Difference between revisions of "Take 6 Transcription Programme: The Butterworth Archive, MS 7a"
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| Line 28: | Line 28: | ||
'''abc notation''' | '''abc notation''' | ||
| + | |||
| + | X:1 | ||
| + | T:GB/7a/1 Isle of France Version 1 of 3 | ||
| + | C:Dick Antony (c. 40), Stanford Bishop, Herefordshire, IX. 07 | ||
| + | L:1/8 | ||
| + | M:3/2 | ||
| + | I:linebreak $ | ||
| + | K:D | ||
| + | DE | F2 A2 F4 B,3 C | D2 D2 D6 A2 | B2 c2 d4 c3 B | ABcA B6 A2 |$ B2 c2 d4 c3 A | ABcA B4 D3 E | | ||
| + | F2 dc B3 A B,3 C | D2 D2 D6 |] | ||
| Line 39: | Line 49: | ||
'''abc notation''' | '''abc notation''' | ||
| + | |||
| + | X:1A | ||
| + | T:GB/7a/1A Isle of France Version 2 of 3 | ||
| + | C:William Smith (c.40), Stoke Lacey, Herefordshire, IX. 07 | ||
| + | L:1/8 | ||
| + | M:3/2 | ||
| + | I:linebreak $ | ||
| + | K:D | ||
| + | DE | F2 B2 F4 B,3 C | D2 D2 D6 A2 | B2 c2 d4 c3 B | AB c2 B6 A2 |$ B2 e2 d4 c3 B | A2 c2 B6 DE | | ||
| + | F2 B2 F4 B,3 C | D2 D2 D6 |] | ||
| Line 50: | Line 70: | ||
'''abc notation''' | '''abc notation''' | ||
| + | |||
| + | X:1B | ||
| + | T:GB/7a/1B Isle of France Version 3 of 3 | ||
| + | C:Mr "Skinner" Crow, Filby, Norfolk, IV. 10 | ||
| + | P:FW J(ekyll) & GSK B(utterworth) | ||
| + | L:1/8 | ||
| + | M:3/2 | ||
| + | I:linebreak $ | ||
| + | K:Dmix | ||
| + | D3 E | F2 A2 G2 ED CD E2 | D2 D2 D6 D2 |"^(a)" FGAB c4 AB c2 | d2 dc A6 D2 |$ FGAB c2 A2 B2 c2 | | ||
| + | "^(b)" d2 dc A6 D2 | FG A2 G2 ED CD E2 | D2 D2 D4 |]$"^(a) var. 1" F2 AB c2 A2 B2 c2 || | ||
| + | "^(a) var. 2" FGAB c2 A2 B2 c2 | d2 d2 A6 D2 ||"^(b) var. 1" dcBc A6 D2 || | ||
| + | "^(b) var. 2" d2 dc A6 DE || | ||
| Line 61: | Line 94: | ||
'''abc notation''' | '''abc notation''' | ||
| + | |||
| + | X:2 | ||
| + | T:GB/7a/2 Jolly Fellows that Follow the Plough | ||
| + | T:Version 1 of 2 | ||
| + | C:Mr. Ede (c. 40), Bosham, Sussex IV. 07 | ||
| + | L:1/4 | ||
| + | Q:1/4=132 | ||
| + | M:3/4 | ||
| + | I:linebreak $ | ||
| + | K:F | ||
| + | c | F G A | B d d | c F F | F2 F | F G A | B A B | G c d | c2 c |$ d d c | d f d | c A c | f e f | | ||
| + | d c A | G c B | A F F | F2 |] | ||
| Line 72: | Line 117: | ||
'''abc notation''' | '''abc notation''' | ||
| + | |||
| + | X:2A | ||
| + | T:GB/7a/2A Jolly Fellows that Follow the Plough | ||
| + | T:Version 2 of 2 | ||
| + | C:Mr. Richard Newton | ||
| + | P:Noted by FW J(ekyll) | ||
| + | L:1/4 | ||
| + | M:3/4 | ||
| + | I:linebreak $ | ||
| + | K:F | ||
| + | F | A A A | c B G | G F F | F2 A | B A B | c f f | _e c d | c2 c |$ c A c | d/e/ f d | c B c | | ||
| + | F G A | B A B | c B G | A F F | F2 |] | ||
| Line 83: | Line 140: | ||
'''abc notation''' | '''abc notation''' | ||
| + | |||
| + | X:3 | ||
| + | T:GB/7a/3 American King, The | ||
| + | C:Mrs. Cranstone (c.50), Wood Dale, Billingshurst, VII. 07. | ||
| + | L:1/8 | ||
| + | M:3/4 | ||
| + | I:linebreak $ | ||
