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	<id>https://folkopedia.info/index.php?action=history&amp;feed=atom&amp;title=Pibgorn_%28Hornpipe%29</id>
	<title>Pibgorn (Hornpipe) - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://folkopedia.info/index.php?action=history&amp;feed=atom&amp;title=Pibgorn_%28Hornpipe%29"/>
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	<updated>2026-05-24T18:17:25Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://folkopedia.info/index.php?title=Pibgorn_(Hornpipe)&amp;diff=5852&amp;oldid=prev</id>
		<title>JohnnyAdams: Categorised</title>
		<link rel="alternate" type="text/html" href="https://folkopedia.info/index.php?title=Pibgorn_(Hornpipe)&amp;diff=5852&amp;oldid=prev"/>
		<updated>2010-04-01T17:17:58Z</updated>

		<summary type="html">&lt;p&gt;Categorised&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 17:17, 1 April 2010&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l10&quot;&gt;Line 10:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 10:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;The Old British &amp;quot;Pibcorn&amp;quot; or &amp;quot;Hornpipe&amp;quot; and its affinities.&amp;#039;&amp;#039;&amp;#039; By Henry Balfour, Esq., M.A., F.Z.S © 1891 Royal Anthropological Institute of Great Britain and Ireland.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;The Old British &amp;quot;Pibcorn&amp;quot; or &amp;quot;Hornpipe&amp;quot; and its affinities.&amp;#039;&amp;#039;&amp;#039; By Henry Balfour, Esq., M.A., F.Z.S © 1891 Royal Anthropological Institute of Great Britain and Ireland.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Instrument]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>JohnnyAdams</name></author>
	</entry>
	<entry>
		<id>https://folkopedia.info/index.php?title=Pibgorn_(Hornpipe)&amp;diff=5840&amp;oldid=prev</id>
		<title>Ceri rhys matthews: /* Articles */</title>
		<link rel="alternate" type="text/html" href="https://folkopedia.info/index.php?title=Pibgorn_(Hornpipe)&amp;diff=5840&amp;oldid=prev"/>
		<updated>2010-03-27T16:18:18Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Articles&lt;/span&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 16:18, 27 March 2010&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l7&quot;&gt;Line 7:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 7:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Articles===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===Articles===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Instrumental Music in Medieval Wales.&#039;&#039;&#039; North American Journal of Welsh Studies, Vol. 3, no. 1. Flint, MI: North American Association for the Study of Welsh Culture and History, 2004. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;by Sally Harper&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Instrumental Music in Medieval Wales.&#039;&#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;by Sally Harper. &lt;/ins&gt;North American Journal of Welsh Studies, Vol. 3, no. 1. Flint, MI: North American Association for the Study of Welsh Culture and History, 2004.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;The Old British &amp;quot;Pibcorn&amp;quot; or &amp;quot;Hornpipe&amp;quot; and its affinities.&amp;#039;&amp;#039;&amp;#039; By Henry Balfour, Esq., M.A., F.Z.S © 1891 Royal Anthropological Institute of Great Britain and Ireland.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;The Old British &amp;quot;Pibcorn&amp;quot; or &amp;quot;Hornpipe&amp;quot; and its affinities.&amp;#039;&amp;#039;&amp;#039; By Henry Balfour, Esq., M.A., F.Z.S © 1891 Royal Anthropological Institute of Great Britain and Ireland.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Ceri rhys matthews</name></author>
	</entry>
	<entry>
		<id>https://folkopedia.info/index.php?title=Pibgorn_(Hornpipe)&amp;diff=5839&amp;oldid=prev</id>
		<title>Ceri rhys matthews at 16:14, 27 March 2010</title>
		<link rel="alternate" type="text/html" href="https://folkopedia.info/index.php?title=Pibgorn_(Hornpipe)&amp;diff=5839&amp;oldid=prev"/>
		<updated>2010-03-27T16:14:44Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 16:14, 27 March 2010&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Pibgorn (literally, pipe horn) is the name given in Welsh to the variety of hornpipe (the musical instrument, and not the dance) played there since the very earliest times. The first attested use is by Hywel Dda (died 949–50) in his law book - the earliest transcription of which dates from 1250. The last traditional player of the instrument was Meredith Morris, originally from Pembrokeshire, who died in 1921.