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	<id>https://folkopedia.info/index.php?action=history&amp;feed=atom&amp;title=IRWIN%2CWilliam</id>
	<title>IRWIN,William - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://folkopedia.info/index.php?action=history&amp;feed=atom&amp;title=IRWIN%2CWilliam"/>
	<link rel="alternate" type="text/html" href="https://folkopedia.info/index.php?title=IRWIN,William&amp;action=history"/>
	<updated>2026-04-21T23:25:42Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.45.3</generator>
	<entry>
		<id>https://folkopedia.info/index.php?title=IRWIN,William&amp;diff=10152&amp;oldid=prev</id>
		<title>Chris Partington at 11:46, 18 December 2013</title>
		<link rel="alternate" type="text/html" href="https://folkopedia.info/index.php?title=IRWIN,William&amp;diff=10152&amp;oldid=prev"/>
		<updated>2013-12-18T11:46:43Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:46, 18 December 2013&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Link to Deborah Kermode&#039;s 2002 thesis on Irwin [http://www.oldfriendsband.org.uk/Irwinnotes.html]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Link to Deborah Kermode&#039;s 2002 thesis on &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;William &lt;/ins&gt;Irwin [http://www.oldfriendsband.org.uk/Irwinnotes.html]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Link to Greg Stephens&amp;#039; Mustrad 2006 article on William Irwin [http://www.mustrad.org.uk/articles/irwin.htm]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Link to Greg Stephens&amp;#039; Mustrad 2006 article on William Irwin [http://www.mustrad.org.uk/articles/irwin.htm]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Chris Partington</name></author>
	</entry>
	<entry>
		<id>https://folkopedia.info/index.php?title=IRWIN,William&amp;diff=10151&amp;oldid=prev</id>
		<title>Chris Partington: add ext links</title>
		<link rel="alternate" type="text/html" href="https://folkopedia.info/index.php?title=IRWIN,William&amp;diff=10151&amp;oldid=prev"/>
		<updated>2013-12-18T11:43:23Z</updated>

		<summary type="html">&lt;p&gt;add ext links&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:43, 18 December 2013&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Link to Deborah Kermode&#039;s 2002 thesis on Irwin [http://www.oldfriendsband.org.uk/Irwinnotes.html]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Link to Greg Stephens&#039; Mustrad 2006 article on William Irwin [http://www.mustrad.org.uk/articles/irwin.htm]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Village Music Project notes on the AGG transcripts:-&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;1..William Irwin’s Manuscript Tune Book, 1838&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;1..William Irwin’s Manuscript Tune Book, 1838&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Chris Partington</name></author>
	</entry>
	<entry>
		<id>https://folkopedia.info/index.php?title=IRWIN,William&amp;diff=9760&amp;oldid=prev</id>
		<title>Chris Partington at 19:33, 23 April 2013</title>
		<link rel="alternate" type="text/html" href="https://folkopedia.info/index.php?title=IRWIN,William&amp;diff=9760&amp;oldid=prev"/>