| + | K:G | ||
| + | GA | B2 B2 cB | A2 A2 BA | G2 E2 F2 | G4 :| GB | d2 d2 ed |$ dB G2 GB | d2 B2 d2 | A4 GA | | ||
| + | B3 d cB | AG E2 GE | D2 G2 A2 | G6 |] | ||
| Line 94: | Line 161: | ||
'''abc notation''' | '''abc notation''' | ||
| + | |||
| + | X:4 | ||
| + | T:GB/7a/4 Green Mossy Banks of the Lea Version 1 of 4 | ||
| + | C:Mr Nappin (c. 50), Stanton St. John, Oxon. V. 07 | ||
| + | L:1/4 | ||
| + | M:3/4 | ||
| + | I:linebreak $ | ||
| + | K:Daeo | ||
| + | D | F A A | F G E | C D E | F G A | F G E | D2 :| D | F G A | B G B | c F2- | F2 F |$ B A B | | ||
| + | c B c | d3- | d2 d | c B A | G A G/F/ | D E F | G A A | F G E | D2 |] | ||
| Line 105: | Line 182: | ||
'''abc notation''' | '''abc notation''' | ||
| + | |||
| + | X:4A | ||
| + | T:GB/7a/4A Green Mossy Banks of the Lea Version 2 of 4 | ||
| + | C:Sung by Mr Lockly (c. 80); sexton at High Ercall, Salop. III. 08 | ||
| + | L:1/4 | ||
| + | M:3/4 | ||
| + | I:linebreak $ | ||
| + | K:Ddor | ||
| + | A, | D D E | F G/F/ D | C !fermata!D F/G/ | A c A | G E/D/ C | D2 :| A | c B A | A/G/ E ^F | | ||
| + | G !fermata!A A/G/ |$ F E D | D A, B, | C2 (3A,/B,/C/ | D D E | F G/F/ D | C !fermata!D F/G/ | | ||
| + | A c A | G E/D/ C | D2 |] | ||
| Line 116: | Line 204: | ||
'''abc notation''' | '''abc notation''' | ||
| + | |||
| + | X:4B | ||
| + | T:GB/7a/4B Green Mossy Banks of the Lea | ||
| + | T:Version 3 of 4 | ||
| + | C:Mr James Landamore (c. 70) Wroxham, Norfolk IV. 10 | ||
| + | P:FW J(ekyll) & GSK B(utterworth) | ||
| + | L:1/4 | ||
| + | M:3/4 | ||
| + | I:linebreak $ | ||
| + | K:Ddor | ||
| + | D | F A A | G F D | C !fermata!D D | F A A |$ G F E | D2 :| D | F G A | c A A |$ d !fermata!d D | | ||
| + | F G A | c A c | d2 d | c A A |$ G F D | C !fermata!D D/E/ | F D E | A, D3/2 C/ | D2 |] | ||
| Line 127: | Line 227: | ||
'''abc notation''' | '''abc notation''' | ||
| + | |||
| + | X:4C | ||
| + | T:GB/7a/4C Green Mossy Banks of the Lea | ||
| + | T:Version 4 of 4 | ||
| + | C:Mr George Locke (c. 70) Rollesby, Norfolk X. 10 | ||
| + | P:R V(aughan) W(illiams) & GSK B(utterworth) | ||
| + | L:1/4 | ||
| + | M:3/4 | ||
| + | I:linebreak $ | ||
| + | K:Ddor | ||
| + | D/E/ |"^(a)" F G A | c A c | d D2- | D2 D/E/ | F G A/>B/ |"^(b)" c/B/ A/B/ c |$ d2 d | | ||
| + | "^(c)" c B A | F G A | C D D/>E/ | A A/B/ c | F G/F/ E | D2 |]$"^(a) var. 1" F E D | c/B/ A/B/ c || | ||
| + | "^(a) var. 2" F/E/ D A/B/ ||"^(b) var." c/B/ A c | d2 d/>B/ ||$"^(c) var. 1" d B A/G/ | G A G/E/ || | ||
| + | "^(c) var. 2" d B A | G A G/E/ ||"^(c) var. 3" c B A/G/ | F A G/E/ || | ||
| Line 138: | Line 252: | ||
'''abc notation''' | '''abc notation''' | ||
| + | |||
| + | X:5 | ||
| + | T:GB/7a/5 'Twas of a Brisk and Lively Lad Version 1 of 3 | ||
| + | C:Mr Ned Harding (c. 50), Lower Beeding, Sussex VI. 07 | ||
| + | L:1/4 | ||
| + | M:4/4 | ||
| + | I:linebreak $ | ||
| + | K:A | ||
| + | E | E A G A | B c/d/ e e | B/c/ d B B | A3 :| c/d/ | e f e3/2 A/ |$ A F E (3c/d/e/ | f e d/c/ B | | ||
