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	<id>https://folkopedia.info/index.php?action=history&amp;feed=atom&amp;title=The_Elliotts_of_Birtley</id>
	<title>The Elliotts of Birtley - Revision history</title>
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	<updated>2026-05-02T00:17:13Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://folkopedia.info/index.php?title=The_Elliotts_of_Birtley&amp;diff=4554&amp;oldid=prev</id>
		<title>PeteWood at 09:12, 1 September 2008</title>
		<link rel="alternate" type="text/html" href="https://folkopedia.info/index.php?title=The_Elliotts_of_Birtley&amp;diff=4554&amp;oldid=prev"/>
		<updated>2008-09-01T09:12:00Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 09:12, 1 September 2008&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The County Durham mining family who were such an important force in the 1960s folk revival, with a folk club still thriving as it nears its 50th anniversary. Jack Elliott and brother Reece were descended from a mystery foundling born in 1832, and four generations of them worked at Cotia pit at Fatfield, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; and &lt;/del&gt;lived in Browns’ Buildings Barley Mow, south of Birtley. Jack’s four children and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;their partners &lt;/del&gt;continued the singing tradition after their mother and father’s deaths &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;inthe &lt;/del&gt;late 1960s, and as the “The Elliotts of Birtley” &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;became well known and loved &lt;/del&gt;at festivals and clubs throughout the UK and abroad. Robust in their singing, their politics, and their atheism, they endeared people to them from far and wide, and are a legend within the folk community. As well as their singing, their values are an example to us all.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The County Durham mining family who were such an important force in the 1960s folk revival, with a folk club still thriving as it nears its 50th anniversary. Jack Elliott and brother Reece were descended from a mystery foundling born in 1832, and four generations of them worked at Cotia pit at Fatfield, lived in Browns’ Buildings &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;at &lt;/ins&gt;Barley Mow, south of Birtley&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, and sang song all their lives, in the pub and at home&lt;/ins&gt;. Jack’s four children &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Pete, Doreen, John, &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Len &lt;/ins&gt;continued the singing tradition after their mother and father’s deaths &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;in the &lt;/ins&gt;late 1960s&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. The first three, and their partners Pat, Bryan&lt;/ins&gt;, and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Pam, became known &lt;/ins&gt;as the “The Elliotts of Birtley” &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;as they appeared &lt;/ins&gt;at festivals and clubs throughout the UK and abroad. Robust in their singing, their politics, and their atheism, they endeared people to them from far and wide, and are a legend within the folk community. As well as their singing, their values are an example to us all.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Three products have used the title &amp;quot;The Elliotts of Birtley&amp;quot;:  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Three products have used the title &amp;quot;The Elliotts of Birtley&amp;quot;:  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;The Folkways LP&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;The Folkways LP&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Recorded in 1961 by Ewan MacColl and Peggy Seeger this remains a landmark recording, involving as it does conversation, discussion, songs from kids&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;dtreet somgs &lt;/del&gt;to ballads, and tunes from Jack Elliott. The quality of the material, recording, presentation, and informative notes are second to none in folk music albums.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Recorded in 1961 by Ewan MacColl and Peggy Seeger this remains a landmark recording, involving as it does conversation, discussion, songs from kids&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;street songs &lt;/ins&gt;to ballads, and tunes from Jack Elliott. The quality of the material, recording, presentation, and informative notes are second to none in folk music albums.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;The Cassette&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;The Cassette&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l11&quot;&gt;Line 11:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 10:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;The Biography&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;The Biography&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Pete Wood’s 2008 book “The Elliotts of Birtley” is a study of the family&#039;s history,their singing character, and the way the songs came to them. It analyses the Elliotts&#039; status in their local community and their importance in the folk revival of the 1960s. It explores how their strong socialist beliefs and atheism helped strengthen their resolve in times of hardship and political struggle, and in an extensive chapter relates their songs to the history of folk song nationally and particularly in the North East of England.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Pete Wood’s 2008 book “The Elliotts of Birtley” is a study of the family&#039;s history, their singing character, and the way the songs came to them. It analyses the Elliotts&#039; status in their local community and their importance in the folk revival of the 1960s. It explores how their strong socialist beliefs and atheism helped strengthen their resolve in times of hardship and political struggle, and in an extensive chapter relates their songs to the history of folk song nationally and particularly in the North East of England. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;It also has the &quot;dots&quot; for the main family songs, and a piece from Doreen Elliott which tells how the sounds &quot;have gone from the streets&quot;.  &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;See also [[Jack Elliott]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;See also [[Jack Elliott]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>PeteWood</name></author>
	</entry>
	<entry>
		<id>https://folkopedia.info/index.php?title=The_Elliotts_of_Birtley&amp;diff=4552&amp;oldid=prev</id>
		<title>PeteWood: New page: The County Durham mining family who were such an important force in the 1960s folk revival, with a folk club still thriving as it nears its 50th anniversary. Jack Elliott and brother Reece...</title>
		<link rel="alternate" type="text/html" href="https://folkopedia.info/index.php?title=The_Elliotts_of_Birtley&amp;diff=4552&amp;oldid=prev"/>
		<updated>2008-08-31T16:47:40Z</updated>

		<summary type="html">&lt;p&gt;New page: The County Durham mining family who were such an important force in the 1960s folk revival, with a folk club still thriving as it nears its 50th anniversary. Jack Elliott and brother Reece...&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;The County Durham mining family who were such an important force in the 1960s folk revival, with a folk club still thriving as it nears its 50th anniversary. Jack Elliott and brother Reece were descended from a mystery foundling born in 1832, and four generations of them worked at Cotia pit at Fatfield,  and lived in Browns’ Buildings Barley Mow, south of Birtley. Jack’s four children and their partners continued the singing tradition after their mother and father’s deaths inthe late 1960s, and as the “The Elliotts of Birtley” became well known and loved at festivals and clubs throughout the UK and abroad. Robust in their singing, their politics, and their atheism, they endeared people to them from far and wide, and are a legend within the folk community. As well as their singing, their values are an example to us all. &lt;br /&gt;
&lt;br /&gt;
Three products have used the title &amp;quot;The Elliotts of Birtley&amp;quot;: &lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;The Folkways LP&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
Recorded in 1961 by Ewan MacColl and Peggy Seeger this remains a landmark recording, involving as it does conversation, discussion, songs from kids&amp;#039; dtreet somgs to ballads, and tunes from Jack Elliott. The quality of the material, recording, presentation, and informative notes are second to none in folk music albums. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;The Cassette&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
A 1992 audio cassette put out by the family. &lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;The Biography&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
Pete Wood’s 2008 book “The Elliotts of Birtley” is a study of the family&amp;#039;s history,their singing character, and the way the songs came to them. It analyses the Elliotts&amp;#039; status in their local community and their importance in the folk revival of the 1960s. It explores how their strong socialist beliefs and atheism helped strengthen their resolve in times of hardship and political struggle, and in an extensive chapter relates their songs to the history of folk song nationally and particularly in the North East of England.&lt;br /&gt;
&lt;br /&gt;
See also [[Jack Elliott]]&lt;/div&gt;</summary>
		<author><name>PeteWood</name></author>
	</entry>
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