https://folkopedia.info/index.php?action=history&feed=atom&title=West_Gallery_MusicWest Gallery Music - Revision history2026-05-01T22:35:59ZRevision history for this page on the wikiMediaWiki 1.45.3https://folkopedia.info/index.php?title=West_Gallery_Music&diff=16157&oldid=prevChris Partington: added Winterton2025-11-07T10:26:54Z<p>added Winterton</p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Vic Gammon's 'The Rise and Fall of the West Gallery: popular religious music in the eighteenth and nineteenth centuries' was published as a chapter in the ''Routledge Companion to Folk Performance,'' edited By Peter Harrop and Steve Roud, July 2021. PDF images of the author's PowerPoint presentation in support of the chapter are available here [[Media:TSF_West_Gallery_Presentation-compressed_copy.pdf]]. A recording of the presentation, including audio playback of the sound examples, is posted at YouTube here [[https://youtu.be/pZmpALZkqEI]]. The presentation begins about 1 hour and 10 minutes into the recording.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Vic Gammon's 'The Rise and Fall of the West Gallery: popular religious music in the eighteenth and nineteenth centuries' was published as a chapter in the ''Routledge Companion to Folk Performance,'' edited By Peter Harrop and Steve Roud, July 2021. PDF images of the author's PowerPoint presentation in support of the chapter are available here [[Media:TSF_West_Gallery_Presentation-compressed_copy.pdf]]. A recording of the presentation, including audio playback of the sound examples, is posted at YouTube here [[https://youtu.be/pZmpALZkqEI]]. The presentation begins about 1 hour and 10 minutes into the recording.</div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">See also the [[Winterton Mss|Winterton Mss]] on here.</ins></div></td></tr>
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</table>Chris Partingtonhttps://folkopedia.info/index.php?title=West_Gallery_Music&diff=14853&oldid=prevAndyturner at 15:44, 22 September 20212021-09-22T15:44:38Z<p></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[http://www.radical-musicology.org.uk/2006/Gammon.htm Vic Gammon, ''Problems in the Performance and Historiography of English Popular Church Music'', Radical Musicology Volume 1 (2006)]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[http://www.radical-musicology.org.uk/2006/Gammon.htm Vic Gammon, ''Problems in the Performance and Historiography of English Popular Church Music'', Radical Musicology Volume 1 (2006)]</div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
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</table>Andyturnerhttps://folkopedia.info/index.php?title=West_Gallery_Music&diff=14803&oldid=prevLewis Jones at 18:06, 8 August 20212021-08-08T18:06:39Z<p></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Since the mid-1970s there has been a revival of interest in performing music from the West Gallery repertoire, prompted by the researches of [[Vic Gammon]], [[Gordon Ashman]], [[Dave Townsend]] and others. The West Gallery Music Association supports both research in, and performance of, this music.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Since the mid-1970s there has been a revival of interest in performing music from the West Gallery repertoire, prompted by the researches of [[Vic Gammon]], [[Gordon Ashman]], [[Dave Townsend]] and others. The West Gallery Music Association supports both research in, and performance of, this music.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Vic Gammon's 'The Rise and Fall of the West Gallery: popular religious music in the eighteenth and nineteenth centuries' was published as a chapter in the ''Routledge Companion to Folk Performance,'' edited By Peter Harrop and Steve Roud, July 2021. PDF images of the author's PowerPoint presentation in support of the chapter are available here [[Media:TSF_West_Gallery_Presentation-compressed_copy.pdf]]. A recording of <del style="font-weight: bold; text-decoration: none;">Vic Gammon's </del>presentation <del style="font-weight: bold; text-decoration: none;">on West Gallery music</del>, including audio playback of the sound examples, is posted at YouTube [[https://youtu.be/pZmpALZkqEI]]. The <del style="font-weight: bold; text-decoration: none;">presentastion </del>begins about 1 hour and 10 minutes into the recording.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Vic Gammon's 'The Rise and Fall of the West Gallery: popular religious music in the eighteenth and nineteenth centuries' was published as a chapter in the ''Routledge Companion to Folk Performance,'' edited By Peter Harrop and Steve Roud, July 2021. PDF images of the author's PowerPoint presentation in support of the chapter are available here [[Media:TSF_West_Gallery_Presentation-compressed_copy.pdf]]. A recording of <ins style="font-weight: bold; text-decoration: none;">the </ins>presentation, including audio playback of the sound examples, is posted at YouTube <ins style="font-weight: bold; text-decoration: none;">here </ins>[[https://youtu.be/pZmpALZkqEI]]. The <ins style="font-weight: bold; text-decoration: none;">presentation </ins>begins about 1 hour and 10 minutes into the recording.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
