88 Bold Nelson's Praise - Revision history

Lewis Jones at 17:55, 19 November 2018

2018-11-19T17:55:04Z

← Older revision		Revision as of 17:55, 19 November 2018
Line 5:		Line 5:
	Sheet Music (1916) [[Media:88BolNel_1916_Sheet_Music.pdf]]		Sheet Music (1916) [[Media:88BolNel_1916_Sheet_Music.pdf]]

	Cecil Sharp's Note (1916) ~~[[Media:88BolNel_1916_Note.pdf~~]]		[[Cecil Sharp's Note 88 (1916)]]

	MIDI Sequence [[Media:88BolNel.mid]]		MIDI Sequence [[Media:88BolNel.mid]]

Lewis Jones at 10:03, 3 July 2018

2018-07-03T10:03:44Z

← Older revision		Revision as of 10:03, 3 July 2018
Line 1:		Line 1:
	Back to [[Cecil J. Sharp (1916) ''One Hundred English Folk Songs'']]		Back to [[Cecil J. Sharp (1916) ''One Hundred English Folk Songs'']]

	Tune Analysis: Plagal. Heptatonic. E Dorian. Notated in key of E Aeolian but both of the Cs are sharpened.		Tune Analysis: Plagal. Heptatonic. E Dorian. Notated in key of E Aeolian but both of the Cs are sharpened. In the abc code below the key has been changed to E Dorian to indicate more clearly the modal nature of the tune.

	Sheet Music (1916) [[Media:88BolNel_1916_Sheet_Music.pdf]]		Sheet Music (1916) [[Media:88BolNel_1916_Sheet_Music.pdf]]
Line 28:		Line 28:
	M:4/4<br>		M:4/4<br>
	I:linebreak $<br>		I:linebreak $<br>
	K:Em<br>		K:Edor<br>
	V:<br>		V:<br>
	V:1<br>		V:1<br>
	B \| G F E B \| G/G/ F E2 \| d B A/A/ d \| B A G3/2 B/ \|$ A G F E \| D E B, (B/A/) \| G F/ E/ F B, \| %8<br>		B \| G F E B \| G/G/ F E2 \| d B A/A/ d \| B A G3/2 B/ \|$ A G F E \| D E B, (B/A/) \| G F/ E/ F B, \| %8<br>
	w: Bold\|Nel- son's praise I'm\|go\- ing to sing,\|(Not forg- gett\- ing our\|glor- ious King), He\|al- ways did good\|tid- ings bring for *\|he was a bold comm-\|<br>		w: Bold\|Nel- son's praise I'm\|go\- ing to sing,\|(Not forg- gett\- ing our\|glor- ious King), He\|al- ways did good\|tid- ings bring for *\|he was a bold comm-\|<br>
	E2 E B/ B/ \|$ e B e3/2 B/ \| e B B3/2 B/ \| d ^c d B \| A G F2 \|$ E E/ F/ G A \| B B e2 \| d B ^c2 \| %16<br>		E2 E B/ B/ \|$ e B e3/2 B/ \| e B B3/2 B/ \| d c d B \| A G F2 \|$ E E/ F/ G A \| B B e2 \| d B c2 \| %16<br>
	w: and- er. There was\|Syd- ney Smith and\|Dun can too, Lord\|Howe and all the\|glor- ious crew,\|They were the men that\|were true blue,\|Full of care,\|<br>		w: and- er. There was\|Syd- ney Smith and\|Dun can too, Lord\|Howe and all the\|glor- ious crew,\|They were the men that\|were true blue,\|Full of care,\|<br>
	B E A2 \| G F E E \|$ B B, B, (B/B/) \| B (G/E/) F G \| E2 E \|] %21<br>		B E A2 \| G F E E \|$ B B, B, (B/B/) \| B (G/E/) F G \| E2 E \|] %21<br>

Lewis Jones at 18:35, 14 February 2018

2018-02-14T18:35:45Z

← Older revision		Revision as of 18:35, 14 February 2018
Line 1:		Line 1:
	Back to [[Cecil J. Sharp (1916) ''One Hundred English Folk Songs'']]		Back to [[Cecil J. Sharp (1916) ''One Hundred English Folk Songs'']]

	Tune Analysis:		Tune Analysis: Plagal. Heptatonic. E Dorian. Notated in key of E Aeolian but both of the Cs are sharpened.

