Lewis Jones: Created page with "No. 61. I’m Seventeen come Sunday This ballad, with words re-written by Burns, is in The ''Scots Musical Museum'' (ed. 1792, No. 397). The tune there given, which is differ..."

2018-11-19T20:46:44Z

Created page with "No. 61. I’m Seventeen come Sunday This ballad, with words re-written by Burns, is in The ''Scots Musical Museum'' (ed. 1792, No. 397). The tune there given, which is differ..."

New page

No. 61. I’m Seventeen come Sunday

This ballad, with words re-written by Burns, is in The ''Scots Musical Museum'' (ed. 1792, No. 397). The tune there given, which is different from ours, is a traditional one, and was recorded by Burns himself from a singer in Nithsdale. Other versions are printed in the ''Journal of the Folk-Song Society'' (volume i, p. 92; volume ii, pp. 9 and 269); Songs of the West (No. 73, 2d ed.); and Ford’s ''Vagabond Songs and Ballads'' (p. 99).

The words, which are on broadsides by Bebbington (Manchester) and Such, have not been altered. The tune is in the Dorian mode.

Cecil Sharp's Note 61 (1916) - Revision history

Lewis Jones: Created page with "No. 61. I’m Seventeen come Sunday This ballad, with words re-written by Burns, is in The ''Scots Musical Museum'' (ed. 1792, No. 397). The tune there given, which is differ..."