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</table>Lewis Joneshttps://folkopedia.info/index.php?title=West_Gallery_Music&diff=14802&oldid=prevLewis Jones at 18:04, 8 August 20212021-08-08T18:04:22Z<p></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Since the mid-1970s there has been a revival of interest in performing music from the West Gallery repertoire, prompted by the researches of [[Vic Gammon]], [[Gordon Ashman]], [[Dave Townsend]] and others. The West Gallery Music Association supports both research in, and performance of, this music.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Since the mid-1970s there has been a revival of interest in performing music from the West Gallery repertoire, prompted by the researches of [[Vic Gammon]], [[Gordon Ashman]], [[Dave Townsend]] and others. The West Gallery Music Association supports both research in, and performance of, this music.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Vic Gammon's 'The Rise and Fall of the West Gallery: popular religious music in the eighteenth and nineteenth centuries' was published as a chapter in the ''Routledge Companion to Folk Performance,'' edited By Peter Harrop and Steve Roud, July 2021. PDF images of the author's PowerPoint presentation in support of the chapter are available here [[Media:TSF_West_Gallery_Presentation-compressed_copy.pdf]]. </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Vic Gammon's 'The Rise and Fall of the West Gallery: popular religious music in the eighteenth and nineteenth centuries' was published as a chapter in the ''Routledge Companion to Folk Performance,'' edited By Peter Harrop and Steve Roud, July 2021. PDF images of the author's PowerPoint presentation in support of the chapter are available here [[Media:TSF_West_Gallery_Presentation-compressed_copy.pdf]]<ins style="font-weight: bold; text-decoration: none;">. A recording of Vic Gammon's presentation on West Gallery music, including audio playback of the sound examples, is posted at YouTube [[https://youtu.be/pZmpALZkqEI]]. The presentastion begins about 1 hour and 10 minutes into the recording</ins>.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
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</table>Lewis Joneshttps://folkopedia.info/index.php?title=West_Gallery_Music&diff=14801&oldid=prevLewis Jones at 20:48, 7 August 20212021-08-07T20:48:00Z<p></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Since the mid-1970s there has been a revival of interest in performing music from the West Gallery repertoire, prompted by the researches of [[Vic Gammon]], [[Gordon Ashman]], [[Dave Townsend]] and others. The West Gallery Music Association supports both research in, and performance of, this music.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Since the mid-1970s there has been a revival of interest in performing music from the West Gallery repertoire, prompted by the researches of [[Vic Gammon]], [[Gordon Ashman]], [[Dave Townsend]] and others. The West Gallery Music Association supports both research in, and performance of, this music.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Vic Gammon's 'The Rise and Fall of the West Gallery: popular religious music in the eighteenth and nineteenth centuries' was published as a chapter in the ''Routledge Companion to Folk Performance<del style="font-weight: bold; text-decoration: none;">.</del>'' PDF images of the author's PowerPoint presentation in support of the chapter are available here [[Media:TSF_West_Gallery_Presentation-compressed_copy.pdf]]. </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Vic Gammon's 'The Rise and Fall of the West Gallery: popular religious music in the eighteenth and nineteenth centuries' was published as a chapter in the ''Routledge Companion to Folk Performance<ins style="font-weight: bold; text-decoration: none;">,</ins>'' <ins style="font-weight: bold; text-decoration: none;">edited By Peter Harrop and Steve Roud, July 2021. </ins>PDF images of the author's PowerPoint presentation in support of the chapter are available here [[Media:TSF_West_Gallery_Presentation-compressed_copy.pdf]]. </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