	Sheet Music (1916) [[Media:88BolNel_1916_Sheet_Music.pdf]]		Sheet Music (1916) [[Media:88BolNel_1916_Sheet_Music.pdf]]

Lewis Jones at 17:25, 14 February 2018

2018-02-14T17:25:46Z

← Older revision		Revision as of 17:25, 14 February 2018
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	ABC Code:		ABC Code:
			<br>
	X:88		X:88<br>
	T:88 Bold Nelson's Praise		T:88 Bold Nelson's Praise<br>
	P:Collected by Cecil J. Sharp		P:Collected by Cecil J. Sharp<br>
	C:From 'One Hundred English Folk Songs' (1916)		C:From 'One Hundred English Folk Songs' (1916)<br>
	Z:Transcribed by Lewis Jones		Z:Transcribed by Lewis Jones<br>
	%%scale 0.83		%%scale 0.83<br>
	%%pagewidth 21.00cm		%%pagewidth 21.00cm<br>
	%%leftmargin 1.00cm		%%leftmargin 1.00cm<br>
	%%rightmargin 1.00cm		%%rightmargin 1.00cm<br>
	Q:1/4=120		Q:1/4=120<br>
	L:1/4		L:1/4<br>
	M:4/4		M:4/4<br>
	I:linebreak $		I:linebreak $<br>
	K:Em		K:Em<br>
	V:		V:<br>
	V:1		V:1<br>
	B \| G F E B \| G/G/ F E2 \| d B A/A/ d \| B A G3/2 B/ \|$ A G F E \| D E B, (B/A/) \| G F/ E/ F B, \| %8		B \| G F E B \| G/G/ F E2 \| d B A/A/ d \| B A G3/2 B/ \|$ A G F E \| D E B, (B/A/) \| G F/ E/ F B, \| %8<br>
	w: Bold\|Nel- son's praise I'm\|go\- ing to sing,\|(Not forg- gett\- ing our\|glor- ious King), He\|al- ways did good\|tid- ings bring for *\|he was a bold comm-\|		w: Bold\|Nel- son's praise I'm\|go\- ing to sing,\|(Not forg- gett\- ing our\|glor- ious King), He\|al- ways did good\|tid- ings bring for *\|he was a bold comm-\|<br>
	E2 E B/ B/ \|$ e B e3/2 B/ \| e B B3/2 B/ \| d ^c d B \| A G F2 \|$ E E/ F/ G A \| B B e2 \| d B ^c2 \| %16		E2 E B/ B/ \|$ e B e3/2 B/ \| e B B3/2 B/ \| d ^c d B \| A G F2 \|$ E E/ F/ G A \| B B e2 \| d B ^c2 \| %16<br>
	w: and- er. There was\|Syd- ney Smith and\|Dun can too, Lord\|Howe and all the\|glor- ious crew,\|They were the men that\|were true blue,\|Full of care,\|		w: and- er. There was\|Syd- ney Smith and\|Dun can too, Lord\|Howe and all the\|glor- ious crew,\|They were the men that\|were true blue,\|Full of care,\|<br>
	B E A2 \| G F E E \|$ B B, B, (B/B/) \| B (G/E/) F G \| E2 E \|] %21		B E A2 \| G F E E \|$ B B, B, (B/B/) \| B (G/E/) F G \| E2 E \|] %21<br>
	w: Yet I swear\|None with Nel- son\|could comp- are, Not \|ev- en Al- ex-\|and- er.\|		w: Yet I swear\|None with Nel- son\|could comp- are, Not \|ev- en Al- ex-\|and- er.\|<br>
	W:		W:<br>
	W:		W:<br>
	W:1 Bold Nelson's praise I'm going to sing, (not forgetting our glorious King),		W:1 Bold Nelson's praise I'm going to sing, (not forgetting our glorious King),<br>
	W:He always did good tidings bring, for he was a bold commander.		W:He always did good tidings bring, for he was a bold commander.<br>
	W:There was Sydney Smith and Duncan too, Lord Howe and all the glorious crew;		W:There was Sydney Smith and Duncan too, Lord Howe and all the glorious crew;<br>
	W:They were the men who were true blue, full of care, yet I swear		W:They were the men who were true blue, full of care, yet I swear<br>
