | c B A2 B3/2 c/ |$ d d/B/ c2 d G | A F/E/ D3 D | G3/2 A/ B3/2 A/ !fermata!G G |[M:5/4] G d c B A |$[M:3/2] B B/A/ G3 || D | "^(a) var." G F G2 A3/2 G/ | F E D3 G | G F G2 G/A/ B |$ c B A2 B3/2 c/ | d d/B/ c2 d G | A F/E/ D3 D |$ G3/2 A/ B3/2 A/ !fermata!G G |[M:5/4] G d c B A |[M:3/2] B B/A/ G3 |]

Notes on GB/7a/75 The tune is similar to that of GB/6a/155.


GB/7a/76 The Cruel Father and Affectionate Lovers Version 1 of 3

File:GB-7a-76.mid

File:GB-7a-76.pdf

File:GB-7a-76.xml

abc notation

X:76 T:GB/7a/76 The Cruel Father and Affectionate Lovers T:Version 1 of 3 C:Mr. George Knight (c. 60), Horsham, IV. 07 L:1/4 M:5/4 I:linebreak $ K:G D | G E D G G | A A A B B/c/ |[M:6/4] d d c2 B3/2 G/ |[M:5/4] A A G2 :|$ B | c d e c A | [M:6/4] B c d B z d |[M:5/4] c B A G E | F G D2 D |$ G E D G G | A A A B B/c/ | [M:6/4] d d c2 B3/2 G/ |[M:5/4] A A G2 |]

Notes on GB/7a/76 The tune is similar to that of GB/6a/56.


GB/7a/76A The Cruel Father and Affectionate Lovers Version 2 of 3

File:GB-7a-76A.mid

File:GB-7a-76A.pdf

File:GB-7a-76A.xml

abc notation

X:76 T:GB/7a/76A The Cruel Father & Affectionate Lovers T:Version 2 of 3 C:Mr. Walter Searle (c. 40), Amberley, Sussex, VI. 07 W:Note: This tune is crossed out in the original MS. The reason why is unknown. L:1/4 M:5/4 I:linebreak $ K:G D | G E D G G | A A A B B/c/ | d e c/B/ A d | G F G2 :| B |$[M:6/4] c d e2 c3/2 A/ | [M:4/4] B/c/ d2 d | c2 B A |[M:5/4] G G B/c/ d G | A A D2 D |$ G E D G G | A A A B B/c/ | d e c/B/ A d |[M:4/4] A G2 |]

Notes on GB/7a/76A The tune is similar to that of GB/6a/57. For unknown reasons this tune is crossed out in the original MS; it is also unrecorded in the catalogue and the number "76A" has been added by the transcribers.


GB/7a/77 The Cruel Father and Affectionate Lovers Version 3 of 3

File:GB-7a-77.mid

File:GB-7a-77.pdf

File:GB-7a-77.xml

abc notation

X:77 T:GB/7a/77 The Cruel Father and Affectionate Lovers T:Version 3 of 3 C:Mrs. Cranstone (p. 4), Billingshurst, VII. 07 L:1/4 M:5/4 I:linebreak $ K:G D | G G D F A | d d G B d |[M:6/4] c B B3/2 A/ G3/2 E/ |[M:5/4] A A D2 D |$ G G D F A | d d G B d |[M:6/4] c B B3/2 G/ A A | G4 |]

Notes on GB/7a/77 The tune is identical to that of GB/6a/58.

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