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	<title>Cecil Sharp&#039;s Note 88 (1916) - Revision history</title>
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	<updated>2026-04-06T00:52:30Z</updated>
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		<title>Lewis Jones: Created page with &quot;No. 88. Bold Nelson’s Praise  This is the only version of this song that I know. The singer mixed his words in all the verses except the first one, necessitating a certain a...&quot;</title>
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		<updated>2018-11-19T23:01:42Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;No. 88. Bold Nelson’s Praise  This is the only version of this song that I know. The singer mixed his words in all the verses except the first one, necessitating a certain a...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;No. 88. Bold Nelson’s Praise&lt;br /&gt;
&lt;br /&gt;
This is the only version of this song that I know. The singer mixed his words in all the verses except the first one, necessitating a certain amount of rearrangement. The air is in the Dorian mode, and is a variant of “Princess Royal,” a well-known Morris-Jig tune. Shield adapted the air to the words of “The Saucy Arethusa,” one of the songs in the ballad-opera &amp;#039;&amp;#039;The Lock and Key&amp;#039;&amp;#039; (1796). The composition of the air has sometimes been attributed to Carolan. The tune is also printed in Walsh’s &amp;#039;&amp;#039;Compleat Dancing Master&amp;#039;&amp;#039; (circa 1730), under the title “The Princess Royal: the new way.”&lt;/div&gt;</summary>
		<author><name>Lewis Jones</name></author>
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