	W:None with Nelson could compare, not even Alexander.		W:None with Nelson could compare, not even Alexander.<br>
	W:		W:<br>
	W:2 Bold Buonaparte he threaten'd war, a man who fear'd not wound nor scar,		W:2 Bold Buonaparte he threaten'd war, a man who fear'd not wound nor scar,<br>
	W:But still he lost at Trafalgar where Britain was victorious.		W:But still he lost at Trafalgar where Britain was victorious.<br>
	W:Lord Nelson's actions made him quake, and all French pow'rs he made to shake;		W:Lord Nelson's actions made him quake, and all French pow'rs he made to shake;<br>
	W:He said his king he'd ne'er forsake. these last words thus he spake:		W:He said his king he'd ne'er forsake. these last words thus he spake:<br>
	W:Stand true, my lads, like hearts of oak, and the battle shall be glorious.		W:Stand true, my lads, like hearts of oak, and the battle shall be glorious.<br>
	W:		W:<br>
	W:3 Lord Nelson bold, though threatened wide, and many a time he had been tried,		W:3 Lord Nelson bold, though threatened wide, and many a time he had been tried,<br>
	W:He fought like a hero till he died amid the battle gory.		W:He fought like a hero till he died amid the battle gory.<br>
	W:But the day was won, their line was broke, while all around was lost in smoke,		W:But the day was won, their line was broke, while all around was lost in smoke,<br>
	W:And Nelson he got his death stroke, that's the man for England!		W:And Nelson he got his death stroke, that's the man for England!<br>
	W:He faced his foe with his sword in hand and he lived and he died in his glory.		W:He faced his foe with his sword in hand and he lived and he died in his glory.<br>
	W:		W:<br>
	W:NOTE		W:NOTE<br>
	W:		W:<br>
	W:This is the only version of this song that I know. The singer mixed his words in all		W:This is the only version of this song that I know. The singer mixed his words in all<br>
	W:the verses except the first one, necessitating a certain amount of rearrangement.		W:the verses except the first one, necessitating a certain amount of rearrangement.<br>
	W:The air is in the Dorian mode, and is a variant of "Princess Royal," a well-known		W:The air is in the Dorian mode, and is a variant of "Princess Royal," a well-known<br>
	W:Morris-Jig tune. Shield adapted the air to the words of "The Saucy Arethusa," one		W:Morris-Jig tune. Shield adapted the air to the words of "The Saucy Arethusa," one<br>
	W:of the songs in the ballad-opera 'The Lock and Key' (1796). The composition of the		W:of the songs in the ballad-opera 'The Lock and Key' (1796). The composition of the<br>
	W:air has sometimes been attributed to Carolan. The tune is also printed in Walsh's		W:air has sometimes been attributed to Carolan. The tune is also printed in Walsh's<br>
	W:'Compleat Dancing Master' (circa 1730), under the title "Princess Royal: the new way."		W:'Compleat Dancing Master' (circa 1730), under the title "Princess Royal: the new way."<br>
	W:		W:<br>