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</table>Lewis Joneshttps://folkopedia.info/index.php?title=West_Gallery_Music&diff=14800&oldid=prevLewis Jones at 20:42, 7 August 20212021-08-07T20:42:29Z<p></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Since the mid-1970s there has been a revival of interest in performing music from the West Gallery repertoire, prompted by the researches of [[Vic Gammon]], [[Gordon Ashman]], [[Dave Townsend]] and others. The West Gallery Music Association supports both research in, and performance of, this music.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Since the mid-1970s there has been a revival of interest in performing music from the West Gallery repertoire, prompted by the researches of [[Vic Gammon]], [[Gordon Ashman]], [[Dave Townsend]] and others. The West Gallery Music Association supports both research in, and performance of, this music.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Vic Gammon's 'The Rise and Fall of the West Gallery: popular religious music in the eighteenth and nineteenth centuries' was published as a chapter in the ''Routledge Companion to Folk Performance''<del style="font-weight: bold; text-decoration: none;">. </del>PDF images of the <del style="font-weight: bold; text-decoration: none;">authour</del>'s PowerPoint presentation in support of the chapter are available here.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Vic Gammon's 'The Rise and Fall of the West Gallery: popular religious music in the eighteenth and nineteenth centuries' was published as a chapter in the ''Routledge Companion to Folk Performance<ins style="font-weight: bold; text-decoration: none;">.</ins>'' PDF images of the <ins style="font-weight: bold; text-decoration: none;">author</ins>'s PowerPoint presentation in support of the chapter are available here <ins style="font-weight: bold; text-decoration: none;">[[Media:TSF_West_Gallery_Presentation-compressed_copy.pdf]]</ins>. </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''External links'''</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''External links'''</div></td></tr>
</table>Lewis Joneshttps://folkopedia.info/index.php?title=West_Gallery_Music&diff=14798&oldid=prevLewis Jones at 20:38, 7 August 20212021-08-07T20:38:23Z<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 20:38, 7 August 2021</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l9">Line 9:</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Since the mid-1970s there has been a revival of interest in performing music from the West Gallery repertoire, prompted by the researches of [[Vic Gammon]], [[Gordon Ashman]], [[Dave Townsend]] and others. The West Gallery Music Association supports both research in, and performance of, this music.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Since the mid-1970s there has been a revival of interest in performing music from the West Gallery repertoire, prompted by the researches of [[Vic Gammon]], [[Gordon Ashman]], [[Dave Townsend]] and others. The West Gallery Music Association supports both research in, and performance of, this music.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Vic Gammon's 'The Rise and Fall of the West Gallery: popular religious music in the eighteenth and nineteenth centuries' was published as a chapter in the <del style="font-weight: bold; text-decoration: none;">"</del>Routledge Companion to Folk Performance.<del style="font-weight: bold; text-decoration: none;">" </del>PDF images of the authour's PowerPoint presentation in support of the chapter are available here.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Vic Gammon's 'The Rise and Fall of the West Gallery: popular religious music in the eighteenth and nineteenth centuries' was published as a chapter in the <ins style="font-weight: bold; text-decoration: none;">''</ins>Routledge Companion to Folk Performance<ins style="font-weight: bold; text-decoration: none;">''</ins>. PDF images of the authour's PowerPoint presentation in support of the chapter are available here.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''External links'''</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''External links'''</div></td></tr>
</table>Lewis Joneshttps://folkopedia.info/index.php?title=West_Gallery_Music&diff=14797&oldid=prevLewis Jones at 20:33, 7 August 20212021-08-07T20:33:17Z<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 20:33, 7 August 2021</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Since the mid-1970s there has been a revival of interest in performing music from the West Gallery repertoire, prompted by the researches of [[Vic Gammon]], [[Gordon Ashman]], [[Dave Townsend]] and others. The West Gallery Music Association supports both research in, and performance of, this music.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Since the mid-1970s there has been a revival of interest in performing music from the West Gallery repertoire, prompted by the researches of [[Vic Gammon]], [[Gordon Ashman]], [[Dave Townsend]] and others. The West Gallery Music Association supports both research in, and performance of, this music.</div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Vic Gammon's 'The Rise and Fall of the West Gallery: popular religious music in the eighteenth and nineteenth centuries' was published as a chapter in the "Routledge Companion to Folk Performance." PDF images of the authour's PowerPoint presentation in support of the chapter are available here.</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''External links'''</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''External links'''</div></td></tr>
