Ionian/Mixolydian Gapped Scales and Hybrids - Revision history

Anahata at 00:12, 7 February 2021

2021-02-07T00:12:06Z

← Older revision		Revision as of 00:12, 7 February 2021
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	'''08 Little Sir Hugh''' (Cecil J. Sharp, 1916, ''One Hundred English Folk Songs'')		'''08 Little Sir Hugh''' (Cecil J. Sharp, 1916, ''One Hundred English Folk Songs'')

	Link: ~~http://folkopedia.info/index.php?title=~~08_Little_Sir_Hugh		Link: [[08_Little_Sir_Hugh\|Little Sir Hugh]]

	Tune Analysis: G Ionian key signature but no F (7th). Hexatonic G Ionian/G Mixolydian gapped scale, Plagal.		Tune Analysis: G Ionian key signature but no F (7th). Hexatonic G Ionian/G Mixolydian gapped scale, Plagal.

Anahata at 00:09, 7 February 2021

2021-02-07T00:09:48Z

← Older revision		Revision as of 00:09, 7 February 2021
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	'''08 Little Sir Hugh''' (Cecil J. Sharp, 1916, ''One Hundred English Folk Songs'')		'''08 Little Sir Hugh''' (Cecil J. Sharp, 1916, ''One Hundred English Folk Songs'')

	Link: http://folkopedia.info/~~wiki/~~08_Little_Sir_Hugh		Link: http://folkopedia.info/index.php?title=08_Little_Sir_Hugh

	Tune Analysis: G Ionian key signature but no F (7th). Hexatonic G Ionian/G Mixolydian gapped scale, Plagal.		Tune Analysis: G Ionian key signature but no F (7th). Hexatonic G Ionian/G Mixolydian gapped scale, Plagal.

Anahata at 00:08, 7 February 2021

2021-02-07T00:08:59Z

← Older revision		Revision as of 00:08, 7 February 2021
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	Link to '''Ionian, Mixolydian, Dorian and Aeolian: Samples and Examples of the 4 Main Musical Scales in Celtic, Anglo-American and English Folk Songs''' ~~[[http://folkopedia.efdss.org/wiki/Ionian,_Mixolydian,_Dorian_and_Aeolian:_Samples_and_Examples_of_the_4_Main_Musical_Scales_in_Celtic,_Anglo-American_and_English_Folk_Songs]]~~		Link to '''[[Ionian, Mixolydian, Dorian and Aeolian: Samples and Examples of the 4 Main Musical Scales in Celtic, Anglo-American and English Folk Songs]]'''


	The Mixolydian scale is the same as the Ionian scale except that its seventh note is flattened by a semitone. To convert an Ionian to a Mixolydian key signature add a flat to, or remove a sharp from, it. Likewise, to convert a Mixolydian to an Ionian key signature, remove a flat from, or add a sharp to, it. Many Celtic, Anglo-American and English folk melodies are Ionian/Mixolydian hybrids. There may be a seventh that is sometimes flattened and sometimes not. Or the tune may be hexatonic, with no seventh at all. The Ionian and Mixolydian scales are thus quite similar to each other, and there are quite a few Ionian/Mixolydian gapped scales and quite a few Ionian/Mixolydian hybrids. Here are some examples.		The Mixolydian scale is the same as the Ionian scale except that its seventh note is flattened by a semitone. To convert an Ionian to a Mixolydian key signature add a flat to, or remove a sharp from, it. Likewise, to convert a Mixolydian to an Ionian key signature, remove a flat from, or add a sharp to, it. Many Celtic, Anglo-American and English folk melodies are Ionian/Mixolydian hybrids. There may be a seventh that is sometimes flattened and sometimes not. Or the tune may be hexatonic, with no seventh at all. The Ionian and Mixolydian scales are thus quite similar to each other, and there are quite a few Ionian/Mixolydian gapped scales and quite a few Ionian/Mixolydian hybrids. Here are some examples.
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	'''08 Little Sir Hugh''' (Cecil J. Sharp, 1916, ''One Hundred English Folk Songs'')		'''08 Little Sir Hugh''' (Cecil J. Sharp, 1916, ''One Hundred English Folk Songs'')

	Link: http://folkopedia.~~efdss.org~~/wiki/08_Little_Sir_Hugh		Link: http://folkopedia.info/wiki/08_Little_Sir_Hugh

	Tune Analysis: G Ionian key signature but no F (7th). Hexatonic G Ionian/G Mixolydian gapped scale, Plagal.		Tune Analysis: G Ionian key signature but no F (7th). Hexatonic G Ionian/G Mixolydian gapped scale, Plagal.