		<updated>2013-04-23T19:33:48Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 19:33, 23 April 2013&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l711&quot;&gt;Line 711:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 711:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;It is not exactly clear whether she is implying that she owns Stables and Irwin’s books or just that of Henry Stables, or that she has merely borrowed them from the families or indeed from Frank Kidson’s collection. It is clear however that she is talking, in 1939, about the actual MSS and not her transcriptions, for she mentions the tunes Bonny Cumberland and Bonny Westmorland, and neither tune appears in her transcription. (see above).&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;It is not exactly clear whether she is implying that she owns Stables and Irwin’s books or just that of Henry Stables, or that she has merely borrowed them from the families or indeed from Frank Kidson’s collection. It is clear however that she is talking, in 1939, about the actual MSS and not her transcriptions, for she mentions the tunes Bonny Cumberland and Bonny Westmorland, and neither tune appears in her transcription. (see above).&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Back to [[Tune Manuscripts List]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Chris Partington</name></author>
	</entry>
	<entry>
		<id>https://folkopedia.info/index.php?title=IRWIN,William&amp;diff=9759&amp;oldid=prev</id>
		<title>Chris Partington at 18:34, 23 April 2013</title>
		<link rel="alternate" type="text/html" href="https://folkopedia.info/index.php?title=IRWIN,William&amp;diff=9759&amp;oldid=prev"/>
		<updated>2013-04-23T18:34:53Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;a href=&quot;https://folkopedia.info/index.php?title=IRWIN,William&amp;amp;diff=9759&amp;amp;oldid=9758&quot;&gt;Show changes&lt;/a&gt;</summary>
		<author><name>Chris Partington</name></author>
	</entry>
	<entry>
		<id>https://folkopedia.info/index.php?title=IRWIN,William&amp;diff=9758&amp;oldid=prev</id>
		<title>Chris Partington at 17:56, 23 April 2013</title>
		<link rel="alternate" type="text/html" href="https://folkopedia.info/index.php?title=IRWIN,William&amp;diff=9758&amp;oldid=prev"/>
		<updated>2013-04-23T17:56:42Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;a href=&quot;https://folkopedia.info/index.php?title=IRWIN,William&amp;amp;diff=9758&amp;amp;oldid=9757&quot;&gt;Show changes&lt;/a&gt;</summary>
		<author><name>Chris Partington</name></author>
	</entry>
	<entry>
		<id>https://folkopedia.info/index.php?title=IRWIN,William&amp;diff=9757&amp;oldid=prev</id>
		<title>Chris Partington: Created page with &quot;&#039;&#039;&#039;1..William Irwin’s Manuscript Tune Book, 1838&#039;&#039;&#039;  &#039;&#039;Acc. No. QM 9732&#039;&#039;  &#039;&#039;Partial Transcription by Anne Geddes Gilchrist.&#039;&#039;  &#039;&#039;Filed with the Anne Geddes Gilchrist Manuscrip...&quot;</title>
		<link rel="alternate" type="text/html" href="https://folkopedia.info/index.php?title=IRWIN,William&amp;diff=9757&amp;oldid=prev"/>
		<updated>2013-04-23T17:36:48Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;&amp;#039;&amp;#039;&amp;#039;1..William Irwin’s Manuscript Tune Book, 1838&amp;#039;&amp;#039;&amp;#039;  &amp;#039;&amp;#039;Acc. No. QM 9732&amp;#039;&amp;#039;  &amp;#039;&amp;#039;Partial Transcription by Anne Geddes Gilchrist.&amp;#039;&amp;#039;  &amp;#039;&amp;#039;Filed with the Anne Geddes Gilchrist Manuscrip...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;1..William Irwin’s Manuscript Tune Book, 1838&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Acc. No. QM 9732&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Partial Transcription by Anne Geddes Gilchrist.&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Filed with the Anne Geddes Gilchrist Manuscript Collection, AGG/2/137,&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Vaughan Williams Memorial Library, Cecil Sharp House, Regents Park, London.&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Transcribed into ABC with the suffix “WI.xxx”, and these notes, by Chris Partington, 2005&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;The original MS has not been located.&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;The following are AGG’s notes accompanying her transcription.&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