</table>Lewis Joneshttps://folkopedia.info/index.php?title=West_Gallery_Music&diff=14223&oldid=prevLewis Jones at 16:36, 11 October 20202020-10-11T16:36:18Z<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 16:36, 11 October 2020</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l3">Line 3:</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Our knowledge of the West Gallery repertoire is drawn from printed sources (e.g. [[William Knapp|William Knapp's]] published works) and from surviving musicians' and singers' manuscript books. [[Metrical Psalms]] were the most common type of music performed, along with anthems and some hymns. The repertoire also included a significant number of pieces suitable to be sung at Christmas and for funerals. Few of the pieces sung by West Gallery 'quires' were composed by professional musicians. Most were composed by artisans and craftsmen: for example, [[William Knapp]] was apprenticed as a glovemaker, [[Thomas Clark]] worked as a shoemaker, [[James Nuttall]] was a weaver. West Gallery Music can thus be viewed as an example of genuine folk art - particularly since the versions found in musicians' manuscript books often show marked discrepancies from the composer's original, differences which sometimes suggest a degree of oral transmission.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Our knowledge of the West Gallery repertoire is drawn from printed sources (e.g. [[William Knapp|William Knapp's]] published works) and from surviving musicians' and singers' manuscript books. [[Metrical Psalms]] were the most common type of music performed, along with anthems and some hymns. The repertoire also included a significant number of pieces suitable to be sung at Christmas and for funerals. Few of the pieces sung by West Gallery 'quires' were composed by professional musicians. Most were composed by artisans and craftsmen: for example, [[William Knapp]] was apprenticed as a glovemaker, [[Thomas Clark]] worked as a shoemaker, [[James Nuttall]] was a weaver. West Gallery Music can thus be viewed as an example of genuine folk art - particularly since the versions found in musicians' manuscript books often show marked discrepancies from the composer's original, differences which sometimes suggest a degree of oral transmission.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The music had largely died out by the middle of the nineteenth century. One interpretation is that singers and musicians were driven out of the church by reforming Church of England parsons determined to establish control over the music sung during their services. In Sussex, however, Lucy Broadwood told a different story [[Media:LEB_West_Gallery.pdf]]. But whatever <del style="font-weight: bold; text-decoration: none;">the </del>reasons, fiddle, cello, clarinet and bassoon were replaced by some form of organ; while the metrical translations of the psalms by [[Tate and Brady]] or [[Sternhold and Hopkins]] were superseded by ''[http://en.wikipedia.org/wiki/Hymns_Ancient_and_Modern Hymns Ancient and Modern]''.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The music had largely died out by the middle of the nineteenth century. One interpretation is that singers and musicians were driven out of the church by reforming Church of England parsons determined to establish control over the music sung during their services. In Sussex, however, Lucy Broadwood told a different story<ins style="font-weight: bold; text-decoration: none;">. See </ins>[[Media:LEB_West_Gallery.pdf]]. But<ins style="font-weight: bold; text-decoration: none;">, for </ins>whatever reasons, fiddle, cello, clarinet and bassoon were replaced by some form of organ; while the metrical translations of the psalms by [[Tate and Brady]] or [[Sternhold and Hopkins]] were superseded by ''[http://en.wikipedia.org/wiki/Hymns_Ancient_and_Modern Hymns Ancient and Modern]''.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>However the music survived in a number of places. Having crossed the Atlantic in the eighteenth century the West Gallery style developed into [[Shape Note Singing]] (of which the [[Sacred Harp]] tradition is the best known example. Meanwhile, back in England, musical settings composed by West Gallery composers survive in the carol-singing traditions of [[Padstow]] in [[Cornwall]], and in South [[Yorkshire]] and [[Derbyshire]] - in villages such as [[Oughtibridge]] and [[Grenoside]] near [[Sheffield]], and [[Castleton]] in the Derbyshire Peak District.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>However the music survived in a number of places. Having crossed the Atlantic in the eighteenth century the West Gallery style developed into [[Shape Note Singing]] (of which the [[Sacred Harp]] tradition is the best known example. Meanwhile, back in England, musical settings composed by West Gallery composers survive in the carol-singing traditions of [[Padstow]] in [[Cornwall]], and in South [[Yorkshire]] and [[Derbyshire]] - in villages such as [[Oughtibridge]] and [[Grenoside]] near [[Sheffield]], and [[Castleton]] in the Derbyshire Peak District.</div></td></tr>