Lewis Jones at 21:58, 5 March 2019

2019-03-05T21:58:09Z

← Older revision		Revision as of 21:58, 5 March 2019
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	The Mixolydian scale is the same as the Ionian scale except that its seventh note is flattened by a semitone. To convert an Ionian to a Mixolydian key signature add a flat to, or remove a sharp from, it. Likewise, to convert a Mixolydian to an Ionian key signature, remove a flat from, or add a sharp to, it. Many Celtic, Anglo-American and English folk melodies are Ionian/Mixolydian hybrids. There may be a seventh that is sometimes flattened and sometimes not. Or the tune may be hexatonic, with no seventh at all. The Ionian and Mixolydian scales are thus quite similar to each other, and there are quite a few Ionian/Mixolydian gapped scales and quite a few Ionian/Mixolydian hybrids. Here are some examples.		The Mixolydian scale is the same as the Ionian scale except that its seventh note is flattened by a semitone. To convert an Ionian to a Mixolydian key signature add a flat to, or remove a sharp from, it. Likewise, to convert a Mixolydian to an Ionian key signature, remove a flat from, or add a sharp to, it. Many Celtic, Anglo-American and English folk melodies are Ionian/Mixolydian hybrids. There may be a seventh that is sometimes flattened and sometimes not. Or the tune may be hexatonic, with no seventh at all. The Ionian and Mixolydian scales are thus quite similar to each other, and there are quite a few Ionian/Mixolydian gapped scales and quite a few Ionian/Mixolydian hybrids. Here are some examples.


			'''08 Little Sir Hugh''' (Cecil J. Sharp, 1916, ''One Hundred English Folk Songs'')

			Link: http://folkopedia.efdss.org/wiki/08_Little_Sir_Hugh

			Tune Analysis: G Ionian key signature but no F (7th). Hexatonic G Ionian/G Mixolydian gapped scale, Plagal.

Lewis Jones at 23:36, 23 February 2019

2019-02-23T23:36:25Z

← Older revision		Revision as of 23:36, 23 February 2019
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	The Mixolydian scale is the same as the Ionian scale except that its seventh note is flattened by a semitone. To convert an Ionian to a Mixolydian key signature add a flat to, or remove a sharp from, it. Likewise, to convert a Mixolydian to an Ionian key signature, remove a flat from, or add a sharp to, it. Many Celtic, Anglo-American and English folk melodies are Ionian/Mixolydian hybrids. There may be a seventh that is sometimes flattened and sometimes not. Or the tune may be hexatonic, with no seventh at all.		The Mixolydian scale is the same as the Ionian scale except that its seventh note is flattened by a semitone. To convert an Ionian to a Mixolydian key signature add a flat to, or remove a sharp from, it. Likewise, to convert a Mixolydian to an Ionian key signature, remove a flat from, or add a sharp to, it. Many Celtic, Anglo-American and English folk melodies are Ionian/Mixolydian hybrids. There may be a seventh that is sometimes flattened and sometimes not. Or the tune may be hexatonic, with no seventh at all. The Ionian and Mixolydian scales are thus quite similar to each other, and there are quite a few Ionian/Mixolydian gapped scales and quite a few Ionian/Mixolydian hybrids. Here are some examples.

	~~Here~~ are ~~some examples of~~ Ionian/Mixolydian gapped scales and hybrids.

Lewis Jones at 23:18, 23 February 2019

2019-02-23T23:18:00Z

← Older revision	Revision as of 23:18, 23 February 2019
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		Link to '''Ionian, Mixolydian, Dorian and Aeolian: Samples and Examples of the 4 Main Musical Scales in Celtic, Anglo-American and English Folk Songs''' [[http://folkopedia.efdss.org/wiki/Ionian,_Mixolydian,_Dorian_and_Aeolian:_Samples_and_Examples_of_the_4_Main_Musical_Scales_in_Celtic,_Anglo-American_and_English_Folk_Songs]]

Lewis Jones: Created page with " The Mixolydian scale is the same as the Ionian scale except that its seventh note is flattened by a semitone. To convert an Ionian to a Mixolydian key signature add a flat..."

2019-02-23T23:16:34Z

Created page with " The Mixolydian scale is the same as the Ionian scale except that its seventh note is flattened by a semitone. To convert an Ionian to a Mixolydian key signature add a flat..."

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The Mixolydian scale is the same as the Ionian scale except that its seventh note is flattened by a semitone. To convert an Ionian to a Mixolydian key signature add a flat to, or remove a sharp from, it. Likewise, to convert a Mixolydian to an Ionian key signature, remove a flat from, or add a sharp to, it. Many Celtic, Anglo-American and English folk melodies are Ionian/Mixolydian hybrids. There may be a seventh that is sometimes flattened and sometimes not. Or the tune may be hexatonic, with no seventh at all.

Here are some examples of Ionian/Mixolydian gapped scales and hybrids.