AGG’s notes in normal script, &amp;#039;&amp;#039;my comments are in italic script&amp;#039;&amp;#039;, &amp;#039;&amp;#039;&amp;#039;and tunes transcribed into ABC are in bold&amp;#039;&amp;#039;&amp;#039;.&lt;br /&gt;
&lt;br /&gt;
“Wm. Irwin’s MS&lt;br /&gt;
Oblong MS. 6 staves. &lt;br /&gt;
On title page “William Irwin’s Book Jan 2 1838”.&lt;br /&gt;
At least three different hands, and the book is made up from different MSS, some of the titles being cut across at the top, in cutting up for binding.&lt;br /&gt;
The name is written on the back of the first ruled page, which back is blank.&lt;br /&gt;
104 leaves. 312 tunes or pieces, chiefly dance music.&lt;br /&gt;
55 hornpipes, 33 reels, 17 strathspeys, 59 waltzes, 1 each cottilion, highland fling, minuet, gallop, jig. 2 quicksteps &amp;#039;&amp;#039;(ie marches.CGP)&amp;#039;&amp;#039; dances various 16, and a set of 24 for the year 1838 (this includes 5 waltzes) 12 sets quadrilles and the original Lancers.&lt;br /&gt;
9 vocal airs arranged sometimes for instruments, and about a dozen pieces. &amp;#039;&amp;#039;(presumably meaning “ concert pieces”.CGP)&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
“The first tune in the book is “A Hornpipe”[Lascelles], the second “Billey Pitt”, third “Flowers Of Edinburgh” called a “Duble Reel”. “I’ll go no more to yon town”, Green sleaves”[really Rushes O]&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Then follow tunes:&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Billey Pitt&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Green Sleaves&amp;#039;&amp;#039;&amp;#039; cf green grows in Kershaw’s MS&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Reel&amp;#039;&amp;#039;&amp;#039; cf green grows (K) &amp;amp; Polly put the kettle on&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;James Mc Kenney or Renney’s Hornpipe&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Hornpipe&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
“Steam Boat Hornpipe&lt;br /&gt;
&lt;br /&gt;
Highland Lad (my love was born)&lt;br /&gt;
&lt;br /&gt;
James McKenney’s is very Scotch. Is it a song?&lt;br /&gt;
&lt;br /&gt;
Three Harrows HP&lt;br /&gt;
&lt;br /&gt;
Astley’s Hornpipe and Ride&lt;br /&gt;
&lt;br /&gt;
Cottillion[rare]&lt;br /&gt;
&lt;br /&gt;
“Absent from collection: &amp;#039;&amp;#039;(presumably meaning there was an index in the original. CGP)&amp;#039;&amp;#039;&lt;br /&gt;
 Paternally.The Triumph.Tekeli.Jean de Paris.Sir Roger de Coverley.John Peel.Haste to the Wedding(?).Caledonian Hunt=this is “This is no my ain lassie” as a Strathspey.The Wounded Hussar. Same tune as in MS TB &amp;#039;&amp;#039;(Thomas Bennet? See VMP, but Wounded Hussar not in it, and no record of any other TB. CGP)&amp;#039;&amp;#039; but rather different.”&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Brampton Reel&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;North Tyne&amp;#039;&amp;#039;&amp;#039; is the highland fling&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;The Wounded Hussar&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Keswick Bonney Lasses Hornpipe&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Liverpool Hornpipe&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;The Wind That Bloeth The Barley&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
