89 Spanish Ladies - Revision history

Lewis Jones at 18:09, 19 November 2018

2018-11-19T18:09:44Z

← Older revision		Revision as of 18:09, 19 November 2018
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	Sheet Music (1916) [[Media:89SpaLad_1916_Sheet_Music.pdf]]		Sheet Music (1916) [[Media:89SpaLad_1916_Sheet_Music.pdf]]

	Cecil Sharp's Note (1916) ~~[[Media:89SpaLad_1916_Note.pdf~~]]		[[Cecil Sharp's Note 89 (1916)]]

	MIDI Sequence [[Media:89SpaLad.mid]]		MIDI Sequence [[Media:89SpaLad.mid]]

Lewis Jones at 10:10, 3 July 2018

2018-07-03T10:10:00Z

← Older revision		Revision as of 10:10, 3 July 2018
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	Back to [[Cecil J. Sharp (1916) ''One Hundred English Folk Songs'']]		Back to [[Cecil J. Sharp (1916) ''One Hundred English Folk Songs'']]

	Tune Analysis: Plagal. Hexatonic, no F (6th). Notated in the key of A Aeolian but with a key signature of A Dorian (i.e. if the missing Fs were presumed sharpened) the ~~tune~~ would be unchanged.		Tune Analysis: Plagal. Hexatonic, no F (6th). Notated in the key of A minor. The tune presents as A Aeolian, but with a key signature of A Dorian (i.e. if the missing Fs were presumed sharpened) the melody would be unchanged.

	Sheet Music (1916) [[Media:89SpaLad_1916_Sheet_Music.pdf]]		Sheet Music (1916) [[Media:89SpaLad_1916_Sheet_Music.pdf]]
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	I:linebreak $<br>		I:linebreak $<br>
	Q:1/4=120<br>		Q:1/4=120<br>
	K:~~Aaeo~~<br>		K:Am<br>
	V:<br>		V:<br>
	V:1<br>		V:1<br>

Lewis Jones at 18:41, 14 February 2018

2018-02-14T18:41:39Z

← Older revision		Revision as of 18:41, 14 February 2018
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	Back to [[Cecil J. Sharp (1916) ''One Hundred English Folk Songs'']]		Back to [[Cecil J. Sharp (1916) ''One Hundred English Folk Songs'']]

	Tune Analysis:		Tune Analysis: Plagal. Hexatonic, no F (6th). Notated in the key of A Aeolian but with a key signature of A Dorian (i.e. if the missing Fs were presumed sharpened) the tune would be unchanged.

	Sheet Music (1916) [[Media:89SpaLad_1916_Sheet_Music.pdf]]		Sheet Music (1916) [[Media:89SpaLad_1916_Sheet_Music.pdf]]

Lewis Jones at 17:30, 14 February 2018

2018-02-14T17:30:53Z

← Older revision		Revision as of 17:30, 14 February 2018
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	V:<br>		V:<br>
	V:1<br>		V:1<br>
	E \| A A B \| A2 (A/B/) \| c B A \|$ (A/G/) E E \| A A B \| A3/2 A/ B \| c d c \|$ B2 B \| c B c \| %10<br>		E \| A A B \| A2 (A/B/) \| c B A \|$ (A/G/) E E \| A A B \| A3/2 A/ B \| c d c \|$ B2 B \| c B c \| %10<br>
	w: Fare-\|well and a-\|dieu to \|you Span- ish\|lad\- ies, Fare-\|well and a-\|dieu to you\|lad- ies of\|Spain, For\|we've rec- eived\|<br>		w: Fare-\|well and a-\|dieu to \|you Span- ish\|lad\- ies, Fare-\|well and a-\|dieu to you\|lad- ies of\|Spain, For\|we've rec- eived\|<br>
	d c d/ d/ \| (e/d/) c A \|$ (A/G/) E e/ d/ \| c A A \| (A/G/) E D \| E c B \| A2 \|] %17<br>		d c d/ d/ \| (e/d/) c A \|$ (A/G/) E e/ d/ \| c A A \| (A/G/) E D \| E c B \| A2 \|] %17<br>
	w: ord- ers for to\|sail * for old\|Eng\- * land But we\|hope in a\|short * time to\|see you a-\|gain.\|<br>		w: ord- ers for to\|sail * for old\|Eng\- * land But we\|hope in a\|short * time to\|see you a-\|gain.\|<br>
	W:<br>		W:<br>