| + | A G E F/G/ | A3/2 F/ G A | B c/d/ e e | B/c/ d B B | A3 |] | ||
| Line 149: | Line 273: | ||
'''abc notation''' | '''abc notation''' | ||
| + | |||
| + | X:6 | ||
| + | T:GB/7a/6 'Twas of a Brisk and Lively Lad | ||
| + | T:Version 2 of 3 | ||
| + | C:Mr. Cranstone (c. 50) and Mrs. Cranstone (see GB/7a/3), Billingshurst VI. 07 | ||
| + | L:1/8 | ||
| + | M:4/4 | ||
| + | I:linebreak $ | ||
| + | K:A | ||
| + | A2 | d3 d c2 B2 | c2 AG F2 z c | d2 BG A2 BG | E4 EFGE |$ A3 F G2 A2 |"^(a)" B4 c2 e2 | | ||
| + | d2 c2 B2 B2 | A6 |]"^(a) var." B2 cB A2 ce | | ||
| Line 160: | Line 295: | ||
'''abc notation''' | '''abc notation''' | ||
| + | |||
| + | X:7 | ||
| + | T:GB/7a/7 'Twas of a Brisk and Lively Lad Version 3 of 3 | ||
| + | C:Mr Edwin Spooner (c. 70), Midhurst Union, XI. 08 | ||
| + | P:GSK B(utterworth) & FW J(ekyll) | ||
| + | L:1/4 | ||
| + | M:4/4 | ||
| + | I:linebreak $ | ||
| + | K:A | ||
| + | E | A3/2 F/ G A | B3/2 c/ A !fermata!e | d c B B | A3 :| A | e3/2 d/ !fermata!c B |$ | ||
| + | "^(a)" c A/G/ !fermata!F c/e/ | d c B/A/ B | E2 E F/G/ | A2 F G/A/ | B2 c e | d c B/A/ B | A3 |] | ||
| + | "^(a) var." c A/G/ !fermata!F c | | ||
| Line 171: | Line 318: | ||
'''abc notation''' | '''abc notation''' | ||
| + | |||
| + | X:8 | ||
| + | T:GB/7a/8 Just As the Tide Was Flowing | ||
| + | T:Version 1 of 3 | ||
| + | C:Mr Weekes (c. 80) Ticehurst, Kent IV, 07 | ||
| + | L:1/8 | ||
| + | M:4/4 | ||
| + | I:linebreak $ | ||
| + | K:F | ||
| + | AG | F2 D2 D2 C2 | F2 F2 G2 FG | A2 c2 BAGF | D3 E F2 :| AB | c3 A d3 A |$ B2 G2 c3 B | | ||
| + | A2 A2 G2 FG | A2 C2 !fermata!C2 AG | F2 D2 D2 C2 | F2 F2 G2 F2 | A2 c2 BAGF | D3 E F2 |] | ||
| Line 182: | Line 340: | ||
'''abc notation''' | '''abc notation''' | ||
| + | |||
| + | X:9 | ||
| + | T:GB/7a/9 Just as the Tide was Flowing Version 2 of 3 | ||
| + | C:Mr Standing (c. 70), Washington, Sussex XII. 07 | ||
| + | L:1/8 | ||
| + | M:4/4 | ||
| + | I:linebreak $ | ||
| + | K:F | ||
| + | AG | GF D2 C2 DE |"^(a)" F2 F2 G2 F2 | d2 dc A2 GF | D3 E F2 :| c2 | c2 c2 dcAG | | ||
| + | FA c2 !fermata!d2 dc |$ A2 A2 G2 AG | GF D2 !fermata!C2 AG | GF D2 C2 DE | F2 F2 G2 FG | | ||
| + | d2 dc A2 GF | D3 E F2 |]"^(a) var." F2 F2 G2 FG | | ||
| Line 193: | Line 362: | ||
'''abc notation''' | '''abc notation''' | ||
| + | |||
| + | X:10 | ||
| + | T:GB/7a/10 Just As the Tide Was Flowing | ||
| + | T:Version 3 of 3 | ||
| + | C:Mr George Locke (c. 70) Rollerby, Norfolk, X. 10 | ||
| + | P:R V(aughan) W(illiams) & GSK B(utterworth) | ||
| + | L:1/8 | ||
| + | M:2/4 | ||
| + | I:linebreak $ | ||
| + | K:F | ||
| + | "^(a)" A3 G |[M:4/4] F2 E2 D2 C2 |"^(b)" F2 F2 GA B2 |"^(c)" c3 B AGFE |"^(d)" D3 E F2 A2 | | ||
| + | G2 F2 D2 C2 |$ FE F2 G2 AB | c3 B AGFE | D3 E F2"^(e)" z F | F2 A2 cA F2 | d2 c2 !fermata!c2 c2 | | ||
| + | d2 c2 AG F2 |$ AG"^(f)" A2 D4 |[M:2/4] A3 G |[M:4/4] F2 E2 D2 C2 | F2 F2 GA B2 | c3 B AGFc | | ||