“Another book, in the same hand, seems to begin here.&lt;br /&gt;
&lt;br /&gt;
The Soldiers Joy&lt;br /&gt;
&lt;br /&gt;
Rachil Ray – a reel&lt;br /&gt;
&lt;br /&gt;
Fairey Dance (Gow’s)without the dots&lt;br /&gt;
&lt;br /&gt;
Sheffield Hornpipe&lt;br /&gt;
&lt;br /&gt;
“Twenty four dances for the year 1838’ are now transcribed:&lt;br /&gt;
&lt;br /&gt;
Camilla(Paer).La Ega(quadrille).The Comus Dance.The Eclipse.The Ally.Lady Hamilton’s Favorite.Ivanhoe(this is the highland laddie).Dr Syntax.The Tickler.Waltz.La Clovis.Gioveneni.Lady Hamilton’s Waltz.Claudine.New King of Prussia’s Waltz.Queen Caroline’s Waltz.Sauteuse.The Tarter.Clonius.La Camire(quadrille).Argyl.The Tanney Waltz.Don Juan.&lt;br /&gt;
&lt;br /&gt;
Cottage Hornpipe&lt;br /&gt;
&lt;br /&gt;
Lea Riggs Hornpipe&lt;br /&gt;
&lt;br /&gt;
Welcome to your feet again (!)&lt;br /&gt;
&lt;br /&gt;
The Countess of St. Paul’s Strathspey composed by Matthew Henderson&lt;br /&gt;
&lt;br /&gt;
The Marquis of Huntly’s Snuff Mill (Lassie would you love me?)&lt;br /&gt;
&lt;br /&gt;
Roxburgh Castle by Alex Given(?)&lt;br /&gt;
&lt;br /&gt;
Scotch Waltz (very Scotch snap-py)&lt;br /&gt;
&lt;br /&gt;
Copenhagen Waltz&lt;br /&gt;
&lt;br /&gt;
Tyrol Waltz (Pretty Little Polly Hopkins)&lt;br /&gt;
&lt;br /&gt;
(Lander type) Waltz&lt;br /&gt;
&lt;br /&gt;
Miss Dillon’s&lt;br /&gt;
&lt;br /&gt;
‘Honourable Swiss Dollows Waltz’&lt;br /&gt;
&lt;br /&gt;
Garland Dance (not the usual)&lt;br /&gt;
&lt;br /&gt;
The Bears Advancing, a slow march&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Queen Caroline&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Queen caroline’s waltz&amp;#039;&amp;#039;&amp;#039; (1838 waltz)&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Jonney Cope&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Tyrol Waltz&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Waltz&amp;#039;&amp;#039;&amp;#039; (another type)&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Hugarian Waltz&amp;#039;&amp;#039;&amp;#039;(when I was a Lady)(see the simpler form in MS 42)&lt;br /&gt;
&lt;br /&gt;
“pretty little polly Hopkins how do you do-oo how do you do-oo&lt;br /&gt;
none the better, Mr Tomkins, for seeing you-oo, for seeing you-oo”&lt;br /&gt;
&lt;br /&gt;
General Blucher’s Waltz&lt;br /&gt;
&lt;br /&gt;
Bugal waltz&lt;br /&gt;
&lt;br /&gt;
Jack Lattin (reel?)&lt;br /&gt;
&lt;br /&gt;
Lady Caroline Lee’s Waltz&lt;br /&gt;
&lt;br /&gt;
A Waltz titti|titti turn titti|titti turn (note various waltz types)&lt;br /&gt;
&lt;br /&gt;
Maggie Lowther (halfway to the Lowther in another MS)&lt;br /&gt;
&lt;br /&gt;
Brampton Waltz&lt;br /&gt;
&lt;br /&gt;
“Brampton:The Devonshire march”&lt;br /&gt;
&lt;br /&gt;
after this a Strauss waltz&lt;br /&gt;
&lt;br /&gt;
Coolin with variations -An Irish Air(illegible) for ever Amen&lt;br /&gt;
&lt;br /&gt;
The March and a highland battle. Descriptive piece, style of the Battle of Prague, with stage directions!&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;The Mountain Boy&amp;#039;&amp;#039;&amp;#039; (Had I the wings of a dove)&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;The Canderllonly Rosue&amp;#039;&amp;#039;&amp;#039; (sic)&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Didelot’s dance in Virginia&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;A Waltz&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Quadrille&amp;#039;&amp;#039;&amp;#039; (Scotch Air?)&lt;br /&gt;