Lewis Jones at 17:30, 14 February 2018

2018-02-14T17:30:05Z

← Older revision		Revision as of 17:30, 14 February 2018
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	ABC Code:		ABC Code:
			<br>
			X:89<br>
			T:89 Spanish Ladies<br>
			P:Collected by Cecil J. Sharp<br>
			C:From 'One Hundred English Folk Songs' (1916)<br>
			Z:Transcribed by Lewis Jones<br>
			%%scale 0.83<br>
			%%pagewidth 21.00cm<br>
			%%leftmargin 1.00cm<br>
			%%rightmargin 1.00cm<br>
			L:1/4<br>
			M:3/4<br>
			I:linebreak $<br>
			Q:1/4=120<br>
			K:Aaeo<br>
			V:<br>
			V:1<br>
			E \| A A B \| A2 (A/B/) \| c B A \|$ (A/G/) E E \| A A B \| A3/2 A/ B \| c d c \|$ B2 B \| c B c \| %10<br>
			w: Fare-\|well and a-\|dieu to \|you Span- ish\|lad\- ies, Fare-\|well and a-\|dieu to you\|lad- ies of\|Spain, For\|we've rec- eived\|<br>
			d c d/ d/ \| (e/d/) c A \|$ (A/G/) E e/ d/ \| c A A \| (A/G/) E D \| E c B \| A2 \|] %17<br>
			w: ord- ers for to\|sail * for old\|Eng\- * land But we\|hope in a\|short * time to\|see you a-\|gain.\|<br>
			W:<br>
			W:<br>
			W:1 Farewell and adieu to you, Spanish ladies,<br>
			W:Farewell and adieu to you, ladies of Spain;<br>
			W:For we've received orders for to sail for old England,<br>
			W:But we hope in a short time to see you again.<br>
			W:<br>
			W:CHORUS: We will rant and we'll roar like true British sailors,<br>
			W:We'll rant and we'll roar all on the salt seas,<br>
			W:Until we strike soundings in the channel of old England:<br>
			W:From Ushant to Scilly is thirty-five leagues.<br>
			W:<br>
			W:2 We hove our ship to with the wind from sou'-west, boys,<br>
			W:We hove our ship to, deep soundings to take;<br>
			W:'Twas forty-five fathoms, with a white sandy bottom,<br>
			W:So we squared our main yard and up channel did make.<br>
			W:<br>
			W:3 The first land we sighted was call-ed the Dodman,<br>
			W:Next Rame Head off Plymouth, off Portsmouth the Wight;<br>
			W:We sail-ed by Beachy, by Fairlight and Dover,<br>
			W:And then we bore up for the South Foreland light.<br>
			W:<br>
			W:4 Then the signal was made for the grand fleet to anchor,<br>
			W:And all in the Downs that night for to lie;<br>
			W:Let go your shank painter, let go your cat stopper!<br>
			W:Haul up your clewgarnets, let tacks and sheets fly!<br>
			W:<br>
			W:5 Now let ev'ry man drink off his full bumper,<br>
			W:And let ev'ry man drink off his full glass;<br>
			W:We'll drink and be jolly and drown melancholy,<br>
			W:And here's to the health of each true-hearted lass.<br>
			W:<br>
			W:NOTE<br>
			W:<br>
			W:This is a Capstan Chantey. It is also well known in the navy, where it is sung as a song, chanteys not being permitted.<br>
			W:Captain Kettlewell, R.N., who has made a special study of this song and has very kindly revised the words for me,<br>
			W:tells me that when it is sung on board ship, the conclusion of the chorus is, or always used to be, greeted with a shout<br>
			W:of "Heave and pawl!" (the pawl is the catch which prevents the recoil of the windlass).<br>
			W:The tune is in the Aeolian mode and, in my opinion, it is one of the grandest of our folk-tunes and one of which a seafaring<br>
			W:nation may well be proud. Nowadays, alas! sailors sing a modernized and far less beautiful form of the air in the major mode<br>
			W:<br>

Lewis Jones at 17:13, 14 February 2018

2018-02-14T17:13:08Z

← Older revision		Revision as of 17:13, 14 February 2018
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	Tune Analysis:		Tune Analysis:

	Sheet Music (1916) [[Media:]]		Sheet Music (1916) [[Media:89SpaLad_1916_Sheet_Music.pdf]]

	Cecil Sharp's Note (1916) [[Media:]]		Cecil Sharp's Note (1916) [[Media:89SpaLad_1916_Note.pdf]]

	MIDI Sequence [[Media:89SpaLad.mid]]		MIDI Sequence [[Media:89SpaLad.mid]]

Lewis Jones at 15:56, 14 February 2018

2018-02-14T15:56:45Z

← Older revision		Revision as of 15:56, 14 February 2018
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	Tune Analysis:		Tune Analysis:

	Sheet Music (1916) [[~~File~~:]]		Sheet Music (1916) [[Media:]]

	Cecil Sharp's Note (1916) [[~~File~~:]]		Cecil Sharp's Note (1916) [[Media:]]

	MIDI Sequence [[~~File~~:]]		MIDI Sequence [[Media:89SpaLad.mid]]

	PDF [[~~File~~:]]		PDF [[Media:89SpaLad.pdf]]

	Music XML [[File:]]		Music XML [[File:89SpaLad.xml]]

	ABC Code:		ABC Code:

Lewis Jones at 15:40, 14 February 2018

2018-02-14T15:40:06Z

← Older revision		Revision as of 15:40, 14 February 2018
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			Back to [[Cecil J. Sharp (1916) ''One Hundred English Folk Songs'']]

	Tune Analysis:		Tune Analysis:

Lewis Jones: Created page with " Tune Analysis: Sheet Music (1916) File: Cecil Sharp's Note (1916) File: MIDI Sequence File: PDF File: Music XML File: ABC Code:"

2018-02-14T15:37:42Z

Created page with " Tune Analysis: Sheet Music (1916) [[File:]] Cecil Sharp's Note (1916) [[File:]] MIDI Sequence [[File:]] PDF [[File:]] Music XML [[File:]] ABC Code:"

New page

Tune Analysis:

Sheet Music (1916) [[File:]]

Cecil Sharp's Note (1916) [[File:]]

MIDI Sequence [[File:]]

PDF [[File:]]

Music XML [[File:]]

ABC Code: