Dorian/Aeolian Gapped Scales and Hybrids - Revision history

Anahata at 10:21, 7 February 2021

2021-02-07T10:21:54Z

← Older revision		Revision as of 10:21, 7 February 2021
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	Link to '''Ionian, Mixolydian, Dorian and Aeolian: Samples and Examples of the 4 Main Musical Scales in Celtic, Anglo-American and English Folk Songs''' ~~[[http://folkopedia.efdss.org/wiki/Ionian,_Mixolydian,_Dorian_and_Aeolian:_Samples_and_Examples_of_the_4_Main_Musical_Scales_in_Celtic,_Anglo-American_and_English_Folk_Songs]]~~		Link to '''[[Ionian, Mixolydian, Dorian and Aeolian: Samples and Examples of the 4 Main Musical Scales in Celtic, Anglo-American and English Folk Songs\|Samples and Examples of Modes in Folk Songs]]'''

JohnnyAdams: Updated internal links

2021-02-07T01:39:32Z

Updated internal links

← Older revision		Revision as of 01:39, 7 February 2021
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	'''04 Robin Hood and the Tanner''' (Cecil J. Sharp, 1916, ''One Hundred English Folk Songs'')		'''04 Robin Hood and the Tanner''' (Cecil J. Sharp, 1916, ''One Hundred English Folk Songs'')

	Link: ~~http://folkopedia.efdss.org/wiki/~~04_Robin_Hood_and_the_Tanner		Link: [[04_Robin_Hood_and_the_Tanner]]

	Tune Analysis: D Dorian key signature but one of the Bs (6th) is flattened to produce a Dorian/Aeolian hybrid. Heptatonic, Mainly Authentic but there is a C that dips below the keynote.		Tune Analysis: D Dorian key signature but one of the Bs (6th) is flattened to produce a Dorian/Aeolian hybrid. Heptatonic, Mainly Authentic but there is a C that dips below the keynote.
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	'''06 Lord Bateman''' (Cecil J. Sharp, 1916, ''One Hundred English Folk Songs'')		'''06 Lord Bateman''' (Cecil J. Sharp, 1916, ''One Hundred English Folk Songs'')

	Link: ~~http://folkopedia.efdss.org/wiki/~~06_Lord_Bateman		Link:[[06_Lord_Bateman]]

	Tune Analysis: G Aeolian key signature but no E (6th). Hexatonic G Dorian/G Aeolian gapped scale, Plagal.		Tune Analysis: G Aeolian key signature but no E (6th). Hexatonic G Dorian/G Aeolian gapped scale, Plagal.
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	'''09 Geordie''' (Cecil J. Sharp, 1916, ''One Hundred English Folk Songs'')		'''09 Geordie''' (Cecil J. Sharp, 1916, ''One Hundred English Folk Songs'')

	Link: ~~http://folkopedia.efdss.org/wiki/~~09_Geordie		Link: [[09_Geordie]]

	Tune Analysis: A Aeolian key signature but no F (6th). Hexatonic G Dorian/G Aeolian gapped scale, Plagal.		Tune Analysis: A Aeolian key signature but no F (6th). Hexatonic G Dorian/G Aeolian gapped scale, Plagal.
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	'''12 The Coasts of High Barbary''' (Cecil J. Sharp, 1916, ''One Hundred English Folk Songs'')		'''12 The Coasts of High Barbary''' (Cecil J. Sharp, 1916, ''One Hundred English Folk Songs'')

	Link: ~~http://folkopedia.efdss.org/wiki/~~12_The_Coasts_of_High_Barbary		Link: [[12_The_Coasts_of_High_Barbary]]

	Tune Analysis: E Aeolian key signature but no C (6th). Hexatonic E Dorian/E Aeolian gapped scale. Mainly Authentic but the pick up notes (anacrusis) and some Ds dip below the keynote.		Tune Analysis: E Aeolian key signature but no C (6th). Hexatonic E Dorian/E Aeolian gapped scale. Mainly Authentic but the pick up notes (anacrusis) and some Ds dip below the keynote.

Lewis Jones at 22:54, 5 March 2019

2019-03-05T22:54:43Z

← Older revision		Revision as of 22:54, 5 March 2019
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	Tune Analysis: A Aeolian key signature but no F (6th). Hexatonic G Dorian/G Aeolian gapped scale, Plagal.		Tune Analysis: A Aeolian key signature but no F (6th). Hexatonic G Dorian/G Aeolian gapped scale, Plagal.


			'''12 The Coasts of High Barbary''' (Cecil J. Sharp, 1916, ''One Hundred English Folk Songs'')

			Link: http://folkopedia.efdss.org/wiki/12_The_Coasts_of_High_Barbary

			Tune Analysis: E Aeolian key signature but no C (6th). Hexatonic E Dorian/E Aeolian gapped scale. Mainly Authentic but the pick up notes (anacrusis) and some Ds dip below the keynote.