| + | "^(g)" c2 c2 cA !fermata!F2 |]$[M:2/8]"^(a) var." AG ||[M:4/4]"^(b) var." G2 AB GA B2 || | ||
| + | "^(c) var." c2 c2 A2 F2 ||"^(d) var." DE F2 F2 A2 ||$"^(e) var." D3 E F2 c2 | c2 c2 cA F2 || | ||
| + | "^(f) var." AGAF D4 ||"^(g) var." c3 c cA !fermata!F2 || | ||
''Notes on GB/7a/10'' There is some uncertainty over this transcription, which was derived from the scanned image on the ''Take 6'' website. Further reference to the original MS is needed, since part of the scan is illegible and/or unclear. | ''Notes on GB/7a/10'' There is some uncertainty over this transcription, which was derived from the scanned image on the ''Take 6'' website. Further reference to the original MS is needed, since part of the scan is illegible and/or unclear. | ||
| Line 206: | Line 391: | ||
'''abc notation''' | '''abc notation''' | ||
| + | |||
| + | X:11 | ||
| + | T: GB/7a/11 God Rest You Merry | ||
| + | T: Version 1 of 2 | ||
| + | C: Mr. Lockly (c.80), High Ercall, Salop, III. 08 | ||
| + | P: GSK B(utterworth) | ||
| + | W: There are slight variations in the notation and the headers, but the melody is identical to that of GB/6a/74. | ||
| + | W: There, however, the informant's surname is spelt "Lockley." | ||
| + | L:1/4 | ||
| + | M:4/4 | ||
| + | I:linebreak $ | ||
| + | K:Edor | ||
| + | D | E B B A | G F E D | A A A/B/ ^c | B3 :| d | c/B/ A A B/c/ | d c A B/A/ | F E E/F/ G |$ | ||
| + | A2 G A | e2 d e | B A G F | E2 E/F/ G | A2 F/G/ A | e2 d e | B A G F | E3 |] | ||
Revision as of 22:24, 31 May 2014
Go to Take 6 Transcription Programme Home Page
Sheet Music Tune Book of Melodies from Butterworth MS 7a
File:Butterworth MS 7a Tune Book.pdf
Book of Incipits of Melodies from Butterworth MS 7a
File:Butterworth MS 7a incipits.pdf
GB/7a/1 Isle of France Version 1 of 3
abc notation
X:1 T:GB/7a/1 Isle of France Version 1 of 3 C:Dick Antony (c. 40), Stanford Bishop, Herefordshire, IX. 07 L:1/8 M:3/2 I:linebreak $ K:D DE | F2 A2 F4 B,3 C | D2 D2 D6 A2 | B2 c2 d4 c3 B | ABcA B6 A2 |$ B2 c2 d4 c3 A | ABcA B4 D3 E | F2 dc B3 A B,3 C | D2 D2 D6 |]
GB/7a/1A Isle of France Version 2 of 3
abc notation
X:1A T:GB/7a/1A Isle of France Version 2 of 3 C:William Smith (c.40), Stoke Lacey, Herefordshire, IX. 07 L:1/8 M:3/2 I:linebreak $ K:D DE | F2 B2 F4 B,3 C | D2 D2 D6 A2 | B2 c2 d4 c3 B | AB c2 B6 A2 |$ B2 e2 d4 c3 B | A2 c2 B6 DE | F2 B2 F4 B,3 C | D2 D2 D6 |]
GB/7a/1B Isle of France Version 3 of 3
abc notation
X:1B T:GB/7a/1B Isle of France Version 3 of 3 C:Mr "Skinner" Crow, Filby, Norfolk, IV. 10 P:FW J(ekyll) & GSK B(utterworth) L:1/8 M:3/2 I:linebreak $ K:Dmix D3 E | F2 A2 G2 ED CD E2 | D2 D2 D6 D2 |"^(a)" FGAB c4 AB c2 | d2 dc A6 D2 |$ FGAB c2 A2 B2 c2 | "^(b)" d2 dc A6 D2 | FG A2 G2 ED CD E2 | D2 D2 D4 |]$"^(a) var. 1" F2 AB c2 A2 B2 c2 || "^(a) var. 2" FGAB c2 A2 B2 c2 | d2 d2 A6 D2 ||"^(b) var. 1" dcBc A6 D2 || "^(b) var. 2" d2 dc A6 DE ||
GB/7a/2 Jolly Fellows that Follow the Plough Version 1 of 2