&lt;br /&gt;
Ca Ira Is this of French origin?&lt;br /&gt;
Ladie’s Lips&lt;br /&gt;
Something Irish – Lumie Me Twaller[?]&lt;br /&gt;
The Old Langolee&lt;br /&gt;
Anglo Caledonian Air [commonplace]&lt;br /&gt;
Cherry Ripe&lt;br /&gt;
I’ve been ??ning&lt;br /&gt;
Di Tante Palpeti (!)[Le Garcon Volante]&lt;br /&gt;
Oh It’s Love&lt;br /&gt;
Le Petit Tambour&lt;br /&gt;
Bonny Prince Charlie [cam ye by ??]&lt;br /&gt;
Carlton House 6/8 (is this a health to Betty?)&lt;br /&gt;
&lt;br /&gt;
“Ths is copied because it has the style of a Hunting Song. There may be words attached to the air.&lt;br /&gt;
This follows a quadrille without title “Vive Henri Quatrue(?)”&lt;br /&gt;
&lt;br /&gt;
Seven of Strauss’s Most Celebrated Waltzes Arr. For Flute and Piano&lt;br /&gt;
&lt;br /&gt;
Carlton House&lt;br /&gt;
Quadrille [Il Etait Une Bergue?]&lt;br /&gt;
Stybarrow Crag a hornpipe by Hamilton&lt;br /&gt;
The Loyalist’s Hornpipe&lt;br /&gt;
&lt;br /&gt;
“?Jim a long Josey in the hornpipe stile(!) by W.Irwin&lt;br /&gt;
Due Mungoe [in Quarto book also]&lt;br /&gt;
Lord Fife’s Strathspey&lt;br /&gt;
Also Miss Elliot’s, both with elaborate variations (4 sets), triplets in a bar&lt;br /&gt;
Hope’s Hornpipe&lt;br /&gt;
The North Shore Hornpipe&lt;br /&gt;
The Ranger’s Hornpipe&lt;br /&gt;
Harding’s Hornpipe&lt;br /&gt;
Bannister’s Hornpipe&lt;br /&gt;
?Robinhood Waltzes&lt;br /&gt;
Lady Wellington’s Hornpipe&lt;br /&gt;
The Stony Steps Hp&lt;br /&gt;
Grand Reformation Hp&lt;br /&gt;
True Blue Hp&lt;br /&gt;
Last Hope&lt;br /&gt;
&lt;br /&gt;
Colgarth Hornpipe&lt;br /&gt;
Banks Hornpipe&lt;br /&gt;
Lancashire Hornpipe&lt;br /&gt;
A Touch Under The Blankett – an old jig&lt;br /&gt;
&lt;br /&gt;
“The following in the small nea t music script with the queer staff&lt;br /&gt;
Kendal Hornpipe&lt;br /&gt;
Kendal Reel&lt;br /&gt;
Up and Follow Charlie&lt;br /&gt;
West Barns Brewery Strathspey&lt;br /&gt;
?Garrick’s Hornpipe&lt;br /&gt;
Robinson’s Hornpipe&lt;br /&gt;
McLeod’s Reel and Strathspey&lt;br /&gt;
Mac Ruth’s Reel&lt;br /&gt;
Donald’s Hornpipe&lt;br /&gt;
?Devent Castle Hornpipe [Derwent?]&lt;br /&gt;
Windermere Regatta&lt;br /&gt;
Ward’s Hornpipe&lt;br /&gt;
Hump ?Landlay  or Over The Dike Bellow&lt;br /&gt;
Durham Hornpipe&lt;br /&gt;
Brian O’Niel&lt;br /&gt;
Old Spedling’s Castle’s Ghost Dance (ommited from the Porteus Coll in W.Irwin folio coll)&lt;br /&gt;
&lt;br /&gt;
END OF AGG’s TRANSCRIPTION OF THE Wm IRWIN 1838 MS&lt;br /&gt;
It will be remembered that earlier AGG said there were 312 pieces in this collection, but I can only count approximately 150 (some are referred to and also transcribed, thus occuring twice in the above list) which are referred to by name, 40 of which have been transcribed by AGG (in Bold).&lt;br /&gt;
&lt;br /&gt;
2..William Irwin’s Folio Manuscript, c1850&lt;br /&gt;
&lt;br /&gt;
Acc. No. QM 9731&lt;br /&gt;
Partial Transcription by Anne Geddes Gilchrist.&lt;br /&gt;
Filed with the Anne Geddes Gilchrist Manuscript Collection, AGG/2/135,&lt;br /&gt;
Vaughan Williams Memorial Library, Cecil Sharp House, Regents Park, London.&lt;br /&gt;
Transcribed into ABC, and these notes, by Chris Partington, 2005&lt;br /&gt;
The original MS has not been located.&lt;br /&gt;
The following are AGG’s notes accompanying her transcription.&lt;br /&gt;
AGG’s notes are in normal script, my comments are in italics, and tunes transcribed are in bold.&lt;br /&gt;
&lt;br /&gt;
“Wm Irwin’s MS 2 (Folio)&lt;br /&gt;
The first tune is ?Wormwell’s Grand March, &lt;br /&gt;
the second Buonapart’s Coronation March.&lt;br /&gt;
Lord Harwick’s March&lt;br /&gt;