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Pibgorn (literally, pipe horn) is the name given in Welsh to the variety of hornpipe (the musical instrument, and not the dance) played there since the very earliest times. The first attested use is by Hywel Dda (died 949–50) in his law book - the earliest transcription of which dates from 1250. The last traditional player of the instrument was Meredith Morris, originally from Pembrokeshire, who died in 1921.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Another name for the instrument is &amp;quot;cornicyll&amp;quot;, meaning either &amp;#039;hazel horn&amp;#039; or &amp;#039;lapwing&amp;#039; (&amp;#039;capan cornicyll&amp;#039; is a nasturtium).  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Another name for the instrument is &amp;quot;cornicyll&amp;quot;, meaning either &amp;#039;hazel horn&amp;#039; or &amp;#039;lapwing&amp;#039; (&amp;#039;capan cornicyll&amp;#039; is a nasturtium).  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The sound is generated by blowing a single-reed, cut from an Elder branch or Reed Cane, like that found in the drone of a Bagpipe. The body of the instrument has six small finger-holes and a thumb-hole giving a diatonic compass of an octave, and is traditionally carved from a single piece of wood or bone. Historically, the wood used was elder. The instrument is played either attached to a bag, or directly via the mouth. The sound is amplified at the foot of the chanter via a carved horn, usually of cow horn. A drone is sometimes attached to the bag. The pibgorn is the ancestor of the modern clarinet.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The sound is generated by blowing a single-reed, cut from an Elder branch or Reed Cane, like that found in the drone of a Bagpipe. The body of the instrument has six small finger-holes and a thumb-hole giving a diatonic compass of an octave, and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the modes given in historical instruments vary. No extant historical instrument plays a major scale. The body &lt;/ins&gt;is traditionally carved from a single piece of wood or bone. Historically, the wood used was elder. The instrument is played either attached to a bag, or directly via the mouth. The sound is amplified at the foot of the chanter via a carved horn, usually of cow horn. A drone is sometimes attached to the bag. The pibgorn is the ancestor of the modern clarinet.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Ceri rhys matthews</name></author>
	</entry>
	<entry>
		<id>https://folkopedia.info/index.php?title=Pibgorn_(Hornpipe)&amp;diff=5838&amp;oldid=prev</id>
		<title>Ceri rhys matthews: pibgorn intro</title>
		<link rel="alternate" type="text/html" href="https://folkopedia.info/index.php?title=Pibgorn_(Hornpipe)&amp;diff=5838&amp;oldid=prev"/>
		<updated>2010-03-27T16:08:25Z</updated>

		<summary type="html">&lt;p&gt;pibgorn intro&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;Pibgorn (literally, pipe horn) is the name given in Welsh to the variety of hornpipe (the musical instrument, and not the dance) played there since the very earliest times. The first attested use is by Hywel Dda (died 949–50) in his law book - the earliest transcription of which dates from 1250. The last traditional player of the instrument was Meredith Morris, originally from Pembrokeshire, who died in 1921. &lt;br /&gt;
Another name for the instrument is &amp;quot;cornicyll&amp;quot;, meaning either &amp;#039;hazel horn&amp;#039; or &amp;#039;lapwing&amp;#039; (&amp;#039;capan cornicyll&amp;#039; is a nasturtium). &lt;br /&gt;
The sound is generated by blowing a single-reed, cut from an Elder branch or Reed Cane, like that found in the drone of a Bagpipe. The body of the instrument has six small finger-holes and a thumb-hole giving a diatonic compass of an octave, and is traditionally carved from a single piece of wood or bone. Historically, the wood used was elder. The instrument is played either attached to a bag, or directly via the mouth. The sound is amplified at the foot of the chanter via a carved horn, usually of cow horn. A drone is sometimes attached to the bag. The pibgorn is the ancestor of the modern clarinet.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
===Articles===&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Instrumental Music in Medieval Wales.&amp;#039;&amp;#039;&amp;#039; North American Journal of Welsh Studies, Vol. 3, no. 1. Flint, MI: North American Association for the Study of Welsh Culture and History, 2004. by Sally Harper&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;The Old British &amp;quot;Pibcorn&amp;quot; or &amp;quot;Hornpipe&amp;quot; and its affinities.&amp;#039;&amp;#039;&amp;#039; By Henry Balfour, Esq., M.A., F.Z.S © 1891 Royal Anthropological Institute of Great Britain and Ireland.&lt;/div&gt;</summary>
		<author><name>Ceri rhys matthews</name></author>
	</entry>
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