abc notation
X:2 T:GB/7a/2 Jolly Fellows that Follow the Plough T:Version 1 of 2 C:Mr. Ede (c. 40), Bosham, Sussex IV. 07 L:1/4 Q:1/4=132 M:3/4 I:linebreak $ K:F c | F G A | B d d | c F F | F2 F | F G A | B A B | G c d | c2 c |$ d d c | d f d | c A c | f e f | d c A | G c B | A F F | F2 |]
GB/7a/2A Jolly Fellows that Follow the Plough Version 2 of 2
abc notation
X:2A T:GB/7a/2A Jolly Fellows that Follow the Plough T:Version 2 of 2 C:Mr. Richard Newton P:Noted by FW J(ekyll) L:1/4 M:3/4 I:linebreak $ K:F F | A A A | c B G | G F F | F2 A | B A B | c f f | _e c d | c2 c |$ c A c | d/e/ f d | c B c | F G A | B A B | c B G | A F F | F2 |]
GB/7a/3 American King, The
abc notation
X:3 T:GB/7a/3 American King, The C:Mrs. Cranstone (c.50), Wood Dale, Billingshurst, VII. 07. L:1/8 M:3/4 I:linebreak $ K:G GA | B2 B2 cB | A2 A2 BA | G2 E2 F2 | G4 :| GB | d2 d2 ed |$ dB G2 GB | d2 B2 d2 | A4 GA | B3 d cB | AG E2 GE | D2 G2 A2 | G6 |]
GB/7a/4 Green Mossy Banks of the Lea Version 1 of 4
abc notation
X:4 T:GB/7a/4 Green Mossy Banks of the Lea Version 1 of 4 C:Mr Nappin (c. 50), Stanton St. John, Oxon. V. 07 L:1/4 M:3/4 I:linebreak $ K:Daeo D | F A A | F G E | C D E | F G A | F G E | D2 :| D | F G A | B G B | c F2- | F2 F |$ B A B | c B c | d3- | d2 d | c B A | G A G/F/ | D E F | G A A | F G E | D2 |]
GB/7a/4A Green Mossy Banks of the Lea Version 2 of 4
abc notation
X:4A T:GB/7a/4A Green Mossy Banks of the Lea Version 2 of 4 C:Sung by Mr Lockly (c. 80); sexton at High Ercall, Salop. III. 08 L:1/4 M:3/4 I:linebreak $ K:Ddor A, | D D E | F G/F/ D | C !fermata!D F/G/ | A c A | G E/D/ C | D2 :| A | c B A | A/G/ E ^F | G !fermata!A A/G/ |$ F E D | D A, B, | C2 (3A,/B,/C/ | D D E | F G/F/ D | C !fermata!D F/G/ | A c A | G E/D/ C | D2 |]
GB7a/4B Green Mossy Banks of the Lea Version 3 of 4
abc notation
X:4B T:GB/7a/4B Green Mossy Banks of the Lea T:Version 3 of 4 C:Mr James Landamore (c. 70) Wroxham, Norfolk IV. 10 P:FW J(ekyll) & GSK B(utterworth) L:1/4 M:3/4 I:linebreak $ K:Ddor D | F A A | G F D | C !fermata!D D | F A A |$ G F E | D2 :| D | F G A | c A A |$ d !fermata!d D | F G A | c A c | d2 d | c A A |$ G F D | C !fermata!D D/E/ | F D E | A, D3/2 C/ | D2 |]
GB/7a/4C Green Mossy Banks of the Lea Version 4 of 4
abc notation
X:4C T:GB/7a/4C Green Mossy Banks of the Lea T:Version 4 of 4 C:Mr George Locke (c. 70) Rollesby, Norfolk X. 10 P:R V(aughan) W(illiams) & GSK B(utterworth) L:1/4 M:3/4 I:linebreak $ K:Ddor D/E/ |"^(a)" F G A | c A c | d D2- | D2 D/E/ | F G A/>B/ |"^(b)" c/B/ A/B/ c |$ d2 d | "^(c)" c B A | F G A | C D D/>E/ | A A/B/ c | F G/F/ E | D2 |]$"^(a) var. 1" F E D | c/B/ A/B/ c || "^(a) var. 2" F/E/ D A/B/ ||"^(b) var." c/B/ A c | d2 d/>B/ ||$"^(c) var. 1" d B A/G/ | G A G/E/ || "^(c) var. 2" d B A | G A G/E/ ||"^(c) var. 3" c B A/G/ | F A G/E/ ||
GB/7a/5 'Twas of a Brisk and Lively Lad Version 1 of 3
abc notation