Weber’s Last Waltz&lt;br /&gt;
Handel’s Water Piece&lt;br /&gt;
Queen Victoria’s Step Gallop&lt;br /&gt;
Cupid’s Quadrilles&lt;br /&gt;
Drops of Brandy &lt;br /&gt;
Buonapart’s Coronation March&lt;br /&gt;
Queen Victoria Step Gallop&lt;br /&gt;
Jullien’s La Polka - a note is written in against this: “The Polka first came up about 1843 in Bohemia”.&lt;br /&gt;
Lass of Richmond Hill&lt;br /&gt;
King’s Polka&lt;br /&gt;
Young Napoleon’s Waltz&lt;br /&gt;
A Quickstep by W.Irwin&lt;br /&gt;
A Hornpipe&lt;br /&gt;
Elphins Waltz&lt;br /&gt;
Overture to Tancredi&lt;br /&gt;
Half Shift, whole shift and double shift noted. [ violin position shifts?]&lt;br /&gt;
The Duke of York’s march&lt;br /&gt;
A Hornpipe&lt;br /&gt;
A Reel&lt;br /&gt;
A Hornpipe[noted]&lt;br /&gt;
Reel&lt;br /&gt;
Strathspey&lt;br /&gt;
Horsman Hornpipe&lt;br /&gt;
Royal Strathspey and Reel&lt;br /&gt;
Spring Gardens Hornpipe&lt;br /&gt;
Recovery Hornpipe [AGG has underlined Recovery)&lt;br /&gt;
Dalston Forge – a hornpipe by Wm Adams&lt;br /&gt;
A Strathspey&lt;br /&gt;
Latrigg Side – a hornpipe by Wm Irwin&lt;br /&gt;
Also a quadrille(6/8) “taken from the above” by W.I. [not noted.CGP]&lt;br /&gt;
Briggham Hornpipe – by Wm Irwin&lt;br /&gt;
Miss Greenup’s Strathspey&lt;br /&gt;
Miss Greenup’s Reel&lt;br /&gt;
The Charter Hornpipe&lt;br /&gt;
Casson or Cagson Hornpipe&lt;br /&gt;
Mr Sitwell’s Strathspey&lt;br /&gt;
Miss Gibson’s Reel&lt;br /&gt;
The Queen’s Hornpipe&lt;br /&gt;
Bonney Crossing the Alps – A hornpipe&lt;br /&gt;
Raughton Head – a hornpipe by J. Adams&lt;br /&gt;
A quadrille taken from the above(6/8) by Wm Robinson&lt;br /&gt;
A Hornpipe&lt;br /&gt;
The Banks of Burdisel [a hornpipe]&lt;br /&gt;
A Hornpipe&lt;br /&gt;
Lord Bingham’s Hornpipe&lt;br /&gt;
Griffon Hornpipe&lt;br /&gt;
Chimney Sweep’s Hornpipe&lt;br /&gt;
Omnebuss Hornpipe&lt;br /&gt;
Due Mungo and Princess Royal (not a good copy) in another hand with the queer clef in Irwin’s other MS&lt;br /&gt;
London Hornpipe&lt;br /&gt;
Elterwater Hornpipe by Wm Irwin&lt;br /&gt;
Elterwater Quickstep by Wm Irwin&lt;br /&gt;
Scant of Silver&lt;br /&gt;
Orton Hornpipe by Wm Irwin&lt;br /&gt;
Orton Lodge a Quadrille by Wm Irwin&lt;br /&gt;
The Hunchback&lt;br /&gt;
Rose Quadrille ..A. Banks&lt;br /&gt;
My Boy Tommey a strathspey&lt;br /&gt;
Casson Hornpipe composed by Casson, Wigton&lt;br /&gt;
Lord Brougham’s Hornpipe by Robert Stewartson&lt;br /&gt;
A Quadrille by Casson, Wigton&lt;br /&gt;
Dr Stanley’s Hornpipe&lt;br /&gt;
Through the Wood Spinning&lt;br /&gt;
The London Morgeanian&lt;br /&gt;
Circassian Circle a hornpipe&lt;br /&gt;
A Hornpipe&lt;br /&gt;
A Hornpipe as played at the theatre Carlisle&lt;br /&gt;
Stage Hornpipe&lt;br /&gt;
A Grand Hornpipe (nothing to explain the title)&lt;br /&gt;
We’re A Noddin’ (as usual)&lt;br /&gt;
My Wife’s a Wanton Wee Thing&lt;br /&gt;
A poor version of Miss Gayton’s Hornpipe (Carlisle Book)&lt;br /&gt;
A collection of original tunes by James Porteus follows:&lt;br /&gt;
Miss Phillips Strathspey And Reel&lt;br /&gt;
Miss Bells dittoditto&lt;br /&gt;
Miss Mary Hay’s Reel&lt;br /&gt;
Wee Willie’s Strathspey&lt;br /&gt;
Miss CB Grant’s Reel&lt;br /&gt;
?Glancrosh’s Strathspey&lt;br /&gt;
Glen Stewart&lt;br /&gt;
Miss Nicholson’s&lt;br /&gt;
Miss Richardson’s and Mrs Dunbar’s Jigs&lt;br /&gt;
Miss Broadfoot’s S &amp;amp; R&lt;br /&gt;
The Lough Pool&lt;br /&gt;
Miss Gibbon’s Reel&lt;br /&gt;
Capt. Sharp’s R&lt;br /&gt;
Miss Duglass S&amp;amp;R&lt;br /&gt;
Miss Jane Johnston’s S&amp;amp;R&lt;br /&gt;
The Braes of Warhope S&amp;amp;R&lt;br /&gt;
Miss A Jordan’s S&amp;amp;R&lt;br /&gt;