Lewis Jones at 22:10, 5 March 2019

2019-03-05T22:10:28Z

← Older revision		Revision as of 22:10, 5 March 2019
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	The Aeolian scale is the same as the Dorian scale except that the sixth note is flattened by a semitone. To convert a Dorian to an Aeolian key signature, add a flat to, or remove a sharp from, it. Likewise, to convert an Aeolian to a Dorian key signature, remove a flat from, or add a sharp to, it. The Dorian and Aeolian scales are thus quite similar to each other, and there are quite a few Dorian/Aeolian gapped scales and quite a few Dorian/Aeolian hybrids. Here are some examples.		The Aeolian scale is the same as the Dorian scale except that the sixth note is flattened by a semitone. To convert a Dorian to an Aeolian key signature, add a flat to, or remove a sharp from, it. Likewise, to convert an Aeolian to a Dorian key signature, remove a flat from, or add a sharp to, it. The Dorian and Aeolian scales are thus quite similar to each other, and there are quite a few Dorian/Aeolian gapped scales and quite a few Dorian/Aeolian hybrids. Here are some examples.


			'''04 Robin Hood and the Tanner''' (Cecil J. Sharp, 1916, ''One Hundred English Folk Songs'')

			Link: http://folkopedia.efdss.org/wiki/04_Robin_Hood_and_the_Tanner

			Tune Analysis: D Dorian key signature but one of the Bs (6th) is flattened to produce a Dorian/Aeolian hybrid. Heptatonic, Mainly Authentic but there is a C that dips below the keynote.


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	'''~~04 Robin Hood and the Tanner~~''' (Cecil J. Sharp, 1916, ''One Hundred English Folk Songs'')		'''09 Geordie''' (Cecil J. Sharp, 1916, ''One Hundred English Folk Songs'')

	Link: http://folkopedia.efdss.org/wiki/~~04_Robin_Hood_and_the_Tanner~~		Link: http://folkopedia.efdss.org/wiki/09_Geordie

	Tune Analysis: ~~D Dorian~~ key signature but ~~one of the Bs~~ (6th) ~~is flattened to produce a~~ Dorian/Aeolian ~~hybrid. Heptatonic~~, ~~Mainly Authentic but there is a C that dips below the keynote~~.		Tune Analysis: A Aeolian key signature but no F (6th). Hexatonic G Dorian/G Aeolian gapped scale, Plagal.

Lewis Jones at 21:41, 4 March 2019

2019-03-04T21:41:34Z

← Older revision		Revision as of 21:41, 4 March 2019
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	The Aeolian scale is the same as the Dorian scale except that the sixth note is flattened by a semitone. To convert a Dorian to an Aeolian key signature, add a flat to, or remove a sharp from, it. Likewise, to convert an Aeolian to a Dorian key signature, remove a flat from, or add a sharp to, it. The Dorian and Aeolian scales are thus quite similar to each other, and there are quite a few Dorian/Aeolian gapped scales and quite a few Dorian/Aeolian hybrids. Here are some examples.		The Aeolian scale is the same as the Dorian scale except that the sixth note is flattened by a semitone. To convert a Dorian to an Aeolian key signature, add a flat to, or remove a sharp from, it. Likewise, to convert an Aeolian to a Dorian key signature, remove a flat from, or add a sharp to, it. The Dorian and Aeolian scales are thus quite similar to each other, and there are quite a few Dorian/Aeolian gapped scales and quite a few Dorian/Aeolian hybrids. Here are some examples.


			'''06 Lord Bateman''' (Cecil J. Sharp, 1916, ''One Hundred English Folk Songs'')

			Link: http://folkopedia.efdss.org/wiki/06_Lord_Bateman

			Tune Analysis: G Aeolian key signature but no E (6th). Hexatonic G Dorian/G Aeolian gapped scale, Plagal.

Lewis Jones at 21:18, 4 March 2019

2019-03-04T21:18:23Z

← Older revision		Revision as of 21:18, 4 March 2019
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	The Aeolian scale is the same as the Dorian scale except that the sixth note is flattened by a semitone. To convert a Dorian to an Aeolian key signature, add a flat to, or remove a sharp from, it. Likewise, to convert an Aeolian to a Dorian key signature, remove a flat from, or add a sharp to, it. The Dorian and Aeolian scales are thus quite similar to each other, and there are quite a few Dorian/Aeolian gapped scales and quite a few Dorian/Aeolian hybrids. Here are some examples.		The Aeolian scale is the same as the Dorian scale except that the sixth note is flattened by a semitone. To convert a Dorian to an Aeolian key signature, add a flat to, or remove a sharp from, it. Likewise, to convert an Aeolian to a Dorian key signature, remove a flat from, or add a sharp to, it. The Dorian and Aeolian scales are thus quite similar to each other, and there are quite a few Dorian/Aeolian gapped scales and quite a few Dorian/Aeolian hybrids. Here are some examples.


			'''04 Robin Hood and the Tanner''' (Cecil J. Sharp, 1916, ''One Hundred English Folk Songs'')

			Link: http://folkopedia.efdss.org/wiki/04_Robin_Hood_and_the_Tanner

			Tune Analysis: D Dorian key signature but one of the Bs (6th) is flattened to produce a Dorian/Aeolian hybrid. Heptatonic, Mainly Authentic but there is a C that dips below the keynote.


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	Link: https://www.vwml.org/search?q=GB/6a/5&is=1#		Link: https://www.vwml.org/search?q=GB/6a/5&is=1#

	Tune Analysis: D Aeolian key signature but some of the Bbs are naturalised to produce a Dorian/Aeolian hybrid. Heptatonic, Plagal.		Tune Analysis: D Aeolian key signature but some of the Bbs (6ths) are naturalised to produce a Dorian/Aeolian hybrid. Heptatonic, Plagal.

Lewis Jones at 23:10, 25 February 2019

2019-02-25T23:10:08Z

← Older revision		Revision as of 23:10, 25 February 2019
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	Link: https://www.vwml.org/search?q=GB/6a/18&is=1#		Link: https://www.vwml.org/search?q=GB/6a/18&is=1#

	Tune Analysis: The key signature is E Aeolian but two of the Cs are sharpened to produce a Dorian/Aeolian hybrid. Heptatonic, Authentic.		Tune Analysis: The key signature is E Aeolian but two of the Cs are sharpened to produce a Dorian/Aeolian hybrid. Heptatonic, Authentic.


			'''Cupid the Ploughboy Version 1 of 3''' (GB/6a/59)

			Link: https://www.vwml.org/search?q=GB/6a/59&is=1

			Tune Analysis: G Aeolian key signature but scale is Hexatonic with no Es (6th). If the Es are presumed to be natural the scale is Dorian, if flattened Aeolian. Plagal.

Lewis Jones at 00:07, 24 February 2019

2019-02-24T00:07:41Z

← Older revision		Revision as of 00:07, 24 February 2019
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	Tune Analysis: D Aeolian key signature but some of the Bbs are naturalised to produce a Dorian/Aeolian hybrid. Heptatonic, Plagal.		Tune Analysis: D Aeolian key signature but some of the Bbs are naturalised to produce a Dorian/Aeolian hybrid. Heptatonic, Plagal.


			'''Basket of Eggs Version 2 of 2''' (GB/6a/18)

			Link: https://www.vwml.org/search?q=GB/6a/18&is=1#

			Tune Analysis: The key signature is E Aeolian but two of the Cs are sharpened to produce a Dorian/Aeolian hybrid. Heptatonic, Authentic.

Lewis Jones at 23:44, 23 February 2019

2019-02-23T23:44:22Z

← Older revision		Revision as of 23:44, 23 February 2019
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	The Aeolian scale is the same as the Dorian scale except that the sixth note is flattened by a semitone. To convert a Dorian to an Aeolian key signature, add a flat to, or remove a sharp from, it. Likewise, to convert an Aeolian to a Dorian key signature, remove a flat from, or add a sharp to, it. The Dorian and Aeolian scales are thus quite similar to each other, and there are quite a few Dorian/Aeolian gapped scales and quite a few Dorian/Aeolian hybrids. Here are some examples.		The Aeolian scale is the same as the Dorian scale except that the sixth note is flattened by a semitone. To convert a Dorian to an Aeolian key signature, add a flat to, or remove a sharp from, it. Likewise, to convert an Aeolian to a Dorian key signature, remove a flat from, or add a sharp to, it. The Dorian and Aeolian scales are thus quite similar to each other, and there are quite a few Dorian/Aeolian gapped scales and quite a few Dorian/Aeolian hybrids. Here are some examples.


			'''As I Roamed Out''' (GB/6a/5)

			Link: https://www.vwml.org/search?q=GB/6a/5&is=1#

			Tune Analysis: D Aeolian key signature but some of the Bbs are naturalised to produce a Dorian/Aeolian hybrid. Heptatonic, Plagal.

Lewis Jones at 23:32, 23 February 2019

2019-02-23T23:32:11Z

← Older revision		Revision as of 23:32, 23 February 2019
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	The Aeolian scale is the same as the Dorian scale except that the sixth note is flattened by a semitone. To convert a Dorian to an Aeolian key signature, add a flat to, or remove a sharp from, it. Likewise, to convert an Aeolian to a Dorian key signature, remove a flat from, or add a sharp to, it.		The Aeolian scale is the same as the Dorian scale except that the sixth note is flattened by a semitone. To convert a Dorian to an Aeolian key signature, add a flat to, or remove a sharp from, it. Likewise, to convert an Aeolian to a Dorian key signature, remove a flat from, or add a sharp to, it. The Dorian and Aeolian scales are thus quite similar to each other, and there are quite a few Dorian/Aeolian gapped scales and quite a few Dorian/Aeolian hybrids. Here are some examples.