X:5 T:GB/7a/5 'Twas of a Brisk and Lively Lad Version 1 of 3 C:Mr Ned Harding (c. 50), Lower Beeding, Sussex VI. 07 L:1/4 M:4/4 I:linebreak $ K:A E | E A G A | B c/d/ e e | B/c/ d B B | A3 :| c/d/ | e f e3/2 A/ |$ A F E (3c/d/e/ | f e d/c/ B | A G E F/G/ | A3/2 F/ G A | B c/d/ e e | B/c/ d B B | A3 |]
GB/7a/6 'Twas of a Brisk and Lively Lad Version 2 of 3
abc notation
X:6 T:GB/7a/6 'Twas of a Brisk and Lively Lad T:Version 2 of 3 C:Mr. Cranstone (c. 50) and Mrs. Cranstone (see GB/7a/3), Billingshurst VI. 07 L:1/8 M:4/4 I:linebreak $ K:A A2 | d3 d c2 B2 | c2 AG F2 z c | d2 BG A2 BG | E4 EFGE |$ A3 F G2 A2 |"^(a)" B4 c2 e2 | d2 c2 B2 B2 | A6 |]"^(a) var." B2 cB A2 ce |
GB/7a/7 'Twas of a Brisk and Lively Lad Version 3 of 3
abc notation
X:7 T:GB/7a/7 'Twas of a Brisk and Lively Lad Version 3 of 3 C:Mr Edwin Spooner (c. 70), Midhurst Union, XI. 08 P:GSK B(utterworth) & FW J(ekyll) L:1/4 M:4/4 I:linebreak $ K:A E | A3/2 F/ G A | B3/2 c/ A !fermata!e | d c B B | A3 :| A | e3/2 d/ !fermata!c B |$ "^(a)" c A/G/ !fermata!F c/e/ | d c B/A/ B | E2 E F/G/ | A2 F G/A/ | B2 c e | d c B/A/ B | A3 |] "^(a) var." c A/G/ !fermata!F c |
GB/7a/8 Just as the Tide Was Flowing Version 1 of 3
abc notation
X:8 T:GB/7a/8 Just As the Tide Was Flowing T:Version 1 of 3 C:Mr Weekes (c. 80) Ticehurst, Kent IV, 07 L:1/8 M:4/4 I:linebreak $ K:F AG | F2 D2 D2 C2 | F2 F2 G2 FG | A2 c2 BAGF | D3 E F2 :| AB | c3 A d3 A |$ B2 G2 c3 B | A2 A2 G2 FG | A2 C2 !fermata!C2 AG | F2 D2 D2 C2 | F2 F2 G2 F2 | A2 c2 BAGF | D3 E F2 |]
GB/7a/9 Just as the Tide Was Flowing Version 2 of 3
abc notation
X:9 T:GB/7a/9 Just as the Tide was Flowing Version 2 of 3 C:Mr Standing (c. 70), Washington, Sussex XII. 07 L:1/8 M:4/4 I:linebreak $ K:F AG | GF D2 C2 DE |"^(a)" F2 F2 G2 F2 | d2 dc A2 GF | D3 E F2 :| c2 | c2 c2 dcAG | FA c2 !fermata!d2 dc |$ A2 A2 G2 AG | GF D2 !fermata!C2 AG | GF D2 C2 DE | F2 F2 G2 FG | d2 dc A2 GF | D3 E F2 |]"^(a) var." F2 F2 G2 FG |
GB/7a/10 Just as the Tide Was Flowing Version 3 of 3
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X:10 T:GB/7a/10 Just As the Tide Was Flowing T:Version 3 of 3 C:Mr George Locke (c. 70) Rollerby, Norfolk, X. 10 P:R V(aughan) W(illiams) & GSK B(utterworth) L:1/8 M:2/4 I:linebreak $ K:F "^(a)" A3 G |[M:4/4] F2 E2 D2 C2 |"^(b)" F2 F2 GA B2 |"^(c)" c3 B AGFE |"^(d)" D3 E F2 A2 | G2 F2 D2 C2 |$ FE F2 G2 AB | c3 B AGFE | D3 E F2"^(e)" z F | F2 A2 cA F2 | d2 c2 !fermata!c2 c2 | d2 c2 AG F2 |$ AG"^(f)" A2 D4 |[M:2/4] A3 G |[M:4/4] F2 E2 D2 C2 | F2 F2 GA B2 | c3 B AGFc | "^(g)" c2 c2 cA !fermata!F2 |]$[M:2/8]"^(a) var." AG ||[M:4/4]"^(b) var." G2 AB GA B2 || "^(c) var." c2 c2 A2 F2 ||"^(d) var." DE F2 F2 A2 ||$"^(e) var." D3 E F2 c2 | c2 c2 cA F2 || "^(f) var." AGAF D4 ||"^(g) var." c3 c cA !fermata!F2 ||
Notes on GB/7a/10 There is some uncertainty over this transcription, which was derived from the scanned image on the Take 6 website. Further reference to the original MS is needed, since part of the scan is illegible and/or unclear.