Lewis Jones at 17:20, 14 February 2018

2018-02-14T17:20:04Z

← Older revision		Revision as of 17:20, 14 February 2018
Line 14:		Line 14:

	ABC Code:		ABC Code:

			X:88
			T:88 Bold Nelson's Praise
			P:Collected by Cecil J. Sharp
			C:From 'One Hundred English Folk Songs' (1916)
			Z:Transcribed by Lewis Jones
			%%scale 0.83
			%%pagewidth 21.00cm
			%%leftmargin 1.00cm
			%%rightmargin 1.00cm
			Q:1/4=120
			L:1/4
			M:4/4
			I:linebreak $
			K:Em
			V:
			V:1
			B \| G F E B \| G/G/ F E2 \| d B A/A/ d \| B A G3/2 B/ \|$ A G F E \| D E B, (B/A/) \| G F/ E/ F B, \| %8
			w: Bold\|Nel- son's praise I'm\|go\- ing to sing,\|(Not forg- gett\- ing our\|glor- ious King), He\|al- ways did good\|tid- ings bring for *\|he was a bold comm-\|
			E2 E B/ B/ \|$ e B e3/2 B/ \| e B B3/2 B/ \| d ^c d B \| A G F2 \|$ E E/ F/ G A \| B B e2 \| d B ^c2 \| %16
			w: and- er. There was\|Syd- ney Smith and\|Dun can too, Lord\|Howe and all the\|glor- ious crew,\|They were the men that\|were true blue,\|Full of care,\|
			B E A2 \| G F E E \|$ B B, B, (B/B/) \| B (G/E/) F G \| E2 E \|] %21
			w: Yet I swear\|None with Nel- son\|could comp- are, Not \|ev- en Al- ex-\|and- er.\|
			W:
			W:
			W:1 Bold Nelson's praise I'm going to sing, (not forgetting our glorious King),
			W:He always did good tidings bring, for he was a bold commander.
			W:There was Sydney Smith and Duncan too, Lord Howe and all the glorious crew;
			W:They were the men who were true blue, full of care, yet I swear
			W:None with Nelson could compare, not even Alexander.
			W:
			W:2 Bold Buonaparte he threaten'd war, a man who fear'd not wound nor scar,
			W:But still he lost at Trafalgar where Britain was victorious.
			W:Lord Nelson's actions made him quake, and all French pow'rs he made to shake;
			W:He said his king he'd ne'er forsake. these last words thus he spake:
			W:Stand true, my lads, like hearts of oak, and the battle shall be glorious.
			W:
			W:3 Lord Nelson bold, though threatened wide, and many a time he had been tried,
			W:He fought like a hero till he died amid the battle gory.
			W:But the day was won, their line was broke, while all around was lost in smoke,
			W:And Nelson he got his death stroke, that's the man for England!
			W:He faced his foe with his sword in hand and he lived and he died in his glory.
			W:
			W:NOTE
			W:
			W:This is the only version of this song that I know. The singer mixed his words in all
			W:the verses except the first one, necessitating a certain amount of rearrangement.
			W:The air is in the Dorian mode, and is a variant of "Princess Royal," a well-known
			W:Morris-Jig tune. Shield adapted the air to the words of "The Saucy Arethusa," one
			W:of the songs in the ballad-opera 'The Lock and Key' (1796). The composition of the
			W:air has sometimes been attributed to Carolan. The tune is also printed in Walsh's
			W:'Compleat Dancing Master' (circa 1730), under the title "Princess Royal: the new way."
			W:

Lewis Jones at 17:11, 14 February 2018

2018-02-14T17:11:33Z

← Older revision		Revision as of 17:11, 14 February 2018
Line 3:		Line 3:
	Tune Analysis:		Tune Analysis:

	Sheet Music (1916) [[~~File~~:]]		Sheet Music (1916) [[Media:88BolNel_1916_Sheet_Music.pdf]]

	Cecil Sharp's Note (1916) [[~~File~~:]]		Cecil Sharp's Note (1916) [[Media:88BolNel_1916_Note.pdf]]

	MIDI Sequence [[Media:88BolNel.mid]]		MIDI Sequence [[Media:88BolNel.mid]]

Lewis Jones at 16:54, 14 February 2018

2018-02-14T16:54:58Z

← Older revision		Revision as of 16:54, 14 February 2018
Line 11:		Line 11:
	PDF [[Media:88BolNel.pdf]]		PDF [[Media:88BolNel.pdf]]

	Music XML [[File:~~88/BolNel~~.xml]]		Music XML [[File:88BolNel.xml]]

	ABC Code:		ABC Code:

Lewis Jones at 16:54, 14 February 2018

2018-02-14T16:54:40Z

← Older revision		Revision as of 16:54, 14 February 2018
Line 11:		Line 11:
	PDF [[Media:88BolNel.pdf]]		PDF [[Media:88BolNel.pdf]]

	Music XML [[File:88/~~bolNel~~.xml]]		Music XML [[File:88/BolNel.xml]]

	ABC Code:		ABC Code:

Lewis Jones at 16:54, 14 February 2018

2018-02-14T16:54:16Z

← Older revision		Revision as of 16:54, 14 February 2018
Line 7:		Line 7:
	Cecil Sharp's Note (1916) [[File:]]		Cecil Sharp's Note (1916) [[File:]]

	MIDI Sequence [[Media:~~93Rosbud~~.mid]]		MIDI Sequence [[Media:88BolNel.mid]]

	PDF [[Media:~~93Rosbud~~.pdf]]		PDF [[Media:88BolNel.pdf]]

	Music XML [[File:~~93Rosbud~~.xml]]		Music XML [[File:88/bolNel.xml]]

	ABC Code:		ABC Code:

Lewis Jones at 16:50, 14 February 2018

2018-02-14T16:50:24Z

← Older revision		Revision as of 16:50, 14 February 2018
Line 7:		Line 7:
	Cecil Sharp's Note (1916) [[File:]]		Cecil Sharp's Note (1916) [[File:]]

	MIDI Sequence [[Media:93Rosbud.mid ]]		MIDI Sequence [[Media:93Rosbud.mid]]

	PDF [[Media:93Rosbud.pdf]]		PDF [[Media:93Rosbud.pdf]]