Lieutenant Charles Clapperton’s Jig etc etc&lt;br /&gt;
A Parody on miss Johnston’s Strathspey etcetc&lt;br /&gt;
James Porteus’ Farewell to Whisky(slowish)ditto fiddle&lt;br /&gt;
Mrs Hope Johnston’s Strathspey, Reel&lt;br /&gt;
?Netherby House a strathspey&lt;br /&gt;
Lady May Lowther’s R&lt;br /&gt;
The Countess of Lonsdale’s S&amp;amp;R&lt;br /&gt;
A Trip To ?Jardine Hall&lt;br /&gt;
James Porteus’ Dusting Sieve&lt;br /&gt;
James Porteus’ Lamentation For Old Dr Clapperton&lt;br /&gt;
James Porteus’ Lamentation For Old Dr Clapperton&lt;br /&gt;
A Hornpipe&lt;br /&gt;
End of Porteus Section&lt;br /&gt;
The Old Spedlings Castle Ghosts Dance transferred to Wm Irwin’s Folio MS&lt;br /&gt;
Wee Willie’s Strathspey composed by the authors son only 9 yrs of age&lt;br /&gt;
Miss richardson’s Jig&lt;br /&gt;
Wee Annie’s Hornpipe&lt;br /&gt;
There are only two hornpipes in the whole of the Porteus coll. Both are given here. [where?]&lt;br /&gt;
Minuette by Wm Irwin&lt;br /&gt;
The celebrated Cuckoo Solo by Vivaldi with a variation Solo by Wm Irwin [!],Keswick. Very little suggestion of a cuckoo.&lt;br /&gt;
Six Airs for the violin by Henry ?Tilbary&lt;br /&gt;
(One of the others is The Moonlit Bower, another Waltz by Weippart&lt;br /&gt;
A March by Wm Robinson ‘vivace and sweet’&lt;br /&gt;
The Schottische (the first in the collection) ‘this is played rather slower than the Polka’&lt;br /&gt;
The Bloomers Polka&lt;br /&gt;
The Drum Polka&lt;br /&gt;
A Polka turned into a Quadrille(6/8) by Wm Irwin ‘the above as a quadrille’&lt;br /&gt;
Also ‘Aria written for Paganini by ?Mayseder’&lt;br /&gt;
Come Again O Pescator from ?Lowell Mason’s Song Book For The School Room&lt;br /&gt;
 Mr Irwin’s Favourite Waltz by Wm Robinson&lt;br /&gt;
The Schottische &lt;br /&gt;
A Polka Follows&lt;br /&gt;
And then a Waltz By Strauss&lt;br /&gt;
The Bloomers Polka&lt;br /&gt;
Croppies Lie Down&lt;br /&gt;
The New Bridge of Glasgow ‘first printed in 1850 composed by T Porteus’ cf Levie Gordon&lt;br /&gt;
Greig’s Strathspey-Nathaniel Gow’s Favourite ‘Nathaniel Gow said of this tune “It is the first Strathspey that ever was penned&lt;br /&gt;
The Queen’s Triumph by Hugh Gilmore (Reel)&lt;br /&gt;
The Queen’s Jig ditto&lt;br /&gt;
Speed The Plough by John Moorhead 1800&lt;br /&gt;
A Quadrille by Wm Irwin&lt;br /&gt;
Bonnie Dundee&lt;br /&gt;
Greig’s Strathspey&lt;br /&gt;
Sherriff Muir 2nd set from Gow’s Coll.&lt;br /&gt;
Hewitson’s Hornpipe by S.W. Wigton Cumberland&lt;br /&gt;
Maid of Isla&lt;br /&gt;
The Kaffer’s Polka&lt;br /&gt;
Scotch Hornpipe by Wm Irwin [very Scotch snappy but not very Scotch]&lt;br /&gt;
The Cuckoo’s Hornpipe [Wm. I]&lt;br /&gt;
A Quadrille by Wm Irwin with a Minore strain&lt;br /&gt;
A Polka [King Pippin]&lt;br /&gt;
A March, Napoleon’s&lt;br /&gt;
A Hornpipe, The Rights of Man&lt;br /&gt;
The 4th dragoons march&lt;br /&gt;
Lea Riggs with variations&lt;br /&gt;
A Hornpipe by Wm Irwin&lt;br /&gt;
A March Napoleaon’s&lt;br /&gt;
Summer is Coming ‘a splendid reel’&lt;br /&gt;
General Jackson&lt;br /&gt;
The Golden Stream Varsoviana, Montgomery&lt;br /&gt;
Varsovianas begin here in the MS, by Montgomery, H Farmer and Strauss&lt;br /&gt;
Sir Roger De Coverley [as usual]&lt;br /&gt;
Montgomery’s ‘Silver Lake’ Varsoviana is the only opne I know&lt;br /&gt;
Laughing Gallop&lt;br /&gt;
Bridal Waltz Julien&lt;br /&gt;
Anni Schottische&lt;br /&gt;
Various Schottisches including The Ranelagh by E Fitzwilliam&lt;br /&gt;
And The Corsair&lt;br /&gt;
Various Mazurkas including The Rose of Castille by montgomery&lt;br /&gt;
And la ?Calamaica ditto&lt;br /&gt;
Prince Imperial Gallop&lt;br /&gt;