GB/7a/11 God Rest You Merry Version 1 of 2
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X:11 T: GB/7a/11 God Rest You Merry T: Version 1 of 2 C: Mr. Lockly (c.80), High Ercall, Salop, III. 08 P: GSK B(utterworth) W: There are slight variations in the notation and the headers, but the melody is identical to that of GB/6a/74. W: There, however, the informant's surname is spelt "Lockley." L:1/4 M:4/4 I:linebreak $ K:Edor D | E B B A | G F E D | A A A/B/ ^c | B3 :| d | c/B/ A A B/c/ | d c A B/A/ | F E E/F/ G |$ A2 G A | e2 d e | B A G F | E2 E/F/ G | A2 F/G/ A | e2 d e | B A G F | E3 |]
GB/7a/12 God Rest You Merry Version 2 of 2
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X:12
T:GB/7a/12 God Rest You Merry Version 2 of 2
C:Mrs Cranstone, August, 1911
Q:1/4=120
M:C
L:1/8
K:Edor
E2 |E2 B2 B2 A2 |G2 F2 E2 D2 |E2 F2 G2 A2 |B6 :|Bc |
d3 F F2 G2 |A2 A2 G2 A2 |d2 d2 F2 G2 |A4 G2 A2 |B2 d2 cB A2 |B2 A2 G2 F2 |
E2 F2 G2 E2 |A4 G2 A2 |B2 d2 cB A2 |B2 A2 G2 F2 |E6 |]
GB/7a/13 The Bold Thresherman Version 1 of 3
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GB/7a/14 The Bold Thresherman Version 2 of 3
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GB/7a/15 The Bold Thresherman Version 3 of 3
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GB/7a/16 Come All You Little Irish Girls Version 1 of 2
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GB/7a/17 Come All You Little Irish Girls Version 2 of 2
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GB/7a/18 Murder of Maria Martin Version 1 of 2
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GB/7a/19 Murder of Maria Martin Version 2 of 2
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GB/7a/20 Green Bushes Version 1 of 3
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Notes on GB/7a/20 The key signature has changed, but the tune is identical to that of GB/6a/79.
GB/7a/21 Green Bushes Version 2 of 3
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Notes on GB/7a/21 The key signature has changed, but the tune is identical to that of GB/6a/80.
GB/7a/22 Green Bushes Version 3 of 3
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Notes on GB/7a/22 The key signature has changed, but the tune is identical to that of GB/6a/82.
GB/7a/23 Spanish Ladies Version 1 of 3
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GB/7a/24 Spanish Ladies Version 2 of 3
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Notes on GB/7a/24 The key signature has changed, but the tune is identical to that of GB/6a/159.
GB/7a/25 Spanish Ladies Version 3 of 3
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GB/7a/26 As I Roamed Out One Midsummer's Morning Version 1 of 2
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Notes on GB/7a/26 The key signature has changed, and there are minor notational differences, but the tune is identical to that of GB/6a/5.
GB/7a/27 As I Roamed Out One Midsummer's Morning Version 2 of 2
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Notes on GB/7a/27 The tune is described here as in "free rhythm" but is otherwise identical to that of GB/6a/6.
GB/7a/28 The Banks of Sweet Primroses Version 1 of 2
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GB/7a/29 The Banks of Sweet Primroses Version 2 of 2
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GB/7a/30 Henry Martin Version 1 of 3
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Notes on GB/7a/30 The key signature has changed, but the tune is identical to that of GB/6a/87.
GB/7a/31 Henry Martin Version 2 of 3
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Notes on GB/7a/31 The tune is identical to that of GB/6a/88.
GB/7a/32 Henry Martin Version 3 of 3
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Notes on GB/7a/32 The key signature has changed, but the tune is identical to that of GB/6a/90.
GB/7a/33 Tarry Trowsers Version 1 of 2
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GB/7a/33B Salisbury Plain Version 3 of 3 (Out of Sequence in EFDSS Catalogue)
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Notes on GB/7a/33B The key signature has changed, but the tune is identical to that of GB/6a/147. For Versions 1 and 2 of Salisbury Plain see GB/7a/72 and GB/7a/73 below.
GB/7a/34 Tarry Trowsers Version 2 of 2
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GB/7a/35 Banks of Green Willow Version 1 of 2
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GB/7a/36 Banks of Green Willow Version 2 of 2
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Notes on GB/7a/36 The tune is identical to that of GB/6a/10.
GB/7a/37 Barbara Allen Version 1 of 3
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GB/7a/38 Barbara Allen Version 2 of 3
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GB/7a/39 Barbara Allen Version 3 of 3
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GB/7a/40 Bold Fisherman Version 1 of 3
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Notes on GB/7a/40 The tune is identical to that of GB/6a/23.
GB/7a/41 Bold Fisherman Version 2 of 3
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GB/7a/42 Bold Fisherman Version 3 of 3
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GB/7a/43 You Seamen Bold that Plough the Ocean Version 1 of 4
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GB/7a/44 You Seamen Bold that Plough the Ocean Version 2 of 4
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GB/7a/45 You Seamen Bold that Plough the Ocean Version 3 of 4
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GB/7a/46 You Seamen Bold that Plough the Ocean Version 4 of 4
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GB/7a/47 The Trees They Do Grow High Version 1 of 3
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GB/7a/48 The Trees They Do Grow High Version 2 of 3
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Notes on GB/7a/48 The MIDI file GB-7a-48.mid plays out all the variants in full; the PDF file GB-7a-48-var.pdf displays all the variants in full; and the MusicXML file GB-7a-48-var.xml contains the full musical notation for all the variants.