</table>Lewis Joneshttps://folkopedia.info/index.php?title=West_Gallery_Music&diff=14222&oldid=prevLewis Jones at 16:33, 11 October 20202020-10-11T16:33:26Z<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 16:33, 11 October 2020</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Our knowledge of the West Gallery repertoire is drawn from printed sources (e.g. [[William Knapp|William Knapp's]] published works) and from surviving musicians' and singers' manuscript books. [[Metrical Psalms]] were the most common type of music performed, along with anthems and some hymns. The repertoire also included a significant number of pieces suitable to be sung at Christmas and for funerals. Few of the pieces sung by West Gallery 'quires' were composed by professional musicians. Most were composed by artisans and craftsmen: for example, [[William Knapp]] was apprenticed as a glovemaker, [[Thomas Clark]] worked as a shoemaker, [[James Nuttall]] was a weaver. West Gallery Music can thus be viewed as an example of genuine folk art - particularly since the versions found in musicians' manuscript books often show marked discrepancies from the composer's original, differences which sometimes suggest a degree of oral transmission.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Our knowledge of the West Gallery repertoire is drawn from printed sources (e.g. [[William Knapp|William Knapp's]] published works) and from surviving musicians' and singers' manuscript books. [[Metrical Psalms]] were the most common type of music performed, along with anthems and some hymns. The repertoire also included a significant number of pieces suitable to be sung at Christmas and for funerals. Few of the pieces sung by West Gallery 'quires' were composed by professional musicians. Most were composed by artisans and craftsmen: for example, [[William Knapp]] was apprenticed as a glovemaker, [[Thomas Clark]] worked as a shoemaker, [[James Nuttall]] was a weaver. West Gallery Music can thus be viewed as an example of genuine folk art - particularly since the versions found in musicians' manuscript books often show marked discrepancies from the composer's original, differences which sometimes suggest a degree of oral transmission.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The music had largely died out by the middle of the nineteenth century<del style="font-weight: bold; text-decoration: none;">, as the </del>singers and musicians were driven out of the church by reforming Church of England parsons determined to establish control over the music sung during their services. <del style="font-weight: bold; text-decoration: none;">Thus </del>fiddle, cello, clarinet and bassoon were replaced by some form of organ; while the metrical translations of the psalms by [[Tate and Brady]] or [[Sternhold and Hopkins]] were superseded by ''[http://en.wikipedia.org/wiki/Hymns_Ancient_and_Modern Hymns Ancient and Modern]''.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The music had largely died out by the middle of the nineteenth century<ins style="font-weight: bold; text-decoration: none;">. One interpretation is that </ins>singers and musicians were driven out of the church by reforming Church of England parsons determined to establish control over the music sung during their services. <ins style="font-weight: bold; text-decoration: none;">In Sussex, however, Lucy Broadwood told a different story [[Media:LEB_West_Gallery.pdf]]. But whatever the reasons, </ins>fiddle, cello, clarinet and bassoon were replaced by some form of organ; while the metrical translations of the psalms by [[Tate and Brady]] or [[Sternhold and Hopkins]] were superseded by ''[http://en.wikipedia.org/wiki/Hymns_Ancient_and_Modern Hymns Ancient and Modern]''.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>However the music survived in a number of places. Having crossed the Atlantic in the eighteenth century the West Gallery style developed into [[Shape Note Singing]] (of which the [[Sacred Harp]] tradition is the best known example. Meanwhile, back in England, musical settings composed by West Gallery composers survive in the carol-singing traditions of [[Padstow]] in [[Cornwall]], and in South [[Yorkshire]] and [[Derbyshire]] - in villages such as [[Oughtibridge]] and [[Grenoside]] near [[Sheffield]], and [[Castleton]] in the Derbyshire Peak District.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>However the music survived in a number of places. Having crossed the Atlantic in the eighteenth century the West Gallery style developed into [[Shape Note Singing]] (of which the [[Sacred Harp]] tradition is the best known example. Meanwhile, back in England, musical settings composed by West Gallery composers survive in the carol-singing traditions of [[Padstow]] in [[Cornwall]], and in South [[Yorkshire]] and [[Derbyshire]] - in villages such as [[Oughtibridge]] and [[Grenoside]] near [[Sheffield]], and [[Castleton]] in the Derbyshire Peak District.</div></td></tr>
</table>Lewis Jones