The Lal(Little) Scottische by Wm Irwin&lt;br /&gt;
Christmas Comes But Once A Year (Greensleeves) – Old English Dance&lt;br /&gt;
Imitation of Bagpipes on the violin&lt;br /&gt;
The Lads of Dunce- very like copy in Kershaw – Dunce Dings A’&lt;br /&gt;
Miss Ann’s Hornpipe&lt;br /&gt;
Buchers (?Butchers) Hornpipe&lt;br /&gt;
Patronello a country dance&lt;br /&gt;
Here’s a Health to All Good Lasses – arr. For violin and flute duet [but not transcribed so]&lt;br /&gt;
Potabellow Hornpipe&lt;br /&gt;
The Miller of Drone – strathspey&lt;br /&gt;
Green Grows The Rushes O – reel&lt;br /&gt;
Hornpipe cf Lancashire Hp&lt;br /&gt;
Cameron has got his Wife again – see under there’s nae luck Kershaw MS&lt;br /&gt;
The Twelfth of August or Peter Wren’s Hp&lt;br /&gt;
Morgeana in Ireland see Kershaw’s MS&lt;br /&gt;
Rory O More the ?… ? from ?Irish airs&lt;br /&gt;
“By Parker of Penrith” at the bottom of the page, perhaps refers to a variation of the last Air&lt;br /&gt;
Garrick’s Hornpipe and other tunes in the oblong MS&lt;br /&gt;
Robinson Hornpipe [Mountain or Man?]&lt;br /&gt;
Hope’s Hornpipe&lt;br /&gt;
Harding’s Hornpipe&lt;br /&gt;
The Original Varsoviana&lt;br /&gt;
Fragment of Silver Lake&lt;br /&gt;
The Triumph a country dance&lt;br /&gt;
Star of the Ball Redowa by Montgomery&lt;br /&gt;
Hornpipe (Modal)&lt;br /&gt;
When Arthur first in Kirk began to wear long hanging sleeves (in good king arthur’s day)&lt;br /&gt;
Bannister Hornpipe&lt;br /&gt;
Lancaster Hornpipe&lt;br /&gt;
Iron Legs a Hornpipe&lt;br /&gt;
Manchester Hornpipe&lt;br /&gt;
Haste to the wedding much as usual&lt;br /&gt;
Basset’s Lasses&lt;br /&gt;
A Hornpipe by Wm Garret/Garnet&lt;br /&gt;
Durham Hornpipe (see end of Wm Irwin oblong MS)&lt;br /&gt;
The Cacoucha A Spanish Valse (bound up at the end)&lt;br /&gt;
Chappel Hornpipe&lt;br /&gt;
&lt;br /&gt;
END OF  AGG’S TRANSCRIPTION OF THE WM IRWIN FOLIO MS.&lt;br /&gt;
&lt;br /&gt;
There are approximately 210 tunes referred to by name in AGG’s notes to the Wm Irwin Folio MS, of which she has transcribed 68.&lt;br /&gt;
&lt;br /&gt;
.AGG evidently had access to them in the early/mid 20th C (?), when she made these partial transcriptions.&lt;br /&gt;
Subsequent enquiry has failed to reveal their present whereabouts.&lt;br /&gt;
Her notes to the “1838 MS” specifically mention there being 312 tunes, of which she names only 150, and the “Folio MS” notes name at least 210 titles from an unknown total, so there are/were at least 512 tunes in the original MSs of which we still have 108.&lt;br /&gt;
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In 1939 A.G.G. wrote an article about Lake District musicians.&lt;br /&gt;
 “Some Old Lake Country Fiddlers and their Tune Books” by Anne Geddes Gilchrist. from The Journal of The Lakeland Dialect Society, Issue No.1, November 1939, p16.&lt;br /&gt;
&lt;br /&gt;
After writing about William Irwin and then Henry Stables (as Irwin’s pupil) she says:-&lt;br /&gt;
“Another old fiddler’s book in my possession is that of Matthew Betham”.(Currently in VWML)&lt;br /&gt;
It is not exactly clear whether she is implying that she owns Stables and Irwin’s books or just that of Henry Stables, or that she has merely borrowed them from the families or indeed from Frank Kidson’s collection. It is clear however that she is talking, in 1939, about the actual MSS and not her transcriptions, for she mentions the tunes Bonny Cumberland and Bonny Westmorland, and neither tune appears in her transcription. (see above).&lt;/div&gt;</summary>
		<author><name>Chris Partington</name></author>
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