GB/7a/49 The Trees They Do Grow High Version 3 of 3
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Notes on GB/7a/49 The MIDI file GB-7a-49.mid plays out all the variants in full; the PDF file GB-7a-49-var.pdf displays all the variants in full; and the MusicXML file GB-7a-49-var.xml contains the full musical notation for all the variants.
GB/7a/50 The True Lover's Farewell
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Notes on GB/7a/50 The MIDI file GB-7a-50.mid plays out all the variants in full; the PDF file GB-7a-50-var.pdf displays all the variants in full; and the MusicXML file GB-7a-50-var.xml contains the full musical notation for all the variants.
GB/7a/51 Erin's Lovely Home Version 1 of 3
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GB/7a/52 Erin's Lovely Home Version 2 of 3
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Notes on GB/7a/52 The MIDI file GB-7a-52.mid plays out all the variants in full; the PDF file GB-7a-52var.pdf displays all the variants in full; and the MusicXML file GB-7a-52var.xml contains the full musical notation for all the variants.
GB/7a/53 Erin's Lovely Home Version 3 of 3
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GB/7a/54 Down In Our Village Version 1 of 2
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GB/7a/55 Down in Our Village Version 2 of 2
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GB/7a/56 On Christmas Night All Christians Sing Version 1 of 2
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Notes on GB/7a/56 The tune is identical to that of GB/6a/125.
GB/7a/57 On Christmas Night All Christians Sing Version 2 of 2
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Notes on GB/7a/57 The tune is identical to that of GB/6a/126.
GB/7a/58 Bonny Blooming Highland Jane
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Notes on GB/7a/58 The tune is similar to that of GB/6a/30.
GB/7a/59 Dabbling in the Dew Version 1 of 3
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Notes on GB/7a/59 The tune is similar to that of GB/6a/62 but in a different key and at a different pitch.
GB/7a/60 Dabbling in the Dew Version 2 of 3
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Notes on GB/7a/60 The tune is similar to that of GB/6a/63 but in a different key and at a different pitch. The MIDI file GB-7a-60.mid plays out the variant in full.
GB/7a/61 Dabbling in the Dew Version 3 of 3
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Notes on GB/7a/61 The tune is similar to that of GB/6a/64 but in a different key and at a different pitch.
GB/7a/62 Yonder Stands a Lovey Creature Version 1 of 2
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Notes on GB/7a/62 In the Take 6 Catalogue the title is recorded as "Younder ...etc." The tune is similar to that of GB/6a/180 but in a different key and at a different pitch. This version also adds a variant in the last bar. The MIDI file GB-7a-62.mid plays out the variant in full
GB/7a/63 Yonder Stands a Lovely Creature Version 2 of 2
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GB/7a/64 Pretty Ploughboy
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Notes on GB/7a/64 The tune is identical to that of GB/6a/142.
GB/7a/65 Come All You Little Streamers
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Notes on GB/7a/65 The tune is similar to that of GB/6a/48 but there is a minor variation in the fifth full bar.
GB/7a/66 Come My Own One Version 1 of 4
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Notes on GB/7a/66 The tune is identical to that of GB/6a/51.
GB/7a/67 Come My Own One Version 2 of 4
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Notes on GB/7a/67 The tune is identical to that of GB/6a/52.
GB/7a/68 Come My Own One Version 3 of 4
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Notes on GB/7a/68 The tune is similar to that of GB/6a/53.
GB/7a/69 Come My Own One Version 4 of 4
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Notes on GB/7a/69 The tune is similar to that of GB/6a/54.
GB/7a/70 All Round My Hat Version 1 of 2
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Notes on GB/7a/70 The tune is identical to that of GB/6a/1.
GB/7a/71 All Round My Hat Version 2 of 2
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GB/7a/72 Salisbury Plain Version 1 of 3
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Notes on GB/7a/72 The tune is identical to that of GB/6a/145.
GB/7a/73 Salisbury Plain Version 2 of 3
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Notes on GB/7a/73 The tune is identical to that of GB/6a/146. For Version 3 of Salisbury Plain see GB/7a/33B above.
GB/7a/74 Sovay Version 1 of 2
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Notes on GB/7a/74 The tune is similar to that of GB/6a/154.
GB/7a/75 Sovay Version 2 of 2
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Notes on GB/7a/75 The tune is similar to that of GB/6a/155.
GB/7a/76 The Cruel Father and Affectionate Lovers Version 1 of 3
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Notes on GB/7a/76 The tune is similar to that of GB/6a/56.
GB/7a/76A The Cruel Father and Affectionate Lovers Version 2 of 3
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Notes on GB/7a/76A The tune is similar to that of GB/6a/57. For unknown reasons this tune is crossed out in the original MS; it is also unrecorded in the catalogue and the number "76A" has been added by the transcribers.
GB/7a/77 The Cruel Father and Affectionate Lovers Version 3 of 3
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Notes on GB/7a/77 The tune is identical to that of GB/6a/58.